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Sting - Fortress Around Your Heart

Sting - Fortress Around Your Heart Youtube Music Videos and Lyrics

Album: Dream Of The Blue Turtles
Released: 1985

Fortress Around Your Heart Lyrics

Under the ruins of a walled city
Crumbling towers in beams of yellow light.
No flags of truce, no cries of pity;
The siege guns had been pounding through the night.
It took a day to build the city.
We walked through its streets in the afternoon.
As I returned across the fields I'd known,
I recognized the walls that I once made.
Had to stop in my tracks for fear of walking on the mines I'd laid.

And if I've built this Fortress Around Your Heart,
Encircled you in trenches and barbed wire,
Then let me build a bridge, for I cannot fill the chasm,
And let me set the battlements on fire.

Then I went off the fight some battle that I'd invented inside my head.
Away so long for years and years,
You probably thought or even wished that I was dead.
While the armies are all sleeping beneath the tattered flag we'd made.
I had to stop in my tracks for fear of walking on the mines I'd laid.

And if I've built this fortress around your heart,
Encircled you in trenches and barbed wire,
Then let me build a bridge, for I cannot fill the chasm,
And let me set the battlements on fire.

This prison has now become your home,
A sentence you seem prepared to pay.
It took a day to build the city.
We walked through its streets in the afternoon.
As I returned across the fields I'd known,
I recognized the walls that I once made.
Had to stop in my tracks for fear of walking on the mines I'd laid.

And if I've built this fortress around your heart,
Encircled you in trenches and barbed wire,
Then let me build a bridge, for I cannot fill the chasm,
And let me set the battlements on fire.

Writer/s: Sumner, Gordon Matthew
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Fortress Around Your Heart Song Chart

Sting calls this a "song of reconciliation." It uses an abandoned fortress within a walled city as a metaphor for a relationship that has been through a figurative war, with Sting now ready to put the battles behind him and build a new alliance based on what they had - he sings of building a bridge and setting the battlements on fire. It won't be easy, since he has to cross the field where he once planted mines.

Inspiration came from Sting's divorce from his first wife, Frances Tomelty (the couple were married from 1976-1984). The pain he felt when he couldn't make this marriage work led him to write some of his biggest hits, including "Every Breath You Take" and "King Of Pain."

The Dream Of The Blue Turtles album was recorded in Barbados at a studio owned by the musician Eddy Grant. It was Sting's first solo album, and quite a departure from his work with The Police. He hired some of America's best young jazz musicians to play on it and join him for the tour: Omar Hakim on drums, Kenny Kirkland on keyboards, Darryl Jones on bass and Branford Marsalis on saxophone.

On this track, however, Sting played the bass himself; he worked up the arrangement in the studio and when he put down the bass part as a demo for Jones, he realized what he had done was perfect.

"Fortress Around Your Heart" was closer to the Police sound than most of the other, more jazz-inflected tracks on the album, and was released as the second single, following "If You Love Somebody Set Them Free." American program directors were happy to add the song to their playlists, as Sting was on fire: his last album with The Police, Synchronicity, produced four Top 20 hits, and he could heard on the current Dire Straits #1 "Money For Nothing."

Sting hired the director Michael Apted to document the first stretch of the Dream Of The Blue Turtles tour, resulting in the concert film Bring On The Night. By documenting his first tour, Sting flipped the convention of filming a band's farewell concert - he liked the idea of recording the beginning of his solo career.

Apted masterminded a practical joke during one of Sting's Paris concerts he was filming: he commissioned a two-foot fortress with an aluminum foil heart inside that was to descend to the stage when Sting performed this song. The bit was inspired by a scene in the 1984 film This Is Spinal Tap where the band gets a miniature version of Stonehenge because of a measurement error, and uses it as a stage prop. The band and crew had been watching the movie when they recorded the album in Barbados, and were keen on pulling off the gag.

Fortunately, Sting never looked up to see the mini-fortress, and when it was lowered to the stage during the second chorus, it took him by surprise. Sting, however, showed no reaction, remaining earnest and focused on his performance. Without a suitable reaction shot from the star, the footage was deemed unsuitable for the film.

The music video was directed by Mick Haggerty, whose credits include the Go-Go's videos for "Vacation" and "Our Lips Are Sealed." The clip did well on VH1, which launched on January 1, 1985.

Sting was inspired by this song's "strange, modal" chords. He said on All This Time: "They sounded kind of medieval actually and so I got into a whole line of thinking about medieval sieges, castle walls, siege guns, armies sleeping under tattered flags and thought it was a nice metaphor for love gone wrong. Armies fighting each other, relationships having collapsed and gone from bad to worse, and what starts as love ends in war."

Sting says this song is connected to "Wrapped Around Your Finger," from The Police's Synchronicity album. He told Musician in 1985: "It is linked to 'Wrapped'. 'Wrapped' was a spiteful song about turning the tables on someone who had been in charge. 'Fortress,' on the other hand, is about appeasement, about trying to bridge the gaps between individuals."

This song doesn't have a bridge but, Sting says, "I suppose that's symbolic itself, saying there is no bridge between these relationships."

Sting - Moon over Bourbon Street

Sting - Moon over Bourbon Street Lyrics and Youtube Music Videos

Album: Dream Of The Blue Turtles
Released: 1985

Moon over Bourbon Street Lyrics

There's a Moon over Bourbon Street tonight
I see faces as they pass beneath the pale lamplight
I've no choice but to follow that call
The bright lights the people and the moon and all
I pray everyday to be strong
For I know what I do must be wrong
Oh you'll never see my shade or hear the sound of my feet
While there's a moon over bourbon street

It was many years ago that I became what I am
I was trapped in this life like an innocent lamb
Now I can never show my face at noon
And you'll only see me walking by the light of the moon
The brim of my hat hides the eye of a beast
I've the face of a sinner but the hands of a priest
Oh you'll never see my shade or hear the sound of my feet
While there's a moon over bourbon street

She walks everyday through the streets of New Orleans
She's innocent and young from a family of means
I have stood many times outside her window at night
To struggle with my instinct in the pale moonlight
How could I be this way when I pray to god above
I must love what I destroy and destroy the thing I love
Oh you'll never see my shade or hear the sound of my feet
While there's a moon over bourbon street

Writer/s: SUMNER, GORDON
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Moon over Bourbon Street Song Chart

This was inspired by the Anne Rice novel Interview With The Vampire . Police guitarist Andy Summers gave Sting the book, which he read late into the night. Sting recalled in Lyrics By Sting: "Anne Rice's Interview with the Vampire was the direct inspiration for this song, but there was one moonlit night in the French Quarter of New Orleans where I had the distinct impression that I was being followed."

Bourbon Street is a reference to the main drag in the French Quarter of New Orleans, Louisiana. As might be expected for a street that shares its name with an alcohol, it's party-central whenever Mardi Gras is in session. While it's also a major tourist attraction, that attraction is due mainly to the street being tiled solid with bars, strip clubs, and general seedy business. The area was one of the few parts of New Orleans unscathed by Hurricane Katrina.

This is one of six singles released from the album The Dream of the Blue Turtles. Five of these at least charted on the UK Singles chart, including "Moon over Bourbon Street." The song put radio programmers in an awkward spot: Sting was one of the most popular artists of the time, but this song didn't fit any specific format. It didn't get a lot of play on American radio, but many UK stations expanded their horizons and added it.

The Dream of the Blue Turtles was Sting's first solo album. He enlisted four acclaimed jazz musicians to play on it and accompany him on the subsequent tour:

Branford Marsalis - saxophone
Kenny Kirkland - keyboards
Darryl Jones - bass
Omar Hakim - drums

Marsalis and Kirkland had been members of Branford's brother Wynton Marsalis' band, which caused some friction when they abandoned him for Sting. Hakim played in the band Weather Report, and Jones in known for this work with Miles Davis. With this new ensemble, Sting was able to create songs he couldn't do with The Police, which was a three-piece. "Moon over Bourbon Street" is a great example of how he put these seasoned jazz musicians to work.

Sting played the double bass on this track.

The album name comes from a dream Sting had. The album was recorded at Eddy Grant's studio (Blue Wave) in Barbados. Sting says that during his first night on the island, he awoke from a vivid dream that gave him the idea for the title. In the dream, he was sitting in the walled garden at his home in Hampstead when the wall crumbled down to reveal a bale of giant blue turtles, who proceeded to casually destroy the garden.

Parts of the recording sessions for this album are immortalized in the 1985 Sting documentary film Bring on the Night. The film won a Grammy for Best Long Form Music Video in 1987.

Sting was fascinated by the character of Louis, a vampire with a conscience, rather than the popular antihero Lestat in Anne Rice's novel. He explained for the live album All This Time: "The idea of being a vampire and being a predator, but regretting it all the time knowing that there was something morally wrong with your lusts and your hunger, and I love the struggle that is going on in that character's head. There was a kind of movement of people who thought that Lestat who became a rock star in resulting books was based on me. He wasn't the character I was interested in at all."