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The Lovin' Spoonful - Summer In The City

The Lovin' Spoonful - Summer In The City Lyrics and Youtube Music Videos

Album: Hums Of The Lovin' Spoonful
Released: 1966

Summer In The City Lyrics

Hot town, Summer In The City
Back of my neck getting dirty and gritty
Been down, isn't it a pity
Doesn't seem to be a shadow in the city

All around, people looking half dead
Walking on the sidewalk, hotter than a match head

But at night it's a different world
Go out and find a girl
Come-on come-on and dance all night
Despite the heat it'll be alright

And babe, don't you know it's a pity
That the days can't be like the nights
In the summer, in the city
In the summer, in the city

Cool town, evening in the city
Dressing so fine and looking so pretty
Cool cat, looking for a kitty
Gonna look in every corner of the city
Till I'm wheezing like a bus stop
Running up the stairs, gonna meet you on the rooftop

But at night it's a different world
Go out and find a girl
Come-on come-on and dance all night
Despite the heat it'll be alright

And babe, don't you know it's a pity
That the days can't be like the nights
In the summer, in the city
In the summer, in the city

Hot town, summer in the city
Back of my neck getting dirty and gritty
Been down, isn't it a pity
Doesn't seem to be a shadow in the city

All around, people looking half dead
Walking on the sidewalk, hotter than a match head

But at night it's a different world
Go out and find a girl
Come-on come-on and dance all night
Despite the heat it'll be alright

And babe, don't you know it's a pity
That the days can't be like the nights
In the summer, in the city
In the summer, in the city

Writer/s: STEVE BOONE, MARK SEBASTIAN, JOHN SEBASTIAN
Publisher: BMG RIGHTS MANAGEMENT US, LLC, CARLIN AMERICA INC, Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Summer In The City

This song contrasts what it's like to live in a large city during the day and during the night. According to the song, it's difficult to walk around a crowded and hot city during the day, but it's great at night because you have plenty of opportunities to chase women.

The sound of car horns and traffic was the first time these sounds appeared on a hit song. A year later, Kenny Gamble and Leon Huff used the idea when they produced the Soul Survivors track "Expressway (To Your Heart)."

Was used at the beginning of the movie Die Hard: With A Vengeance. The song plays throughout the opening credits, showing different scenes of New York City until a building blows up.

From 2006-2007, the piano portion was used in various Gatorade ads depicting the history of the sports drink, which was created in 1965.

The song was a collaboration between John Sebastian, The Lovin Spoonful's bassist Steve Boone, and the frontman's brother (and non-group member) Mark Sebastian. John Sebastian recalled to Uncut magazine June 2014: "That song that came from an idea my brother Mike had. He had this great chorus, and the release was so big. I had to create some kind of tension at the front end to make it even bigger. That's where that jagged piano part comes from."

"Steve contributed the middle eight, which I thought sounded like Gershwin, so we hired a radio sound effects engineer to come in with records of horns and traffic, a real New York City thing."

This is used during the looting sequence on The Simpsons episode "Poppa's Got a Brand New Badge."

The song served as the theme song for German art-director Wim Wenders' first film, 1970's Summer in the City. It plays during an incongruous scene in which the protagonist Hans is seen walking on a brutally cold day, surrounded by snow.

The Lovin' Spoonful - Nashville Cats

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The Lovin' Spoonful - Nashville Cats Lyrics and Youtube Music Videos

Album: Hums Of The Lovin' Spoonful
Released: 1966

Nashville Cats Lyrics

Nashville Cats

This song is a celebration of the remarkable musicianship of Nashville, Tennessee guitar pickers who have been "Playin' since they's babies." John Sebastian held for the Nashville musicians in very high esteem. (thanks, Edward Pearce - Ashford, Kent, England)

The lyrics refer to the Sun Records company. While Sun was best known for first recording Elvis Presley, it also released songs by Johnny Cash, Jerry Lee Lewis and Roy Orbison. (thanks, Ed - Cincinnati, OH)

The Lovin' Spoonful - You Didn't Have to Be So Nice

The Lovin' Spoonful - You Didn't Have to Be So Nice Lyrics and Youtube Music Videos

Album: Daydream
Released: 1965

You Didn't Have to Be So Nice Lyrics

You Didn't Have to Be So Nice
I would have liked you anyway
If you had just looked once or twice
And gone upon your quiet way

Today I said the time was right for me to follow you
I knew I'd find you in a day or two
And it's true

You came upon a quiet day (ooh)
You simply seemed to take your place (ooh)
I knew that it would be that way (ooh)
The minute that I saw your face (ooh)

And when we've had a few more days (when we've had a few more days)
I wonder if I'll get to say (wonder if I'll get to say)
You didn't have to be so nice (be so nice)
I would have liked you anyway (would have liked)

Today I said the time was right for me to follow you
I knew I'd find you in a day or two
And it's true

You didn't have to be so nice (didn't have to be so nice)
I would have liked you anyway (would have liked you anyway)
If you had just looked once or twice (once or twice)
And gone upon your quiet way (quiet way)

Writer/s: STEVE BOONE, JOHN BENSON SEBASTIAN
Publisher: CARLIN AMERICA INC, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

You Didn't Have to Be So Nice

This paean to how nice John Sebastian was being being treated by his girl was one of Lovin' Spoonful's poppier offerings. Sebastian recalled to Uncut magazine: "We started off in a world of 45 singles, so our only game still was three minutes of heaven every time out. That was all. We thought of it as four man Phil Spector music. We wanted it to have that big quality, but we didn't want to hire the Wrecking Crew."

"Our producer Eric Jacobsen understood something about this funny hybrid that we were working on," he continued. "Things like the chimes on 'You Didn't Have to Be So Nice' were our attempts at creating that kind of vibe: harmonica, slide whistles and penny whistles. I hate calling it folk-rock. They called The Byrds folk-rock and then they were too lazy to come up with something else for our band, but we weren't really drawing from the Pete Seeger, Bob Dylan catalogue. It was a time of a lot of seriousness, and a lot of fake seriousness, and people talking about Important Things. And Loving Spoonful didn't really go for that. We were just trying to entertain."

Brian Wilson stated the Lovin' Spoonful's vocal layering on this song inspired The Beach Boys hit "God Only Knows."

A cover by Amy Grant and Kevin Costner is sung during the end credits of Costner's 1997 film, The Postman.