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Lana Del Rey - Shades Of Cool

Lana Del Rey - Shades Of Cool Lyrics and Youtube Music Videos

Album: Ultraviolence
Released: 2014

Shades Of Cool Lyrics

My baby lives in shades of blue
Blue eyes and jazz and attitude
He lives in California too
He drives a Chevy Malibu

And when he calls
He calls for me, not for you
He lives for love, he loves his drugs
He loves his baby too

But I can't fix him, can't make him better
And I can't do nothing about his strange weather

But you are invincible
I can't break through your world
'Cause you live in Shades Of Cool
Your heart is unbreakable

My baby lives in shades of cool
Blue heart and hands and aptitude
He lives for love, for women, too
I'm one of many, one is blue

And when he calls
He calls for me, not for you
He prays for love, he prays for peace
And maybe someone new

But I can't help him, can't make him better
And I can't do nothing about his strange weather

'Cause you are invincible
I can't break through your world
'Cause you live in shades of cool
Your heart is unbreakable

You are invincible
I can't break through your world
'Cause you live in shades of cool
Your heart is unbreakable

Writer/s: NOWELS, RICK / GRANT, ELIZABETH
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Shades Of Cool

The second single from Ultraviolence, Del Rey wrote the atmospheric ballad with Rick Nowels. The San Francisco-born songwriter previously worked with Del Rey on her hit songs "Summertime Sadness" and "Young And Beautiful."

Del Rey told The Sun: "Shades Of Call is inspired by a person I met and just living here and being a real California baby."

"He made a strong visual impact on me," she added.

The video was filmed in Los Angeles in May 2014 and pairs Del Rey with Hollywood tattoo artist Mark Mahoney. He previously appeared in the clip for "West Coast" during the car scenes.

Lana Del Rey - Ultraviolence

Lana Del Rey - Ultraviolence Youtube Music Videos and Lyrics

Album: Ultraviolence
Released: 2014

Ultraviolence Lyrics

He used to call me DN
That stood for deadly nightshade
'Cause I was filled with poison
But blessed with beauty and rage
Jim told me that
He hit me and it felt like a kiss
Jim brought me back
Reminded me of when we were kids

This is Ultraviolence
Ultraviolence
Ultraviolence
Ultraviolence
I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that ultraviolence

He used to call me poison
Like I was poison ivy
I could have died right there
'Cause he was right beside me
Jim raised me up
He hurt me but it felt like true love
Jim taught me that
Loving him was never enough

This is ultraviolence
Ultraviolence
Ultraviolence
Ultraviolence
I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that ultraviolence

We can go back to New York
Loving you was really hard
We can go back 'til it's dark
Where they don't know who we are
Heaven is on earth
I will do anything for you, babe
Blessed is this, this union
Crying tears of gold, like lemonade

I love you the first time
I love you the last time
Yo soy la princesa, comprende mis white lines
'Cause I'm your jazz singer
And you're my cult leader
I love you forever,
I love you forever

This is ultraviolence
Ultraviolence
Ultraviolence
Ultraviolence
I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that ultraviolence

Writer/s: GRANT, ELIZABETH / HEATH, DANIEL
Publisher: Sony/ATV Music Publishing LLC, SONGS MUSIC PUBLISHING
Lyrics licensed and provided by LyricFind

Ultraviolence

The title track of Lana Del Rey's third album, the term 'Ultraviolence' comes from Anthony Burgess' novel A Clockwork Orange. Clare Preston-Pollitt of the International Anthony Burgess Foundation told MTV News that the word "ultraviolence" may have been inspired by a passage in Vladimir Nabokov's Lolita novel.

"It could be that Burgess had been influenced by a passage in Nabokov's Lolita where the narrator examines the word 'violence' and notes that the word exists next to the word 'violet' and 'violin' etc. in the dictionary," she said.

The song finds Del Rey exploring the close distance between love and pain.

I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that Ultraviolence

The lyrics references The Crystals' controversial tune "He Hit Me (And It Felt Like a Kiss)." Carole King and Gerry Goffin wrote the song after their babysitter Little Eva told them about her relationship with an abusive boyfriend who beat her almost on a regular basis.

Del Rey told Grazia that the song was inspired by her time spent with an underground group that was dominated by a charismatic leader. "I used to be a member of an underground sect which was reigned by a guru," she said. "He surrounded himself with young girls and he had this insane charisma I couldn't resist as well. So I was in this, I'll call it sect, because I was longing for love and security."

"But then I found out that this guru wasn't a good but a bad person," she added. "He thought that he had to break people first before he could build them up again. At the end I left the sect."

The Ultraviolence title came before the recording process. "I think the album was called 'Ultraviolence' before I even had the songs," Del Rey told Radio.com . "That's because I just really love words. I'm kind of inspired by just a one-word title."

Ultraviolence sold 182,000 copies in its first week in the US, giving Lana Del Rey her first #1 on the Billboard 200 album chart.

The song title was inspired by Del Rey's connection to the seemingly conflicting emotions of aggression and softness. She explained to Complex magazine: "I like that luxe sound of the word 'ultra' and the mean sound of the word 'violence' together. I like that two worlds can live in one."

"I like a physical love," Del Rey added. "I like a hands-on love. [Pauses.] How can I say this without getting into too much trouble? I like a tangible, passionate love. For me, if it isn't physical, I'm not interested."

The music video was directed by Del Rey's boyfriend, the Italian photographer Francesco Carrozzini (Rita Ora's "I Will Never Let You Down," A$AP Rocky's "Phoenix," Beyoncé's "Jealous") and shot in the singer's signature grainy and sepia-toned style.

The clip shows Del Rey in a vintage white wedding dress singing the song's lyrics walking through the woods. As the visual proceeds, we realize that a mysterious man is filming the singer as she heads to the altar.

Lana Del Rey co-wrote this with Daniel Heath, a pal of her then-boyfriend Barrie-James O'Neill. It was one of three songs that he helped her pen for the album. She told The Los Angeles Times: "Dan was my first boyfriend's best friend. Back then he was doing cues for reality television — the shows were terrible, but his work was beautiful. I said, 'You've got to work with me on real records. The songwriting is simple: intro, verse one, a chorus, which repeats three times. The bridge is separate from everything else.'"

"That was all he needed to hear to start sending me amazing compositions. He did the title track for Ultraviolence for me. He adds a lot of cinema to my sound."

Lana Del Rey - Sad Girl

Lana Del Rey - Sad Girl Youtube Music Videos and Lyrics

Album: Ultraviolence
Released: 2014

Sad Girl Lyrics

Being a mistress on the side
It might not appeal to fools like you
We've been around on the side
Wanna be something you would do

But you haven't seen my man
You haven't seen my man
You haven't seen my man
You haven't seen him

He's got the fire and he walks with fame
He's got the fire and he talks with fame
His Bonnie on the side, Bonnie on the side
Makes me so sad, girl
His money on the side, money on the side
Makes me so sad, girl

I'm a Sad Girl, I'm a sad girl, I'm a sad girl
I'm a sad girl, I'm a bad girl, I'm a bad girl

Being a bad bitch on the side
It might not appeal to fools like you
We've been around when he gets high
It might not be something you would do

But you haven't seen my man
You haven't seen my man
You haven't seen my man
You haven't seen him

He's got the fire and he walks with fame
He's got the fire and he talks with fame
His Bonnie on the side, Bonnie on the side
Makes me so sad, girl
His money on the side, money on the side
Makes me so sad, girl

I'm a sad girl, I'm a sad girl, I'm a sad girl
I'm a sad girl, I'm a bad girl, I'm a bad girl

Watch what you say to me
Careful who you're talking to
Watch what you say to me
Careful who you're talking to
I'm on fire, baby
I'm on fire

He's got the fire and he walks with fame
He's got the fire and he talks with fame
His Bonnie on the side, Bonnie on the side
Makes me so sad, girl
His money on the side, money on the side
Makes me so sad, girl

I'm a sad girl, I'm a sad girl, I'm a sad girl
I'm a sad girl, I'm a bad girl, I'm a bad girl

I'm a sad girl, I'm a sad girl, I'm a sad girl
I'm a sad girl, I'm a bad girl, I'm a bad girl

Writer/s: NOWELS, RICK / GRANT, ELIZABETH
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Sad Girl

This lounge Jazz ballad finds Del Rey singing about how "being a mistress on the side, might not appeal to fools like you." Asked by The Guardian where the inspiration came from, she replied: "A good question. I mean … I had different relationships with men, with people, where they were sort of wrong relationships, but still beautiful to me."

The Guardian interviewer then asked: "By wrong does she mean being the other woman?"

Del Rey replied coyly: "I mean, I guess so."

Lana Del Rey - Money Power Glory

Lana Del Rey - Money Power Glory Youtube Music Videos and Lyrics

Album: Ultraviolence
Released: 2014

Money Power Glory Lyrics

You say that you wanna go
To a land that's far away
How are we supposed to get there
With the way that we're living today?

You talk lots about God
Freedom comes from the call
But that's not what this bitch wants
No what I want at all

I want money, power and glory
I want money and all your power, all your glory
Alleluia, I wanna take you for all that you got
Alleluia, I'm gonna take them for all that they got

The sun also rises on those who fail to call
My life, it comprises of losses and wins and fails and falls
I can do it if you really, really like that
I know what you really want, b-baby
I can do it if you think you like that
You should run, boy, run

I want money, power and glory
I want money and all your power, all your glory
Alleluia, I wanna take you for all that you got
Alleluia, I'm gonna take them for all that they got

Dope and diamonds
Dope and diamonds
Diamonds
Dope and diamonds
Dope and diamonds
That's all I want

Dope and diamonds
Dope and diamonds
Diamonds
Dope and diamonds
Dope and diamonds
Diamonds

I want money, power and glory
I want money and all your power, all your glory
Alleluia, I wanna take you for all that you got
Alleluia, I'm gonna take them for all that they got

Writer/s: GRANT, ELIZABETH / KURSTIN, GREG
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Money Power Glory

This crowing statement of defiance was written by Del Rey as a reaction to critics of her rise to fame. "I was in more of a sardonic mood," she told The Guardian of writing that song. "Like, if all that I was actually going to be allowed to have by the media was money, loads of money, then f--k it."

The seething slow jam was written in response to the image that has been projected on Del Rey by the media. Speaking to The New York Times, she admitted its likely to snarl her persona even further. "Carl Jung said that inevitably what other people think of you becomes a small facet of your psyche, whether you want it to or not," she said, "I learned that whatever I did elicited an opposite response, so I'm sure 'Money, Power, Glory' will actually resonate with people as being what I really do want. I already know what's coming, so it's OK to explore irony and bitterness."

Del Rey penned the song with Greg Kurstin (Pink's "Blow Me (One Last Kiss)," Sia's "Chandelier"). The Californian producer told NME about their collaboration: "'Money, Power, Glory' was one of the earlier songs written on the album and it stuck around.," he said. "I wasn't really sure what was going to happen because we did it so early and I know she went through a lot of writing after that point."

"It's interesting that what ended up on the album is actually the original mix that we finished that day; we didn't re-cut or re-record anything," Kurstin added. "But it was great when I finally heard where she went and I think it was really cool that she went organic with live musicians."

Lana Del Rey - Old Money

Lana Del Rey - Old Money Youtube Music Videos and Lyrics

Album: Ultraviolence
Released: 2014

Old Money Lyrics

Blue hydrangea, cold cash divine
Cashmere, cologne and white sunshine
Red racing cars, sunset and vine
The kids were young and pretty
Where have you been?
Where did you go?
Those summer nights seem long ago
And so is the girl you used to call
The queen of New York City

But if you send for me, you know I'll come
And if you call for me, you know I'll run
I'll run to you, I'll run to you
I'll run, run, run
I'll come to you, I'll come to you
I'll come, come, come
Oh-oh oh, oh-oh oh

The power of youth is on my mind
Sunsets, small town, I'm out of time
Will you still love me when I shine
From words but not from beauty
My father's love was always strong
My mother's glamour lives on and on
Yet still inside, I felt alone
For reasons unknown to me

But if you send for me, you know I'll come
And if you call for me, you know I'll run
I'll run to you, I'll run to you
I'll run, run, run
I'll come to you, I'll come to you
I'll come, come, come
Oh-oh oh, oh-oh oh

And if you call I'll run, run, run
If you change your mind, I'll come, come, come
Oh-oh oh, ah-ah ah

Blue hydrangea, cold cash divine
Cashmere, cologne and hot sunshine
Red racing cars, sunset and vine
And we were young and pretty

Writer/s: ROTA, NINO / GRANT, ELIZABETH / HEATH, DANIEL / FITZSIMMONS, ROBBIE
Publisher: Sony/ATV Music Publishing LLC, SONGS MUSIC PUBLISHING
Lyrics licensed and provided by LyricFind

Old Money

Del Rey wrote this lovelorn lament of a lost lover with Robbie Fitzsimmons of the duo Ellyn & Robbie. It was produced by Dan Heath, who is best known for his scoring work with Hans Zimmer on such films as Pirates of the Carribean and The Da Vinci Code.

The ballad is melodically based on "Love Theme From Romeo and Juliet," which was written by Nino Rota for Franco Zeffirelli's film version of Romeo and Juliet. A rearrangement by Henry Mancini was a #1 pop hit in the United States in 1969.

The song is an update both melodically and lyrically, of Del Rey's unreleased song "Methamphetamines."