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Led Zeppelin Songs - Bring It On Home
Led Zeppelin - Bring It On Home


Led Zeppelin - Bring It On Home Lyrics and Youtube Music Videos

Album: Led Zeppelin II
Released: 1969

Bring It On Home Lyrics


Bring It On Home Song Chart
  • This was influenced by a song of the same name recorded by Blues great Sonny Boy Williamson and written by Willie Dixon. The Dixon composition was so similar that Led Zeppelin reached a settlement with Dixon over the royalties for the song, and credited Dixon as the writer when this appeared on Led Zeppelin's How The West Was Won live DVD.
  • Led Zeppelin frequently performed this live, with interplay between Jimmy Page's guitar, John Bonham's drums and John Paul Jones' bass. This can be heard on CD 3 of How The West Was Won. (thanks, Adrian - Wilmington, DE)
  • The battle between Bonham and Page was referred to as a completely separate song entitled "Bring It On Back" when done live. (thanks, Chris - Whitesboro, NY)
  • The harmonica part was recorded in Vancouver. The band went on tour with the master tapes from Led Zeppelin II and now and then stopped into a studio to record parts. (thanks, Dean - Vancouver, Canada)
  • On Led Zeppelin's 1973 US tour, they played part of this as an intro to "Black Dog." (thanks, Bertrand - Paris, France)

  • Led Zeppelin Songs - Heartbreaker
    Led Zeppelin - Heartbreaker


    Led Zeppelin - Heartbreaker Lyrics and Youtube Music Videos

    Album: Led Zeppelin II
    Released: 1969

    Heartbreaker Lyrics


    Heartbreaker Song Chart
  • This opens Side 2 of Led Zeppelin II and goes right into "Livin' Lovin' Maid (she's just a woman)" on the album. Radio stations usually play them together, but "Maid" was never performed live by Led Zeppelin.
  • A crowd favorite, Led Zeppelin sometimes opened live shows with it.
  • At concerts, Jimmy Page would stretch out the guitar solo and incorporate bits of other songs, like "Greensleeves," "The 59th Street Bridge Song (Feelin' Groovy)," and Bach's "Bouree in C minor."
  • Robert Plant, Jimmy Page, and John Paul Jones performed this at the Atlantic Records 40th anniversary concert in 1988 with Jason Bonham sitting in on drums for his late father.
  • Led Zeppelin opened many of their live shows in 1971 and 1972 with "Immigrant Song," followed by a segue right into this. (thanks, Adrian - Wilmington, DE)
  • Jimmy Page's legendary guitar solo on this song inspired a young Eddie Van Halen to create his "tapping" technique after he saw Led Zeppelin perform live at the Long Beach Arena in 1972, which can be heard on the CD How The West Was Won.
  • Page's unaccompanied solo is pitched slightly higher than the rest of the song. The guitarist explained to Guitar World in 1998: "The interesting thing about the solo is that it was recorded after we had already finished 'Heartbreaker' – it was an afterthought. That whole section was recorded in a different studio and it was sort of slotted in the middle."
  • Eddie Kramer, sound engineer on Led Zeppelin II, told Guitare & Claviers in 1994 how he ended up working on the album:

    "I met Page for the first time in Pye studios when I was working on sessions of The Kinks. Page had earned a certain reputation as a studio guitarist. I also worked with John Paul Jones on a few sessions, and we became friends. Jones was a brilliant musician. He wrote arrangements for chord orchestras and he could play many instruments extremely well. Before I left England to work with Jimi Hendrix at Record Plant studio in New York, in April 1968, Jonesy had invited me at his place to have me listen to a few demos of his new group, Led Zeppelin. I remember it sounded very heavy, and I was surprised that Jimmy Page played guitar because I didn't know they were friends. Jonesy was very proud of John Bonham, an ex-mason from the north of England who could hit it hard on the drums, as well as of Robert Plant, their wild singer. While I wasn't convinced by the name they had chosen, I wished them good luck. Then in '69, I was working at Electric Lady studios when I received a call from Steve Weiss, Jimi's right-hand man, saying that Led Zeppelin was in town. Page called later to tell he wanted I help him release what they had recorded and to make a few more tracks. Led Zeppelin had been a major success for Atlantic and they were urging Jimmy to finish the second album. Their schedule however wasn't very arranging. So we ended up listening, doubling, recording and mixing in many different studios around New York, including Groove Sound, a nice R&B 8-track studio. (thanks, Bertrand - Paris, France)

  • Led Zeppelin Songs - Moby Dick
    Led Zeppelin - Moby Dick


    Led Zeppelin - Moby Dick Lyrics and Youtube Music Videos

    Album: Led Zeppelin II
    Released: 1969

    Moby Dick Lyrics


    Moby Dick Song Chart
  • This was Zeppelin drummer John Bonham's showcase song on early tours. His solo would last up to 20 minutes, while the rest of the band would leave the stage and grab a smoke. Bonham sometimes drew blood performing this from beating his hands on his snare and tom toms.
  • This is an instrumental song. According to Bonham's wife Pat, the song is named Moby Dick because his son asked him to play "The long song." When John asked why, the boy answered, "It's big like Moby." (thanks, Jay the jet - St Paul, MN)
  • This evolved out of a drum solo Bonham would play called "Pat's Delight," which was named after his wife. Jimmy Page would often catch Bonham jamming in the studio, and recorded parts of it, then pieced it all together.
  • Jimmy Page remixed this to flow seamlessly into "Bonzo's Montreux" on the Led Zeppelin boxed set.
  • The name of Bonham's drum solo was later changed to "Over The Top" for the 1977 US tour. It used the "Out On The Tiles" riff as an intro instead. (thanks, Chris - Whitesboro, NY)
  • Page added a guitar riff to the mix, which came from "The Girl I Love She Got Long Black Wavy Hair," a song Led Zeppelin recorded live for the BBC in the Spring of 1969. It appears on the BBC Sessions album. (thanks, Bertrand - Paris, France)
  • Led Zeppelin often borrowed from American Blues recordings, and the guitar riff in this song bears a strong resemblance to the 1961 Bobby Parker song "Watch Your Step." Led Zeppelin has faced criticism for using parts of obscure folk and blues songs and passing them off as their own, but it should be noted that riffs cannot be copyrighted, and many famous musicians have borrowed in a similar fashion. A notable example is The Beatles "I Feel Fine," which was also influenced by Parker's "Watch Your Step."
  • An anti-littering campaign in the United States used this for its theme music in the mid '70s. (thanks, Ken - Ann Arbor, MI)

  • Led Zeppelin Songs - Thank You
    Led Zeppelin - Thank You


    Led Zeppelin - Thank You Lyrics and Youtube Music Videos

    Album: Led Zeppelin II
    Released: 1969

    Thank You Lyrics


    Thank You Song Chart
  • Robert Plant dedicated this to his wife, Maureen. It was the first Zeppelin song that Plant wrote all the lyrics for - something he did at the urging of Jimmy Page.
  • Jimmy Page sang background on this. You can hear him sing with Plant during the line, "Little drops of rain" until the part where Plant goes "My, my, my." (thanks, Lucy - Claremont, United States)
  • Page played an acoustic guitar solo on this, something he rarely did.
  • This became a showcase for John Paul Jones' keyboard work during live shows.
  • This ends with a church organ that fades to silence and comes back about 10 seconds later. This creates a problem for radio stations, who must decide between accepting the "dead air" or cutting it off. Some stations run edited versions, with the silence eliminated.
  • In 2001, Fred Durst from Limp Bizkit and Was Scantlin from Puddle Of Mudd performed this at the MTV Europe Music Awards.
  • Some radio stations play this together with "The Lemon Song" because there's no pause between them on the album. (thanks, Adrian - Wilmington, DE)
  • Tori Amos covered this song in her piano and singing style. It is on the extended "Crucify" single along with her versions of "Smells Like Teen Spirit" and "Angie." Led Zeppelin was a big influence for her. (thanks, sara - pittsburgh, PA)
  • Jimmy Page and Robert Plant used a mellower version of this as either an opening number or encore for most of their shows from 1995 through 1998. (thanks, Chris - Whitesboro, NY)
  • The lyrics, "If the sun refuse to shine" and "When mountains crumble to the sea" came from a Jimi Hendrix song called "If 6 Was 9."
  • When Led Zeppelin played this live, John Paul Jones would improvise an extended organ intro. (thanks, Bertrand - Paris, France, for above 2)

  • Led Zeppelin Songs - Whole Lotta Love
    Led Zeppelin - Whole Lotta Love


    Led Zeppelin - Whole Lotta Love Lyrics and Youtube Music Videos

    Album: Led Zeppelin II
    Released: 1969

    Whole Lotta Love Lyrics


    You need cooling
    Baby I'm not fooling
    I'm gonna send ya
    Back to schooling

    A-way down inside
    A-honey you need it
    I'm gonna give you my love
    I'm gonna give you my love

    Want to Whole Lotta Love
    Want to whole lotta love
    Want to whole lotta love
    Want to whole lotta love

    You've been learning
    Um baby I been learning
    All them good times baby, baby
    I've been year-yearning

    A-way, way down inside
    A-honey you need-ah
    I'm gonna give you my love ahh
    I'm gonna give you my love ahh oh

    You've been cooling
    And baby I've been drooling
    All the good times, baby
    I've been misusing

    A-way, way down inside
    I'm gonna give ya my love
    I'm gonna give ya every inch of my love
    I'm gonna give ya my love

    Hey!
    Alright! Let's go!

    Lord
    My, my, my, my
    My, my, my, my
    Shake for me girl

    I want to be your backdoor man
    Hey, oh. Hey, oh

    Keep it cooling baby
    A-keep it cooling baby
    A-keep it cooling baby
    Ah-keep it cooling baby

    Writer/s: JACKSON, GEORGE HENRY / IBSEN, PETER / SKARBEK, SACHA / JONES, DUFFY
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Whole Lotta Love Song Chart
  • This was Led Zeppelin's first US single, and their only US Top 10 hit. Some of their most popular songs, like "Stairway To Heaven," were not released as singles.
  • Atlantic Records pressed copies of the single to release in England, but Peter Grant, their manager, wouldn't let them. He felt releasing singles in England would hurt album sales, and the band thought that one song was not a good representation of any group. In the US, it was acceptable because more people bought singles.
  • Blues great Willie Dixon sued the band, claiming they stole this from his song "You Need Love." The band reached an agreement with Dixon, who used the settlement money to set up a program providing instruments for schools.
  • The freeform section was the result of Page and engineer Eddie Kramer "twiddling every knob known to man."
  • This might be the first use of "backward echo." Page put the echo of Plant's lines before he says them, creating an interesting sound.
  • Robert Plant did the vocal in one take.
  • Led Zeppelin used this as the basis for a medley they performed in their later shows. They had lots of songs by then, so they used the medley to play snippets of their popular songs they did not want to play all the way through. They incorporated various Blues songs in these medleys as well, notably "Boogie Chillen" by John Lee Hooker, which was often followed by what they called "Boogie Woogie, by Unknown," and "Let's Have A Party" by Wanda Jackson. They would put this in when Robert Plant would yell, "Way Down INSIDE." (thanks, Thomas - Toronto, Canada)
  • This was used as the theme song to the BBC music show Top of the Pops. The band never appeared on the program, as they had no interest in lip-synching and weren't a good fit for the TOTP audience.
  • Some parts of the song as well as some lyrics were borrowed form a song called "You Need Loving" by the Small Faces. Small Faces was a '60 band that Zeppelin modeled themselves after. (thanks, Andy - Cleveland, OH)
  • The remaining members of Led Zeppelin played this at their Live Aid reunion in 1985. Along with Tony Thompson, Phil Collins sat in on drums. Collins was the biggest presence at Live Aid. He played a set in London, flew to Philadelphia, played another set, then stayed on when Zeppelin took the stage. Jimmy Page was not happy - he thought Collins butchered this.
  • On some live versions, Jimmy Page played the theremin, a bizarre electronic instrument he liked to experiment with consisting of a black box and antennae. The sound is altered by moving one's hand closer to or farther from the antennae and was used to create the fuzz that alternates back and forth through the speakers. It can be heard to great effect on their Royal Albert Hall footage. Page decided to try theremin after hearing the group Spirit use one. (thanks, Collin - Midland, TX)
  • Page, Plant, and John Paul Jones played this at the Atlantic Records 40th anniversary concert in 1988 with Jason Bonham sitting in on drums for his late father. Jason would join the band again in 2007 at a benefit concert for the Ahmet Ertegun education fund, where they played this as the first encore.
  • In 1997, this became the only single Led Zeppelin released in the UK, although there were several pressings made of "Trampled Underfoot" that were all shelved before being released, and are, today, viewed as highly collectable. (thanks, Jon - Wayne, PA)
  • Robert Plant played this on the Strange Sensations tour of the UK in 2005. (thanks, iain - Edinburgh, Scotland)
  • Jimmy Page played the loose blues riff for the intro on a Sunburst 1958 Les Paul Standard through a 100W Marshall "Plexi" head amp with distortion from the EL34 output valves.
  • Jack Johnson performed a very laid-back version of this song when he headlined the first night of the Coachella Valley Music and Arts Festival in 2008.
  • Alexis Korner hit #13 UK with his cover of this song in 1970 with his studio group CCS. (thanks, Bertrand - Paris, France, for above 2)
  • This song was performed by Leona Lewis and Jimmy Page at the closing ceremony of the 2008 Beijing Olympics during the hand over to the host of the 2012 games, London. Prior to the performance there was some concern about the track's somewhat family unfriendly lyrical content, but Lewis tactfully changed the words from "every inch of my love" to "every bit of my love."
    They appeared alongside English soccer star David Beckham as symbols of British entertainment, both old and new. The performance took place in a magnificent, elaborate setting: Beijing's "Bird's Nest" Olympic Stadium. Lewis and Page appeared out of what had been a London double-decker bus, later transformed into a garden of green hedges. (thanks, Arthur - North East, Poland)
  • John Paul Jones told Uncut magazine January 2009 that Page began to come into his own as a producer around the time of this song. Said Jones: "The backwards echo stuff. A lot of the microphone techniques were just inspired. Using distance-miking… and small amplifiers. Everybody thinks we go in the studio with huge walls of amplifiers, but he doesn't. He uses a really small amplifier and he just mikes it up really well, so that it fits into a sonic picture."
  • On May 5, 2009, this became the first Led Zeppelin song performed on American Idol when Adam Lambert sang it during Rock Week, with Slash as the guest mentor. The judges loved Lambert's version and he advanced to the next round.
  • In 2010, Mary J. Blige covered "Whole Lotta Love" and "Stairway To Heaven," which were released as downloads and appeared on the UK version of her Stronger With Each Tear album. Musicians contributing to these tracks include Steve Vai , Orianthi, blink-182 drummer Travis Barker and Randy Jackson of American Idol fame, who played bass. "Whole Lotta Love" was produced by RedOne and Ron Fair, who is Chairman of Geffen Records. (thanks, Bertrand - Paris, France)
  • The song's guitar riff was voted the greatest of all time by listeners of BBC Radio 2 in a 2014 poll. "Sweet Child O' Mine" by Guns N' Roses came second in the listing and "Back In Black" by AC/DC third.
  • Guitar World noted Page's use of the wah-wah pedal during his famous solo, securing its place at #17 on the magazine's 2015 list of greatest wah solos of all time.

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