Songs Lyrics and YT- Youtube Music Videos

Olivia Newton-John - Can I Trust Your Arms

Olivia Newton-John - Can I Trust Your Arms Lyrics and Youtube Music Videos

Album: Stronger Than Before
Released: 2005

Can I Trust Your Arms Lyrics

Can I Trust Your Arms

This song was written by 19-year old Chloe Lattanzi, the daughter of Olivia Newton-John, for her mother as a present, and recorded by Olivia on a CD exclusively sold at Hallmark stores for Breast Cancer Awareness month (Oct 2005) for the Susan G. Komen Breast Cancer Foundation.

Olivia Newton-John - Phenomenal Woman

Olivia Newton-John - Phenomenal Woman Lyrics and Youtube Music Videos

Album: Stronger Than Before
Released: 2005

Phenomenal Woman Lyrics

Pretty women wonder
Where my secret lies
I'm not cute or built to suit
A fashion model's size
But when I start to tell them
They think I'm telling lies.

I say
It's in the reach of my arms
The span of my hips
The stride of my steps
The curl of my lips.

I'm a woman
Phenomenal Woman
(Yes indeed)
'Cause I'm a woman
Phenomenal woman
Baby that's me.

I walk into a room
Just as cool as you please
And to a man
The fellows stand or
Fall down on their knees
Then they swarm around me
Like a hive of honey bees.

I say
It's the fire in my eyes
And the flash of my teeth
The swing of my waist
The joy in my feet.

I'm a woman
Phenomenal woman
(Yes indeed)
'Cause I'm a woman
Phenomenal woman
Baby that's me.

It's in the arch of my back
The sun of my smile
The ride of my breasts
The grace of my style.

Now you understand
Just why my head's not bowed
I don't shout
Or jump about
Or have to talk real loud
When you see me passing
It ought to make you proud.

I say
It's in the click of my heels
The bend of my hair
The palm of my hand
The need for my care.

I'm a woman
Phenomenal woman
(Yes indeed)
'Cause I'm a woman
Phenomenal woman
Baby that's me.
Baby that's me yeah

Writer/s: Angelou, Maya / Smith, Stephen Darrell / Gilbert, Tom
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Phenomenal Woman

Based on a poem by Maya Angelou, this women's-anthem song, produced (and previously recorded) by Amy Sky, features Olivia Newton-John with additional vocals by Patti LaBelle, Delta Goodrem, Mindy Smith, and Diahann Carroll. It is featured on a CD exclusively sold at Hallmark stores for breast cancer awareness, with some of the proceeds going to the Susan G. Komen Breast Cancer Foundation.

Olivia Newton-John - If Not For You

Olivia Newton-John - If Not For You Youtube Music Videos and Lyrics

Album: If Not For You
Released: 1971

If Not For You Lyrics

If Not For You, babe I couldn't even find the door
I couldn't even see the floor
I'd be sad and blue, if not for you

If not for you, babe, the night would see me wide awake
The day would surely have to break
It would not be new, if not for you

If not for you, my sky would fall, rain would gather too
Without your love I'd be nowhere at all, I'd be lost, if not for you

If not for you, the winter would hold no spring
Couldn't hear a robin sing
I just wouldn't have a clue, if not for you

If not for you
My sky would fall
Rain would gather too
Without your love I’d be nowhere at all
I’d be lost if not for you

If not for you
The winter would hold no spring
You couldn’t hear the robin sing
I just wouldn’t have a clue
If not for you
If not for you

Writer/s: BOB DYLAN
Publisher: BOB DYLAN MUSIC CO
Lyrics licensed and provided by LyricFind

If Not For You Song Chart

Bob Dylan wrote this song and recorded it in 1970 on his New Morning album. Ron Cornelius is a producer, songwriter and publisher who has played on albums by Dylan, Leonard Cohen, Loudon Wainwright III and many others. He told us about the Nashville sessions that produced the album:
"I always wanted to cut an album with him not as an ongoing thing, just saddle up with 5 or 6 guys, go for what you know right on the spot, and it was a series of sessions known as The New Morning Sessions that my wish came true. Dylan played his own acoustic guitar and sang, we had Charlie Daniels on bass and Al Kooper on keys and Russ Konkel on drums and me playing lead guitar. It was just a handful of guys going for what we know. He did something in those sessions that in all my work I've never seen anybody do - he would say 'OK, here's the song that we're going to do,' and he would go ahead and sing it down for us. While he's singing it down for you, you need to chart the song so at least you know the lay of the land. He'd say 'Has everybody got it, need me to play it again?,' then he'd say 'Let's cut it once and see what happens.' Well, as soon as the red lights come on to record, he'd take off playing the song in a completely different tempo than he had just played it. Everybody now is really off base, and you have to just go for what you know. If you'd get 3/4 of the way though it and it fell apart and we had to stop and do it again, we'd go back and red light the song, this time - completely different tempo. I mean way off, drastic changes. Not just fast or slow, he might flip into a Reggae type feel or something. If anybody fell off bad enough to stop that one, he'd say 'let's try it one more time.' The third time he'd take off in a completely different area. I know he was doing that to keep you off base, so that you had to be able to accommodate what was in front of you right now for the first time. If anybody fell off that time bad enough to stop the song, he'd say 'Next Song.' We cut for 21 days doing that and New Morning came out of those sessions. For a session player that was very weird because you're used to somebody singing their song, and you grasp what they're doing and hopefully everybody in the room does, and you get a magical take of it, and if you don't you try it again until everybody feels 'there it is.' Then you can move on to the next song.

This was Olivia Newton-John's first major hit on an international scale, and put her on the map in the all-important United States market for the first time, where the song went to #1 on the Adult Contemporary charts. Newton-John herself disliked the song and resisted recording it, doing so only grudgingly at the urging of her managers and fiancé. (thanks, Mike - Santa Barbara, CA)

Newton-John had her dog in the recording booth with her and at one point during the session he got up and knocked over a music stand. The sound can still be heard in the recording today, just after the instrumental bridge. (thanks, James - Minneapolis, MN)

George Harrison recorded this in 1970 for All Things Must Pass, his first solo album after The Beatles broke up. It was a triple album made up mostly of songs Harrison wrote as a member of The Beatles but were not recorded by the group. The first track on the album was "I'd Have You Anytime," which Harrison wrote with Dylan in 1968. This was the only song on All Things Must Pass that Harrison didn't write.

Olivia Newton John's songwriter John Farrar suggested that she cover this Bob Dylan song for her first UK release. Olivia said in 1000 UK #1 Hits by Jon Kutner and Spencer Leigh, "I wasn't keen on that song at all, but I'm so glad John chose it because it's not one that I would have picked. I didn't think I sang it well, so when it was a hit you know I had to really say it was my management, and Bruce Welch and John Farrar who produced it, that were really the ones that thought that was a good record for me cause in those days I loved singing those big dramatic ballads, you know, talk about being sentimental." (thanks, Edward Pearce - Ashford, Kent, England)

Olivia Newton-John - Physical

Olivia Newton-John - Physical Youtube Music Videos and Lyrics

Album: Physical
Released: 1981

Physical Lyrics

I'm sayin' all the things that I know you'll like
Making good conversation I gotta handle you just right, you know what I mean
I took you to an intimate restaurant, then to a suggestive movie
There's nothing left to talk about 'less it's horizontally

Let's get Physical, physical, I wanna get physical, let's get into physical
Let me hear your body talk, your body talk, let me hear your body talk
Let's get physical, physical, I wanna get physical, let's get into physical
Let me hear your body talk, your body talk, let me hear your body talk

I've been patient, I've been good, try'n to keep my hands on the table
It's gettin' hard this holdin' back, you know what I mean
I'm sure you'll understand my point of view, we know each other mentally
You've gotta know that you're bringin' out the animal in me

Let's get physical, physical, I wanna get physical, let's get into physical
Let me hear your body talk, your body talk, let me hear your body talk
Let's get physical, physical, I wanna get physical, let's get into physical
Let me hear your body talk, your body talk, let me hear your body talk

Oh let's get physical, physical, I wanna get physical, let's get into physical
Let me hear your body talk, your body talk, let me hear your body talk
Let's get animal, animal, I wanna get animal, let's get into animal
Let me hear your body talk, your body talk, let me hear your body talk
Let me hear your body talk, let me hear your body talk

Writer/s: KIPNER, STEPHEN / SHADDICK, TERRY
Publisher: Sony/ATV Music Publishing LLC, TERRY SHADDICK MUSIC
Lyrics licensed and provided by LyricFind

Physical Song Chart

You know how at the end of the movie Grease Olivia Newton-John transforms from a chaste good girl into a leather-clad vixen? She was definitely in vixen mode for this song, which if you are at all paying attention to the lyrics, is blatantly about sex: "There's nothin' left to talk about unless it's horizontally."

Olivia's real life image was far more modest than what she portrays in this song, and she was concerned about how she would be perceived. Her managers talked her into recording it, as they knew they had a huge hit on their hands.

Songwriters Steve Kipner and Terry Shaddick came up with this song, which was originally titled "Let's Get Physical." Instead of writing about the emotions of love, they decided to write this about the physical side, which many listeners found very refreshing in a pop song. Other songs Kipner helped write include "Hard Habit To Break" by Chicago and "Genie in a Bottle" by Christina Aguilera.

The song was released about a month after MTV went on the air, so the video got a lot of spins on the new channel. In the clip, Newton-John is shown teasing fat men as they try to exercise in some kind of locker room/gym. The whole idea of the video as to distract from the fact that the song is about sex, and fat guys working out accomplished that goal.

Aerobics was just gaining popularity when the song came out, and the video jumped on the trend and included some scenes where Olivia leads a cardio routine the guys can't handle. Eventually, the fat guys are replaced by fit, muscular men who ignore Olivia and pair off, indicating that they are gay. Despite the lascivious themes, the video was a huge commercial and critical hit - it won the Grammy for Video of the Year.

This was a #1 hit in the US for an amazing 10 weeks. The only song to that point that stayed at #1 longer was Elvis Presley's "Hound Dog." In America, it was the best-selling single of the '80s.

For 9 of the 10 weeks that this song topped the charts, "Waiting For A Girl Like You" by Foreigner was the runner-up. When "Physical" did finally fall, it was replaced at #1 by "I Can't Go For That (No Can Do)" by Hall & Oates. The #2 song that week: "Waiting For A Girl Like You" for the 10th consecutive week.

A few radio stations in conservative communities (including Salt Lake City, Utah) refused to play this song because of its veiled sexual content. This just added to the song's popularity and didn't hurt Olivia's reputation as one of the least offensive women in music.

After this was released, Newton-John appeared on a US TV special called Olivia Newton-John: Let's Get Physical, which featured this and other songs from her album, along with little skits where we got to know her better. Olivia did a great job of using her acting talents to promote her music, and these TV specials got a huge audience in the days when there weren't a lot of viewing options.

The video was directed by Brian Grant, whose experience was mostly on British TV shows. It was his idea to make fun of the overtly sexual lyrics by setting the video in a gym, and the gay reveal at the end (long before "Call Me Maybe"), was also his idea. The choreographer on the shoot was Kenny Ortega, who had worked with Newton-John on the movie Xanadu.

A slow and sultry version was recorded by Kylie Minogue for the movie Moulin Rouge, but it was cut by director Baz Luhrmann. Minogue as the Green Fairy was to have performed this song in the movie. (thanks, Ross - Brisbane, Australia)

In 1999 remixed versions of the song, (titled "Physical '99: Single Edit," "Neutron Bomb Mix," "Mustard Deep Dub," & "Mustard Full Vocal") with different vocals and an added vocal bridge, were to be released in the UK, but the single was pulled at the last minute.

On her Fall 2002 "Heartstrings Tour," Olivia performed an unplugged/Bosa-Nova style version of this that was a true crowd pleaser. Due to popular demand by her fans, Olivia recorded this version of the song and included it as an unlisted "bonus" track on her Australian duets album (Nov 2002) called 2. (thanks, James - Minneapolis, MN, for above 2)

This was used in a Tropicana Light advertisement that featured oranges exercising. (thanks, Tiffany - Dover, FL)

In a survey by Billboard magazine based on each song's performance on the Hot 100 chart, this was named the #1 Sexiest Song Of All Time. The runner-up was Rod Stewart's "Tonight's The Night," followed by Boyz II Men's "I'll Make Love To You" in third place.

Olivia Newton-John - Xanadu

Olivia Newton-John - Xanadu Lyrics and Youtube Music Videos

Album: Xanadu Soundtrack
Released: 1980

Xanadu Lyrics

A place where nobody dared to go
The love that we came to know
They call it Xanadu
And now, open your eyes and see
What we have made is real
We are in Xanadu

A million lights are dancing
And there you are, a shooting star
An everlasting world
And you're here with me, eternally
Xanadu, Xanadu
(Now we are here) in Xanadu
Xanadu, Xanadu
(Now we are here) in Xanadu
Xanadu, your neon lights
Will shine for you, Xanadu

The love that echoes of long ago
You needed the world to know
They are in Xanadu
The dream that came
Through a million years
That lived through all the tears
It came to Xanadu

A million lights are dancing
And there you are, a shooting star
An everlasting world
And you're here with me, eternally
Xanadu, Xanadu
(Now we are here) in Xanadu
Xanadu, Xanadu
(Now we are here) in Xanadu

Now that I'm here
Now that you're near, in Xanadu
Now that I'm here
Now that you're near, in Xanadu
Xanadu

Writer/s: LYNNE, JEFF
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Xanadu Song Chart

The word Xanadu showed up in the poem Kubla Khan by Samuel Taylor Coleridge (1772-1834). Xanadu is the fictional name of the land where Khubla Khan ordered the dome to be built. The word Xanadu came to mean a paradise. In the movie Citizen Kane, Xanadu was the name of Charles Foster Kane's house.

This was written for the movie musical of the same name. Newton-John starred in the film with Gene Kelly. The movie was a bomb, but the soundtrack, which contained all songs by Newton-John and The Electric Light Orchestra, was a hit.

In the trailer for the film, Olivia-Newton John is billed as "the girl you loved in Grease." This song plays over the end of the trailer. Quite a bit is made of the singing and dancing and starring cast, not much is mentioned about the plot.

Newton-John recorded this with The Electric Light Orchestra. Although the song is noted for being performed with Olivia Newton John for the movie Xanadu, The Electric Light Orchestra had in fact performed the song with Jeff Lynne taking over the lyrics in a more mellow sounding vocal to Olivia's operatic sounding voice. (thanks, Logan - Troy, MT)

For those of you who have heard of this film's reputation but not yet seen it, you might be asking yourself, "What on earth is so terrible about it?" It's famous for being a box-office flop, but what, did it stink all over? And you might even go hunting down reviews online, only to find a queue of user reviews on IMDB defending it for dear life and crying that it's not that bad.

Here's the gist of it:

The concept, story, and overall dialog is pathetic, even though everything else is great.

They blew $20 million cool ones on the budget for this in 1980! Consider that Star Wars, released just three years previously, had a budget of $11 million. And there's no way Xanadu would have outsold The Force, even with dialogue by Shakespeare.

It's basically a roller-disco fantasy made at a time when (a) disco, (b) roller-skating, and (c) fantasy all became as dead as fried chicken. It was the dawn of the '80s; Reagan was in office and people wanted either hard sci-fi or down-home country folk, and it was time for heavy metal and greed.

The studio executives made bone-headed decisions slapping this together, like with the animated sequence in the middle which just confused the bejabbers out of everybody. It was basically just thrown in for the sole purpose of Universal thumbing their nose at Disney.

Key words from above point: "slapped together." Including one each of every kind of music genre. The whole thing plays like it was built by sugar-hyped six-year-olds who couldn't resist gluing on "one more cool thing," whether it fit or not.

Nevertheless, it is a guilty pleasure, Olivia sings her sweet little heart out, Gene dances up a storm, ELO rocks out, and it's all now an interesting historical period piece with a modern-day cult following.