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Tool - Lateralus |
Tool - Lateralus Youtube Music Videos and LyricsAlbum:
Lateralus Released:
2001 Black then white are all I see in my infancy.
Red and yellow then came to be, reaching out to me.
Lets me see.
As below, so above and beyond, I imagine
Drawn beyond the lines of reason.
Push the envelope. Watch it bend.
Over thinking, over analyzing separates the body from the mind.
Withering my intuition, missing opportunities and I must
Feed my will to feel my moment drawing way outside the lines.
Black then white are all I see in my infancy.
Red and yellow then came to be, reaching out to me.
Lets me see there is so much more
And beckons me to look through to these infinite possibilities.
As below, so above and beyond, I imagine
Drawn outside the lines of reason.
Push the envelope. Watch it bend.
Over thinking, over analyzing separates the body from the mind.
Withering my intuition leaving all these opportunities behind.
Feed my will to feel this moment urging me to cross the line.
Reaching out to embrace the random.
Reaching out to embrace whatever may come.
I embrace my desire to
Feel the rhythm, to feel connected
Enough to step aside and weep like a widow
To feel inspired, to fathom the power,
To witness the beauty, to bathe in the fountain,
To swing on the spiral
Of our divinity and still be a human.
With my feet upon the ground I lose myself
Between the sounds and open wide to suck it in,
I feel it move across my skin.
I'm reaching up and reaching out,
I'm reaching for the random or what ever will bewilder me.
And following our will and wind we may just go where no one's been.
We'll ride the spiral to the end and may just go where no one's been.
Spiral out. Keep going, going
Writer/s: M.J. KEENAN, A. JONES, D. CAREY, J. CHANCELLOR, DANIEL CAREY, JUSTIN CHANCELLOR, MAYNARD KEENAN, ADAM JONES
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by
LyricFindLateralus There are many interpretations of this song, but it was written to examine life in general. The album projects a very spiritual aura, enticing people to let go of their hate, grudges, discord and limiting beliefs. (thanks, Zipper - Phoenix, AZ) This runs 9:22. Radio stations usually play a shortened version of the song that has a shortened intro and the quiet part after the solo taken out. (thanks, Nick - Paramus, NJ) All of the art work done on the album cover, the CD itself and even the background screen at the concert are the works of Mr. Alex Grey. He is an artist that attempts to capture what humans look like without their outside flesh. Many of his drawings are of human bodies that lack all exterior features such as hair, skin, nails, etc. Grey has found a way to not only draw humans in this state but has drawn their "energy" surrounding them and in them. Before this, the last album Tool released (not counting box set Salival) was Aenima, which came out in 1996. In 2000 lead singer James Keenan released an album with his band A Perfect Circle, and it appeared that Tool had broken up. This proved otherwise, and the album went over very well with Tool fans. The line "Black then white are all I see in my infancy, red and yellow then came to be" has to do the the Aborigines from Australia who at first did art work only with black and white paints then later discovered how to make red and yellow, which they incorporated in their art. The "Spiral" would probably be either the earth twisting on its axis or its rotation around the sun. (thanks, Jake - New Jersey, NJ) The beginning lyrics of the song use the Fibonacci number sequence, where each number is the total of the two before it....
Black (1)
then (1)
white are (2)
all I see (3)
in my infancy (5)
red and yellow then came to be (8)
reaching out to me (5)
lets me see' (3)
Their drummer is also known to use several other mathematical sequences in his playing. (thanks, Keri - Los Lunas, NM) The saying "as below, so above and beyond, I imagine" probably has to do with the principle of the saying "as above, so below" used by Neo-Pagans while opening the Magic Circle. (thanks, Raistlin - Middletown, OH) According to an All-Tool issue of Revolver magazine, this song was originally called "987" because it the time signature changes in a repeating sequence of 9/8, 4/4, then 7/8. Justin Chancellor, Tool's bassist, had this to say about the song: "For me, the song 'Lateralus' was the turning point. I wrote a bar of nine, a bar of eight, a bar of seven, and we originally called the song '987'. I saw it as something that kept getting shorter and shorter and, like a spiral, it kind of folds in on itself." (thanks, Jamin King - Puyallup, WA)