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Whitney Houston - How Will I Know

Whitney Houston - How Will I Know Lyrics and Youtube Music Videos

Album: Whitney Houston
Released: 1985

How Will I Know Lyrics

There's a boy I know, he's the one I dream of
Looks into my eyes, takes me to the clouds above, mm mm
Oh I lose control, can't seem to get enough, uh huh
When I wake from dreaming, tell me is it really love, ooo

How Will I Know (Don't trust your feelings)
How will I know
How will I know (Love can be deceiving)
How will I know
How will I know if he really loves me

I say a prayer with every heart beat
I fall in love whenever we meet
I'm asking you what you know about these things
How will I know if he's thinking of me
I try to phone but I'm too shy (can't speak)
Falling in love is so bitter sweet
This love is strong why do I feel weak

Oh, wake me, I'm shaking, wish I had you near me now, uh huh
Said there's no mistaking, what I feel is really love, ooo tell me

How will I know (Don't trust your feelings)
How will I know
How will I know (Love can be deceiving)
How will I know

How will I know if he really loves me
I say a prayer with every heart beat
I fall in love whenever we meet
I'm asking you what you know about these things
How will I know if he's thinking of me
I try to phone but I'm too shy (can't speak)
Falling in love is so bitter sweet
This love is strong why do I feel weak

If he loves me, if he loves me not
If he loves me ooo, if he loves me not
If he loves me, if he loves me not

How will I know
How will I know
How will I know
Hey how will I know
How will I know

How will I know if he really loves me
I say a prayer with every heart beat
I fall in love whenever we meet
I'm asking you 'cause you know about these things
How will I know if he's thinking of me
I try to phone but I'm too shy (can't speak)
Falling in love is so bitter sweet
This love is strong why do I feel weak

How will I know
How will I know
How will I know
How will I know, ooo
How will I know, how will I know, hey how will I know, how will I know

Writer/s: NARADA MICHAEL WALDEN, GEORGE ROBERT MERRILL, SHANNON RUBICAM
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

How Will I Know

This was written by George Merrill and Shannon Rubicam, who record as Boy Meets Girl and had a hit in 1988 with "Waiting For A Star To Fall." George and Shannon were a romantic couple, and secured a record deal with A&M Records after writing a batch of songs together and playing the Seattle club scene. They spoke with us about this song.

George: "They asked us to write for Janet Jackson's next record, so Shannon and I went to work and came up with our song How Will I Know, which was sent to Janet Jackson's people. They passed on it because it wasn't right for her at the time - she was in the midst of doing her Control album.

Shannon: "It wasn't right for that, but then our publishing company played it for Gerry Griffith when he was in Los Angeles gathering material for the unknown Whitney Houston. He loved it, sent it to Clive (Davis), and Clive said, 'We must have it.' And we said, 'Whitney who? Clive who?'

George: "Shannon and I had our first record deal, so we were caught up in Boy Meets Girl land, and the idea of writing for other people, this is pre-Whitney Houston and pre- our understanding of songwriting for other people, so it was really a big deal when they wanted to hold onto this for Whitney Houston. Then we started checking into it and thought, well, this could be kind of a neat deal. Our good friends, brother team Alan and Preston Glass, called us where they were working with Narada Michael Walden. They were recording Whitney Houston on 'How Will I Know' and they said, 'Guys, you've got to hear this.' They played it over the phone, and I swear, her voice, hearing the first take of 'How Will I Know' on the phone we knew we were on to something special, too."

This is a very innocent song where Houston sings about trying to decide if a boy she likes will ever like her back. It went well with her wholesome image early in her career.

Shannon sang the demo, which was done in a sweet, light, R&B style suited for what Janet Jackson was recording before her Control album. Narada Michael Walden, who has also produced for Aretha Franklin, Mariah Carey and Lisa Fischer, went to work.

Shannon: "Narada added his very punchy track and he did some rearranging on it and got us involved in some writing on the song. So it really was far more powerful than the demo we did and it sounded gorgeous and fun."

George: "He had an idea for taking some of the music of the chorus and making a verse out of some of it, and as Shannon and I heard it, we thought that sounded like a cool idea, and Shannon jumped right in on the lyrics."

Walden almost didn't take the gig. He told us: "I got a call from Arista and I said, First of all, I'm right in the middle of making this album for Aretha. I can't take my attention off that. But they said, You've got to make time for this girl because she's going to be incredible. So they sent me the demo on 'How Will I Know.' I said, the song's only half done, will it be okay if I mess with it? Eventually, the writers said it would be okay. So I rewrote it and cut it on the same session as 'Freeway of Love.' It didn't come out until December, but it was a monster hit. And it was all because when I met her, she was just mind-blowing. All that range and power and beauty and sex appeal coming at you with a kind of confidence you've never known before. I said, oh my Lord, you are really too much. She said, yeah, I know. After that a bunch of things came down the pike." (Here's our full interview with Narada .)

The backing vocals are by Whitney's mother, Cissy Houston.

George and Shannon also wrote Houston's hit "I Wanna Dance With Somebody (Who Loves Me)." They describe what it's like writing for other artists:

Shannon: "When we're writing a song for other people, we tend to do more stringent editing. In some cases that's for the better, and in other cases it just ends up making the song sound a little too mental and not emotional enough. So I think that's just the thing that we keep an eye on when we're writing for other people, to not overthink it, really keep it emotional. Not really so much about what they're going to think, just feel how the song is going.

George: "You want to make sure that the idea is clear and that you haven't put every idea into one song."

George and Shannon continue their musical partnership and released an album in 2003 called The Wonderground. Learn more about Boy Meets Girl at www.boymeetsgirlmusic.com.

The video was directed by Brian Grant, who also did Olivia Newton-John's "Physical" and Donna Summer's "She Works Hard For The Money." Houston is playful and coy in the clip, where she is surrounded by energetic dancers.

Grant recalls Houston being very grounded, showing up at the shoot with just a friend and a rep from her record company. He told her to relax and have fun with it, which she did despite being apprehensive at first about the bevy of dancers popping out at her.

The choreographer was Arlene Phillips, who was later a judge on the British show Strictly Come Dancing. She and Grant were asked back to work on Houston's video for "I Wanna Dance With Somebody (Who Loves Me)," which had even more of a dance focus, this time with Houston doing some light hoofing.

Sam Smith recorded a slowed-down version of this song in 2014 that was featured on the Season 10 episode of Grey's Anatomy, "We Gotta Get Out of This Place."

Whitney Houston - So Emotional

Whitney Houston - So Emotional Lyrics and Youtube Music Videos

Album: Whitney
Released: 1987

So Emotional Lyrics

I've been hearing your heartbeat inside of me
I keep your photo right beside my bed
Livin' in a world of fantasies
I can't get you out of my head

I've been waiting for the phone to ring all night
Why you want to make me feel so good
I got a love of my own
Shouldn't get so hung up on you

I remember the way that we touched I wish I didn't like it so much
I get So Emotional, baby
Every time I think of you
I get so emotional, baby

Ain't it shocking what love can do
Ain't it shocking what love can do

I gotta watch you walk in the room, baby
I gotta watch you walk out
I like the animal way you move
And when you talk I just watch your mouth

I remember the way that we touched I wish I didn't like it so much
I get so emotional, baby
Every time I think of you
I get so emotional, baby

Writer/s: STEINBERG, BILLY / KELLY, TOM
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

So Emotional

Houston was signed to Clive Davis' Arista Records. Davis is a legendary record executive known for his ability to develop artists. He plays a big part in deciding what songs his artists record, and they often become huge hits. Before signing Houston, he worked with Barry Manilow, Billy Joel, Chicago and many others. In 1999, he engineered Santana's comeback. He also nurtured the career of Alicia Keys, who he signed to his new label, J Records.

Billy Steinberg and Tom Kelly wrote this song. They are a very successful songwriting team, and have written hits for Cyndi Lauper, The Pretenders, Heart, the Bangles, Madonna and The Divinyls. Says Steinberg, "A lot of songwriters get together and the first question they ask each other is, 'Who do you want to write for?' Tom and I had never done that because I find it restricting and we both like to write a song for the song's sake and not try to aim at a particular recording artist. In the case of 'So Emotional,' Tom and I had a regular dialogue with Clive Davis and he advised us that he was looking for an up tempo song for Whitney Houston, so we really tried to write for that."

Steinberg: "We were both big fans of Prince. If you were to hear the demo of 'So Emotional,' you would hear that it sounds quite a bit like Prince. We did the demo and Clive really loved it. When he presented it to Narada Michael Walden to produce it, he changed it completely from the sound of our demo. I don't think anyone would ever hear Whitney's version of the song and hear anything Prince-like about the production. Originally our demo had a certain Prince feel to it, in the verse in particular."

This was one of 7 consecutive singles Houston released that hit #1 in the US. No one else has done that. Says Steinberg: "At that point in time, Clive was just looking for great Pop material for Whitney. He didn't care where he got the songs from and she sang the hell out of them. Later in her career they became very self-conscious about who she was. They wanted to make her sound more urban and give her more urban cred, they would have avoided songs like 'So Emotional' or 'I Want to Dance With Somebody.' In a way it's a shame because Whitney really delivered those songs and she delivered ballads very well like 'I Will Always Love You.' She could sing anything, but there was pressure to show that she could sing the Hip Hop with the best of them. There's a long history in the world of Pop singers like the Drifters. The Drifters sang these great Pop songs like 'Up On The Roof,' 'There Goes My Baby,' 'Under the Boardwalk' or 'On Broadway' - those were great Drifters songs. The idea of a great black singer singing a great Pop song yet bringing something extra to it that a white singer couldn't provide, that's a great thing in music and I think that's what was going on with the early Whitney career. The same thing happened with Deborah Cox, an unbelievably gifted singer. She was also signed to Clive Davis at Arista and she's a very beautiful, very elegant woman from Montreal. I did some work with her and they had that same concern with her. They didn't want to make her sound like a Pop singer, they had to hunt for some kind of urban credibility for her. I think some singers just sing the Pop really well and it's a shame that they just can't sing it. I think Clive recognized that Whitney singing big Pop ballads wouldn't get on the big Pop charts, that it would only be successful on Adult Contemporary, and Clive's never satisfied with just getting on Adult Contemporary. He's a visionary and he realized for her to have continuing credibility, it would have to move beyond that, and where would that be? Well, it's the era of Hip Hop, so that's the direction they had to pursue. If anything, it was unfortunate as a songwriter because it takes that artist away from me. The kind of songs that I can deliver weren't wanted any more by Whitney Houston."

Steinberg: "I think the great thing about that song is the pre-chorus and the chorus are just extremely well written melodically and lyrically in terms of being a great Pop song. It's the lyric, 'I remember the way that we touched I wish I didn't like it so much. I get so emotional every time I think of you. I get so emotional ain't it's shocking what love can do,' it just really soars, it's a successful Pop song. I don't think it's as revolutionary a song as 'Like A Virgin' or as meaningful a song as 'True Colors,' but it's a strong Pop song." (Check out our interview with Billy Steinberg.)

Whitney Houston - I Will Always Love You

Whitney Houston - I Will Always Love You Youtube Music Videos and Lyrics

Album: The Bodyguard Soundtrack
Released: 1992

I Will Always Love You Lyrics

If I should stay, I'll only be in your way
So I'll go, but I know I'll
Think of you every step of the way

And I Will Always Love You
I will always love you
You, my darling you, hmmm,

Bittersweet memories
That is all I'm taking with me
So, goodbye
Please, don't cry
We both know I'm not what you, you need

And I will always love you
I will always love you

I hope life treats you kind
And I hope you have all you've dreamed of
And I wish to you, joy and happiness
But above all this, I wish you love

And I will always love you
I will always love you
I will always love you
I will always love you
I will always love you
I, I will always love you

You, darling, I love you
Oh, I'll always, I'll always love you

Writer/s: OZCARKCI, GONUL / MENASI, LINET N / PARTON, DOLLY N / YUKSELER, ABDULLAH TURHAN N
Publisher: Ultra Tunes
Lyrics licensed and provided by LyricFind

I Will Always Love You Song Chart

Dolly Parton wrote this and did the original version in 1974, which went to #1 on the Country chart that year. She recorded another version for the 1982 movie The Best Little Whorehouse In Texas, which also hit #1 on the Country chart. She wrote the song after the breakup of the musical partnership she had with Country singer Porter Wagoner. They were never romantically involved. (thanks - Katie, Nashville, TN)

The lyrics are sad in the sense that the singer will always love the person she is singing to, yet she knows they are not right for each other and must let him go. It is often misinterpreted as a song about people who will be together forever, and even gets played at some weddings.

This was featured in the movie The Bodyguard, which Houston starred in with Kevin Costner. Houston played a famous singer and Costner her bodyguard. Of course, they fall in love. Costner picked it for the movie.

Whitney originally intended to cover Jimmy Ruffin's "What Becomes of the Brokenhearted" as the lead single from The Bodyguard. However, after she found out the song had been used just one year earlier in the 1991 film Fried Green Tomatoes, Costner suggested she record Dolly Parton's country hit instead. Houston loved the choice but Clive Davis, the Arista Records boss who acted as mentor for the singer throughout her career, was puzzled by the selection. Costner, who also produced the film, knew it would be perfect for the picture and stuck to his guns. "I said, 'This is a very important song in this movie,'" he recalled to CMT. "I didn't care if it was ever on the radio. I didn't care. I said, 'We're also going to do this a cappella at the beginning. I need it to be a cappella because it shows a measure of how much she digs this guy - that she sings without music.'"

Parton's original version was a country ballad. Houston's recording had more lavish production and became a pop, soul, and adult contemporary hit. The tremendous crossover appeal meant that radio stations of many different formats played the song, giving it a huge audience. It ended up being a groundbreaker, but it was a big risk, as there wasn't much crossover between the country and R&B audiences. "Truth be told, the musical side of her camp was very unsure about this little country song," recalled Kevin Costner.

While she was crushing the convention that a soul singer shouldn't do country, Houston also proved that her fans would accept her in an on-screen interracial romance, which she had with Costner in the movie. In the film, the race issue wasn't mentioned.

This stayed at #1 US for 14 weeks, a record at the time. In 1995, this record was broken by "One Sweet Day" by Mariah Carey and Boyz II Men, which held the top spot for 16 weeks.

For a time, this was second only to "We Are The World" as the biggest-selling single ever. It was bumped to #3 n 1997, when Elton John's new version of "Candle In The Wind" became the biggest.

Houston performed this at the Grammys in 1993. It won for Record of the Year and Best Female Pop Vocal Performance. The song also won the 1992 Soul Train Music Award for R&B Song of the Year.

It did not, however, win an Oscar, since it was not eligible for the Best Original Song award. That award can only go to songs that are written specifically for a film.

According to Kevin Costner, he really wanted Whitney Houston to star in The Bodyguard with him, so much so that he postponed shooting for a year until she was available. Costner was one of the few people in Hollywood who could convince a movie studio to do this; he had lots of sway after his movie Dances with Wolves won the Oscar for Best Picture in 1991.

The Bodyguard is the best-selling soundtrack of all time.

In 2002, while the US was preparing to go to war with Iraq, Saddam Hussein ran TV and radio ads using this song as he prepared to be re-elected. Houston's record label filed a complaint with the Iraqi mission to the United Nations.

Elvis Presley wanted to record this song but demanded half the publishing rights. Dolly Parton refused and was vindicated when years later Whitney Houston's version earned her $6 million. Parton commented to Observer Music Monthly April 2008: "'I think stories like that are the reason why younger female artists say I've influenced them."

In an interview with UK music magazine Q, Dolly Parton said she "was blown away" by Whitney's version. She said: "The way she took that simple song of mine and made it such a mighty thing, it almost became her song. Some writers say, 'Ooh, I hate the way they've done that to my song or that version wasn't what I had in mind.' I just think it's wonderful that people can take a song and do it so many different ways."

David Foster produced this song. When the decision was made to record it for the movie, Foster went to a record store and bought the Linda Ronstadt version so Whitney could learn the song. When he called Dolly Parton to let her know they were using her song, Dolly told him something very important: the Ronstadt version leaves out the last verse ("I wish you joy and happiness..."), which changes the tone of the song. Parton gave him the lyrics and Whitney recorded the full version. Foster had to tell the film's director, Mick Jackson, that he needed an extra 40 seconds of screen time, as it had been placed in the film minus the last verse.

Foster, who has produced Michael Jackson, Celine Dion and Michael Bublé, called it "The love song of the century."

The song returned to the top ten of the Billboard Hot 100 singles chart following Houston's death. Its comeback was fueled by an enormous resurgence in digital sales in the week after her passing of 195,000, an increase of 6723%, according to Nielsen SoundScan.

The song was performed by Amber Riley on the 'Heart' episode of Glee. The tape of the show was delivered to the Fox network the day before the untimely death of Whitney and broadcast four days after her passing. Riley's character Mercedes sings the ballad as part of a plot line revolving around her indecision over two romantic interests.

When this reached #3 in the Hot 100 in 2011, it became the fifth song to become a top 10 hit in two different chart runs. So, what were the other four? They were:

"The Twist" by Chubby Checker - #1 in 1960 and #1 in 1962.

"Monster Mash" by Bobby "Boris" Pickett and The Cryptkickers - #1 in 1962 and #10 in 1973.

"Stand By Me" by Ben E. King - #4 in 1961 and #9 in 1986.

"Bohemian Rhapsody" by Queen - #9 in 1976 #2 in 1992.

After Houston died on February 11, 2012, "I Will Always Love You" was used in many tributes to the singer, as it was her best-known song. The night after Houston's death, Jennifer Hudson sang a moving rendition in honor of Houston at the Grammy Awards ceremony.