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Van Halen - You Really Got Me

Van Halen - You Really Got Me Youtube Music Videos and Lyrics

Album: Van Halen
Released: 1978

You Really Got Me Lyrics

Girl, You Really Got Me now
You got me so I don't know what I'm doin'
Girl, you really got me now
You got me so I can't sleep at night
Girl, you really got me now
You got me so I don't know where I'm goin', yeah
Oh girl, you really got me now
You got me so I can't sleep at night
You really got me
You really got me
You really got me
Please, don't ever let me be
I only want to be by your side
Please, don't ever let me be
I only want to be by your side
Girl, you really got me now
You got me so I don't know what I'm doin', yeah
Oh yeah, you really got me now
Got me so I can't sleep at night
You really got me
You really got me
You really got me
Oh no, no, ah
Girl, you really got me now
You got me so I don't know what I'm doin'
Ah girl, you really got me now
You got me so I can't sleep at night
Girl, you really got me now
You got me so I don't know where I'm goin', yeah
Oh yeah, you really got me now
Got me so I can't sleep at night
You really got me
You really got me
You really got me
Oh oh oh

Writer/s: DAVIES, RAY
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

You Really Got Me Song Chart

This is a cover of the 1964 song by The Kinks. It was the first hit for The Kinks, and became famous for its distorted guitar sound, which many bands began to copy.

This was Van Halen's first single.

There is a track before this on the album called "Eruption," which is an Eddie Van Halen guitar solo that leads into it. Disc jockeys often played the 2 songs together, but as computerized playlists and corporate programmers took control of radio stations, "Eruption" is rarely played.

This was used in an animated ad for a Nissan sports car. It featured G.I. Joe stealing Barbie away from Ken and driving off with her.

The Kinks got the dirty guitar sound on their version by slashing their speaker with a razor blade.

The album was cheap and easy to record. The band used very little overdubbing, and simply played in the studio as if they were live.

Van Halen's producer, Ted Templeman, recorded this as soon as he could because he was worried that a rival band called Angel would try to release their version of this ahead of Van Halen.

After releasing this album, they toured as the opening band for Journey, and then Black Sabbath. Ozzy Osbourne thought Van Halen blew away Sabbath every night.

Eddie was 21 when this was released.

The album has sold over 5 million copies. Most were bought a few years after it was released as Van Halen picked up fans through constant touring and increased radio play.

On their 1982 "Hide Your Sheep" tour, they played this as their second encore, stopping in the middle to sing some of "Happy Trails" before finishing the song.

Contrary to popular belief, Eddie used an Ibanez Destroyer for most of this album, as well as several songs on their next 2 albums. This guitar is featured on the cover of Woman and Children First. Ed later took a large chunk out of the guitar, which ruined the tone. (thanks, Jay - Carlisle, PA)

Ray Davies once said the he liked the Van Halen version better than the Kinks' own, saying that their original version (the Kinks) was like a prop plane and Van Halen's was like a jet fighter. Eddie later responded by saying he was flattered but that the original was better. His version was just more modern. "Ray, that prop stuff is the real sh-t," he said. (thanks, Stephen - Durango, CO)

The Kinks - You Really Got Me

The Kinks - You Really Got Me Lyrics and Youtube Music Videos
Album: The Kinks
Released: 1964

You Really Got Me Lyrics

Girl, You Really Got Me goin'
You got me so I don't know what I'm doin' now
Yeah, you really got me now
You got me so I can't sleep at night

Yeah, you really got me now
You got me so I don't know what I'm doin' now
Oh yeah, you really got me now
You got me so I can't sleep at night

You really got me
You really got me
You really got me

See, don't ever set me free
I always want to be by your side
Girl, you really got me now
You got me so I can't sleep at night

Yeah, you really got me now
You got me so I don't know what I'm doin' now
Oh yeah, you really got me now
You got me so I can't sleep at night

You really got me
You really got me
You really got me
Oh no

See, don't ever set me free
I always want to be by your side
Girl, you really got me now
You got me so I can't sleep at night

Yeah, you really got me now
You got me so I don't know what I'm doin' now
Oh yeah, you really got me now
You got me so I can't sleep at night

You really got me
You really got me
You really got me

Writer/s: DAVIES, RAY
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

You Really Got Me Song Chart

Ray Davies wrote this with the help of his brother (and Kinks guitarist) Dave. Ray played it for Dave on piano, and Dave tried it on guitar. Their first version was six-minutes long, but the final single release came in at just 2:20.

Dave Davies got the dirty guitar sound by slashing the speaker cone on his amp with a razor blade. The vibration of the fabric produced an effect known as "fuzz," which became common as various electronic devices were invented to distort the sound. At the time, none of these devices existed, so Davies would mistreat his amp to get the desired sound, often kicking it. The amp was a cheap unit called an Elpico.

In 2015, Ray Davies told Rolling Stone that the lyric was inspired by a night out when he was watching girls dancing in a club. "I just remembered this one girl dancing," he said. "Sometimes you're so overwhelmed by the presence of another person and you can't put two words together."

Before they released this, The Kinks put out two singles that flopped: a cover of "Long Tall Sally" and a Ray Davis composition called "You Still Want Me." If "You Really Got Me" didn't sell, there was a good chance their record label would have dropped them.

When The Kinks heard the first version they recorded of this song, they hated the results. It was produced by Shel Talmy, their manager at the time, and Ray Davies thought it came out clean and sterile, when he wanted it to capture the energy of their live shows.

Dave Davies' girlfriend backed them up, saying it didn't make her want to "drop her knickers." The Kinks' record company had no interest in letting them re-record the song, but due to a technicality in their contract, The Kinks were able to withhold the song until they could do it again. At the second session, Dave Davies slashed his amp and Talmy produced it to get the desired live sound. This is the version that was released.

Talmy thought the first version was good, and that it also would have been a hit if it was released. This first version was slower and had more of a blues sound.

The song was recorded on September 26, 1964 with Ray Davies on lead vocals, Dave Davies on guitar and Pete Quaife on bass.

The Kinks didn't have a drummer when they first recorded the song, so producer Shel Talmy brought in a session musician named Bobby Graham to play. When they recorded this the second time, Mick Avory had joined the band as their drummer, but Talmy didn't trust him and made him play tambourine while Graham played drums. One other session musician was used - Arthur Greenslade played piano.

Just before Dave Davies started his guitar solo at the second recording session, his brother yelled to encourage him. Dave got a little confused, but they had only three hours of studio time so he kept playing. He pulled off the solo despite the distraction.

The first line was originally "You, you really got me going." Ray Davies changed it to "Girl, you really got me going" at the suggestion of one of their advisers. The idea was to appeal to the teenage girls in their audience.

Dave Davies got the idea for the guitar riff from "Tequila" by The Champs.

This was the first hit for The Kinks. It gave them a lot of publicity and led to TV appearances, magazine covers, and two gigs opening for The Beatles. They didn't have an album out yet, so they rushed one out to capitalize on the demand. This first album contained only five originals, with the rest being R&B covers.

Ray Davies wrote this with the intention of making it big crowd-pleaser for their live shows. He was trying to write something similar to "Louie Louie," which was a big hit for The Kingsmen.

It was rumored that Jimmy Page, who was a session musician at the time, played guitar on this track, which the band stridently denied. According to a 2012 interview on Finding Zoso with producer Shel Talmy, Jimmy Page did not play the lead guitar on the song. However he did play rhythm as Ray Davies didn't want to sing and play guitar at the same time.

Ray Davies: "I made a conscious effort to make my voice sound pure and I sang the words as clearly as the music would allow."

Ray Davies was 22 when they recorded this; Dave Davies was 17.

A cover of this song was the first single for Van Halen in 1978. Eddie Van Halen would spend the next several years developing new guitar riffs, and like Davies, was known to manipulate his equipment to get just the right sound.

The powerful rhythm guitar riff was very influential on other British groups. The Rolling Stones recorded "Satisfaction," which was driven by the rhythm guitar, a year later.

According to Ray Davies, there was a great deal of jealousy among their peers when The Kinks came up with this song. He said in a 1981 interview with Creem: "There were a lot of groups going around at the time – the Yardbirds, the Kinks, the Rolling Stones – and nobody had really cracked with a sort of R&B #1 record. The songs were always sort of like The Beatles. When we first wanted to do a record, we couldn't get a recording gig. We were turned down by Decca, Parlophone, EMI and even Brian Epstein came to see us play and turned us down. So I started writing songs like 'You Really Got Me,' and I think there was a sheer jealousy that we did it first. Because we weren't a great group – untidy – and we were considered maybe a bit of a joke. But for some reason, I'd just had dinner, shepherd's pie, at my sister's house, and I sat down at the piano and played da, da, da, da, da. The funny thing is it was influenced by Mose Allison more than anybody else. And I think there was a lot of bad feeling. I remember we went to clubs like the Marquee, and those bands wouldn't talk to us because we did it first."

The Kinks' next single was "All Day And All Of The Night," which was basically a re-write of this song, but was also a hit.

This was used in the 2004 video game Battlefield Vietnam. (thanks, Agustin - Barcelona, Spain)

Jon Lord played the keyboard part on this track years before he became a member of Deep Purple. He recalled with a laugh to The Leicester Mercury in 2000: "All I did was plink, plink, plink. It wasn't hard."

Ray Davies recalled in an interview with NME how his brother Dave created the distortion effect on this song. Said Ray: "We stuck knitting needles in the speakers, or in Dave's case, he slit the speakers with a razor blade. In those days we played records on a radiogram so loudly that they all sounded fuzzy. We thought, 'That's a great sound,' without realizing the speakers were buggered. Everyone else was using really clean guitar sounds, so for 'You Really Got Me' we hooked a little speaker up to a clean amp and came up with thunderous, unaffected, pure power."

In a Rolling Stone interview, Ray said that they "evolved" the sound by putting knitting needles in the speakers when recording this song. That statement prompted a rebuttal from his brother Dave, who wrote in to explain: "I alone created the guitar sound for the song with my Elipico amp that I bought. I slashed the speaker with a razor blade, which resulted in the 'You Really Got Me' tone. There were no knitting needles used in making my guitar sound."

Ray Davies told The NME that the Van Halen version of this tune is his favorite Kinks cover. He explained: "It was a big hit for them and put them on a career of excess and sent them on the road. So I enjoyed that one."

Dave Davies is not a fan of the Van Halen cover. He told Rolling Stone: "Our song was working-class people trying to fight back. Their version sounds too easy."

The Who played this at many of their early concerts. Their first single was "I Can't Explain" and was also produced by Shel Talmy. The sound borrowed heavily from this, as Pete Townshend played a dirty guitar riff similar to what Dave Davies' recording.