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| UB40 - Red Red Wine |
UB40 - Red Red Wine Lyrics and Youtube Music VideosAlbum:
Labour Of Love Released:
1983 Red, red wine, goes to my head,
Makes me forget that I
Still need you so
Red, red wine, it's up to you
All I can do, I've done
But memories won't go
No, memories won't go
I'd have thought that with time
Thoughts of you would leave my head
I was wrong, now I find
Just one thing makes me forget
Red, red wine, stay close to me
Don't let me be alone
It's tearing apart
My blue, blue heart
I'd have thought that with time
Thoughts of you would leave my head
I was wrong, now I find
Just one thing makes me forget
Red, red wine, stay close to me
Don't let me be alone
It's tearing apart
My blue, blue heart
Writer/s: DIAMOND, NEIL
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by
LyricFindRed Red Wine This was written and first recorded by Neil Diamond. His original version first appeared on his 1967 album Just For You (Bang 217) and was produced by Jeff Barry and Ellie Greenwich (a.k.a. The Raindrops of "The Kind Of Boy You Can't Forget" fame). Neil's version of the song (Bang single 556) peaked at #62 over a three-week run in April 1968.
In the UK, two versions of the song charted in 1969: a soul cover by Jimmy James & The Vagabonds hit #36 (it also made #127 in the US), and a Reggae rendition by Tony Tribe hit #46. UB40, whose members grew up listening to these versions, took it to #1 UK with their 1983 cover. The lyrics sing the praises of wine, and its ability to make you forget your problems. Diamond wrote another song about red wine in 1970 with Cracklin' Rosie. UB40 recorded this as a cover of the Tony Tribe 1969 reggae version, which reached #46 in the UK charts. The band did not realize until after it topped the charts that Neil Diamond wrote it and originally recorded it. Lead singer Ali Campbell recalls in the book 1000 UK #1 Hits: "The funny thing about the song is we only knew it as a Reggae song. We had no idea that Neil Diamond wrote it." Terence "Astro" Wilson, confirmed: "Even when we saw the writing credit which said N. Diamond, we thought it was a Jamaican artist called Negus Diamond or something." This was re-issued in the States after DJ Guy Zapoleon at KZZP-FM in Phoenix, Arizona included the song on his "Would've Been, Should've Been" feature. There was such a positive response that he urged the record company to re-issue the single. Within a few weeks the song had climbed to the top of the charts. UB40's original recording reached #34 in the US in March 1984 when it was released on A&M 2600. This version clocked in at 3:00. In 1988, it was reissued as a longer version (5:16) with a rap by Terence "Astro" Wilson, and finally hit #1. The 1969 Tony Tribe version caught on in England with a hooligan crowd known as "bovver boys." These guys typically sported shaved heads, heavy boots, and cropped pants held up by suspenders (or as they're called in England, "braces").
Tribe performed the song in September, 1969 at a reggae festival held in London at Empire Pool; other acts on the bill included Desmond Dekker, Johnny Nash and Max Romeo. To show his support for the bovver boys who bought his record, Tribe wore suspenders for his performance. His cover of the song would later find its way onto various "skinhead reggae" playlists. The album Labour Of Love is a collection of covers comprised of reggae songs the band grew up listening to; other tracks include "Many Rivers To Cross" by Jimmy Cliff and "Cherry Oh Baby" by Eric Donaldson. It was UB40's fourth album, and the group was eager to expose their expanding fanbase to the reggae classics they loved. "Before we come along, people just looked on reggae as Rastaman, and half the white English people don't want to know," the group's rapper Astro Wilson told NME. "To some degree that alienated people from getting into reggae. When we came out - just the fact that half the band are white when reggae was supposed to be for Rastas only - they started to realize that reggae is just music and it's there for whoever wants to listen to it, and whoever wants to play it." This song didn't take off America when it was first released in 1983, but another reggae tune did: "Electric Avenue" by Eddy Grant, which hit #2. UB40 bass player Earl Falconer recalls being mistaken for Grant when the band toured in America around this time. In the music video, lead singer Ali Campbell is actually drinking beer, and not red wine. The video was filmed in a local Birmingham, England pub where you wouldn't want to be caught drinking wine.
To avoid hiring extras, the band invited guys from a nearby factory to join them at the pub, graciously paying the bar bill in exchange for their services. It was shot in the morning, and by noon, most of these hired hands were blotto. According to various accounts, when they staggered back to work, they were fired on the spot, although later given their jobs back.
The black-and-white clip was directed by Bernard Rose, who worked on many of UB40's videos and also directed the original, bacchanalian "Relax" clip for Frankie Goes To Hollywood. In America, a slower, string-laden version of the song made #70 Vic Dana (Liberty 56163) in 1970. UB40's next #1 UK hit came in 1985 with another reggae-tinged cover of a song by an American artist: "I Got You Babe." They recorded the song with Chrissie Hynde of The Pretenders, who brought them on tour early in their career. This cover also made #28 in America.