Songs Lyrics and YT- Youtube Music Videos

Glenn Miller - In The Mood

Glenn Miller - In The Mood Lyrics and Youtube Music Videos

Album: In The Mood
Released: 1939

In The Mood Lyrics

Who's the loving daddy with the beautiful eyes
What a pair o' shoes, I'd like to try 'em for size
I'll just tell him, "Baby, won't you swing it with me"
Hope he tells me maybe, what a wing it will be
So, I said politely "Darling may I intrude"
He said "Don't keep me waiting when I'm In The Mood"

First I held him lightly and we started to dance
Then I held him tightly what a dreamy romance
And I said "Hey, baby, it's a quarter to three
There's a mess of moonlight, won't you share it with me"
"Well" he answered "Baby, don't you know that it's rude
To keep my two lips waiting when they're in the mood"

In the mood, that's what he told me
In the mood, and when he told me
In the mood, my heart was skipping
It didn't take me long to say "I'm in the mood now"

In the mood for all his kissing
In the mood his crazy loving
In the mood what I was missing
It didn't take me long to say "I'm in the mood now"

So, I said politely "Darling may I intrude"
He said "Don't keep me waiting when I'm in the mood"

"Well" he answered "Baby, don't you know that it's rude
To keep my two lips waiting when they're in the mood"

Who's the loving daddy with the beautiful eyes
What a pair o' shoes, I'd like to try 'em for size
I'll just tell him, "Baby, won't you swing it with me"
Hope he tells me maybe, what a wing it will be
So, I said politely "Darling may I intrude"
He said "Don't keep me waiting when I'm in the mood"

First I held him lightly and we started to dance
Then I held him tightly what a dreamy romance
And I said "Hey, baby, it's a quarter to three
It's a mess of moonlight, won't you share it with me"
"Well" he answered "Baby, don't you know that it's rude
To keep my two lips waiting when they're in the mood"

Writer/s: HUNTLEY, ALEXANDER PAUL KAPRANOS / MCCARTHY, NICHOLAS JOHN / HARDY, ROBERT / THOMPSON, PAUL ROBERT
Publisher: Universal Music Publishing Group, SHAPIRO BERNSTEIN & CO. INC.
Lyrics licensed and provided by LyricFind

In The Mood

This is one of the most recognizable and popular big band songs. Miller recorded it in 1939 and the song became wildly popular in early 1940, shortly before Billboard began publishing its "Music Popularity Chart." This makes it hard to gauge the song's appeal at the time, but it helped Miller become the top bandleader in the world - in that first Billboard chart he held down three of the Top 10 places.

"In The Mood" is an expression that indicates a desire to have sex. It's pretty innocent now, but was a little racy at the time.

This song was written by the Tin Pan Alley composers Joe Garland (music) and Andy Razaf (lyrics). Garland was the tenor sax player and arranger with Edgar Hayes and his Orchestra. The Hayes band recorded "In The Mood" for Decca Records in February 1938, 18 months before Miller recorded the tune. Later in 1938, Artie Shaw played the tune on the air in a 6-minute-plus, rather plodding arrangement. Glenn Miller reworked the arrangement, first played it in late July 1939 (a version is extant on CD), and recorded it for Bluebird on August 1, 1939 (Bluebird B-10416-A). The rest is history; he played it quite often on the air, featured it in his first film Sun Valley Serenade (1941), and continued to play it when he disbanded and joined the Army Air Corps (the 418th AAF Training Command Orchestra).

This was based on a song called "Tar Paper Stomp" which was recorded in 1930 by Joseph "Wingy" Manone, who was a bandleader from New Orleans. Manone later had his own remake called "Jumpy Nerves" on Bluebird (the label on which Miller's "In The Mood" was first issued).

In 1977, The Henhouse Five Plus Two (an alias of novelty singer Ray Stevens) had a top 40 hit in both the UK and US with his version of this song, which was basically Stevens imitating chickens clucking the tune.

Beatles producer George Martin had the orchestra play a little bit of this song at the end of "All You Need Is Love." (thanks, Chet - Greenfield Center, NY)

Glenn Miller - When the Swallows Come Back to Capistrano

Glenn Miller - When the Swallows Come Back to Capistrano Lyrics and Youtube Music Videos

Album: Greatest Hits
Released: 1939

When the Swallows Come Back to Capistrano Lyrics

When the Swallows Come Back to Capistrano
That's the day you promised to come back to me
When you whispered, "Farewell" in Capistrano
T'was the day the swallows flew out to the sea

All the mission bells will ring
The chapel choir will sing
The happiness you'll bring
Will live in my memory

When the swallows come back to Capistrano
That's the day I pray that you'll come back to me!

Writer/s: RENE, LEON T.
Publisher: Warner/Chappell Music, Inc., SHAPIRO BERNSTEIN & CO. INC.
Lyrics licensed and provided by LyricFind

When the Swallows Come Back to Capistrano

This song was written by Leon René, who also composed the Jazz standard "When It's Sleepy Time Down South" and "Rockin' Robin," which was a hit for both Bobby Day and Michael Jackson.

René was based in Los Angeles, and about 50 miles away from San Juan Capistrano, where a flock of swallows famously returns to a mission church every March, departing in October. René built the return of the swallows into the storyline of the song, as his heartbroken singer prays for the return of his love, who had promised that she would come back with the swallows, but never did.

Leon René came up with the idea for this song when he was in bed one morning recovering from tuberculosis. His wife had not brought him his morning meal, so he quipped, "Maybe when the swallows come back to Capistrano, I'll get my breakfast."

He thought this could make a good line for a song, and started composing his story. When his wife brought him his breakfast, she told him that she liked the idea, and Leon completed the song.

After Leon René wrote this song, he had a hard time getting a publisher to take it. Shapiro, Bernstein & Co., which was one of the major publishing houses, asked him to change the title to "When the Swallows Come Back to Alabama," since they figured nobody would know where Capistrano was. René refused to change it, and eventually the publishing arm at Warner Brothers took the song, giving René a much-needed $500 advance.

The investment paid off for Warner Brothers, as the song was recorded by many big names and sold very well as sheet music. In addition to Glenn Miller, the song was also recorded by the Ink Spots, Pat Boone and Elvis Presley.