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Yes - Owner Of A Lonely Heart

Yes - Owner Of A Lonely Heart Lyrics and Youtube Music Videos

Album: 90125
Released: 1983

Owner Of A Lonely Heart Lyrics

Move yourself
You always live your life
Never thinking of the future
Prove yourself
You are the move you make
Take your chances win or loser

See yourself
You are the steps you take
You and you - and that's the only way

Shake - shake yourself
You're every move you make
So the story goes

Owner Of A Lonely Heart
Owner of a lonely heart
Much better than a
Owner of a broken heart
Owner of a lonely heart

Say - you don't want to chance it
You've been hurt so before

Watch it now
The eagle in the sky
How he dancin' one and only
You - lose yourself
No not for pity's sake
There's no real reason to be lonely
Be yourself
Give your free will a chance
You've got to want to succeed

Owner of a lonely heart
Owner of a lonely heart
Much better than - a
Owner of a broken heart
Owner of a lonely heart

Owner of a lonely heart

After my own indecision
They confused me so
Owner of a lonely heart
My love said never question your will at all
In the end you've got to go
Look before you leap
Owner of a lonely heart
And don't you hesitate at all - no no

Owner of a lonely heart
Owner of a lonely heart
Much better than - a
Owner of a broken heart
Owner of a lonely heart
(repeat)

Owner of a lonely heart

Sooner or later each conclusion
Will decide the lonely heart
Owner of a lonely heart
It will excite it will delight
It will give a better start
Owner of a lonely heart

Don't deceive your free will at all
Don't deceive your free will at all
Owner of a lonely heart
Don't deceive your free will at all
Just receive it

Writer/s: SQUIRE, CHRIS / ANDERSON, JON / HORN, TREVOR / RABIN, TREVOR
Publisher: Warner/Chappell Music, Inc., CARLIN AMERICA INC, DOWNTOWN MUSIC PUBLISHING LLC
Lyrics licensed and provided by LyricFind

Owner Of A Lonely Heart

This song describes the paradox of loneliness. Once you've been hurt, loneliness is better than a broken heart.

This is the first single from 90125, and was the group's one and only #1 charting hit. The album was a drastic departure from Yes' progressive sound in the '70s, containing distorted guitar and synthesizers that were popular at the time. With help from MTV, Yes suddenly found a new audience, who were sometimes shocked to learn that much of their back catalog consisted of complex pieces that would often run well over 10 minutes.

Those familiar with the Yes catalog were shocked to hear this tightly packaged concoction from the band that once released a double album containing just four songs (Tales from Topographic Oceans). This was a different variation of the band, however, and they weren't opposed to chasing a hit. "It was already deemed to be a hit record," Jon Anderson told us . "The record company had invested a lot of money in making a record. They brought me in to make it Yes. They said, 'This is going to be a hit, and we're going to make sure.' They promoted it like crazy and did a good video - MTV had just started up. So everything just sort of happened at the same time."

The driving force at Yes' label, Atlantic Records, was Ahmet Ertegun, who insisted that this song be a hit. Ertegun held considerable sway, having guided the careers of Aretha Franklin, Led Zeppelin, and many other major acts.

This was written by Yes members Jon Anderson, Trevor Horn, Trevor Rabin and Chris Squire . It was sung by Anderson, who had just returned to the group since leaving in 1980. He told us about his role in writing it: "The song was already finished, but there were no verses. They had tried some verses and it really wasn't working. They had the chorus, they had the arrangement. I came in and all the songs were virtually put together, but there was a lack of choruses here, verses there. I went in for three weeks with Trevor and sort of filled everything in.

I remember sitting with Trevor Rabin and we started off, 'Move yourself, you always live your life never thinking of the future.' That was the line I wrote. And then he'd say, 'Prove yourself, win or loser.' And then he said, 'Jon, I've got to go. You carry on.' So I just carried on writing the lyrics to the verses. The chorus was already well organized by Trevor."

According to Trevor Rabin on the DVD Yes Video Hits , he wrote the bass line to this song and came up with the title in his bathroom (which had very good acoustics), during a "particularly long visit." Rabin says he often sings in the loo. (thanks, Evna - São Paulo, Brazil)

Trevor Horn, formerly of the Buggles, produced the 90125 album. Horn took over for Jon Anderson as lead singer of Yes for for their 1980 album Drama, and after a tour to support the album the band broke up and Horn focused on production work. When Yes re-formed for 90125, Anderson returned along with Tony Kaye, Chris Squire and Alan White, and Horn produced the album. This song hit #1 in the US the week of January 21, 1984, and held the position the following week, when in the UK another Horn-produced song, "Relax" by Frankie Goes To Hollywood, claimed the top spot. This made Horn the only producer to have simultaneous #1 hits in both the UK and the US with different songs by different artists.

This song is possibly the first rock hit to use a sample. The drum break at the beginning and the horn stab that shows up a few times in the song sound very similar to a short section of the 1971 song Kool Is Back by Funk, Inc.

It was a rather subtle sample, as producer Trevor Horn used just a tiny bit and processed it considerably, so there is no case for attribution. At the time, there was also no precedent for clearing samples.

The video was directed by the team of Aubrey Powell and Storm Thorgerson, who went by "Po & Storm." In it's full form, the video runs 6:46 and contains various non-musical scenes where the band members transform into different animals. MTV usually played the condensed version, but they played it often, as they were especially keen on rock bands in their early years.

Storm Thorgerson is the same guy who did the artwork for Pink Floyd, including the Dark Side of the Moon album cover. He died on April 18, 2013.

90125's logo was designed on an Apple IIe computer (very modern at the time,) and would be used on Yes' next album Big Generator. (thanks, Wil - Brentwood, TN)

Alan White recalled the recording of his drum part for the track to Uncut magazine September 2014: "I started with a full drum kit and Trevor Horn said, 'Take Alan's toms away.' So I had a base and snare, hi-hat and cymbals. Then they took the cymbals away, I was playing along with the track and they took the hi-hat away! I said,'Wait a minute, guys...' Then we layered all the other stuff on top of it."

This song was once parodied on Mystery Science Theater 3000. Tom Servo thought Yes didn't go far enough by saying "The owner of a lonely heart is much better than the owner of a broken heart...". He wanted them to come up with a comparison between the owner of a broken heart and the owner of other various other things, like a perfectly functional cheese slicer, a pie, a pencil, etc. (thanks, Homer - Versailles, IL)

Yes - Leave It

Yes - Leave It Youtube Music Videos and Lyrics

Album: 90125
Released: 1983

Leave It Lyrics

I can feel no sense of measure
No illusions as we take
Refuge in young man's pleasure
Breaking down the dreams we make real

One down one to go
Another town and one more show
Downtown they're giving away
But she never came back

No phone can take your place
Do you know what I mean
We have the same intrigue
As a court of kings

Ah Leave It, ah leave it
Dit, dit, dit, dit, dit, dit, dit
Doot, doot, doot, doot, doot, doot, doot

Two down there you go
McArthur Park in the driving snow
Uptown they're digging it out
Better lay your claim

Get home you're not alone
You just broke out of the danger zone
Be there to show your face
On another dreamy day

Ah leave it, ah leave it
Dit, dit, dit, dit, dit, dit, dit
Doot, doot, doot, doot, doot, doot, doot

Goodbye, goodbye, goodbye bad
Leave it
Hello, hello, heaven

Goodbye, goodbye, goodbye bad
Leave it
Hello, hello, heaven

I can feel no sense of measure
No illusions as we take
Refuge in young man's pleasure
Breaking down the dreams we make real

Ah leave it, ah leave it

Goodbye, goodbye, goodbye bad
Leave it
Hello, hello, heaven

Goodbye, goodbye, goodbye bad
Leave it
Hello, hello, heaven

Writer/s: RABIN, TREVOR / SQUIRE, CHRIS / HORN, TREVOR
Publisher: Warner/Chappell Music, Inc., CARLIN AMERICA INC, DOWNTOWN MUSIC PUBLISHING LLC
Lyrics licensed and provided by LyricFind

Leave It Song Chart

This was the followup to Yes' #1 smash, "Owner of a Lonely Heart." 90125 was a different sound for Yes, as they moved away from prog rock and toward pop - very successfully. Once the band (and their record company) got a taste for hit singles, they tried to make more, which frustrated lead singer Jon Anderson. "By the time we got to Big Generator (1987 album) I was ready to leave because nobody was happy," he told us. "We were scrambling to try to make a hit record, and the record company, the management, that's all they talked about. They'd play records and say, 'This is a hit record, make something like this.'" (Here's our full Jon Anderson interview .)

18 different videos of this song (directed by Godley and Creme) were presented to MTV as part of a contest. When the deadline for the entries passed, MTV showed "Version #19."

In the book MTV Ruled the World - The Early Years of Music Video, Yes lead singer Jon Anderson talks about the excitement of filming the video of "Leave It" for MTV: "A totally surreal sort of video, which I loved. By then, we were number one around the world, so we were immensely famous for ten minutes. That was it. It was, 'Oh, we're going to be upside-down... that's cool! Let's do 17 versions. Oh great, that's amazing!' So there were actually 17 different versions of this video, which is perfect. Anything more abstract really reaches me, because it's something that I'll remember, where sometimes you do a video, and you think, 'Oh, that looks OK,' and ten minutes later, you don't care. But something that's abstract, you can look at it now and think 'That's a damn good video,' because it is different."

Promo copies of the 45 single contained a version with the group singing a capella.

This is one of the few Yes hits lead singer Jon Anderson had no part in writing. It was written by Trevor Rabin, Chris Squire and Trevor Horn, who recorded it with a fourth band member, Alan White, before Anderson rejoined the band. Anderson left the band in 1980, recording as a solo artist and as half of Jon and Vangelis before returning for the 90125 album.

According to Trevor Rabin, the prominent group vocals in this song came about after he and Chris Squire struggled to get a drum sound. When they ran out of ideas for the drums, they decided to work on the vocals, putting those on before the drums. As a result, the voices became the focal point of the song, although it took the band weeks to get them recorded and mixed in the song to their satisfaction.