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The Monkees - Tapioca Tundra

The Monkees - Tapioca Tundra Lyrics and Youtube Music Videos

Album: The Birds, The Bees and The Monkees
Released: 1967

Tapioca Tundra Lyrics

Reasoned verse some prose or rhyme
Lose themselves in other times
And waiting hopes cast silent spells
That speak in clouded clues
It cannot be a part of me
For now it's part of you
Sunshine, rag time, blowing in the breeze

Midnight looks right standing more at ease
Silhouettes and figures stay
Close to what he had to say
And one more time the faded dream
Is saddened by the news
It cannot be a part of me
For not it's a part of you

Writer/s: MICHAEL NESMITH
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Tapioca Tundra

Mike Nesmith wrote this song inspired by a large collection of old 45 records from the '20s and '30s he purchased at a yard sale. Along with "Magnolia Simms," this was a tribute to the ragtime and jazz of the '20s, even going so far as recording using gramophone technology to mimic the echo and the skipping of an old recording. It was also the basis for Nesmith's first major solo project in 1968, The Wichita Train Whistle Sings. (thanks, Brian - Providence, RI)

The title is not mentioned in the lyrics. Mike Nesmith had a habit of doing this a lot on his compositions ("Papa Gene's Blues," "Auntie's Municipal Court," "Daily Nightly," etc.). (thanks, Barry Kesten - Bellmore, United States)

The Monkees - Last Train To Clarksville

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The Monkees - Last Train To Clarksville Lyrics and Youtube Music Videos

Album: The Monkees
Released: 1966

Last Train To Clarksville Lyrics

Last Train To Clarksville

This was written by Tommy Boyce and Bobby Hart, a songwriting team who came up with many songs for the Monkees. They also wrote songs for Chubby Checker and Jay & the Americans.

Boyce and Hart wrote this as a protest to the Vietnam War. They had to keep this quiet in order to get it recorded, but it is about a guy who gets drafted and goes to fight in the war. The train is taking him to an army base, and he knows he may die in Vietnam. At the end of the song he states, "I don't know if I'm ever coming home."

Bobby Hart said of writing this song: "We were just looking for a name that sounded good. There's a little town in Northern Arizona I used to go through in the summer on the way to Oak Creek Canyon called Clarksdale. We were throwing out names, and when we got to Clarksdale, we thought Clarksville sounded even better. We didn't know it at the time, [but] there is an Air Force base near the town of Clarksville, Tennessee - which would have fit the bill fine for the story line. We couldn't be too direct with The Monkees. We couldn't really make a protest song out of it - we kind of snuck it in."

Hart got the idea for the lyrics when he turned on the radio and heard the end of The Beatles "Paperback Writer." He thought Paul McCartney was singing "Take the last train," and decided to use the line when he found out McCartney was actually singing "Paperback Writer." Hart knew that The Monkees TV series was pitched as a music/comedy series in the spirit of The Beatles movie A Hard Day's Night, so he knew emulating The Beatles would be a winner. To do that, he made sure to put a distinctive guitar riff in this song, and wrote in the "Oh No-No-No, Oh No-No-No" lyrics as a response to the Beatles famous "Yeah Yeah Yeah."

The only Monkee to appear on this song was Micky Dolenz, who sang lead. The four members of the group were chosen from over 400 applicants to appear on a TV show based on The Beatles movie A Hard Day's Night. The show was about a fictional band, so the members were chosen more for their looks and acting ability than for their musical talent.

Session musicians played on the Monkees albums, usually some combination of Glen Campbell, Leon Russell, James Burton, David Gates, Carol Kaye , Jim Gordon and Hal Blaine. According to the liner notes on the 1994 reissue of the album, however, members of a group called the Candy Store Prophets did the instrumental backing on this track at a session that took place July 25, 1966 at RCA Victor Studios in Hollywood. The Candy Store Prophets were Tommy Boyce and Bobby Hart's band, and included Boyce on acoustic guitar, Gerry McGee on electric guitar, Larry Taylor on bass and Billy Lewis on drums. Additional musicians on this track were Wayne Erwin and Louie Shelton on guitar, and Gene Estes on percussion.

Often reported as having played guitar on this track is Jesse Ed Davis, a Native American whose accomplishment included backing George Harrison at the Concert for Bangla Desh and playing the solo on Jackson Browne's first hit, "Doctor My Eyes."

This was The Monkees' first single. It was released shortly after their TV show started on NBC and got a lot of publicity as a result. The Monkees followed it up with another hit, "I'm A Believer," and had several more chart entries before their show was canceled in 1968. Eventually, the group wrote their own songs and played their own instruments. (thanks to Lucy at Monkeeland.com for helping us out)

When this song was released as a single, it went straight to #1, knocking "96 Tears" by ? & the Mysterians down to #2.

The Monkees took a lot of heat when they became successful recording artists without playing on their songs. Their drummer Micky Dolenz explained in The Wrecking Crew film: "I think there was a lot of resentment in the recording industry that we’d come out of nowhere, left field, and sort of just shot right to the top without having to kind of go through the ropes. The music industry back then was pretty crooked, and some people say even to this day. And I didn’t know at the time anything about the business end of it, but all of the sudden, the radio stations, the rack jobbers, the distributors, all these people that had a lot of power at that time - all of the sudden, they had to start playing the Monkees songs; they had to start racking them, they had to start distributing them. They had no choice. It was just so huge because of the television show. And that’s the first time anything like that had ever happened. And I think that probably created a lot of resentment."

There is a certain lyrical dissonance in this song, as the upbeat music is contrasted with lyrics about being shipped off to war. Carol Kaye , who played bass on the session, told us, "The tempo of the tune was a good tempo. And that's the main thing is to keep that tempo going. Back in the '60s, you're playing for people who dance. And if the tempo is 1-2-3-4, that's a dance tempo. So you're going to keep the tempo up, that's important. So no, the mood of the song is not critical if the tempo is high, if the tempo is fast. If it's slow, yeah, it's kind of critical, and it depends upon how much is happening in the tune, too."

The Monkees - (Theme From) The Monkees

The Monkees - (Theme From) The Monkees Youtube Music Videos and Lyrics

Album: The Monkees
Released: 1966

(Theme From) The Monkees Lyrics

Here we come, walkin'
Down the street.
We get the funniest looks from
Everyone we meet.

Hey, hey, we're the Monkees
And people say we monkey around.
But we're too busy singing
To put anybody down.

We go wherever we want to,
Do what we like to do
We don't have time to get restless,
There's always something new.

Hey, hey, we're the Monkees
And people say we monkey around.
But we're too busy singing
To put anybody down.

We're just tryin' to be friendly,
Come and watch us sing and play,
We're the young generation,
And we've got something to say.
Any time, Or anywhere,
Just look over your shoulder
Guess who'll be standing there

Hey, hey, we're the Monkees
And people say we monkey around.
But we're too busy singing
To put anybody down.

Hey, hey, we're the Monkees
And people say we monkey around.
But we're too busy singing
To put anybody down.
We're just tryin' to be friendly,
Come and watch us sing and play,
We're the young generation,
And we've got something to say.
Hey, hey, we're the Monkees
Hey, hey, we're the Monkees

Hey, hey, we're the Monkees,
You never know where we'll be found.
So you'd better get ready,
We may be comin' to your town.

Writer/s: HART, BOBBY/BOYCE, TOMMY
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

(Theme From) The Monkees Song Chart

This was the first song written and recorded for The Monkees TV series, which ran on NBC 1966-1968. Written to introduce the irreverent act, a portion of it was used as the theme song for the show.

It was written by the songwriter/producers Tommy Boyce and Bobby Hart, who were hired to write three songs for the show's pilot, including the theme. When they wrote it, the cast had not been chosen and they had very little direction - the show was pitched as "An American version of The Beatles" and loosely based on the Beatles movie A Hard Day's Night. Boyce and Hart wrote the song in the style of The Beatles, composing good-natured lyrics positioning the band as a fun group of guys who are "too busy singing to put anybody down."

The finger snaps and "here we come" line were influenced by the Dave Clark Five song "Catch Us If You Can," where they sing, "Here we come again, catch us if you can."

The Monkees didn't play on their early albums, so very often the only band member to appear on a song would be its lead vocalist, which in this case was Micky Dolenz. This song was produced by the song's writers, Tommy Boyce and Bobby Hart, who had members of their band, the Candy Store Prophets, play the instruments. The backing credits are as follows:

Micky Dolenz: vocal
Tommy Boyce: backing vocals
Wayne Erwin, Gerry Mcgee & Louie Shelton: guitar
Larry Taylor: bass
Billy Lewis: drums
Gene Estes: percussion

Turns out this song works very well in a documentary about actual monkeys: It was used to open the 2015 Disney film Monkey Kingdom.