Five Man Electrical Band - Signs |
Five Man Electrical Band - Signs Youtube Music Videos and Lyrics
Album: Good-byes And Butterflies
Released: 1970
Signs Lyrics
Signs
The 5 Man Electrical Band
lyrics as recorded by The Five Man Electrical Band in 1971 and included on
the 1990 compilation album "Made In Canada - Volume Three 1965-1974"
(BMG KCD1-7158)
And the sign said "Long-haired freaky people need not apply"
So I tucked my hair up under my hat and I went in to ask him why
He said "You look like a fine upstanding young man, I think you'll do"
So I took off my hat, I said "Imagine that. Huh! Me workin' for you!"
Whoa-oh-oh
Sign, sign, everywhere a sign
Blockin' out the scenery, breakin' my mind
Do this, don't do that, can't you read the sign?
And the sign said anybody caught trespassin' would be shot on sight
So I jumped on the fence and-a yelled at the house, "Hey! What gives you
the
right?"
"To put up a fence to keep me out or to keep mother nature in"
"If God was here he'd tell you to your face, Man, you're some kinda sinner"
Sign, sign, everywhere a sign
Blockin' out the scenery, breakin' my mind
Do this, don't do that, can't you read the sign?
Now, hey you, mister, can't you read?
You've got to have a shirt and tie to get a seat
You can't even watch, no you can't eat
You ain't supposed to be here
The sign said you got to have a membership card to get inside
Ugh!
------ lead guitar ------
And the sign said, "Everybody welcome. Come in, kneel down and pray"
But when they passed around the plate at the end of it all, I didn't have a
penny to pay
So I got me a pen and a paper and I made up my own little sign
I said, "Thank you, Lord, for thinkin' 'bout me. I'm alive and doin' fine."
Wooo!
Sign, sign, everywhere a sign
Blockin' out the scenery, breakin' my mind
Do this, don't do that, can't you read the sign?
Sign, sign, everywhere a sign
Sign
Sign, sign
Writer/s: EMMERSON, LES
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind
Signs Song Chart
The song gave voice to those without power or property rights, which in many cases were young people.
In 1970, it was issued as the B-side to the single "Hello Melinda Goodbye," which made #55 on the Canadian chart. Disk jockeys preferred the flip side, however, and started playing "Signs," which was then released as an A-side in 1971. It made #4 in Canada but took off in America, reaching #3 in August. The follow-up, "Absolutely Right," also did well in America, reaching #26.
By starting with the word "And," we feel that we are picking up a story, and it's clear that the singer has put a lot of thought into this. The first verse is a classic tale of how looks can be deceiving, as the difference between an "upstanding man" and a hippie can be something as superficial as hair.
The next verse finds the singer looking at a "no trespassing" sign and questioning its authority. This resonates with anyone who has seen beautiful beaches, vistas, and other points of nature marked as private property, often with nobody there to enjoy it.
We then enter a private club with a strict dress code, and we hear the line most willful wanderers have been confronted with: "You ain't supposed to be here."
Finally, we end up in church, which brings God into our story. If ever there is something that is open to all, it it God, but even in church, a donation is called for. At this point, our hero turns the tables and makes his own sign, thanking God for the wonder of life.
The band was on tour with Mötley Crüe, opening for the rockers on the Dr. Feelgood tour. July 2 was an off-day, so Tesla booked the acoustic show and had each band member pick a cover song to perform. Lead singer Jeff Keith picked "Signs," a song he grew up listening to in Oklahoma. His bandmates, however, didn't know the song, so Jeff had to round up a copy so they could learn it.
The song was the highlight of the performance, and the set was so well-received that it was released as an album, which they titled Five Man Acoustical Jam as an allusion to the original artist. Released as a single ahead of the album, the song made #2 on the Mainstream Rock chart, but didn't crack the Hot 100. When the album started selling and MTV began the video, the song was re-released, making #8 on the Hot 100 in April 1991.
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