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The Kinks - Picture Book
The Kinks - Picture Book


The Kinks - Picture Book Lyrics and Youtube Music Videos

Album: The Kinks Are The Village Green Preservation Society
Released: 1968

Picture Book Lyrics


Picture yourself when you're getting old,
Sat by the fireside a-pondering on[?].
Picture Book, pictures of your mama, taken by your papa a long time ago.
Picture book, of people with each other, to prove they love each other a long ago.
Na, na, na, na, na na.
Na, na, na, na, na na.
Picture book.
Picture book.

A picture of you in your birthday suit,
You sat in the sun on a hot afternoon.
Picture book, your mama and your papa, and fat old Uncle Charlie out cruising with their friends.
Picture book, a holiday in August, outside a bed and breakfast in sunny Southend.
Picture book, when you were just a baby, those days when you were happy, a long time ago.
Na, na, na, na, na na.
Na, na, na, na, na na.
Picture book.
Picture book.
Picture book.
Picture book.

Picture book,
Na, na, na, na na,
Na, na, na, na na,
A-scooby-dooby-doo.
Picture book,
Na, na, na, na na,
Na, na, na, na na,
A-scooby-dooby-doo.

Picture book, pictures of your mama, taken by your papa a long time ago.
Long time ago,
Long time ago,
Long time ago,
Long time ago,
Yeah, yeah, yeah.

Writer/s: RAYMOND DOUGLAS DAVIES
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Picture Book
  • Ray Davies wrote this about the nostalgic feel that comes from looking through photo albums.
  • This song was used on a Hewlett-Packard commercial promoting their digital cameras and printers that featured numerous "Pictures Of You" superimposed with each other. It was a rare case of a song meaning that went very well with the commercial. The ad campaign was named "Campaign Of The Year" in 2004 by Adweek magazine.

  • The Kinks - Lol
    The Kinks - Lola


    The Kinks - Lola Lyrics and Youtube Music Videos

    Album: Lola vs. Powerman And The Moneygoround, Part 1
    Released: 1970

    Lola Lyrics


    I met her in a club down in North Soho
    Where you drink champagne and it tastes just like cherry cola
    C-O-L-A cola

    She walked up to me and she asked me to dance
    I asked her name and in a dark brown voice she said, "Lola"
    L-O-L-A Lola, lo lo lo lo Lola

    Well, I'm not the world's most physical guy
    But when she squeezed me tight she nearly broke my spine
    Oh my Lola, lo lo lo lo Lola

    Well, I'm not dumb but I can't understand
    Why she walk like a woman and talk like a man
    Oh my Lola, lo lo lo lo Lola, lo lo lo lo Lola

    Well, we drank champagne and danced all night
    Under electric candlelight
    She picked me up and sat me on her knee
    And said, "Little boy won't you come home with me?"

    Well, I'm not the world's most passionate guy
    But when I looked in her eyes
    Well, I almost fell for my Lola
    Lo lo lo lo Lola, lo lo lo lo Lola

    Lola lo lo lo lo Lola lo lo lo lo Lola

    I pushed her away, I walked to the door
    I fell to the floor, I got down on my knees
    I looked at her, and she at me

    Well that's the way that I want it to stay
    And I always want it to be that way for my Lola
    Lo lo lo lo Lola

    Girls will be boys, and boys will be girls
    It's a mixed-up, muddled-up, shook-up world
    Except for Lola, lo lo lo lo Lola

    Well I left home just a week before
    And I've never ever kissed a woman before
    But Lola smiled and took me by the hand
    And said, "Little boy, gonna make you a man"

    Well I'm not the world's most masculine man
    But I know what I am and I'm glad I'm a man
    And so is Lola
    Lo lo lo lo Lola, lo lo lo lo Lola

    Lola, lo lo lo lo Lola, lo lo lo lo Lola
    Lola, lo lo lo lo Lola, lo lo lo lo Lola
    Lola, lo lo lo lo Lola, lo lo lo lo Lola
    Lola, lo lo lo lo Lola, lo lo lo lo Lola
    Lola, lo lo lo lo Lola, lo lo lo lo Lola
    Lola, lo lo lo lo Lola, lo lo lo lo Lola...

    Writer/s: DAVIES, RAYMOND DOUGLAS
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Lola Song Chart
  • This song is about a cross-dresser. According to a 2004 piece in Rolling Stone magazine, it may have been inspired by the famous transgender actress Candy Darling, who Kinks lead singer Ray Davies allegedly dated for a brief time. This is the same Candy mentioned in Lou Reed's "Walk On The Wild Side" ("Candy came from out on the island, in the backroom she was everybody's darling").

    The other possibility, which is stated in The Kinks: The Official Biography , is that Ray Davies wrote the lyrics after their manager got drunk at a club and started dancing with what he thought was a woman. Toward the end of the night, his stubble started showing, but their manager was too tanked to notice.

    Said Davies: "'Lola' was a love song, and the person they fall in love with is a transvestite. It's not their fault - they didn't know - but you know it's not going to last. It was based on a story about my manager."
  • The Kinks came up with the riff after messing around with open strings on guitars. The group's guitarist, Dave Davies, contended that he deserved a songwriting credit on the track, leading to additional friction with his brother Ray, who got the sole composer credit.
  • This revived the career of The Kinks, at least in America where their popularity was fading. Their previous Top 40 in the States was "Sunny Afternoon" in 1966.
  • The line "You drink champagne and it tastes just like cherry cola" was recorded as "it tastes just like Coca-Cola." The British Broadcasting Company (BBC) refused to play it because of the commercial reference, so Ray Davies flew from New York to London to change the lyric and get the song on the air.
  • Lola is mentioned in the 1981 Kinks song "Destroyer," which begins: "Met a girl called Lola and I took her back to my place."
  • Ray Davies, who wrote this song, told Rolling Stone in 2014 why this song didn't cause more of an uproar considering its storyline. "The subject matter was concealed," he said. "It's a crafty way of writing. I say, 'She woke up next to me,' and people think it's a woman. The story unfolds better than if the song were called 'I Dated a Drag Queen.'"
  • The Kinks' fans were not the type of people who would relate to a transvestite, but they loved this. It opened the door for artists like Lou Reed and David Bowie to explore homosexuality in songs that straight people liked too.
  • Weird Al Yankovic recorded a parody of this song entitled "Yoda" (based on the Star Wars movies) for his 1985 album Dare to Be Stupid. (thanks, Jerro - New Alexandria, PA)
  • Ray Davies used his National Steel resonator guitar for the first time on this song. He recalled to Uncut: "On 'Lola' I wanted an intro similar to what we used on Dedicated Follower Of Fashion, which was two Fender acoustic guitars and Dave's electric guitar so I went down to Shaftesbury Avenue and bought a Martin guitar, and this National guitar that I got for £80, then double-tracked the Martin, and double-tracked the National – that's what got that sound."
  • The Kinks probably weren't familiar with it, but an American song published in 1918 also mentions Lola and Coca-Cola. In "Ev'ry Day'll Be Sunday When The Town Goes Dry," we hear the line, "At the table with Lola they will serve us Coca-Cola."
  • Ray Davies told interviewer Daniel Rachel (The Art of Noise: Conversations with Great Songwriters) that he didn't initially show the lyrics to the band. "We just rehearsed it with the la-la la-la Lo-la chorus which came first. I had a one-year-old daughter at the time and she was singing along to it."

  • The Kinks Songs - You Really Got Me
    The Kinks - You Really Got Me


    The Kinks - You Really Got Me Lyrics and Youtube Music Videos
    Album: The Kinks
    Released: 1964

    You Really Got Me Lyrics


    Girl, You Really Got Me goin'
    You got me so I don't know what I'm doin' now
    Yeah, you really got me now
    You got me so I can't sleep at night

    Yeah, you really got me now
    You got me so I don't know what I'm doin' now
    Oh yeah, you really got me now
    You got me so I can't sleep at night

    You really got me
    You really got me
    You really got me

    See, don't ever set me free
    I always want to be by your side
    Girl, you really got me now
    You got me so I can't sleep at night

    Yeah, you really got me now
    You got me so I don't know what I'm doin' now
    Oh yeah, you really got me now
    You got me so I can't sleep at night

    You really got me
    You really got me
    You really got me
    Oh no

    See, don't ever set me free
    I always want to be by your side
    Girl, you really got me now
    You got me so I can't sleep at night

    Yeah, you really got me now
    You got me so I don't know what I'm doin' now
    Oh yeah, you really got me now
    You got me so I can't sleep at night

    You really got me
    You really got me
    You really got me

    Writer/s: DAVIES, RAY
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    You Really Got Me Song Chart
  • Ray Davies wrote this with the help of his brother (and Kinks guitarist) Dave. Ray played it for Dave on piano, and Dave tried it on guitar. Their first version was six-minutes long, but the final single release came in at just 2:20.
  • Dave Davies got the dirty guitar sound by slashing the speaker cone on his amp with a razor blade. The vibration of the fabric produced an effect known as "fuzz," which became common as various electronic devices were invented to distort the sound. At the time, none of these devices existed, so Davies would mistreat his amp to get the desired sound, often kicking it. The amp was a cheap unit called an Elpico.
  • In 2015, Ray Davies told Rolling Stone that the lyric was inspired by a night out when he was watching girls dancing in a club. "I just remembered this one girl dancing," he said. "Sometimes you're so overwhelmed by the presence of another person and you can't put two words together."
  • Before they released this, The Kinks put out two singles that flopped: a cover of "Long Tall Sally" and a Ray Davis composition called "You Still Want Me." If "You Really Got Me" didn't sell, there was a good chance their record label would have dropped them.
  • When The Kinks heard the first version they recorded of this song, they hated the results. It was produced by Shel Talmy, their manager at the time, and Ray Davies thought it came out clean and sterile, when he wanted it to capture the energy of their live shows.

    Dave Davies' girlfriend backed them up, saying it didn't make her want to "drop her knickers." The Kinks' record company had no interest in letting them re-record the song, but due to a technicality in their contract, The Kinks were able to withhold the song until they could do it again. At the second session, Dave Davies slashed his amp and Talmy produced it to get the desired live sound. This is the version that was released.

    Talmy thought the first version was good, and that it also would have been a hit if it was released. This first version was slower and had more of a blues sound.
  • The song was recorded on September 26, 1964 with Ray Davies on lead vocals, Dave Davies on guitar and Pete Quaife on bass.

    The Kinks didn't have a drummer when they first recorded the song, so producer Shel Talmy brought in a session musician named Bobby Graham to play. When they recorded this the second time, Mick Avory had joined the band as their drummer, but Talmy didn't trust him and made him play tambourine while Graham played drums. One other session musician was used - Arthur Greenslade played piano.
  • Just before Dave Davies started his guitar solo at the second recording session, his brother yelled to encourage him. Dave got a little confused, but they had only three hours of studio time so he kept playing. He pulled off the solo despite the distraction.
  • The first line was originally "You, you really got me going." Ray Davies changed it to "Girl, you really got me going" at the suggestion of one of their advisers. The idea was to appeal to the teenage girls in their audience.
  • Dave Davies got the idea for the guitar riff from "Tequila" by The Champs.
  • This was the first hit for The Kinks. It gave them a lot of publicity and led to TV appearances, magazine covers, and two gigs opening for The Beatles. They didn't have an album out yet, so they rushed one out to capitalize on the demand. This first album contained only five originals, with the rest being R&B covers.
  • Ray Davies wrote this with the intention of making it big crowd-pleaser for their live shows. He was trying to write something similar to "Louie Louie," which was a big hit for The Kingsmen.
  • It was rumored that Jimmy Page, who was a session musician at the time, played guitar on this track, which the band stridently denied. According to a 2012 interview on Finding Zoso with producer Shel Talmy, Jimmy Page did not play the lead guitar on the song. However he did play rhythm as Ray Davies didn't want to sing and play guitar at the same time.
  • Ray Davies: "I made a conscious effort to make my voice sound pure and I sang the words as clearly as the music would allow."
  • Ray Davies was 22 when they recorded this; Dave Davies was 17.
  • A cover of this song was the first single for Van Halen in 1978. Eddie Van Halen would spend the next several years developing new guitar riffs, and like Davies, was known to manipulate his equipment to get just the right sound.
  • The powerful rhythm guitar riff was very influential on other British groups. The Rolling Stones recorded "Satisfaction," which was driven by the rhythm guitar, a year later.
  • According to Ray Davies, there was a great deal of jealousy among their peers when The Kinks came up with this song. He said in a 1981 interview with Creem: "There were a lot of groups going around at the time – the Yardbirds, the Kinks, the Rolling Stones – and nobody had really cracked with a sort of R&B #1 record. The songs were always sort of like The Beatles. When we first wanted to do a record, we couldn't get a recording gig. We were turned down by Decca, Parlophone, EMI and even Brian Epstein came to see us play and turned us down. So I started writing songs like 'You Really Got Me,' and I think there was a sheer jealousy that we did it first. Because we weren't a great group – untidy – and we were considered maybe a bit of a joke. But for some reason, I'd just had dinner, shepherd's pie, at my sister's house, and I sat down at the piano and played da, da, da, da, da. The funny thing is it was influenced by Mose Allison more than anybody else. And I think there was a lot of bad feeling. I remember we went to clubs like the Marquee, and those bands wouldn't talk to us because we did it first."
  • The Kinks' next single was "All Day And All Of The Night," which was basically a re-write of this song, but was also a hit.
  • This was used in the 2004 video game Battlefield Vietnam. (thanks, Agustin - Barcelona, Spain)
  • Jon Lord played the keyboard part on this track years before he became a member of Deep Purple. He recalled with a laugh to The Leicester Mercury in 2000: "All I did was plink, plink, plink. It wasn't hard."
  • Ray Davies recalled in an interview with NME how his brother Dave created the distortion effect on this song. Said Ray: "We stuck knitting needles in the speakers, or in Dave's case, he slit the speakers with a razor blade. In those days we played records on a radiogram so loudly that they all sounded fuzzy. We thought, 'That's a great sound,' without realizing the speakers were buggered. Everyone else was using really clean guitar sounds, so for 'You Really Got Me' we hooked a little speaker up to a clean amp and came up with thunderous, unaffected, pure power."

    In a Rolling Stone interview, Ray said that they "evolved" the sound by putting knitting needles in the speakers when recording this song. That statement prompted a rebuttal from his brother Dave, who wrote in to explain: "I alone created the guitar sound for the song with my Elipico amp that I bought. I slashed the speaker with a razor blade, which resulted in the 'You Really Got Me' tone. There were no knitting needles used in making my guitar sound."
  • Ray Davies told The NME that the Van Halen version of this tune is his favorite Kinks cover. He explained: "It was a big hit for them and put them on a career of excess and sent them on the road. So I enjoyed that one."
  • Dave Davies is not a fan of the Van Halen cover. He told Rolling Stone: "Our song was working-class people trying to fight back. Their version sounds too easy."
  • The Who played this at many of their early concerts. Their first single was "I Can't Explain" and was also produced by Shel Talmy. The sound borrowed heavily from this, as Pete Townshend played a dirty guitar riff similar to what Dave Davies' recording.
  • Lyrics

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