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The Band - Stage Fright
The Band - Stage Fright


The Band - Stage Fright Lyrics and Youtube Music Videos

Album: Stage Fright
Released: 1970

Stage Fright Lyrics


Now deep in the heart of a lonely kid
Who suffered so much for what he did,
They gave this ploughboy his fortune and fame,
Since that day he ain't been the same.

[Chorus]
See the man with the Stage Fright
Just standing up there to give it all his might.
And he got caught in the spotlight,
But when we get to the end
He wants to start all over again.

I've got fire water right on my breath
And the doctor warned me I might catch a death.
Said, "You can make it in your disguise,
Just never show the fear that's in your eyes."

See the man with the stage fright
Just standing up there to give it all his might.
And he got caught in the spotlight,
But when we get to the end
He wants to start all over again.

Now if he says that he's afraid,
Take him at his word.
And for the price that the poor boy has paid,
He gets to sing just like a bird, oh, ooh ooh ooh.

Your brow is sweating and your mouth gets dry,
Fancy people go drifting by.
The moment of truth is right at hand,
Just one more nightmare you can stand.

See the man with the stage fright
Just standing up there to give it all his might.
And he got caught in the spotlight,
But when we get to the end
He wants to start all over again.

You want to try it once again,
Please don't make him stop,
Let him take it from the top,
Let him start all over again.

Writer/s: ROBBIE ROBERTSON
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Stage Fright
  • Band bassist Rick Danko was chosen to sing this. His voice had a tendency to sound somewhat nervous.
  • Fillmore owner and operator Bill Graham once called this the greatest song about performing ever written.
  • The album was mixed twice by two different people. The Band was looking for a different sound from their homey first pair of albums, and so they hired Todd Rundgren to mix Stage Fright. However, Band drummer Levon Helm disliked Rundgren greatly at the time, and Glyn Johns (famous for his work with Led Zeppelin at the time) was brought in. As a result, there were two mixes used for the original album. In later years, the album would be reissued numerous times with varying ratios of Rundgren and Johns material.

  • The Band - Chest Fever
    The Band - Chest Fever


    The Band - Chest Fever Lyrics and Youtube Music Videos

    Album: Music From Big Pink
    Released: 1968

    Chest Fever Lyrics


    I know she's a tracker
    Any style that would back her
    They say she's a chooser
    But I just can't refuse her
    She was just there, but then she can't be here no more

    And as my mind unwheels
    I feel the freeze down in my knees
    But just before she leaves, she receives

    She's been down in the dunes
    And she's dealt with the goons
    Now she drinks from a bitter cup
    I'm trying to get her to give it up
    She was just here, I fear she can't be there no more

    It's long, long when she's gone
    I get weary holding on
    Now I'm coldly fading fast
    I don't think I'm gonna last very much longer

    She's stoned said the Swede, and the moon calf agreed
    I'm like a viper in shock with my eyes in the clock
    She was just there somewhere and here I am again
    And as my mind unweaves, I feel the freeze down in my knees
    But just before she leaves, she receives

    Writer/s: JAIME ROBERTSON
    Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Chest Fever
  • The Band's guitarist, Robbie Robertson, felt he needed a counterbalance for the album's centerpiece, "The Weight." He wrote the music for the song solely for that purpose.
  • The intro to the song, played on an organ by Band multi-instrumentalist Garth Hudson, was the result of a very long improvisation. Eventually the improvisation quoted Bach's "Fugue in D Minor" and followed into the song's main riff. Only part of the improvisation was included on the actual album cut (the part beginning with the Bach quote). In live shows, the song became a Hudson showcase, with him improvising wildly on organ (and later, on synthesizer) before cutting into the song. This improvisation came to be known as "The Genetic Method."
  • Robertson, drummer Levon Helm, and pianist Richard Manuel improvised lyrics (Robertson often calls them meaningless) over the course of the song. Those lyrics remain unchanged on the track, although they loosely tell a story of a man thrown aside by a hard-drinking, fast-talking woman who subsequently literally becomes sick with love for her.
  • This was the opening song for the Band's set at the Woodstock Festival in 1969.

  • The Band - Rag Mama Rag
    The Band - Rag Mama Rag


    The Band - Rag Mama Rag Lyrics and Youtube Music Videos

    Album: The Band
    Released: 1969

    Rag Mama Rag Lyrics


    Rag Mama Rag, can't believe its true.
    Rag Mama Rag, what did you do?
    Crawled up to the railroad track
    Let the four nine-teen scratch my back

    Sag mama sag now
    What's come over you
    Rag Mama Rag, I'm a pulling out your gag.
    Gonna turn you lose like an old caboose,
    Got a tail I need a drag.

    I ask about your turtle,
    And you ask about the weather,
    Well, I can't jump the hurdle
    And we can't get together.

    We could be relaxing in my sleeping bag,
    But all you want to do for me mama
    Is rag Mama rag there's no-where to go,
    Rag Mama rag. Come on resin up the bow.

    Rag Mama rag, where do ya roam?
    Rag Mama rag, bring your skinny little body back home.
    Its dog eat dog and cat eat mouse, you can
    You can rag Mama rag all over my house.

    Hail stones beating on the roof,
    The bourbon is a hundred proof,
    Its you and me and the telephone
    Our destiny is quite well known.

    We don't need to sit and brag.
    All we gotta do is
    Rag Mama rag Mama rag.
    Rag Mama rag
    Where do you roam?
    Rag Mama rag, bring your skinny little body back home

    Writer/s: ROBBIE ROBERTSON
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Rag Mama Rag
  • One of the Band's first large European hit singles, this had some unusual instrumentation. Lead pianist Richard Manuel played drums, drummer Levon Helm played mandolin and sang lead, and bassist Rick Danko played a fiddle. This left the bass spot open on this track, and it was filled by the album's producer, John Simon. He improvised a bassline on tuba, although he had no idea how to play the instrument.

  • The Band - The Night They Drove Old Dixie Dow
    The Band - The Night They Drove Old Dixie Down


    The Band - The Night They Drove Old Dixie Down Lyrics and Youtube Music Videos

    Album: The Band
    Released: 1969

    The Night They Drove Old Dixie Down Lyrics


    Virgil Caine is the name, and I served on the Danville train,
    Til Stoneman's cavalry came and tore up the tracks again.
    In the winter of '65, we were hungry, just barely alive.
    By May the tenth, Richmond had fell, it's a time I remember, oh so well,

    [Chorus]
    The Night They Drove Old Dixie Down, and the bells were ringing,
    The night they drove old Dixie down, and the people were singin'. they went
    La, la, la, la, la, la, la, la, la, la, la, la, la, la,

    Back with my wife in Tennessee, when one day she called to me,
    "Virgil, quick, come see, there goes Robert E. Lee!"
    Now I don't mind choppin' wood, and I don't care if the money's no good.
    Ya take what ya need and ya leave the rest,
    But they should never have taken the very best.

    The night they drove old Dixie down, and the bells were ringing,
    The night they drove old Dixie down, and the people were singin'. they went
    La, la, la, la, la, la, la, la, la, la, la, la, la, la,

    Like my father before me, I will work the land,
    Like my brother above me, who took a rebel stand.
    He was just eighteen, proud and brave, but a Yankee laid him in his grave,
    I swear by the mud below my feet,
    You can't raise a Caine back up when he's in defeat.

    The night they drove old Dixie down, and the bells were ringing,
    The night they drove old Dixie down, and all the people were singin', they went
    Na, la, na, la, na, na, na, na, na, na, na, na, na, na,

    The night they drove old Dixie down, and all the bells were ringing,
    The night they drove old Dixie down, and the people were singin', they went
    Na, la, na, la, na, na, na, na, na, na, na, na, na, na

    Writer/s: ROBERTSON, ROBBIE
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    The Night They Drove Old Dixie Down Song Chart
  • Robbie Robertson wrote this song, which is about the American Civil War - "Dixie" is a term indicating the old American South, which was defeated by the Union army. The song is not related to his heritage, as Robertson is half-Mohawk Indian, half-Jewish Canadian.
  • Robertson came up with the music for this song, and then got the idea for the lyrics when he thought about the saying "The South will rise again," which he heard the first time he visited the American South. This led him to research the Civil War. (thanks, Edna - Madrid, Spain, for above 2)
  • This was recorded in Sammy Davis Jr.'s house in Los Angeles. The Band rented it and converted a poolhouse into a studio to record their second album.
  • The vocals featured the 3-part harmonies of Levon Helm, Richard Manuel, and Rick Danko.
  • Joan Baez covered this in 1971. It was her biggest hit, reaching US #3 and UK #6.

    Her version was recorded at Quad Studios in Nashville with producer Norman Putnam, who gathered about 20 people from around the studio to sing on the chorus. One of those voices belongs to Jimmy Buffett, who Putnam would later work with on his album Changes in Latitudes, Changes in Attitudes.
  • Baez changed some of the lyrics on her version. For example, she sings, "Virgil Cain is my name and I drove on the Danville train. 'Til so much cavalry came and tore up the tracks again." The original lyrics are, "Virgil Cain is THE name and I SERVED on the Danville train. 'Til STONEMAN'S cavalry came and tore up the tracks again" referring to George Stoneman, who was a general in the Union army). There are several other inconsistencies between her version and The Band's original, including changing the line, "There goes Robert E. Lee" to "There goes THE Robert E. Lee" (which is a boat). (thanks, Geoffrey - Fort Collins, CO)
  • This was used as the B-side to "Up On Cripple Creek."

  • The Band Songs - The Weight
    The Band - The Weight


    The Band - The Weight Lyrics and Youtube Music Videos

    Album: Music From Big Pink
    Released: 1968

    The Weight Lyrics


    I pulled into Nazareth, was feeling 'bout half past dead
    I just need some place where I can lay my head
    Hey, mister, can you tell me, where a man might find a bed?
    He just grinned and shook my hand, "No" was all he said.

    [Chorus]
    Take a load off Fanny, take a load for free
    Take a load off Fanny, and you put the load right on me

    I picked up my bags, I went looking for a place to hide
    When I saw old Carmen and the Devil, walking side by side
    I said, "Hey, Carmen, c'mon, let's go downtown"
    She said, "I gotta go, but my friend can stick around"

    [Chorus]

    Go down, Miss Moses, ain't nothin' you can say
    It's just old Luke, and Luke's waiting on the judgment day
    Well, Luke, my friend, what about young Annalee
    He said, "Do me a favor, son, won't you stay and keep Annalee company"

    [Chorus]

    Crazy Chester followed me, and he caught me in the fog
    Said, "I will fix your rag, if you'll take Jack, my dog"
    I said, "Wait a minute Chester, you know, I'm a peaceful man"
    He said, "That's okay, boy, won't you feed him when you can"

    [Chorus]

    Catch the cannonball, now to take me down the line
    My bag is sinking low, and I do believe it's time
    To get back to Miss Fanny, you know she's the only one
    Who sent me here, with her regards for everyone

    [Chorus]

    Writer/s: ROBBIE ROBERTSON
    Publisher: BOB DYLAN MUSIC CO
    Lyrics licensed and provided by LyricFind

    The Weight Song Chart
  • This tells the story of a guy who visits Nazareth, and is asked by his friend Annie to visit several of her friends. "The Weight" that is his load are all these strange people he promised he would check on. The song was never a big hit, but it endures as a classic rock staple.
  • The Band's guitarist Robbie Robertson claims this was influenced by the work of Luis Buñuel, a Mexican director who made some of the first movies dealing with surrealism. Robertson was intrigued by the characters in his films, who were often good people who did bad things.
  • Robbie Robertson got the only writing credit for this, although other members of the group claimed that they contributed to this as well as many of their other songs and were not credited. Since only the writer receives royalties for a song, this created a great deal of tension in The Band.
  • The vocals are shared by Richard Manuel, Rick Danko, and Levon Helm. One of the distinctive characteristics of The Band was their three lead vocalists.
  • Nazareth, where the story takes place, refers to the town in Pennsylvania about 70 miles north of Philadelphia. The rock group Nazareth got their name from this line ("Went down to Nazareth, I was feeling about half past dead..."). In the liner notes for the Across the Great Divide box set, Robbie is quoted as saying that he chose that place because they make legendary Martin Guitars there, so he was aware of the place and been there once or twice. The only reason I know all of this is because I grew up in that area, and found it cool that little Nazareth, PA was mentioned in SUCH an influential song. (thanks, Jared - Meadville, PA)
  • The characters in the song - Crazy Chester, Luke, Anna Lee, are based on friends of the band. In Levon Helm's autobiography This Wheel's On Fire: Levon Helm And The Story Of The Band, he explained:

    'We had two or three tunes, or pieces of tunes, and 'The Weight' was one I would work on. Robbie had that bit about going down to Nazareth - Pennsylvania, where the Martin guitar factory is at. The song was full of our favorite characters. 'Luke' was Jimmy Ray Paulman. 'Young Anna Lee' was Anna Lee Williams from Turkey Scratch. 'Crazy Chester' was a guy we all knew from Fayetteville who came into town on Saturdays wearing a full set of cap guns on his hips and kinda walked around town to help keep the peace,if you follow me. He was like Hopalong Cassidy, and he was a friend of the Hawks. Ronnie would always check with Crazy Chester to make sure there wasn't any trouble around town. And Chester would reassure him that everything was peaceable and not to worry, because he was on the case. Two big cap guns, he wore, plus a toupee! There were also 'Carmen and the Devil', 'Miss Moses' and 'Fanny,' a name that just seemed to fit the picture. (I believe she looked a lot like Caladonia.) We recorded the song maybe four times. We weren't really sure it was going to be on the album, but people really liked it. Rick, Richard, and I would switch the verses around among us, and we all sang the chorus: Put the load right on me!"
  • There has been more than a little debate among classic rock DJs and enthusiasts over the real meaning of this song. Yes, Robertson has insisted time and again there is no biblical subtext, but many people think he may be deflecting. Consider the following:

    - The narrator can't find a bed in Nazareth, and the guy to whom he makes an inquiry just smiles and says "no."

    - Carmen and the devil were walking side by side, Carmen can go but her friend the devil has to stick around - an allusion to ever-present temptations.

    - "Crazy Chester followed me and he caught me in the fall" - possible allusion to Paul on the road to Damascus.

    - The most glaring one: "I do believe it's time to get back to Miss Fanny, you know she's the only one who sent me here with her regards for everyone" - Miss Fanny is the one who sent him to Nazareth, but now it's time for him to go back to her; Miss Fanny is God, the "time" in question is the crucifixion, and "regards for everyone" is Jesus dying for all of man's sins. (thanks, S.D. - Denver, CO)
  • This was used in the movie Easy Rider. The Band performed the version heard in the movie, but on the soundtrack, a different group was used because of legal issues.
  • On September 28, 1968, this song reached its peak US chart position of #63. That same day, Jackie DeShannon's cover reached its peak of #55 US. DeShannon's release wasn't what she had in mind. She explained in our interview : "I absolutely said, 'No way I'm going to do it, it's The Band's record, goodbye.' But the label kept calling me, so I finally said, 'Well, if you can get confirmation from The Band that they're not putting it out as a single and I can do it with their permission, then okay.' So, I recorded it. The record's going up the chart and all of a sudden, here comes The Band's single. Then Aretha Franklin's version comes out. So I was at a radio station talking to the program director, and there were two other people promoting the same record outside the door."

    Aretha Franklin's version was the biggest hit, reaching #19 in March 1969. Many other acts have since covered the song. A version by Diana Ross and the Supremes with The Temptations reached #46 in October, 1969, which was the last time it charted in America. The song was also recorded by: A Group Called Smith, The Black Crowes, Bob Dylan, Grateful Dead, The Allman Brothers, Joan Osborne, Keller Williams, King Curtis & Duane Allman, Otis & Travis, Rotary Connection, Spooky Tooth, and The Ventures.
  • The album title came from the big pink house in upstate New York they rented and recorded in. The Band was Bob Dylan's backup band, and they moved there to be near Dylan while he was recovering from a motorcycle accident. Dylan offered to help with this album, but The Band refused because they wanted to make a mark on their own.
  • This was used in a television commercial in the US for Cingular/AT&T Wireless.
  • The Staple Singers sing on this in The Band's 1978 concert film The Last Waltz. "Being in The Last Waltz was the most beautiful thing that ever happened to the Staple Singers," Mavis Staples told Rolling Stone in 2015. "I still can't get offstage without doing 'The Weight.'" (thanks, Bertrand - Paris, France, for above 2)
  • Weezer covered this in 2008 and released it as a bonus track on The Red Album.
  • In 2007, this was used in a commercial for Cingular Wireless. Levon Helm took issue with it and sued BBDO, the advertising agency that came up with the campaign. Said Helm: "It was just a complete, damn sellout of The Band - its reputation, its music; just as much disrespect as you could pour on Richard and Rick's tombstones."
  • The Band played this at Woodstock in 1969. The festival fit in well with their schedule, as they were touring to promote their first album, Music From Big Pink. Their performance stands out as a highlight from the festival, and earned The Band a great deal of exposure. (thanks, Bertrand - Paris, France, for above 3)
  • Scottish rock band Nazareth, who are best known for their transatlantic hit "Love Hurts," took their name from a lyric in this song - "I pulled into Nazareth, Was feelin' about half past dead."
  • This song was featured in the 1978 documentary of The Band, The Last Waltz, directed by Martin Scorsese. Most of the film was shot at their Thanksgiving Day, 1976 concert at the Winterland Ballroom in San Francisco, but their performance of "The Weight" was done in a studio with The Band joined by The Staple Singers, a Gospel group who wrung out the spirituality of the song.

    In celebration of Band drummer Levon Helm, who died in 2012, "The Weight" was performed at the Grammy Awards the next year with Mavis Staples joining Elton John, Mumford & Sons, the Zac Brown Band and Brittany Howard of Alabama Shakes. Unlike many star-packed performances that get messy fast, this one worked. The song is a great showcase for multiple performers and served as a fitting tribute to Helm.
  • Aretha Franklin's version featured Duane Allman playing slide guitar using an empty bottle of decongestant pills.
  • Joe Cocker also covered this song. It was included on the 2005 deluxe edition of his 1970 live album, Mad Dogs & Englishmen.

  • Lyrics

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