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Pulp - 59 Lyndhurst Grove

Pulp - 59 Lyndhurst Grove Lyrics and Youtube Music Videos

Album: Razzmatazz Single
Released: 1993

59 Lyndhurst Grove Lyrics

There's a picture by his first wife on the wall
Stripped floor-boards in the kitchen and the hall
A stain from last week's party on the stairs
No one knows who made it or how it ever got there

They were dancing with children round their legs
Talking business, books and records, art and sex
All things being considered you'd call it a success
You wore your black dress oh-oh oh-oh...

He's an architect and such a lovely guy
And he'll stay with you until the day you die
And he'll give you everything you could desire
Oh well almost everything everything that he can buy

So you sometimes go out in the afternoon
Spend an hour with your lover in his bedroom hear old women
Rolling trolleys down the road
Back to Lyndhurst Grove Lyndhurst Grove Oh.

Writer/s: BANKS, NICK / COCKER, JARVIS BRANSON / DOYLE, CANDIDA / MACKEY, STEPHEN PATRICK / SENIOR, RUSSELL
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

59 Lyndhurst Grove Song Chart

This song is the third and final part of the "Inside Susan: A story in Three Songs" trilogy (not including "The Babysitter", written and released later on as a B-side). Having detailed the main character Susan's early adolescence in "Stacks" and her teenage years in "Inside Susan," we find her here in "59 Lyndhurst Grove" having now grown up, married an estate agent, and moved to "somewhere in South London." Clearly domestic bliss is not to her taking, as she appears to be in an illicit fling with another man in an attempt to bring some excitement to proceedings.

Jarvis Cocker explained briefly about the "Inside Susan" trilogy when discussing the "Razzmatazz" single in the 1994 Record Collector interview, where he elaborated on "59 Lyndhurst Grove." Said Cocker: "You follow this character from early adolescence through to early thirties and married to an architect somewhere in South London. The last part, '59 Lyndhurst Grove,' was inspired by a party I'd been to the weekend before. We were thrown out by an architect but I got my own back by writing a song about the event. It was a really crap 'right on' party - there were children there. You don't take your children to a party in my book. I sent a copy of the CD to 59 Lyndhurst Grove, the lady of the house, because she was in a bad situation married to this prick, but she never wrote back. A Japanese fan went there and stood outside and asked if she was Susan!"

Pulp - Like A Friend

Pulp - Like A Friend Lyrics and Youtube Music Videos

Album: Great Expectations Soundtrack
Released: 1998

Like A Friend Lyrics

Don't bother saying you're sorry.
Why don't you come in?
Smoke all my cigarettes, again.
Every time I get no further.
How long has it been?
Come on in now,
Wipe your feet on my dreams.

You take up my time,
Like some cheap magazine,
When I could have been learning something.
Oh well, you know what I mean.

I've done this before.
And I will do it again.
Come on and kill me baby,
While you smile Like A Friend.
And I'll come running,
Just to do it again.

You are the last drink I never should drunk.
You are the body hidden in the trunk.
You are the habit I can't seem to kick.
You are my secrets on the front page every week.
You are the car I never should have bought.
You are the train I never should have caught.
You are the cut that makes me hide my face.
You are the party that makes me feel my age.

Like a car crash I can see but I just can't avoid.
Like a plane I've been told I never should board.
Like a film that's so bad but I've gotta stay til the end.
Let me tell you now,
It's lucky for you that we're friends.

Like a car crash I can see but I just can't avoid.
Like a plane I've been told I never should board.
Like a film that's so bad but I've gotta stay til the end.
Let me tell you now,
It's lucky for you that we're friends.

Writer/s: COCKER, JARVIS BRANSON / BANKS, NICK / DOYLE, CANDIDA / MACKEY, STEPHEN PATRICK / WEBBER, MARK ANDREW / DOYLE, PATRICK
Publisher: Universal Music Publishing Group, FOX MUSIC, INC., KOBALT MUSIC PUB AMERICA INC
Lyrics licensed and provided by LyricFind

Like A Friend Song Chart

This was a song recorded specifically for the soundtrack of the 1998 film Great Expectations, a modern-day adaptation of the classic Charles Dickens novel which moved the setting from 1820s London to 1990s New York - hence the modern soundtrack, also featuring fellow 1990s luminaries Reef, Chris Cornell (of Soundgarden fame), Tori Amos and Scott Weiland of Stone Temple Pilots and later supergroup Velvet Revolver.

At the time of the song's release the band didn't seem interested in playing it live (perhaps because it was only a B-side off an obscure soundtrack), so wasn't as well-known as other songs they were playing at the time. However, the song made its live debut at last at Glastonbury Festival in 2011, and was a mainstay throughout the band's 2011-2012 reunion tour shows, including their farewell show at Motorpoint Arena Sheffield in December 2012.

Pulp - Sheffield: Sex City

Pulp - Sheffield: Sex City Lyrics and Youtube Music Videos

Album: Babies B-Side
Released: 1992

Sheffield: Sex City Lyrics

Intake, Manor Park, The Wicker, Norton, Freshville Hackenthorpe, Shalesmoor, Wombwell, Catcliffe Brincliffe, Attercliffe, Ecclesall
Woodhouse, Wybourn
Pitsmoor, Badger, Wincobank, Crookes, Walkley Broomhill, Oh!
[Candida, quoting from some book]
"I was only about eleven when this happened.
We were living in a big block of flats with a central courtyard.
All the bedroom windows opened onto this court,
And sometimes in the middle of the night,
In that building it sounded like a mass orgy.
I may have only been eleven,
But no-one had to tell me what all that moaning and yelling was about.
I'd lie there mesmerised, listening to the first couple.
Invariably, they'd wake up other couples,
And like some kind of chain reaction,
Within minutes the whole building was fucking.
I mean, have you ever heard other people fucking, and really enjoying it?
It's a marvellous sound.
Not like in the movies, but when it's real.
It's such a happy, exciting sound.'

The city is a woman
Bigger than any other
Oh, sophisticated lady
Yeah, I wanna be your lover (not your brother, not your mother, yeah)
The sun rose from behind the gasometers at six-thirty a.m.
Crept through the gap in your curtains
And caressed your bare feet poking from beneath the floral sheets.
I watched it flaking bits of varnish from your nails
Trying to work it's way up under the sheets.
Jesus! Even the sun's on heat today;
The whole city getting stiff in the building heat.

I just want to make contact with you
Oh that's all I wanna do
I just want to make contact with you
Oh that's all I wanna do

Now I'm trying hard to meet her but the fares went up at seven
She is somewhere in the city, somewhere watching television
Watching people being stupid, doing things she can't believe in
Love won't last 'til next installment
Ten o' clock on Tuesday evening
The world is going on outside, the night is gaping open wide
The wardrobe and the chest of drawers are telling her to go outdoors
He should have been here by this time, he said that he'd be here by nine
That guy is such a prick sometimes, I don't know why you bother, really.

Oh babe oh I'm sorry
But I had to make love to every crack in the pavement and the shop doorways
And the puddles of rain that reflected your face in my eyes.

The day didn't go too well.
Too many chocolates and cigarettes.
I kept thinking of you and almost walking into lamp-posts.
Why's it so hot (Peace garden!)
The air coming up to the boil; rubbing up against walls and lamp-posts trying to get rid of it.
Old women clack their tongues in the shade of crumbling concrete bus shelters.
Dogs doing it in central reservations and causing multiple pile-ups in the centre of town.
I didn't want to come here in the first place
But I've been sentenced to three years in the Housing Benefit waiting room.
I must have lost your number in the all-night garage
And now I'm wandering up and down your street, calling you name, in the rain
Whilst my shoes turn to sodden cardboard.
[Jarvis:] Where are you?
[Candida:] (I'm here!)
[Jarvis:] Where are you?
[Candida:] (I'm here!)
[Jarvis:] Where are you?
[Candida:] (I'm here!)
[Jarvis:] Where are you?
[Candida:] (I'm here!)
[Jarvis:] Where are you?
[Candida:] (I'm here!)
[Jarvis:] Where are you?
[Candida:] (I'm here!)
[Jarvis:] Where are you?
That's all I wanna do.

I'm still trying hard to meet you, but it doesn't look like happening
'cause the city's out to get me if I won't sleep with her this evening
Though her buildings are impressive and her cul-de-sac's amazing
She's had too many lovers and I know you're out there waiting
And now she's getting into bed he's had his chance now it's too late
The carpet's screaming for her soul, the darkness wants to eat her whole
Tonight must be the night it ends
Tomorrow she will call her friends and go out on her own somewhere
Who needs this shit anyway?

And listen, I wandered the streets the whole night crying, trying to pick up your scent
Writing messages on walls and the puddles of rain reflected your face in my eyes.
We finally made it on a hill-top at four a.m.
The whole city is your jewellery-box; a million twinkling yellow street lights.
Reach out and take what you want, you can have it all.
Gee it's so hot tonight!
I didn't think we were gonna make it.
It was so bad during the day, but now I'm snug
And warm under an eiderdown sky.

All the things we saw:
Everyone on Park Hill came in unison at 4.13 AM,
And the whole block fell down.
The tobacconist caught fire, and everyone in the street died of lung cancer.
The grunts from the T-reg Chevette; you bet, you bet, yeah, you bet. Mmmmm, yeah.

All I wanna do is make contact with you. Tomorrow, are we gonna
That's all I wanna do...

I was trying hard to meet her but the fares went up at seven
She was somewhere in the city somewhere watching television
Watching people being stupid doing things she can't believe in
Love won't last 'til next installment ten o'clock on Tuesday evening
The world was going on outside
The night was waiting open wide
The wardrobe and the chest of drawers were telling her to go outdoors
He should have been there by that time, he said that he'd be there by nine
That guy is such a prick sometimes
Yeah Jesus!

Oh baby babe I wanna I wanted to tell you that there's nothing
There's nothing to worry about because we can, we can, we can, we can get it together oh yeah
Oh we got it together tonight, we didn't wait
Yeah we made it.

Writer/s: BANKS, NICK / COCKER, JARVIS BRANSON / DOYLE, CANDIDA / MACKEY, STEPHEN PATRICK / SENIOR, RUSSELL
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Sheffield: Sex City Song Chart

This song deserves a mention as it remained fairly constant in the band's live show, from conception in 1992 on the first release of "Babies" as a single through to the final show at Motorpoint Arena in December 2012 - starting the encore, no mean feat as it had to follow "Common People" in the set.

The song itself is an interesting mix of spoken-word narrative, sung lyrics and sexual innuendo/noises. Part of the song sees keyboardist Candida Doyle reading a section from the 1973 book My Secret Garden, a compilation of female sexual fantasies.

Jarvis Cocker explained this unique song's conception in a 2003 interview with Mojo magazine: "Sometimes you write a song and you can't think of a tune but you like the music. So that's a cue for me to write a long stream of whatever, a few grunts and a little bit of singing at some point. It's OK, but it could have been done better. We got some good bass on it though 'cos this Rasta guy Zeebee, the house mixer at Island, was smoking a lot of dope and got that bass turned up.

Was I actually having sex? Probably wasn't, actually, 'cos when I first came down to London my girlfriend went away for a year. You might think, young man in London at college? Gotta be getting some shagging. But for some reason I didn't really get it on. Sex isn't really written about much except in very clichéd or caricatured terms, rather than as a part of everyday life."