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The Lovin' Spoonful - You Didn't Have to Be So Nice

The Lovin' Spoonful - You Didn't Have to Be So Nice Lyrics and Youtube Music Videos

Album: Daydream
Released: 1965

You Didn't Have to Be So Nice Lyrics

You Didn't Have to Be So Nice
I would have liked you anyway
If you had just looked once or twice
And gone upon your quiet way

Today I said the time was right for me to follow you
I knew I'd find you in a day or two
And it's true

You came upon a quiet day (ooh)
You simply seemed to take your place (ooh)
I knew that it would be that way (ooh)
The minute that I saw your face (ooh)

And when we've had a few more days (when we've had a few more days)
I wonder if I'll get to say (wonder if I'll get to say)
You didn't have to be so nice (be so nice)
I would have liked you anyway (would have liked)

Today I said the time was right for me to follow you
I knew I'd find you in a day or two
And it's true

You didn't have to be so nice (didn't have to be so nice)
I would have liked you anyway (would have liked you anyway)
If you had just looked once or twice (once or twice)
And gone upon your quiet way (quiet way)

Writer/s: STEVE BOONE, JOHN BENSON SEBASTIAN
Publisher: CARLIN AMERICA INC, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

You Didn't Have to Be So Nice

This paean to how nice John Sebastian was being being treated by his girl was one of Lovin' Spoonful's poppier offerings. Sebastian recalled to Uncut magazine: "We started off in a world of 45 singles, so our only game still was three minutes of heaven every time out. That was all. We thought of it as four man Phil Spector music. We wanted it to have that big quality, but we didn't want to hire the Wrecking Crew."

"Our producer Eric Jacobsen understood something about this funny hybrid that we were working on," he continued. "Things like the chimes on 'You Didn't Have to Be So Nice' were our attempts at creating that kind of vibe: harmonica, slide whistles and penny whistles. I hate calling it folk-rock. They called The Byrds folk-rock and then they were too lazy to come up with something else for our band, but we weren't really drawing from the Pete Seeger, Bob Dylan catalogue. It was a time of a lot of seriousness, and a lot of fake seriousness, and people talking about Important Things. And Loving Spoonful didn't really go for that. We were just trying to entertain."

Brian Wilson stated the Lovin' Spoonful's vocal layering on this song inspired The Beach Boys hit "God Only Knows."

A cover by Amy Grant and Kevin Costner is sung during the end credits of Costner's 1997 film, The Postman.

Mariah Carey and Boyz II Men - One Sweet Day

Mariah Carey and Boyz II Men - One Sweet Day Lyrics and Youtube Music Videos

Album: Daydream
Released: 1995

One Sweet Day Lyrics

One Sweet Day

This is about death and wanting to be with a loved one after they passed. The lyric "I'll be with you that sweet day" means "when I die I will be with you then."

Mariah Carey wrote this with Boyz II Men. Carey said she wrote a song that was identical to a song Boyz II Men had written, so they combined the two. (thanks, Britney - Calabasas, CA, for all above)

This was #1 on the US Billboard charts for 16 weeks, which is longer than any other song. Boyz II Men had tremendous success on this chart, with "End Of The Road" #1 for 13 weeks in 1992 and "I'll Make Love To You" #1 for 14 weeks in 1994.

This was originally inspired by the death of David Cole, the co-writer and co-producer of C+C Music Factory. Mariah wrote this to let everyone know the pain she was feeling. (thanks, Candice - Vancouver, Canada)

Boyz II Men member Nathan Morris explained how this number came to be written in the book Chicken Soup For the Soul: The Story Behind The Song: "Everything was going great for us. As an original member of Boyz II Men, we had a very successful first CD and were touring a lot. However, a date in Chicago was the beginning of a very tough time for us.

We were very young, between 16 and 21 at the time. Kahlil Roundtree was our road manager and was like a surrogate father on the road. Our parents trusted him to handle everything, including us, which he did very well. We had some problems with the promoter on this particular date. Kahlil got into it with him about the hotel or some issue in the contract, and he brought us the information in the dressing room after the show to ask our opinion, which was odd since he always just took care of things himself and they ran smoothly.

Later that night, after the show, he and a partner went to the front desk of the hotel to settle the groups room charges before heading to bed. As they entered the elevator, three men who worked in the parking structure adjacent to the hotel entered as well. Once in the elevator, there was a shootout and he was killed. This was definitely the biggest loss in our career, if not our lives.

After he died, I began working on a song for him while we were on the road. Not too long after, we got a call from Tommy Mottola asking if we'd be interested in doing a duet with Mariah Carey. We went to the studio she was recording in at the Hit Factory in New York, to hear the song they had in mind. She played us the melody and the hook, and it was amazing. It was almost the same song I was writing. I told her that I was working on a song with a similar melody and, while the lyrics were, of course, different, the premise was the same. They complemented each other. I sang to her the melody and lyrics of what I had written, and we merged the two. We switched things around to make them work and wrote it that day. The other guys in the group filled in the holes to complete it.

We came back to the studio to record it a week or so later and we only had a few hours to do everything, since we squeezed this in between dates on tour. The photo on the album cover was shot in the elevator on the way up to the studio and the video was shot during the recording session, all in those few hours that day."

This came top of a 2011 Rolling Stone poll of the best-ever musical collaboration. Queen / David Bowie's "Under Pressure" was runner-up whilst Aerosmith / Run DMC's "Walk This Way" sauntered into third place. Despite the song's popularity it was a surprise to many that the pop/R&B songstress came out on top of the rock magazine's poll and Rolling Stone itself put the result down to Carey's fans voting en masse. They said: "The song wouldn't have won if the Mariah Carey fans hadn't stuffed the ballot boxes in this poll. Most of you reading this probably don't think it's the greatest duet of all time. You're probably enraged to see it here. We understand. Back in 1995, however, everybody loved it. Boyz II Men and Mariah Carey were both at their peak, and the song held the number one spot for a staggering 16 weeks. Some of you may feel that it hasn't aged all that well, but the voters have spoken. Who are we to say they're wrong?"