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Ethel Merman - Diamonds Are a Girl's Best Friend
Ethel Merman - Diamonds Are a Girl's Best Friend


Ethel Merman - Diamonds Are a Girl's Best Friend Lyrics and Youtube Music Videos

Album: As Time Goes By
Released: 1949

Diamonds Are a Girl's Best Friend Lyrics


Diamonds Are a Girl's Best Friend
  • This song was written by Jule Styne and Leo Robin for the Broadway production of Gentleman Prefer Blondes and was first performed by Carol Channing in 1949. Ethel Merman, the actress and singer known for her vibrant voice and magnetic stage presence, recorded it the following year.
  • The most iconic performance of "Diamonds Are a Girl's Best Friend" is undoubtedly Marilyn Monroe's in the 1953 film version of Gentlemen Prefer Blondes. As playgirl Lorelei Lee, Marilyn created an indelible image while draped in pink satin and diamonds surrounded by a group of dapper suitors. Her own sultry voice was used for most of the song, but some rough patches were dubbed over with Marni Nixon's vocals - specifically the high-pitched opening and the line "These rocks don't lose their shape, diamonds are a girl's best friend." Although if 20th Century-Fox had their way, Marilyn's vocals would have been entirely dubbed. Nixon told The New York Times in 2007 that the studio was unimpressed with the star's "silly" voice, but Nixon thought it was perfect for the character and the song.

    Nixon's soprano voice was a familiar one in Hollywood; she also dubbed vocals for Natalie Wood in West Side Story, Deborah Kerr in The King and I and Audrey Hepburn in My Fair Lady.
  • Several artists have emulated Marilyn's performance over the years. Madonna copied the attire and set design for her "Material Girl" video in 1984 but later claimed she had little in common with the icon. She told Smash Hits in 1992: "I don't think I'm like Marilyn Monroe in a lot of ways. The main thing that we have in common is that we bleach our hair. She's a 'sex symbol' and a 'sex goddess' and I can relate to that in terms of how many people like to see me."

    Anna Nicole Smith also channeled Marilyn for her "Diamonds Are a Girl's Best Friend" single in 1998 (and in 2004 dressed as Marilyn/Lorelai for a PETA ad campaign, stating "Gentlemen prefer fur-free blondes").

    Australian Pop singer Kylie Minogue covered the song in 1995 and then re-recorded in in 2004 for the film White Diamond.
  • Gossip Girl socialite Serena van der Woodsen (Blake Lively) dreamed she was performing the song ala Marilyn Monroe in the show's 100th episode "G.G." while Blair Waldorf (Leighton Meester) appeared as a Breakfast at Tiffany's-inspired Audrey Hepburn.
  • Nicole Kidman sang a modified version of this song for Moulin Rouge! in 2001. Called "Sparkling Diamonds," the song eliminated any overt 1950s references - such as the names of jewelers or the modern Automat - to reflect the film's turn-of-the-20th-century time period.
  • The song has also been borrowed by many Jazz singers. Lena Horne included it on her 1958 album Give the Lady What She Wants, while Julie London recorded it in 1961, followed by Eartha Kitt in 1962.

  • Brother Bones & His Shadows - Sweet Georgia Brown
    Brother Bones & His Shadows - Sweet Georgia Brown


    Brother Bones & His Shadows - Sweet Georgia Brown Lyrics and Youtube Music Videos

    Album: various
    Released: 1949

    Sweet Georgia Brown Lyrics


    Sweet Georgia Brown
  • This is famous as the theme song of the Harlem Globetrotters basketball team, who officially adopted it in 1952. They use it for their "Magic Circles" when the players stand in a circle and pass around the ball, displaying their impressive techniques and dexterity.
  • This was written in the 1920s by Maceo Pinkard and Ken Casey. It was popularized by the big bandleader Ben Bernie in the 1920s, and he was given a co-writer credit for recording it.
  • The most famous version, with whistling and bone-cracking, was a 1949 instrumental recorded by Brother Bones & His Shadows. This is the version used by the Harlem Globetrotters.
  • The original version had lyrics that were about a black prostitute. Many people and groups have covered this with lyrics, including Bing Crosby, Louis Armstrong, Ella Fitzgerald, The Beatles, and The Grateful Dead, and the lyrics seem to vary by cover. The Beatles' version contains the line "In Liverpool she even dared to criticize the Beatles' hair with their whole fan club standing there." The Grateful Dead only performed their version live. (thanks, Crystal - Springfield, MO, for all above)
  • This song was a showstopper in the 1976 Broadway musical Bubbling Brown Sugar, where it was performed by Vivian Reed (who earned a Tony nomination for the role; the production was also nominated for Best Musical). The show lasted just one year on Broadway, but continued on as a touring production. For three years, Bettye LaVette played the lead role in this production.

  • Perry Como & The Fontane Sisters - Bibbidi-Bobbidi-Bo
    Perry Como & The Fontane Sisters - Bibbidi-Bobbidi-Boo


    Perry Como & The Fontane Sisters - Bibbidi-Bobbidi-Boo Youtube Music Videos and Lyrics

    Album: The Long Lost Hits
    Released: 1949

    Bibbidi-Bobbidi-Boo Lyrics


    Bibbidi-Bobbidi-Boo
  • Also known as "The Magic Song," this novelty number was penned by Al Hoffman, Mack David and Jerry Livingston for Disney's 1950 animated fairy tale Cinderella. The Fontane Sisters appeared on Perry Como's self-titled variety show dressed as mice and previewed a medley of songs from the film along with actress Ilene Woods, who played Cinderella. Como recorded "Bibbidi-Bobbidi-Boo" with the trio of New Jersey sisters with the film's "A Dream is a Wish Your Heart Makes" on the flip side.
  • In Cinderella, the Fairy Godmother (Verna Felton) performs this song as she transforms the title servant girl into an elegant princess for the royal ball. Felton was a popular character actress who loaned her voice to several other Disney films (she was Dumbo's mother, Flora the good fairy in Sleeping Beauty and the Queen of Hearts in Alice in Wonderland, to name a few). She also appeared on I Love Lucy as Mrs. Porter, the tough-as-nails maid in "Lucy Hires a Maid" and gruff neighbor Mrs. Simpson in "Sales Resistance."
  • Pop singer Jo Stafford and actor/singer Gordon MacRae recorded this song just two months after Como in 1949. Their version peaked at #19 on the Billboard charts.
  • In Shrek 2 (2004), Fiona's Fairy Godmother, voiced by Absolutely Fabulous actress Jennifer Saunders, parodies this song.

  • John Lee Hooker - Boogie Chille
    John Lee Hooker - Boogie Chillen


    John Lee Hooker - Boogie Chillen Youtube Music Videos and Lyrics

    Album: The Best Of John Lee Hooker
    Released: 1949

    Boogie Chillen Lyrics


    Well, my mama, she didn't 'low me just to stay out all night long, oh Lord
    Well, my mama didn't 'low me just to stay out all night long
    I didn't care what she didn't 'low--I would boogie-woogie anyhow

    When I first came to town, people, I was walkin' down Hastings Street
    Everybody was talkin' about the Henry Swing Club
    I decided I drop in there that night
    When I got there, I say, "Yes, people"
    They was really havin' a ball
    Yes, I know
    Boogie Chillen'

    One night I was layin' down
    I heard mama and papa talkin'
    I heard papa tell mama let that boy boogie-woogie
    It's in him and it got to come out
    And I felt so good
    Went on boogiein' just the same

    Writer/s: HOOKER/BESMAN
    Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Boogie Chillen Song Chart
  • John Lee Hooker grew up on a plantation in Mississippi and eventually made his way to Detroit, bypassing the blues hotbed of Chicago.

    In 1948, Hooker showed up at the office of a Detroit record store/label owner named Bernard Besman, and presented him with a demo. Besman provided the studio and produced this song for Hooker. They worked together for the next four years, recording many of Hooker's songs, but "Boogie Chillen" was the big hit. The song went to the top of what was then known as the "race" charts, and sold over a million copies after Besman leased the rights to distribute the song to Modern Records. When the song took off, Hooker still had his day job working as a janitor in a Chrysler factory.
  • Hooker is the only person performing on the song. The only sounds are his voice, guitar, and stomping feet. The tapping sounds came from bottle caps attached to the soles of his shoes.
  • "Chillen" is Southern slang for "Children." The song is known by a variety of titles, including "Boogie Chillun" and "Boogie Children."
  • When Hooker sings about going to Henry's Swing Club on Hastings Street, he's referring to a real club in the Black Bottom section of Detroit. The area, which is where the Black Bottom dance got its name, was home to various Blues clubs, speakeasies, pool halls and other places of ill repute. Before Hooker arrived, musicians like Maceo Merriweather and Beulah Wallace performed there along with many traveling musicians. Hastings Street was wiped out in 1957 when the highway I-75 was built through it.
  • Hooker recorded two more versions of this song, including a remake in 1970 with the band Canned Heat. It was included on an album called Hooker 'n' Heat
  • ZZ Top reworked this into their 1973 hit "La Grange." In 1992, Bernard Besman, who was Hooker's producer and controlled the copyright to "Boogie Chillen," sued ZZ Top, but a court eventually ruled that Hooker's song was in the public domain.
  • Hooker died in 2001 at age 83.
  • In the book Hound Dog: The Leiber & Stoller Autobiography , Jerry Leiber tells of hearing this song for the first time. He was working at a record store called Norty's circa 1950 while still in high school. Lester Sill, a sales manager for Modern Records, came into the store and started playing demos for Leiber, mistaking him for the store owner. Leiber loved the music because it reminded him of Hunter Hancock's radio show. He says of the song, "Suddenly the epiphany re-exploded, expanded, and knocked me on my ass." This experience re-affirmed his ambition to someday write songs. In the ensuing years, Lester Sill became Leiber and Stoller's mentor as they entered the music business.
  • This was the first song Buddy Guy learned how to play on guitar. Growing up in Lettsworth, Louisiana in a small house with no electricity or running water, Guy heard this song when a family friend, Henry "Coot" Smith, would come over and play it on his guitar. Guy would play what he could of the song on homemade instruments, and when he turned 13, his dad bought Coot's guitar for Buddy, and he was soon playing "Boogie Chillen" on the instrument.

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