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The Beatles - I Want You (She's So Heavy) |
The Beatles - I Want You (She's So Heavy) Lyrics and Youtube Music VideosAlbum:
Abbey Road Released:
1969 I want you
I want you so bad
I want you
I want you so bad
It's driving me mad
It's driving me mad
I want you
I want you so bad, babe
I want you
I want you so bad
It's driving me mad
It's driving me mad
I want you
I want you so bad
I want you
I want you so bad
It's driving me mad
It's driving me mad
I want you
I want you so bad, babe
I want you
I want you so bad
It's driving me mad
It's driving me mad
She's so heavy
Heavy, heavy, heavy, heavy
I want you
I want you so bad
I want you
I want you so bad
It's driving me mad
It's driving me mad
I want you
I want you so bad, babe
I want you
You know I want you so bad
It's driving me mad
It's driving me mad
Yeah, she's so heavy
Writer/s: LENNON, JOHN / MCCARTNEY, PAUL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by
LyricFindI Want You (She's So Heavy) Song Chart This was the last song mixed for Abbey Road, and it was the last time all four Beatles were in the studio together. It was the result of two unfinished songs woven together. Before they broke up, The Beatles had a lot of partially completed songs, many of which ended up in their solo work. John Lennon wrote this about Yoko Ono - the couple were married in March 1969, about six months before the Abbey Road album was released. Lennon was experimenting with a heavy blues sound, so the song has few lyrics and long stretches of repeated chords. "Every time I pick up the guitar I sing about Yoko and that's how I'm influenced," Lennon said at the time. (thanks, Bertrand - Paris, France) Taken on its own, the lyric is very basic, repeating just a few simple lines like:
I want you so bad
It's driving me mad
Soon after Abbey Road was released, a news magazine show called 24 Hours read the lyrics out loud, taking a derisive tone. Lennon replied: "To me that's a damn sight better lyric than 'Walrus' or 'Eleanor Rigby' because its progression to me. And if I want to write songs with no words or one word... maybe that's Yoko's influence." The rhythm was based on Mel Torme's song "Coming Home Baby." With the exception of "Revolution 9," this was The Beatles longest song. John Lennon sang this monofonic, as some of the troubadours sang in the Middle Ages: There is no chord behind the melody, but an instrument follows the singer's melody. The song ends with an orchestra arrangement, which was Lennon's idea, and is very much similar to the end of "Entry of the Gods into Valhalla" in "Das Rheingold" by Richard Wagner. (thanks to Johan Cavalli, who is a music historian in Stockholm) George Harrison played a Moog synthesizer on this track. It is one of the first uses of the instrument, which was custom-made for Harrison. The guitars were overdubbed many times to get a layered sound. This song contains an accidental background lyric. On stereo, play the song at 4:30 and listen very closely to the left speaker. In the bass break after John's scream, you can faintly hear someone say, "What was that about!?" presumably in response to the scream. (thanks, Tommy - Alameda, CA)
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