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Articles by "1967"

The Beach Boys - Wild Honey
The Beach Boys - Wild Honey


The Beach Boys - Wild Honey Lyrics and Youtube Music Videos

Album: Wild Honey
Released: 1967

Wild Honey Lyrics


Sweet sweet Wild Honey bee
Eat up eat up eat up honey
Mama I'm tellin' you as sure as I'm standing here
She's my girl and that's the way I'm keeping it now mama dear
No good will it do you to stand there and frown at me
The girl's got my heart and my love's coming down on me
My love's coming down since I got a taste of wild honey
You know she's got the sweetness of a honey bee
Wild honey
She got it on and stung me good yes sirree
With all the other stud bees buzzing all around her hive
She singled me out single handed took me alive
Well can you can you gonna take my life eating up her wild honey
(Sweet sweet wild honey bee)
(Eat up eat up eat up honey)
Oh mama she's sweeter
Gettin' sweeter
Sweeter sweeter
Sweet
Wild honey
Let me tell you how she really got to my soul
It ain't funny
The way she make want to sing a little rock 'n' roll
There's nothing quite nice as a kiss of wild honey
I break my back workin' just to save me some money
So I can spend my life with her
Sock it to me wild honey
Wild honey she's mine
Wild honey she's mine

Writer/s: MICHAEL LOVE, BRIAN WILSON
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Wild Honey
  • Wild Honey is probably a reference to a kiss, although it could have a more explicit meaning. The phrase has been used by many bands including U2 ("Wild Honey"), The Beatles ("Wild Honey Pie"), and The Steve Miller Band ("Wild Mountain Honey").
  • This was released as a single with "Wind Chimes" from the album Smiley Smile.
  • Mike Love of The Beach Boys recalled to Billboard magazine in a 2012 interview that he went into the kitchen to make some tea whilst "Darlin'" was being recorded at Brian Wilson's house in Bel-Air. "Brian had a health food store back then called the Radiant Radish," he remembered, "and I look up and see 'wild honey,' and the track is pumping and I thought, "I'll make up a song called 'Wild Honey.'" So Love penned a song "about a girl and this guy-I was even thinking about Stevie Wonder at the time." He wondered, "What would Stevie Wonder say to his mother about a girl that maybe she didn't want him to get involved with, but he says, 'Screw it' - he really digs this chick. That was the premise of the song."

  • Donovan - Wear Your Love Like Heaven
    Donovan - Wear Your Love Like Heaven


    Donovan - Wear Your Love Like Heaven Lyrics and Youtube Music Videos

    Album: Gift From A Flower To A Garden
    Released: 1967

    Wear Your Love Like Heaven Lyrics


    Color in sky, prussian blue
    Scarlet fleece changes hue
    Crimson ball sinks from view
    Wear Your Love Like Heaven (Wear your love like)
    Wear your love like heaven (Wear your love like)
    Wear your love like heaven (Wear your love)

    Lord, kiss me once more
    Fill me with song
    Allah, kiss me once more
    That I may, that I may
    Wear my love like heaven (Wear my love like)
    Wear my love like heaven (Wear my love)
    La-la, la-la-la, la-la-la, la-la-la

    Color sky, havana lake
    Color sky, rose carmethene
    Alizarin crimson
    Wear your love like heaven (Wear your love like)
    Wear your love like heaven (Wear your love like)
    Wear your love like heaven (Wear your love)

    Lord, kiss me once more
    Fill me with song
    Allah, kiss me once more
    That I may, that I may
    Wear my love like heaven (Wear my love like)
    Wear my love like heaven (Wear my love)
    La-la, la-la-la, la-la-la, la-la-la

    Cannot believe what I see
    All I have wished for will be
    All our race proud and free
    Wear your love like heaven (Wear your love like)
    Wear your love like heaven (Wear your love like)
    Wear your love like heaven (Wear your love)

    Lord, kiss me once more
    Fill me with song
    Allah, kiss me once more
    That I may, that I may
    Wear my love like heaven (Wear my love like)
    Wear my love like heaven (Wear my love)
    Carmine
    Carmine

    Writer/s: DONOVAN LEITCH
    Publisher: Peermusic Publishing
    Lyrics licensed and provided by LyricFind

    Wear Your Love Like Heaven
  • This very psychedelic song is a nod to the divine, conjuring up images of nature's colors and invoking both God and Allah. Heavy stuff.
  • In our interview with Donovan , we asked how he came up with the vibrant images that appear in the lyric. Lines like:

    Color sky Havana lake
    Color sky rose carmethene
    Alizarian crimson


    Donovan explained that like many great songwriters - Joni Mitchell, John Lennon, Bob Dylan among them - he dabbled in art and thought in terms of paintings. This song is an example of translating images on a canvas into words. "'Wear Your Love Like Heaven' was really a paint-ily song - watching a sunset go down," he said.
  • This song was used in the Simpsons episode "Weekend at Bernsie's" when Homer is partaking in Medicinal Marijuana.

  • The Supremes - Love Is Here and Now You're Gone
    The Supremes - Love Is Here and Now You're Gone


    The Supremes - Love Is Here and Now You're Gone Lyrics and Youtube Music Videos

    Album: The Supremes Sing Holland-Dozier-Holland
    Released: 1967

    Love Is Here and Now You're Gone Lyrics


    Love Is Here,
    And, oh my darling, Now You're Gone,
    Love Is Here,
    And, oh my darling, Now You're Gone,
    You persuaded me to love you,
    And I did,
    But instead of tenderness I found heartache instead,
    Into your arms I fell,
    So unaware of the loneliness that was waiting there.
    Spoken: You closed the door of your heart and turned the key,
    locked your love away from me.

    Love Is Here,
    And, oh my darling, Now You're Gone,
    You made me love you,
    And oh my darling, Now You're Gone,
    You said loving you would make life beautiful
    with each passing day,
    But as soon as love came into my heart,
    you turned and you walked just one way.
    Spoken: You stripped me of my dreams,
    you gave me faith, then took my hope, look at me now.

    Look at me
    See what loving you has done to me
    Look at my face
    See how crying has left its trace
    After you made me all your own
    And you left me all alone
    You made your words sound so sweet
    Knowing that your love I couldn't keep.
    Spoken: My heart cries out for your touch
    But you're not there


    Writer/s: BRIAN HOLLAND, EDWARD HOLLAND, LAMONT DOZIER
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Love Is Here and Now You're Gone
  • Unlike all of the Supremes' other songs, this was recorded in Los Angeles instead of Hitsville USA in Detroit. Holland-Dozier-Holland wanted the sound for this song to be different than the Supremes' other hits. After the song was recorded, they were dissatisfied with the way the bass and drums and percussion sounded, so these parts were re-recorded at Hitsville by the Funk Brothers (a studio band who worked for Motown).
  • Edward Holland, Jr. wrote the lyrics to this song. Of all the Supremes' hits, this song is his favorite.

  • Jimi Hendrix - She's So Fine
    Jimi Hendrix - She's So Fine


    Jimi Hendrix - She's So Fine Lyrics and Youtube Music Videos

    Album: Axis: Bold As Love
    Released: 1967

    She's So Fine Lyrics


    She walks with a bell-clock round her neck
    So the hippies think she's in with time
    Time...
    Her hair glistens like robins on a deck
    Branches attack me from her neck

    She's So Fine
    She's so very very fine

    The sun from a cloud sinks into her eyes
    The rain from a tree soaks into her mind
    Mind...
    Morning sign sounds just like a lock
    All these signs are always a stock

    She's so fine
    She's so very very fine

    When I veer I get so near
    But so far far far away
    Listen to me today

    We united just beside a leaf
    The ground was hard underneath her her

    Ahhhahhh
    She's so fine
    Ahhhahhh

    Writer/s: NOEL DAVID REDDING
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    She's So Fine
  • This is one of the few songs Hendrix performed that was written by a member of his band. Noel Redding, who played bass in The Jimi Hendrix Experience, came up with this with little help from Hendrix. It was the first song recorded for Axis: Bold As Love.
  • Redding did the lead vocals on this song.

  • The Mamas & the Papas - Creeque Alley
    The Mamas & the Papas - Creeque Alley


    The Mamas & the Papas - Creeque Alley Lyrics and Youtube Music Videos

    Album: Deliver
    Released: 1967

    Creeque Alley Lyrics


    John and Mitchy were gettin' kind of itchy
    Just to leave the folk music behind
    Zal and Denny workin' for a penny
    Tryin' to get a fish on the line
    In a coffee house Sebastian sat
    And after every number they'd pass the hat
    McGuinn and McGuire just a-gettin' higher
    In L.A., you know where that's at
    And no one's gettin' fat except Mama Cass

    Zally said "Denny, you know there aren't many
    Who can sing a song the way that you do, let's go south"
    Denny said "Zally, golly, don't you think that I wish
    I could play guitar like you"
    Zal, Denny and Sebastian sat (At the Night Owl)
    And after every number they'd pass the hat
    McGuinn and McGuire still a-gettin higher
    In L.A., you know where that's at
    And no one's gettin' fat except Mama Cass

    When Cass was a sophomore, planned to go to Swarthmore
    But she changed her mind one day
    Standin' on the turnpike, thumb out to hitchhike
    "Take me to New York right away"
    When Denny met Cass he gave her love bumps
    Called John and Zal and that was the Mugwumps
    McGuinn and McGuire couldn't get no higher
    But that's what they were aimin' at
    And no one's gettin' fat except Mama Cass

    Mugwumps, high jumps, low slumps, big bumps
    Don't you work as hard as you play
    Make up, break up, everything is shake up
    Guess it had to be that way
    Sebastian and Zal formed the Spoonful
    Michelle, John, and Denny gettin' very tuneful
    McGuinn and McGuire just a-catchin' fire
    In L.A., you know where that's at
    And everybody's gettin' fat except Mama Cass
    Di-di-di-dit dit dit di-di-di-dit, whoa

    Broke, busted, disgusted, agents can't be trusted
    And Mitchy wants to go to the sea
    Cass can't make it, she says we'll have to fake it
    We knew she'd come eventually
    Greasin' on American Express cards
    It's low rent, but keeping out the heat's hard
    Duffy's good vibrations and our imaginations
    Can't go on indefinitely
    And California dreamin' is becomin' a reality

    Writer/s: JOHN EDMUND ANDREW PHILLIPS, MICHELLE GILLIAM
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Creeque Alley
  • This is the story of how the band met and formed. Individual members had sung in other bands before and these show up in the lyrics (Mugwumps etc.). The Mamas & The Papas spent time in the Virgin Islands staying in a club on a road called Creeque Alley, providing the name of this song.
  • While the song is about the formation of the Mamas and the Papas, it mentions other artists who were getting their starts at the same time:

    Sebastian is John Sebastian, who, with Zal Yanovsky (also mentioned in the song), formed the Lovin' Spoonful.

    "McGuinn and McGuire, couldn't get no higher" - Jim "Roger" McGuinn was the lead singer for The Byrds, who were starting to take flight at the time and who had two #1 songs in 1965 - "Mr. Tambourine Man" and "Turn, Turn, Turn." Barry McGuire had a #1 in 1965 with the anti-war song "Eve Of Destruction." In other words, at #1 they "Couldn't get no higher."
  • The line, "Zallie said 'Denny, you know there aren't many who can sing a song the way that you do,'" "Zallie" is The Lovin' Spoonful's Zal Yanovsky, and he's talking about Papa Denny Doherty, who sang the male lead on "California Dreamin'" and many of their other songs. Doherty died of kidney failure on January 19, 2007 at age 66.
  • The lyrics, "Greasin' on American Express cards" refers to a time when the band was in the Virgin Islands and living off their American Express cards, running up balances they couldn't (and didn't intend to) pay.

  • Jimi Hendrix - Castles Made Of Sand
    Jimi Hendrix - Castles Made Of Sand


    Jimi Hendrix - Castles Made Of Sand Lyrics and Youtube Music Videos

    Album: Axis: Bold As Love
    Released: 1967

    Castles Made Of Sand Lyrics


    Castles Made Of Sand
  • This is one of Hendrix' most autobiographical and personal songs. He hated talking about his past, and avoided it during press conferences and interviews.
  • Hendrix played all of the lead guitar parts backwards, then rewound the recording of the lead guitar parts to the song to get that effect you hear in the beginning and in the middle of the song.
  • Hendrix' mother was a Cherokee Indian, and in this song he identifies with his heritage as a Native American.
  • Hendrix read the words for this song as a poem instead of singing them.
  • The Red Hot Chili Peppers were all big fans of Jimi Hendrix and often perform this song live.

  • The Velvet Underground - Heroin
    The Velvet Underground - Heroin


    The Velvet Underground - Heroin Lyrics and Youtube Music Videos

    Album: The Velvet Underground & Nico
    Released: 1967

    Heroin Lyrics


    I don't know just where I'm going
    But I'm gonna try for the kingdom, if I can
    'Cause it makes me feel like I'm a man
    When I put a spike into my vein
    And I tell you things aren't quite the same

    When I'm rushing on my run
    And I feel just like Jesus' son
    And I guess that I just don't know
    And I guess that I just don't know

    I have made big decision
    I'm gonna try to nullify my life
    'Cause when the blood begins to flow
    When it shoots up the dropper's neck
    When I'm closing in on death

    You can't help me now, you guys
    And all you sweet girls with all your sweet talk
    You can all go take a walk
    And I guess I just don't know
    And I guess that I just don't know

    I wish that I was born a thousand years ago
    I wish that I'd sailed the darkened seas
    On a great big clipper ship
    Going from this land here to that
    On a sailor's suit and cap

    Away from the big city
    Where a man cannot be free
    Of all the evils of this town
    And of himself and those around
    Oh, and I guess that I just don't know
    Oh, and I guess that I just don't know

    Heroin, be the death of me
    Heroin, it's my wife and it's my life
    Because a mainline into my vein
    Leads to a center in my head
    And then I'm better off than dead

    Because when the smack begins to flow
    I really don't care anymore
    About all the Jim-Jims in this town
    And all the politicians making crazy sounds
    And everybody putting everybody else down
    And all the dead bodies piled up in mounds

    'Cause when the smack begins to flow
    And I really don't care anymore
    Ah, when that heroin is in my blood
    And that blood is in my head
    Then thank God that I'm as good as dead
    And thank your God that I'm not aware
    And thank God that I just don't care
    And I guess I just don't know
    Oh, and I guess I just don't know

    Writer/s: LEWIS ALLEN REED, LOU REED
    Publisher: SONY ATV MUSIC PUB LLC
    Lyrics licensed and provided by LyricFind

    Heroin
  • While there are many alternative interpretations of this song, it seems to be the case that Lou Reed was merely describing the effects of the drug, while neither condemning it nor condoning it. It might have been done merely for shock value, or because Reed liked gritty subjects, or as a dark poem of addiction; the beauty of this song is that it works on all of these levels, and many more, at the same time. In many of his songs, we have cases where Lou Reed kept the focus on providing an objective description of the topic without taking a moral stance on the matter.
    For the record, Lou Reed spoke of the meaning of some of his songs in a 1971 interview with creem magazine: "I meant those songs to sort of exorcise the darkness, or the self-destructive element in me, and hoped other people would take them the same way. But when I saw how people were responding to them, it was disturbing. Because, like, people would come up and say, 'I shot up to 'Heroin,' things like that. For a while, I was even thinking that some of my songs might have contributed formatively to the consciousness of all these addictions and things going down with the kids today. But I don't think that anymore; it's really too awful a thing to consider."
  • Lou Reed wrote "Heroin" while attending Syracuse University - he would have been close to the age of 18. During his attendance, he also played guitar with several bar bands and hosted his own radio show on campus, in which he featured the works of various jazz and R&B legends. According to The Velvet Underground: An Illustrated History of a Walk on the Wild Side , Reed would amuse himself by using his electric guitar to blast screeches at the marching ROTC cadets on the green outside his dorm window, an act that impressed his new friend Sterling Morrison.
  • Also according to the above-mentioned biography, an original acetate recording of The Velvet Underground & Nico, including this song, was discovered at a yard sale in 2006. One Warren Hill, street-shopping along Chelsea Street in New York City, spotted the find. It was later verified to be the recording made at their first session at Scepter Studios under producer Norman Dolph. Hill bought the acetate for seventy-five cents. He later sold it on eBay for $25,000.
  • The unique screeching, droning viola sound in this and other early Velvet Underground songs was produced by bassist John Cale, a classically trained violist, playing an electric viola with 3 guitar strings, a cello bow and plenty of feedback. This preceded The Creation, who were the first to play a guitar with a cello bow in 1966. Few other bands exploited feedback and noise to the same degree as the Velvet Underground until the noise-rock scene developed in the 1980s.
  • The line, "And I feel just like Jesus' son" provided the title for Denis Johnson's short story collection Jesus' Son , which was made into a movie in 1999.
  • The song appears in the Oliver Stone movie The Doors.
  • Weezer's Brian Bell and Patrick Wilson covered this when they portrayed Lou Reed and John Cale, respectively, in the Edie Sedgwick biopic Factory Girl (2006).

  • The Beach Boys - Heroes And Villains
    The Beach Boys - Heroes And Villains


    The Beach Boys - Heroes And Villains Lyrics and Youtube Music Videos

    Album: Smiley Smile
    Released: 1967

    Heroes And Villains Lyrics


    I've been in this town so long that back in the city
    I've been taken for lost and gone
    And unknown for a long long time

    Fell in love years ago
    With an innocent girl
    From the Spanish and Indian home
    Home of the Heroes And Villains

    Once at night Catillian squared the fight
    And she was right in the rain of the bullets that eventually
    Brought her down
    But she's still dancing in the night
    Unafraid of what a dude'll do in a town full of heroes and
    Villains

    Heroes and villains
    Just see what you've done

    Heroes and villains
    Just see what you've done

    Stand or fall I know there
    Shall be peace in the valley
    And it's all an affair
    Of my life with the heroes and villains

    My children were raised
    You know they suddenly rise
    They started slow long ago
    Head to toe healthy wealthy and wise

    I've been in this town so long
    So long to the city
    I'm fit with the stuff
    To ride in the rough
    And sunny down snuff I'm alright
    By the heroes and

    Heroes and villains
    Just see what you've done

    Heroes and villains
    Just see what you've done

    Writer/s: WILSON, BRIAN DOUGLAS / PARKS, VAN DYKE
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Heroes And Villains
  • Brian Wilson wrote this with lyricist Van Dyke Parks . It was intended for the Smile album, but Brian Wilson abandoned the project and the album was not finished until 2004. Once the album was scrapped, Wilson recorded this with the intention of releasing it as a single.
  • This was the first time Wilson and Parks wrote together, and it is reported that when Wilson first played the melody to him, Parks came up with the opening line on the spot.
  • The Beach Boys did at least 20 recording sessions for this song over a period of several months, as Brian Wilson was very particular about it. Sections known as "Cantina Scene" and "Bicycle Rider" were dropped, although The Beach Boys often included them in live performances of the song.
  • A different version was released on The Beach Boys 30th anniversary boxed set Good Vibrations, which was issued in 1993. This version included the Cantina Scene and some additional lines ("At threescore and five, I'm very much alive, I've still got the jive to survive with the heroes and villains").
  • When Brian Wilson was going through a period of nervous breakdowns, he referred to the voices in his head as the "heroes and villains," which created a constant buzzing in his brain that he couldn't turn off.

  • The Velvet Underground - Black Angel's Death Song
    The Velvet Underground - Black Angel's Death Song


    The Velvet Underground - Black Angel's Death Song Lyrics and Youtube Music Videos

    Album: The Velvet Underground & Nico
    Released: 1967

    Black Angel's Death Song Lyrics


    The myriad choices of his fate
    Set themselves out upon a plate
    For him to choose
    What had he to lose

    Not a ghost bloodied country
    All covered with sleep
    Where the black angel did weep
    Not an old city street in the east
    Gone to choose

    And wandering's brother
    Walked on through the night
    With his hair in his face
    On a long splintered cut from the knife of g.t.

    The rally man's patter ran on through the dawn
    Until we said so long
    To his skull-shrill yell

    Shining brightly red-rimmed and
    Red-lined with the time
    Infused with the choice of the mind
    On ice skates scraping chunks
    From the bells

    Cut mouth bleeding razor's
    Forgetting the pain
    Antiseptic remains cool goodbye
    So you fly
    To the cozy brown snow of the east
    Gone to choose, choose again

    Sacrificials remains make it hard to forget
    Where you come from
    The stools of your eyes
    Serve to realize fame, choose again

    And roverman's refrain of the sacrilege recluse
    For the loss of a horse
    Went the bowels and a tail of a rat
    Come again, choose to go

    And if epiphany's terror reduced you to shame
    Have your head bobbed and weaved
    Choose a side to be on

    If the stone glances off
    Split didactics in two
    Leave the colors of the mouse trails
    Don't scream, try between
    If you choose, if you choose, try to lose
    For the loss of remain come and start

    Start the game i che che che che i
    Che che ka tak koh
    Choose to choose
    Choose to choose, choose to go

    Writer/s: REED, LOU / CALE, JOHN
    Publisher: Sony/ATV Music Publishing LLC, GARNANT MUSIC, SONY ATV MUSIC PUB LLC
    Lyrics licensed and provided by LyricFind

    Black Angel's Death Song
  • This song covers a variety of topics but the main one has to do with Communism. Lou Reed was and is today an avid supporter of choice, hence all the mentions of choice and choosing. Some of the failed attempts at Communism are mentioned as well. When Reed says, "To the cozy brown snow of the east" and "Not a ghost bloodied country," these are blatant references to Russia and the USSR. Reed was trying to say that Communism will never and should never exist in a modern-day society. (This analysis was completed by Matt Skaroff and Colin Rementer)
  • According to The Velvet Underground: An Illustrated History of a Walk on the Wild Side , this song, written by Lou Reed and John Cale, features Cale on the electric viola, showing his John Cage influence and drone/noise style. Here his dissonant notes weave around the song like a buzzing mosquito, almost harassing it. Those bursts of audio feedback are also provided by Cale, who simply blew into the microphone at punctuated intervals.
  • "The Black Angel's Death Song" was one of four songs recorded in July 1965 for the still-forming group's first demo tape. They were inspired at the time by recordings which Cale had brought back from a trip to the UK, by groups such as The Who and The Kinks.
  • The Velvet Underground's original drummer was Angus MacLise, a neighbor of Cale's who sometimes played drums with the Theater of Eternal Music. Shortly after recording the demo session that included this song, MacLise quit the group, who was an idealistic purist who disliked the idea of being paid to play music or of having to keep a schedule. He was replaced by Maureen "Moe" Tucker, and the rest is history.
  • The The Velvet Underground & Nico album was partly recorded at the run-down Scepter Recording Studio, on West 54th Street, financed by Warhol and bankrolled in part by Columbia Records sales executive Norman Dolph. Dolph also served as engineer, along with John Licata. The rest of the album was recorded in T.T.G. Studios in Hollywood, California with engineer Omi Haden.
  • The Black Angels, a psychedelic rock band from Austin, Texas which formed in 2004, derived their name from this song. This echoes the most famous quote about the Velvet Underground, "Only five thousand people ever bought a Velvet Underground album, but every single one of them started a band."

  • The Rulers - Wrong 'Em Boyo
    The Rulers - Wrong 'Em Boyo


    The Rulers - Wrong 'Em Boyo Lyrics and Youtube Music Videos

    Album: Wrong 'Em Boyo/Why Don't You Change
    Released: 1967

    Wrong 'Em Boyo Lyrics


    Wrong 'Em Boyo
  • The song is most popularly known for its cover by the Punk band The Clash, on their 1979 London Calling album. The record was one of many on the jukebox in The Clash's original rehearsal space.

    Bassist Paul Simonon in particular really loved the song, hence why the idea of a cover was mooted. The Clash jammed on a cover version with Bill Price in the London Calling sessions, and it became a Ska-influenced rave with an infectious skanking beat.
  • The song and lyrics are a take on the famous American myth of Stag 'O Lee, or Stagger Lee as he became in later variants.

    The original song 'Stag O' Lee' revolves around the legend story of the murder of Billy Lyons by 'Stag' Lee Shelton. Both were small time criminals, and so the story goes, on Christmas day 1895, they were involved in a drunken altercation which involved Lyons stealing Shelton's stetson hat, with Shelton calmly shooting Lyons dead, retrieving his hat and leaving. He would later be arrested and imprisoned for the murder in 1897 and die in prison in 1912. At this point the story had turned into a popular American folk song: "Stag 'O Lee," or "Stagger Lee" (in what may amount to a case of Chinese whispers).
  • Many cover versions of the song exist down the years, including versions by Wilson Pickett, Ike and Tina Turner, James Brown, Prince Buster and Nick Cave and the Bad Seeds. "Wrong 'Em Boyo" was one of many songs written inspired by the original story, including a similar one by the Black Keys in 2001 called "Stack Shot Billy" (Stack A Lee being another misheard version of the original name).

  • Sam & Dave - Soul Man
    Sam & Dave - Soul Man


    Sam & Dave - Soul Man Lyrics and Youtube Music Videos

    Album: Soul Man
    Released: 1967

    Soul Man Lyrics


    Soul Man
    Sam and Dave
    Coming to you, on a dusty road
    Good loving, I got a truck load
    And when you get it, you got something
    Don't worry, 'cause I'm coming
    I'm a soul man
    Got what I got, the hard way
    And I'll got make better, each and every day
    So honey, I said don't you fret
    'Cause you ain't seen nothing yet
    Well grab the rope, and I'll pull you in
    Give you hope, and be your only boyfriend ya (ya ya ya) help!

    Writer/s: HAYES, ISAAC/PORTER, DAVID
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Soul Man
  • This was released on Stax Records, a legendary soul label where Otis Redding, Wilson Pickett and Isaac Hayes recorded. It was written and produced by Hayes and David Porter, and the Stax house band of Booker T. & the MG's played the instruments, except for Booker himself who was away at college, which is why Hayes was brought in to Stax.
  • Isaac Hayes talked about this song in an interview with National Public Radio: "I got the idea from watching on TV the riots in Detroit. It was said that if you put 'Soul' on the door of your business establishment, they wouldn't burn it. Then the word 'Soul,' it was a galvanizing kind of thing for African Americans, and it had an effect of unity, it was said with a lot of pride. So I thought, 'Why not write a tune called 'Soul Man.' And all you had to do was write about your personal experiences, because all African Americans in this country at the time had similar experiences. But we realized that in addition to being an African American experience, it was a human experience, and therefore it crossed over and became very commercial."
  • When this song was written, there was no clear definition of a "Soul Man." After Isaac Hayes came up with the title, David Porter wrote the rest of the lyric based on what he thought a Soul Man would be. To Porter, he was:

    Rural: "Comin' to ya on a dusty road."

    Hardscrabble: "Got what I got the hard way."

    A great lover: "I learned how to love before I could eat."

    Monogamous: "Give you hope and be your only boyfriend."

    Describing this guy, Porter said: "He didn't have the fancy big-city slant, but had the emotional thing happening inside of him that made people really love him."

    Interestingly, Porter's co-writer Isaac Hayes would exemplify a new, funky soul when he wrote the theme to the movie Shaft. This Soul Man is a bad mother...
  • Isaac Hayes wanted the record to have rhythmic elements similar to Bo Diddley's song "Bo Diddley," and Porter asked singer Sam Moore to give him "the Bobby Bland squall."
  • The Soul Man was "educated at Woodstock" (sometimes misheard as "educated from good stock"). This was two years before the famous festival; David Porter chose the name "Woodstock" to envision a school out in the sticks. "The word denoted a school that was out in the forest somewhere and they couldn't come up with the name for the school," he said. "Trees were cut down the school was made, and they called it Woodstock."
  • Sam & Dave were Sam Moore and Dave Prater. Moore was in The Melionaires Gospel group, and Prater who was solo artist before they met in 1961. They were signed by Roulette in 1962 and switched to Atlantic in 1965 before recording for Stax. In 1988 Prater was killed in a car crash. They were inducted into the Rock And Roll Hall of Fame in 1992.
  • At the 1:15 mark, you can hear guitarist Steve Cropper play four notes that elicit the reply from Sam Moore: "Play it, Steve!" This was spontaneous, and done in one take.

    Cropper recalled to Uncut in 2015: "Sam said ' Play it, Steve!' only one time, on one take, which happened to be the best take, so we used that. I didn't think about it at the time. We didn't know it was going to make history."

    The Stax studio where they recorded the song was a converted theater, and a bastion of creative energy. Cropper's guitar lick came after producer Isaac Hayes asked him for an Elmore James sounding slide part. Cropper used a Zippo lighter as a slide and got those famous notes.
  • This won the 1967 Grammy for Best Rhythm And Blues Group Performance. It was just the second year the award was given out.
  • The Blues Brothers released this as their first single in 1979. It hit #14 in the US, and helped establish the duo as a legitimate musical act. The Blues Brothers were Saturday Night Live comedians John Belushi and Dan Aykroyd, and they turned their skit on the show into a movie and tour. Their backing musicians included Paul Shaffer from Late Night With David Letterman as well as Steve Cropper and Donald "Duck" Dunn, who were members of Booker T. And The MG's. Belushi and Aykroyd studied Sam & Dave to get their stage moves.
  • Giving his thoughts on the Blues Brothers version of this song, Sam Moore said: "I'd say they were good comedians. I looked at it the way you look at the Coasters. It was a parody from a comedy team."
  • When Bob Dole ran for president of the United States in 1996, he used this song, repurposed as "Dole Man," as his campaign song until he was sued by the copyright holders of the song.
  • Sam Moore re-recorded this with Lou Reed as the theme to the 1986 film of the same name. The movie is about a white guy who pretends to be black so he can get a scholarship to Harvard; hijinks ensue when he gets picked to play basketball and turns out to be terrible. Reed and Moore performed the song on Saturday Night Live on November 15, 1986.

  • Arthur Conley - Sweet Soul Music
    Arthur Conley - Sweet Soul Music


    Arthur Conley - Sweet Soul Music Lyrics and Youtube Music Videos

    Album: Arthur Conley
    Released: 1967

    Sweet Soul Music Lyrics


    Do you like good music
    That Sweet Soul Music
    Just as long as it's swingin'
    Oh yeah oh yeah

    Out here on the floor now
    We're going to a go go
    Ah dancin' to the music
    Oh yeah oh yeah

    Spotlight on Lou Rawls y'all
    Ah don't he look tall y'all
    Singin' loves a hurtin' thing now
    Oh yeah oh yeah

    Spotlight on Sam and Dave now
    Ah don't they look boss y'all
    Singin' hold on I'm comin'
    Oh yeah oh yeah

    Spot light on Wilson Pickett
    That wicked picked Pickett
    Singing Mustang Sally
    Oh yeah oh yeah

    Spotlight on Otis Redding now
    Singing fa fa fa fa fa fa fa fa
    Fa fa fa fa fa fa fa fa
    Oh yeah oh yeah

    Spotlight on James Brown now
    He's the king of them all yeah
    He's the king of them all y'all
    Oh yeah oh yeah

    Writer/s: ROBINSON, SMOKEY/HOLLAND, BRIAN/HOLLAND, EDWARD, JR.
    Publisher: EMI Music Publishing, Warner/Chappell Music, Inc., Universal Music Publishing Group, Abkco Music, Inc.
    Lyrics licensed and provided by LyricFind

    Sweet Soul Music
  • This was originally written by Sam Cooke as "Yeah Man" and released on Shake, his first posthumous album. Conley and Otis Redding updated it as a tribute to various Soul singers.
  • The songs mentioned in this song are "Going To A Go-Go," "Love's a Hurtin' Thing," "Hold On I'm Coming," "Mustang Sally" and "Fa-Fa-Fa-Fa-Fa (Sad Song)."
  • Arthur Conley died of cancer on November 17, 2003 in The Netherlands. He was 57.

  • The Monkees - Tapioca Tundra
    The Monkees - Tapioca Tundra


    The Monkees - Tapioca Tundra Lyrics and Youtube Music Videos

    Album: The Birds, The Bees and The Monkees
    Released: 1967

    Tapioca Tundra Lyrics


    Reasoned verse some prose or rhyme
    Lose themselves in other times
    And waiting hopes cast silent spells
    That speak in clouded clues
    It cannot be a part of me
    For now it's part of you
    Sunshine, rag time, blowing in the breeze

    Midnight looks right standing more at ease
    Silhouettes and figures stay
    Close to what he had to say
    And one more time the faded dream
    Is saddened by the news
    It cannot be a part of me
    For not it's a part of you

    Writer/s: MICHAEL NESMITH
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Tapioca Tundra
  • Mike Nesmith wrote this song inspired by a large collection of old 45 records from the '20s and '30s he purchased at a yard sale. Along with "Magnolia Simms," this was a tribute to the ragtime and jazz of the '20s, even going so far as recording using gramophone technology to mimic the echo and the skipping of an old recording. It was also the basis for Nesmith's first major solo project in 1968, The Wichita Train Whistle Sings. (thanks, Brian - Providence, RI)
  • The title is not mentioned in the lyrics. Mike Nesmith had a habit of doing this a lot on his compositions ("Papa Gene's Blues," "Auntie's Municipal Court," "Daily Nightly," etc.). (thanks, Barry Kesten - Bellmore, United States)

  • Small Faces - I Can't Make It
    Small Faces - I Can't Make It


    Small Faces - I Can't Make It Lyrics and Youtube Music Videos

    Album: The Greatest Hits: The Immediate Years 1967-1969
    Released: 1967

    I Can't Make It Lyrics


    I Can't Make It
  • Small Faces drummer Kenney Jones recalled the recording of this song to Uncut magazine March 2014: "There was a little tiny room in the basement of Olympic. We put a speaker in there with a mic and fed that back through the mixing desk, and that's what gave us our reverb and echo. That's where my great snare drum sound came from. I would get Glyn Johns to put those effects through my cans while I was recording so I could pick up the feel from there."
  • The BBC initially banned the song. Jones commented to Uncut: "The strange thing was that the BBC banned 'I Can't Make It because they reckoned it had some sexual reference, but happily played 'Here Comes the Nice,' which was blatantly about our drug pusher."

  • The Supremes - Forever Came Today
    The Supremes - Forever Came Today


    The Supremes - Forever Came Today Lyrics and Youtube Music Videos

    Album: Reflections
    Released: 1967

    Forever Came Today Lyrics


    There you were
    Standing there
    As your eyes reached out to me
    Something warm in your eyes
    Touched my heart right then and there
    All the love I never knew
    I found in you

    Suddenly
    My world stood still
    My life was then fulfilled
    As you gently touched my hand
    I knew that we had laying a plan
    For everlasting love
    That I been forever dreaming of

    At last, oo
    At last
    My Forever Came Today (my forever came today)
    When you walked into my life (when you walked into my life)
    And made my lonely life
    A paradise (a paradise)
    It came today
    Forever came today

    As we were standing there
    You didn't speak a single word
    But your eyes
    Your eyes said you wanted me
    Your touch said you needed me
    And my heart said tenderly

    Darling, oo
    My darling
    Make me yours
    Let your kiss touch my face
    And tell me love has led me
    To this place to your warm embrace
    And our happiness

    Thanks to you my search has ended
    And I want the world to see
    How gently love has shined on me
    With everlasting love
    That I been forever dreaming of

    At last, oo
    At last
    My forever came today (my forever came today)
    When you walked into my life (when you walked into my life)
    And made my lonely life
    A paradise (a paradise)
    It came today
    Forever came today

    At last, oo
    At last
    My forever came today (my forever came today)
    When you walked into my life (when you walked into my life)
    And made my lonely life
    A paradise (a paradise)
    Oh it came today
    Forever came today

    At last
    At last
    My forever came today (my forever came today)
    When you walked into my life

    Writer/s: HOLLAND, EDWARD JR. / DOZIER, LAMONT / HOLLAND, BRIAN
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Forever Came Today
  • This was the Supremes' last hit written by the songwriting team of Holland-Dozier-Holland. Shortly thereafter, they left Motown to start their own record labels - Hot Wax and Invictus. In an ironic twist, Supreme Scherrie Payne's sister, Freda, signed with Invictus in 1969. (thanks, Jerro - New Alexandria, PA, for above 2)
  • This was credited to Diana Ross and the Supremes.

  • Jimi Hendrix - Fire
    Jimi Hendrix - Fire


    Jimi Hendrix - Fire Lyrics and Youtube Music Videos

    Album: Are You Experienced?
    Released: 1967

    Fire Lyrics


    [DJ]
    "The Jimi Hendrix experience sounding off again now,
    With one of Jimi's own called 'Fire'"

    You don't care for me
    I don't care about that
    Gotta new fool
    I like it like that

    [Chorus]
    I have only one burnin' desire
    Let me stand next to your fire
    Let me stand next to your fire
    Let me stand baby
    Let me stand next to your fire
    Oh, let me stand
    Let me stand next to your fire
    You got to let me stand
    Let me stand next to your fire

    Oh shucks
    Yeah

    You say your mom ain't home, you can't let me in
    Well, I had to before I don't need you again

    [Chorus]

    Ah yeah move over rover
    And let Jimi take over
    Yeah you know what I'm talking 'bout

    That's what I'm talking about
    You try to gimmie your money
    You better save it babe
    Save it for your rainy day

    I have only one a burnin' desire
    Let me stand next to your fire
    Let me stand next to your fire
    Yeah let me stand
    Let me stand next to your fire
    Oh, let me stand
    Let me stand next to your fire
    You know what I'm talken about

    Writer/s: BECK, WILLIE / WILLIAMS, JAMES L. / JONES, MARSHALL / BONNER, LEROY / PIERCE, MARVIN / MIDDLEBROOKS, RALPH / SATCHELL, CLARENCE
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Fire
  • The main lyrics in this song ("Let me stand next to your fire") came from a time when the band had just finished a gig in the cold around Christmas, 1966. They went to bass player Noel Redding's mother's house in Folkestone, England, and when they got there, Jimi asked Redding's mother Margaret if he could "Stand next to her fire" to warm up. The family dog, a German Shepherd, lay by the fire, which inspired the line, "Move over Rover, and let Jimi take over."

    This lyrical lightening bolt was a breakthrough for Hendrix, who had just started writing songs at the request of his manager Chas Chandler. Writing riffs was easy for him, and it turned out he had a talent for crafting lyrics as well, as he was able to turn a simple line into a fiery tale of lustful passion. (This story is verified in Mat Snow's Mojo story on Hendrix that ran in the October, 2006 issue.)
  • Hendrix is legendary for theatrics like setting his guitar on fire and playing it with his teeth (not at the same time). This was the song he was (appropriately) playing when he set it on fire for the first time. It happened at a concert in London in March 1967, two months before the Are You Experienced? album was released. Hendrix was low on the bill (below Engelbert Humperdinck), and looking to garner some media attention. When he ignited his guitar, he created a buzz that grew to a roar as his career took off.

    Hendrix set fire to his guitar once again at the Monterey Pop Festival in 1967. At that show, he didn't do the bit during "Fire," he did it after playing "Wild Thing."
  • The Red Hot Chili Peppers often covered this song in their early years. They decided to play it again at Woodstock '99 in Rome, New York and were accused of deliberately encouraging the rioters. While they played it, the crowd tore the place up and set fires (yes, Rome was burning). (thanks, Tom - Trowbridge, England)
  • Gary Moore covered this on his 1999 release A Different Beat. (thanks, Mike - Victoria, B.C., Canada)
  • In the movie Wayne's World, Wayne falls in love with the bassist from an all-girl band (Tia Carrere) after seeing them cover this song at Gasworks. (thanks, Jamin King - Puyallup, WA)

  • Donovan - Winter in the Su
    Donovan - Winter in the Sun


    Donovan - Winter in the Sun Lyrics and Youtube Music Videos

    Album: Mellow Yellow
    Released: 1967

    Winter in the Sun Lyrics


    Winter in the Sun
  • This was written during a difficult time in Donovan's life. He was the first high-profile British pop star to be arrested for cannabis, which had a serious effect on his career – because of the charges he was refused entry to the US until late 1967.

    Donovan was also encountered legal problems as the Sunshine Superman album was not being released in the UK due to a continuing contractual dispute. Unable to promote the title track, which was rising up the USA singles charts, Donovan and his right hand man Gypsy Dave took off for the Greek island of Paros.

    All these problems led Donovan to write resigned songs like this one, where he sadly contemplates the possibility of his own forced retirement from the music business at the age of 20.

  • The Association - Never My Lov
    The Association - Never My Love


    The Association - Never My Love Lyrics and Youtube Music Videos

    Album: Insight Out
    Released: 1967

    Never My Love Lyrics


    You ask me if there'll come a time
    When I grow tired of you
    Never My Love
    Never my love

    You wonder if this heart of mine
    Will lose its desire for you
    Never my love
    Never my love

    What makes you think love will end
    When you know that my whole life depends
    On you (on you)

    Never my love
    Never my love

    You say you fear I'll change my mind
    And I won't require you
    Never my love
    Never my love

    How can you think love will end
    When I've asked you to spend your whole life
    With me (with me, with me)

    Writer/s: ADDRISI, RICHARD P./ADDRISI, DONALD J.
    Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Never My Love
  • This was written by the songwriting team of Don and Dick Addrisi. As The Addrisi Brothers, they went on to have hits with "We've Got To Get It On Again" and "Slow Dancin' Don't Turn Me On."

    Unlike "Cherish," which is often thought of as a love song but deals with the unrequited, slightly obsessive kind, "Never My Love" is a perfect wedding song, as it is about unrelenting devotion: "How can you think love will end when I've asked you to spend your whole life with me?"
  • According to BMI, which keeps track of such data, "Never My Love" was the second-most played song on American radio and television in the 20th century, trailing only "You've Lost That Lovin' Feelin'" by the Righteous Brothers. Another Association song, "Cherish," was #22.
  • The 5th Dimension's live recording of "Never My Love" peaked in the US at #12 in 1971, and Blue Suede's uptempo 1974 version reached #7. (thanks, Rick - San Juan, Puerto Rico)
  • This was used in a TV commercial for Allstate insurance. (thanks, Bertrand - Paris, France)

  • The Supremes - The Happenin
    The Supremes - The Happening


    The Supremes - The Happening Lyrics and Youtube Music Videos

    Album: Greatest Hits
    Released: 1967

    The Happening Lyrics


    Hey! Life, look at me, I can see the reality
    'Cause when you shook me, took me outta my world, I woke up
    Suddenly I just woke up to The Happening
    When you find that you left the future behind
    'Cause when you got a tender love you don't take care of
    Then you better beware of

    The happening
    One day you're up, when you turn around
    You find your world is tumbling down
    It happened to me and it can happen to you

    I was sure, I felt secure until love took a detour
    Yeah! Riding high on top of the world, it happened
    Suddenly it just happened
    I saw my dreams torn apart
    When love walked away from my heart
    And when you lose a precious love you need to guide you
    Something happens inside you

    The happening
    Now I see life for what it is
    It's not of dreams, it's not of bliss
    It happened to me and it can happen to you
    And then it happened
    Oo, and then it happened
    Oo, and then it happened
    Oo, and then it happened

    Is it real? Is it fake?
    Is this game of life a mistake?
    'Cause when I lost the love I thought was mine for certain
    Suddenly it starts hurtin'
    I saw the light too late when that fickle finger of fate
    Yeah! It came and broke my pretty balloon
    I woke up, suddenly I just woke up, so sure
    I felt secure until love took a detour
    'Cause when you got a tender love you don't take care of
    Then you better beware of
    The happening

    Writer/s: De Vol, Frank / Holland, Brian / Dozier, Lamont Herbert / Holland, Edward, Jr. James
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    The Happening
  • This song was from the 1967 movie of the same name which starred Anthony Quinn, George Maharis, Michael Parks, Robert Walker Jr., and Faye Dunaway.
  • The songwriting team of Holland-Dozier-Holland co-wrote this with Frank DeVol. DeVol was the musical director for the film of the same name.
  • Until 1970, this song was the last hit to be released under the name "The Supremes."
  • An instrumental version by Herb Alpert and the Tijuana Brass reached US #32 in 1967.
  • The demo version of this song appears on the 4-CD (and limited edition 5-CD) box set The Supremes, released in 2000. (thanks, Jerro - New Alexandria, PA, for all above)

  • Lyrics

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