Pulp Songs - Little Girl (With Blue Eyes) Lyrics
Pulp - Little Girl (With Blue Eyes) |
Pulp - Little Girl (With Blue Eyes) Lyrics and Youtube Music Videos
Album: single release only
Released: 1985
Little Girl (With Blue Eyes) Lyrics
You're just a
Little Girl (With Blue Eyes)
Everybody looks at you
(Well, it's your day)
And you're
Stepping from the black car
But you'll be getting back in soon
(And on your way)
Little girl (with blue eyes)
There's a hole in your heart
And one between your legs
You've never had to wonder
Which one he's going to fill
In spite of what he said
You'll never get away
Hey
You'll give it up one day
Come what may
Dad's not got a shot-gun
But his look's enough to murder you
(See what you've done)
And forget about the paintings
'Cause you'd better get the washing done
(Oh something's wrong)
Little girl (with blue eyes)
There's a hole in your heart
And one between your legs
You've never had to wonder
Which one he's going to fill
In spite of what he said
You'll never get away
Hey
You'll give it up one day
Come what may
Face down on the pavement
Chalk lines round your little hands
(Hit and run)
And now a
Mother sits in silence
In a darkness she can't understand
(Where you've gone)
Oh
Little girl (with blue eyes)
There's a hole in your heart
And one between your legs
You've never had to wonder
Which one he's going to fill
In spite of what he said
You'll never get away
Hey
You'll give it up one day
Come what may.
Writer/s: PETER MANSELL, JARVIS COCKER, RUSSELL SENIOR, CANDIDA DOYLE
Publisher: CONEXION MEDIA GROUP, INC.
Lyrics licensed and provided by LyricFind
Little Girl (With Blue Eyes) Song Chart
Jarvis Cocker explained how the post-"Everybody's Problem" period saw the new lineup come together: "Around the middle of '84, I met up with Russell Senior, who I'd first met in 1980. He came to our Leadmill concert and wrote our very first review in his fanzine 'The Bath Banker.' We decided to have a last ditch effort, so we practiced with a new drummer, Magnus Doyle, and the next incarnation of Pulp was born, with a new bassist, Pete Mansell, who was a friend of Magnus', whose sister Candida Doyle joined after a few months. At first, we had Tim Allcard, who played two-finger keyboard parts and recited poetry in between songs."
He continued: "The song got banned because of the lyrics - but not like Frankie goes to Hollwood. They just didn't play it. It got good reviews - 'a Scott Walker for the 80s!' People said, 'you'd like Scott Walker,' but all I'd heard sounded like Tom Jones. It wasn't until 1987 when somebody gave me a tape of his proper solo albums that I understood his genius. I started buying easy listening albums from jumble sales and Oxfam shops. Burt Bacarach, Henry Mancini - I found that easier to deal with, especially as we were making such abrasive music. I needed something to calm me down. I gave up being in touch with modern music. I resented anybody who was successful. I resented the Smiths, because they were from the North and doing a fairly similar thing."
The band would later go on to work with Scott Walker as a producer on their We Love Life album.