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Articles by "1955"

Fats Domino - Ain't That A Sham
Fats Domino - Ain't That A Shame


Fats Domino - Ain't That A Shame Lyrics and Youtube Music Videos

Album: Carry On Rockin'
Released: 1955

Ain't That A Shame Lyrics


You made me cry when you said goodbye
Ain't That A Shame
My tears fell like rain
Ain't that a shame
You're the one to blame

You broke my heart when you said we'll part
Ain't that a shame
My tears fell like rain
Ain't that a shame
You're the one to blame

Oh well goodbye
Although I'll cry
Ain't that a shame
My tears fell like rain
Ain't that a shame
You're the one to blame

You made me cry when you said goodbye
Ain't that a shame
My tears fell like rain
Ain't that a shame
You're the one to blame

Oh well goodbye
Although I'll cry
Ain't that a shame
My tears fell like rain
Ain't that a shame
You're the one to blame

Writer/s: BARTHOLOMEW, DAVE / DOMINO, ANTOINE
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Ain't That A Shame
  • This is a heartache song about a breakup that was the other partner's fault. Domino wrote it with Dave Bartholomew, who worked on most of Domino's hits.
  • This was the first song to crossover from the R&B charts to the mostly white pop charts of the day. Like several other songs previously heard exclusively in black bars or nightclubs, this was covered by the crooning Pat Boone. Concerned about how educated, upper-class whites would respond to the title, he originally wanted it changed to "Isn't That a Shame," but the producers realized the original title would sell better and kept it.

    Boone's cover was a huge hit, going to #1 on the US Pop charts and reaching #7 in the UK. This gave Domino's original recording a boost, and helped it cross over.
  • This was Fats Domino's first hit song that was not recorded in New Orleans, where the singer lived. He recorded it on March 15, 1955 in a Hollywood studio when he was on tour in Los Angeles. Imperial Records had the engineers compress Fats' vocals and speed up the song a bit to make the song sound less bluesy and give it more mainstream appeal. This also made it more difficult for other artists to cover the song.
  • In 1960, Domino recorded a sequel called "Walking To New Orleans," where he leaves and goes back to his hometown.
  • This was used in the 1972 movie American Graffiti. It was also used in the movie October Sky. (thanks, duff - Paris'suburb, France)
  • Cheap Trick's 1978 cover went to #35 in the US and helped make their At Budokan album a huge hit. A portion of the first guitar solo in their version, played by Rick Nielsen, is lifted from the opening harmonica riff from the Beatles' "Please Please Me." That same riff is also used in the guitar outro to the track "The House is Rockin' (Domestic Problems)" from the band's 1980 album Dream Police.
    According to Nielsen, Cheap Trick got the idea to record the song after hearing John Lennon's 1975 cover version. (thanks, DeeTheWriter - Saint Petersburg, Russia Federation, and Sam - Lincoln, NE)
  • In 2007, this was used in commercials for Diet Cherry Vanilla Dr. Pepper. (thanks, Taylor - Bealeton, VA)
  • This was the first song that John Lennon learned to play. Lennon later recorded the song in a duet with Yoko Ono, and his fellow Beatle Paul McCartney also recorded the song.

  • Bo Diddley - Bo Diddle
    Bo Diddley - Bo Diddley


    Bo Diddley - Bo Diddley Youtube Music Videos and Lyrics

    Album: Bo Diddley Box Set
    Released: 1955

    Bo Diddley Lyrics


    Bo Diddley bought his babe a diamond ring,
    If that diamond ring don't shine,
    He gonna take it to a private eye,
    If that private eye can't see
    He'd better not take the ring from me

    Bo diddley caught a nanny goat,
    To make his pretty baby a Sunday coat,
    Bo diddley caught a bear cat,
    To make his pretty baby a Sunday hat

    Mojo come to my house, ya black cat bone,
    Take my baby away from home,
    Ugly ole mojo, where ya bin,
    Up your house, and gone again

    Bo diddley, bo diddley have you heard?
    My pretty baby said she wasn't for it

    Writer/s: ELLAS MCDANIEL
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Bo Diddley
  • The lyrics were based on the American folk song "Mockingbird." It has virtually the same lyrics as the "Mockingbird" adaptation by Charlie and Inez Foxx in 1963, which was later recorded by James Taylor and Carly Simon.
  • Bo Diddley was born Ellas Bates. He had his name changed to Ellas McDaniels when he was adopted. He took his stage name from a one-stringed Deep South instrument, the Diddley Bow.
  • Originally titled "Uncle John," the song was rejected by the owners of Chess Records because the original lyrics were "too dirty" for the white American record-buying public. In response, Diddley re-wrote the lyrics and named the song after himself. From this point forward, Diddley often put his name in his songs.
  • Diddley was trained on the violin as a child, but switched to guitar (to emulate John Lee Hooker) when his sister gave him one for a Christmas present.
  • Diddley took his longtime partner Jerome Green to play the maracas on the recording. Green's efforts were fed through an echo chamber to get the desired effect.
  • The Bo Diddley riff was incorporated into many rock'n'roll songs. Examples include "Not Fade Away" (Buddy Holly), "Willie and the Hand Jive" (Johnny Otis Show), "Cannonball" (Duane Eddy), "Hey Little Girl" (Dee Clark), "I Want Candy" (Strangeloves), "Bad Blood" (Neil Sedaka), and "Faith" (George Michael).
  • Although the riff used in this is ascribed to Bo Diddley (the "Bo Diddley Beat), it didn't originate with him. It goes back to West Africa -- American slaves patted the rhythms on their bodies as they were denied access to their traditional drums (many pre-Civil War slaveholders were afraid of them being used for communication). "Hambone" became part of the African-American musical tradition. Chicago youngster Sammy McGrier did a hambone on a radio talent show in the early '50s; bandleader Red Saunders recorded McGrier, Dee Clark, and Ronny Strong as the Hambone Kids and called the song "Hambone." "Hambone" became a novelty hit despite covers by Tennessee Ernie Ford and the duo of Frankie Laine and Jo Stafford. It was the only chart record for Red Saunders.
  • Contrary to popular belief, this did not make the Billboard Top Singles chart, but it did hit #1 on the Rhythm and Blues chart.
  • Diddley's sole Top 40 his was recorded four years later - "Say Man" - a tape of Diddley and Green swapping insults in a bar. Instruments were added in the studio, and a #20 hit was born. (thanks, Brad Wind - Miami, FL, for all above)
  • Bo Diddley performed this on his Ed Sullivan Show appearance November 20, 1955. Sullivan wanted Diddley to sing "Sixteen Tons," but Diddley played this song anyway, which didn't go over well with the host. Diddley was never asked back.

  • Bill Haley - Rock Around The Cloc
    Bill Haley - Rock Around The Clock


    Bill Haley - Rock Around The Clock Youtube Music Videos and Lyrics

    Album: Greatest Hits
    Released: 1955

    Rock Around The Clock Lyrics


    One, two, three o´clock, four o´clock, rock
    Five, six, seven o´clock, eight o´clock, rock
    Nine, ten, eleven o´clock, twelve o´clock, rock
    We´re gonna Rock Around The Clock tonight

    Put your glad rags on and join me, hon
    We´ll have some fun when the clock strikes one
    We´re gonna rock around the clock tonight
    We´re gonna rock, rock, rock, ´til broad daylight
    We´re gonna rock, gonna rock, around the clock tonight

    When the clock strikes two, three and four
    If the band slows down we´ll yell for more
    We´re gonna rock around the clock tonight
    We´re gonna rock, rock, rock, ´til broad daylight
    We´re gonna rock, gonna rock, around the clock tonight

    When the chimes ring five, six and seven
    We´ll be right in seventh heaven
    We´re gonna rock around the clock tonight
    We´re gonna rock, rock, rock, ´til broad daylight
    We´re gonna rock, gonna rock, around the clock tonight

    When it´s eight, nine, ten, eleven too
    I´ll be goin´ strong and so will you
    We´re gonna rock around the clock tonight
    We´re gonna rock, rock, rock, ´til broad daylight
    We´re gonna rock, gonna rock, around the clock tonight

    When the clock strikes twelve, we´ll cool off then
    Start a rockin´ round the clock again
    We´re gonna rock around the clock tonight
    We´re gonna rock, rock, rock, ´til broad daylight
    We´re gonna rock, gonna rock, around the clock tonight

    Writer/s: MYERS, JAMES / FREEDMAN, MAX
    Publisher: Sony/ATV Music Publishing LLC, ROBERT W. CINQUE, ESQ.
    Lyrics licensed and provided by LyricFind

    Rock Around The Clock Song Chart
  • There is some dispute over what was the first rock song ever recorded (The Rock and Roll Hall of Fame says it's Rocket 88, which Haley covered in 1951), but this is indisputably the first rock song to top the charts, and generally considered the beginning of the "Rock Era," at least for chart purposes.

    At the time, Billboard magazine compiled charts in three different categories: Best Sellers in Stores, Most Played By Disc Jockeys, and Most Played in Juke Boxes - many songs like "Rock Around The Clock" topped all three and were a consensus #1. Elvis had his first chart-topper in 1956 with "Heartbreak Hotel," and rock music made steady gains from there, but to give you some idea of what the charts looked like before Haley hit the pinnacle, the 1955 #1s that hit before Haley were by Joan Weber, The Fontane Sisters, The McGuire Sisters, Bill Hays, Perez Prado, Georgia Gibbs and Les Baxter.
  • This was written in 1953 by a Philadelphia songwriter named named Max Freedman (who was nearly 60 years old), and by James Myers, who was a local musician and song publisher, who published it under the name "Jimmy De-Knight." In addition to owning half the composer credit on the song, Myers had 100% of the publishing. Haley wanted to record the song, but Dave Miller, who owned his label Essex Records, refused because of a dispute over the publishing. Myers then placed the song with a veteran Country act called Sonny Dae and His Nights, and their version was released in 1953 to little acclaim. In 1954, Myers helped Haley leave Essex records and sign with Decca; as part of their agreement, one side of every single Haley recorded had to be a song from Myers' catalog, and the first one they picked was "Rock Around The Clock," which was originally released as the B-side of a Dickie Thompson song called "Thirteen Women," which was about a nuclear bomb that leaves just one man and 13 women alive.

    "Rock Around The Clock" first appeared on the charts on June 3, 1953, selling 75,000 copies and convincing Decca to pick up Haley's option. Haley then recorded a successful cover of the Big Joe Turner song "Shake, Rattle And Roll," and on March 25, 1955, "Rock Around The Clock" was featured in the movie Blackboard Jungle, which gave it a surge in popularity and prompted Decca to re-release the single. This time, the song surged to the top of the charts, entering the Top 40 on May 14, 1955 and hitting #1 on July 9, where it stayed for eight weeks.
  • Haley first recorded this song on April 12, 1954 at his first session for Decca Records. Haley went to New York to cut his first Decca session. Musicians were: Billy Williamson on steel guitar, Johnny Grande on piano, Joey d'Ambrosio on tenor sax, Danny Cedrone on lead guitar and Marshall Lytle on bass. A session drummer, named Billy Gussack played on this recording. Haley recorded the song a few other times, but this recording was the original single.
  • The term "Rock 'n' Roll" was a relatively new way of describing music when this came out. A lot of early "Rock" was based on the blues, and was far too racy for most white listeners. Many white singers made careers out of sanitizing R&B records for pop appeal, but Haley added a country/swing element to his covers that kept a lot of the edge. When Elvis came along, he did the same thing, transforming R&B songs like "Hound Dog" without sucking the life out of them.
  • Many listerners had never heard of "rock and roll" when this was released, so the record company had a hard time describing the song. The label on the single called it a "Novelty Foxtrot."
  • Haley's guitarist Danny Cedrone played pretty much the same solo on "Rock Around The Clock" that he did on Haley's 1952 cover of the Jimmy Preston "Rock The Joint," which was a big break for Haley, selling over 150,000 copies, and established the swinging blues style he would use on his famous hit.
  • This was the original opening theme song for the TV show Happy Days . The song was re-released in 1974 to capitalize on its new popularity, and charted at #39 in the US. In 1976 theme was changed to "Happy Days."
  • In the UK, this was the biggest-selling single of the '50s.
  • Elton John took a swipe at this in his song "Crocodile Rock." Elton thought this was kind of overrated, so he put a line in about how they were doing the Crocodile Rock while the other kids were "Rocking 'round the clock."
  • Haley was never able to duplicate the massive success of "Rock Around The Clock," but he did have a few more hits in the '50s, including "See You Later Alligator" and "The Saints Rock 'N Roll." Haley is a key figure in the evolution of rock music, helping transform the sound out of Country music, but he couldn't sustain his early success. Elvis stole his thunder, and Haley recorded many substandard songs because wanted to cut tracks owned by his publishing company. He remained somewhat popular overseas, but lawsuits and financial problems took their toll on the singer, and he died in 1981 at age 55. Bill Haley and His Comets were inducted into the Rock and Roll Hall of Fame in 1987.
  • According to Rolling Stone in their "100 Greatest Guitar Songs" issue, Comets guitarist Danny Cedrone was paid $21 for his work on this track, which became a classic rock solo. Unfortunately, he died in a fall months after he recorded it. (thanks, Bertrand - Paris, France)
  • There is a different snare drum pattern on each verse. (thanks, Greg - Barking, England)
  • In 1956, Bill Haley and the Comets starred as themselves in a low-budget movie called Rock Around The Clock, where they performed nine songs. The film was far from scandalous, but was targeted to teenagers and caused a stir among theater owners who feared bad behavior. Possibly spurred on by these reports, there were incidents of dancing in aisles and other breaches in etiquette that helped fuel the perception among many adults that rock music would lead to mayhem in America's youth.

  • Muddy Waters Songs - Trouble No More
    Muddy Waters - Trouble No More


    Muddy Waters - Trouble No More Lyrics and Youtube Music Videos

    Album: The Essence of Muddy Waters
    Released: 1955

    Trouble No More Lyrics


    Don't care how long you gone
    I don't care how long you staying
    But, good kind treatment
    Gonna bring you home some day
    But, someday baby
    You ain't gonna trouble
    Poor me, anymore

    You just keep on betting
    That the dice won't pass
    Well you know, darling
    You are living too fast
    But, someday baby
    You ain't gonna trouble
    Poor me, anymore

    I'm gonna tell everybody
    In your neighborhood
    That you the sweet little girl
    But, you don't mean me no good
    But, someday baby
    You ain't gonna trouble
    Poor me, anymore

    Well, I know you're leavin
    Well, you call that gone
    Well, without love
    You can't stay long
    But, someday baby
    You ain't gonna trouble
    Poor me, anymore

    Well, goodbye baby
    Come on and shake my hand
    I don't want no woman
    You can't have a man
    But, someday baby
    You ain't gonna trouble
    Poor me, anymore

    Writer/s: MUDDY WATERS
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Trouble No More Song Chart
  • One of Muddy Waters more popular songs, in this one he sings about looking forward to the day his woman leaves him, which he can see coming. It's bases on a 1935 song called "Someday Baby Blues" by a country-blues singer named Sleepy John Estes. Waters transformed the song with his Chicago blues style, adding a much more prominent guitar.
  • Little Walter played the harmonica on this song, and Jimmy Rogers played the guitar.
  • The Allman Brothers, who often did their own interpretation of blues songs, recorded a popular version of this song for their 1969 debut album. It was one of 22 songs Gregg Allman brought to the band when he joined, and it was the first song they played together for an audience. That performance was on song was on May 11, 1969 when they played at Piedmont Park in Atlanta at a free festival sponsored by an underground newspaper; the paper gave them a glowing review and put them on the map outside of Macon.

    The song became a live favorite for the band; a version from a show at The Fillmore East appears on the Allman Brothers album Eat A Peach, which was released after Duane Allman died in a motorcycle accident.

    On October 28, 2014, the band played their final show, a farewell concert at the Beacon Theater in New York City. Their final song was "Trouble No More."

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