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Sublime - Santeria

Sublime - Santeria Lyrics and Youtube Music Videos

Album: Sublime
Released: 1996

Santeria Lyrics

I don't practice Santeria I ain't got no crystal ball
I had a million dollars but I'd, I'd spend it all
I could find that Heina and that Sancho that she's found
I'd pop a cap in Sancho and I'd slap her down

All I really want to know
I already know
All I really want to say
I can't define
It's love that I need
But my soul will have to wait till I get back and find
Heina of my own
Daddy's gonna love one and all
I feel the break, feel the break, feel the break and I got to live it out, oh yeah

I swear that I, I really want to know,
I really, I really want to stay, I cant define
That love make it go, my soul will have to

What I really want to say, ah baby
What I really want to say, is I've got mine
And I'll make it, yes I'm going up
Tell Sanchito that if he knows what is good for him
He best go run and hide
Daddy's got a new .45
And I won't think twice to stick that barrel straight down Sancho's throat
Believe me when I say that I got somethin' for his punk ass

What I really want know, ah baby
What I really want to say is there's just one way back
And I'll make it, yeah, my soul will have to wait

Writer/s: NOWELL, BRADLEY JAMES / WILSON, ERIC JOHN / GAUGH IV, FLOYD I.
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Santeria

This song is about a guy contemplating the use of black magic, voodoo, or "santeria" - anything he can to get back his girl. The lyric was written by lead singer Brad Nowell, who died two months before the album was released. (thanks, Drew - Sydney, Australia)

Santeria means "Way of The Saints" in Spanish, and is a religion where the focus is on worship of saints. It is practiced in Cuba, Brazil, Panama, and a few other countries. There are some followers of Santeria in California, where the band is from.

An early version of this song appears as an instrumental called "Lincoln Highway Dub" on Sublime's second album, Robbin' The Hood, released in 1994.

"I wrote the music," Sublime bass player Eric Wilson said in his Songfacts interview . "It was the music from a four-track, I wrote it in my head, and we re-tracked it and put those lyrics on it."

The music video was made about a month after Brad Nowell died. The video contains ghostly images of Brad playing his guitar along with the band, which was created by using old concert footage of him.

The clip was directed by McG, who later became a big time movie-maker (Charlie's Angels, Terminator Salvation), and stars Tom Lister, Jr., who wrestled under the name Zeus and appeared in a number of movies and TV shows as a big, scary man.

Nowell's Dalmation, Lou Dog, has a starring role in the video, but in most of the scenes a trained lookalike dog was used, since Lou didn't take direction well and at one point bit Lister.

Sublime formed in 1988 and released two albums on their own label before getting deal with MCA, which issued their self-titled album in 1996 two months after lead singer Brad Nowell died of a heroin overdose at age 28. The band was little known at the time outside of their home base of Long Beach, California, and Nowell's death got little national coverage.

His bandmates later re-formed as the Long Beach Dub Allstars, but there was no Sublime to promote the album. When MCA sent promotional copies of "What I Got" to US radio stations, it got some heat and suddenly the defunct band was on the air and in demand. "Santeria" was the next single pushed to radio, and it was well-received, garnering most of its airplay in early 1997, almost a year after the album was released. "Wrong Way" was then sent to stations, followed by "Doin' Time," keeping Sublime on the airwaves well into 1998.

None of these songs were made available for sale as singles in America, which ramped up album sales. Sublime ended up selling over 5 million copies despite the death of their frontman.

Sublime - What I Got

Sublime - What I Got Lyrics and Youtube Music Videos

Album: Sublime
Released: 1996

What I Got Lyrics

Early in the morning, risin' to the street
Light me up that cigarette and I strap shoes on my feet
Got to find a reason, a reason things went wrong
Got to find a reason why my money's all gone
I got a dalmatian, and I can still get high
I can play the guitar like a motherfucking riot

Well, life is too short, so love the one you got
'Cause you might get run over or you might get shot
Never start static I just get it off my chest
Never had to battle with no bulletproof vest
Take a small example, take a tip from me
Take all of your money, give it all to charity

Love is What I Got
Within my reach
And the Sublime style's still straight from Long Beach
It all comes back to you, you'll finally get what you deserve
Try and test that you're bound to get served

Love's what I got
Don't start a riot
You'll feel it when the dance gets hot

Lovin', is what I got, I said remember that
Lovin', is what I got, I said remember that

(That's) why I don't cry when my dog runs away
I don't get angry at the bills I have to pay
I don't get angry when my Mom smokes pot
Hits the bottle and goes right to the rock
Fuckin' and fightin', it's all the same
Livin' with Louie dog's the only way to stay sane
Let the lovin', let the lovin' come back to me

Lovin', is what I got, I said remember that
Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that
Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that
Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that
Lovin', is what I got, I got I got I got I got

Writer/s: NOWELL, BRADLEY JAMES / ROBERTS, LINDON ANDREW
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

What I Got

A band composition with lyrics by lead singer Brad Nowell, this song is an anthem for the spiritually free but financially downtrodden. Nowell finds himself getting up in the morning, smoking his special cigarette, and wondering how he ended up broke. Then things start to look up as he reframes his life and sees all the good things about it: he has a dog, he can get high, and he's never gone to war. Instead of focusing on what he doesn't have (money) he sees what he does have (love), and realizes that's all he needs if he can keep a good attitude and not let problems bring him down. The song became far more poignant when Nowell died of a drug overdose on May 25, 1996.

Many elements of this song, including the "Loving, is what I got" chorus, are based on a 1986 song called "Loving" by the Jamaican dancehall singer Half Pint (which can be found on the Skunk Records release of his album Recollection). At first, Sublime didn't share the love - Half Pint got no credit on "What I Got" when the song was released. Once the song took off, however, Half Pint was listed as a co-writer and awarded the subsequent royalties. It ended up all good; Sublime bass player Eric Wilson explained in his Songfacts interview : "Half Pint wanted to get paid for it, so then we got a relationship through that, and when we did the Dub Allstars, Half Pint went on the road with us for a summer, and I got to know him really well and play with him every day. That was a blessing in itself."

This song is key to Sublime's success - the first one all but their earliest fans heard. It has a strange an convoluted recording and release history, spanning two producers and two labels.

The first version of the song was released in America as a 12" single in 1996 on Sublime's independent label, Skunk Records. It's likely that this single was issued before Nowell died. When the band signed to MCA Records, two versions were included on their self-titled label debut album, which was released two months after Nowell's passing: one produced by David Kahne, and a "reprise" produced by Paul Leary. MCA sent these two versions, along with their "clean" edits to radio stations, many of which put the song in rotation (usually the Kahne version). In October, the song made #29 on the Billboard Airplay chart. MCA didn't release Sublime singles for sale, but kept sending them to radio stations: "Santeria" (#43, April 1997), "Wrong Way" (#47, August 1997), "Doin' Time" (#87, January 1998). Securing airplay for an unknown band without a living lead singer was no small feat, especially since radio stations often expected acts to make station appearances and play listener showcases in exchange for airplay.

The album became one of the best sellers of 1997, with over 5 million copies sold. Many fans had no idea that their lead singer had died - Brad Nowell's father Jim recalls getting lots of fanmail for his son around this time.

Sublimes back catalog also started selling, with their first album, originally released in 1992, going Platinum. The remaining members of Sublime formed the Long Beach Dub Allstars, which later morphed into Sublime With Rome when they took on lead singer Rome Ramirez.

After Brad Nowell sings, "I can play the guitar like a motherf--king riot," instead of gnarly guitar section, a mellow acoustic solo follows. This is a sly bit of humor on the part of the band.

Nowell didn't even play the solo; it was performed by their guitarist Michael "Miguel" Happoldt, who produced the demo. In the "reprise" version, producer Paul Leary, who is a founding member of the Butthole Surfers, played the electric guitar solo.

The radio edits were labeled "very clean radio version" on the promotional CDs, since the explicit versions contain some very clear F-bombs. In the most-played edit, Brad Nowell plays the guitar "like a mother... riot."

There's a widely disputed "lyric" at the beginning of the original version of this song that exists in the commercially released versions but is toned down, possibly for copyright issues. Before the music starts, someone says what sounds like "F--k you Kenny." This is in fact a sample from Richard Pryor's standup comedy album That Nigger's Crazy, track name "Have your ass home by 11" where he says, imitating a girl who wouldn't sleep with him, "I don't want to f--k you, you can't even sing!" Pryor was talking about how musicians had a hard time picking up women in his day because there were Doo-Wop groups on every corner. (thanks, Matt Maguire - Watertown, MA)

According to the band's guitarist Michael Happoldt, it's the drum loop that makes this song so popular. "It sounds so dope that when people hear it, they just want to get up and jump around," he told Billboard. "And Brad's voice is like from another planet."

In the UK, the "Super No Mofo Edit" (produced by David Kahne) was released as a single, charting at #71 in 1997.

A music video was pieced together after the death of Brad Nowell from photos and existing footage of the singer. It won the MTV Video Music Award for Best Alternative Video in 1997. At the ceremony, Sublime bassist Eric Wilson and drummer Bud Gaugh were pretty drunk by the time they were announced, and Wilson yelled "Lynyrd Skynyrd!" when he got to the mic.

Wilson and Gaugh later explained that they figured they wouldn't win, so they decided to celebrate the nomination by splitting a bottle of tequila before the show.

Blues Traveler started covering this in 2011 and released their version on their 2012 collection Blues Traveler: 25. Their guitarist Chan Kinchla told us: "We actually played a show with a band, Rebelution, who are managed by and related to some of the people that were in Sublime. They always loved the track, and that was kind of in the air, and they were like, 'You should record that and release it.' Because we did the best cover of it. Mainly because we didn't really try and copy their cover, we did our own version, which I think is why they liked it."

Chan adds that the song suited the band, especially their lead singer John Popper: "John's great at that kind of quick vocal scan anyway. And when you release a new record, you always want to put a few new things on it, and it just came together."

Sublime - April 29, 1992 (Miami)

Sublime - April 29, 1992 (Miami) Youtube Music Videos and Lyrics

Album: Sublime
Released: 1996

April 29, 1992 (Miami) Lyrics

(I don't know if you can, but can you get an order for Ons, that's O-N-S,
Junior Market, the address is 1934 East Anaheim, all the windows are
Busted out,... if he wants to)

April 26th, 1992
There was a riot on the streets
Tell me where were you?
You were sittin' home watchin' your TV
While I was participating in some anarchy
First spot we hit it was my liquor store
I finally got all that alcohol I can't afford
With red lights flashin', time to retire
And then we turned that liquor store into a structure fire
Next stop we hit, it was the music shop,
It only took one brick to make the window drop
Finally we got our own P.A.
Where do you think I got this guitar that you're hearing today?

(Call fire... respond Mobil station. Alamidos in Anaheim, it's uhh flaming up good)

When we returned to the pad to unload everything
It dawned on me that I need new home furnishings
So once again we filled the van until it was full
Since that day my livin' room's been much more comfortable
Cause everybody in the hood has had it up to here
It's getting harder, and harder, and harder each and every year
Some kids went in a store with their mother
I saw her when she came out she was gettin' some Pampers
They said it was for the black man
They said it was for the mexican
But not for the white man
But if you look at the streets, it wasn't about Rodney King
It's this fucked-up situation and these fucked-up police
It's about comin' up and stayin' on top
And screamin' 1-8-7 on a mother fuckin' cop
It's ain't in the paper, it's on the wall
National guard
Smoke from all around

(Units be advised of an attempt 211 to arrest now at 938 Temple, 9-3-8
Temple, many subjects with bats trying to get inside the CB's House, they're trying to kill him)

Cuz' as long as I'm alive, I'ma live illegal

Let it burn
Wanna let it burn, wanna let it burn
Wanna wanna let it burn
(I feel insane)
Riots on the streets of Miami
Whoa, riots on the streets of Chicago
On the streets of Long Beach
In San Francisco
Riots on the streets of Kansas City
Tuskaloosa, Alabama
Cleveland, Ohio
Fountain Valley, Paramount, Vista Buelle
Eugene, Oregon
Eureka, California
Hesperia
Santa Barbara
Winnemucca, Nevada
Phoenix, Arizona
San Diego
Lakeland, Florida
Fuckin' 29 Palms

(Need a unit to, structure fire and numerous subjects looting)
(10-15 to get rid of this looter)

Writer/s: NOWELL, BRADLEY JAMES / PARKER, LAWRENCE KRSONE / GOODMAN, MARSHALL RAYMOND / HAPPOLDT, MIKE
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

April 29, 1992 (Miami)

This is about the riots that ensued after the Rodney King trial in Los Angeles, California. King was a black motorist who was beaten by four white police officers after they pulled him over. The incident was videotaped by someone who lived nearby and became a huge news story, dealing with issues of police brutality and race. The case went to trial in suburban Los Angeles, where the all-white jury acquitted the officers. Just hours after the verdict on April 29, 1992, riots broke out in the black sections of the city, prompting King's famous remark: "Can't we all just get along?"

In the lyrics, lead singer Brad Nowell says, "April 26, 1992" when referring to the date of the riots. This was a mistake - the date in the title is correct. (thanks, Curtis - Ottawa, Canada)

This contains samples of actual LAPD radio communications.

Miami is the first city mentioned in a long list of American cities where riots occurred. In the Doors song "Peace Frog," Jim Morrison did something similar when he named cities where the band ran into trouble with the law, including Miami.

This features samples from "La Di Da Di" by Doug E. Fresh featuring MC Ricky D, "Original Gangster of Hip-Hop" by Just Ice, and "Shook One (Part 1)" by Mobb Deep.