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ABBA - The Piper

ABBA - The Piper Lyrics and Youtube Music Videos

Album: Super Trouper
Released: 1980

The Piper Lyrics

They came from the hills
And they came from the valleys and the plains
They struggled in the cold
In the heat and the snow and in the rain
Came to hear him play
Play their minds away

We're all following a strange melody
We're all summoned by a tune
We're following The Piper
And we dance beneath the moon
We're following the piper
And we dance beneath the moon for him
And we dance beneath the moon
Sub luna saltamus

They came from the south
From the west and the north and from the east
They waited for the man
Like a parish is waiting for the priest
Longed to hear him play
Play their minds away

We're all following a strange melody
We're all summoned by a tune
We're following the piper
And we dance beneath the moon
We're following the piper
And we dance beneath the moon for him
And we dance beneath the moon
Sub luna saltamus

He gave them a dream
He seduced everybody in the land
The fire in his eyes
And the fear was a weapon in his hand
So they let him play
Play their minds away

We're all following a strange melody
We're all summoned by a tune
We're following the piper
And we dance beneath the moon
We're following the piper
And we dance beneath the moon for him
And we dance beneath the moon

And we dance beneath the moon

Writer/s: BENNY GORAN BROR ANDERSSON, BJOERN K. ULVAEUS
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Piper

This was inspired by the Stephen King novel The Stand. The lyrics are about the rise of a fascist dictator. Bjorn says, "The lyrics deal with the fear that there will come a time when people will want such a leader again."

Yoko Ono - Kiss Kiss Kiss

Yoko Ono - Kiss Kiss Kiss Lyrics and Youtube Music Videos

Album: Double Fantasy
Released: 1980

Kiss Kiss Kiss Lyrics

Kiss, kiss, kiss, kiss me love
Just one kiss, kiss will do
Kiss, kiss kiss, kiss me love
Just one kiss, kiss will do

Why death?
Why life?
Warm hearts
Cold darts

Kiss, kiss, kiss, kiss me love
I'm bleeding inside

It's a long, long story to tell
And I can only show you my hell

Touch, touch, touch, touch me love
Just one touch, touch will do
Touch, touch, touch, touch me love
Just one touch, touch will do

Why me?
Why you?
Broken mirror
White terror

Touch, touch, touch, touch me love
I'm shaking inside
It's that faint, faint sound of the childhood bell
Ringing in my soul

Kiss, kiss, kiss, kiss me love
Just one kiss, kiss will do

Writer/s: YOKO ONO
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Downtown Music Publishing
Lyrics licensed and provided by LyricFind

Kiss Kiss Kiss

This Disco and New Wave-influenced song was originally released on Double Fantasy, Yoko Ono's joint album with John Lennon, as well as the B-side of his "(Just Like) Starting Over" single. The track was remixed in 2002 by Superchumbo and released as a single, reaching #20 on the US dance charts.

The song features Ono gasping heavily. Yoko explained to us that the song was created when she was withdrawing from a bad drug and kept breathing in pain. "All that time," Yoko said, "I realized that there was a crack in my beautiful art deco mirror. At the recording studio, I sung in total darkness, which gave the right mood to it."

Irene Cara - Fame

Irene Cara - Fame Lyrics and Youtube Music Videos

Album: Fame (Original Soundtrack)
Released: 1980

Fame Lyrics

I'm gonna live forever
I'm gonna learn how to fly
I'm gonna make it to heaven
Baby, remember my name!

Baby, look at me
And tell me what you see
You ain't seen the best of me yet.
Give me time,
I'll make you forget the rest.
I got more in me,
And you can set it free
I can catch the moon in my hand
Don't you know who I am?

Remember my name. Fame!
I'm gonna live forever
I'm gonna learn how to fly--high!

I feel it comin' together
People will see me and cry. Fame!
I'm gonna make it to heaven
Light up the sky like a flame. Fame!
I'm gonna live forever
Baby, remember my name
Remember, remember, remember, remember,
Remember, remember, remember, remember.

Baby, hold me tight
Cause you can make it right.
You can shoot me straight to the top
Give me love and take all I got to give

Baby, I'll be tough
Too much is not enough, no
I can ride your heart 'till it breaks.
Ooh, I got what it takes.

Writer/s: DEAN PITCHFORD, MICHAEL GORE
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Fame

Fame was a 1980 movie about students at Fiorello LaGuardia High, also known as the New York City High School for the Performing Arts. It's a real school whose alumni include Robert De Niro, Jennifer Aniston, Liza Minnelli and Nicki Minaj. The movie was fictional, following some of the students who aspired to stardom. Irene Cara played the role of Coco Hernandez in the film and also sang this title song. The song captured the spirit of the students determined to make sure people remember their names.

Lesley Gore's brother Michael Gore was the musical supervisor on Fame and responsible for coming up with the songs for the movie. He wrote this song with Dean Pitchford, a stage and commercial actor with a degree in English literature from Yale. Pitchford studied songwriting with Peter Allen ("I Honestly Love You," "Don't Cry Out Loud") and Gore gave him a big break when he asked him to write some lyrics for the movie. Pitchford co-wrote the title song and also "I Sing the Body Electric" and "Red Light," which were included in the film. When we spoke with Pitchford in 2012 , he told us: "At the time it was exactly what I had been living for the last six or seven years in New York. Had I stopped that and gotten further away from it in years, perhaps it wouldn't have been as heartfelt as it was. But both 'Fame' and 'The Body Electric' were both real available to me.

Gore and Pitchford later collaborated on "All The Man I Need," which was a hit for Whitney Houston in 1990. Soon after Fame Pitchford started work on his screenplay that would become Footloose.

Dean Pitchford tells us that this song took about a month to write. "That was excruciating, because it was very tough to navigate," He said. "You know, the idea of fame is such a pumped up, almost self-congratulatory notion, like, I'm going to be famous. It was very tricky to navigate and write something that still had energy and gosh-golly about it, without feeling too self-satisfied."

This won the 1980 Oscar for Best Original Song, and Michael Gore also won for Best Score for his work on the movie. Three years later, Irene Cara won the Best Original Song award along with Giorgio Moroder and Keith Forsey for writing "Flashdance... What a Feeling," which she also performed.

A very distinctive feature of this song are the background vocals that trail out the word "Remember" after the line "baby, remember my name." It was Luther Vandross who came up with that part and sang it with backup singers Vivian Cherry and Vicki Sue Robinson (best known for her hit "Turn The Beat Around"). Vandross was not yet a solo star, but was in demand as a backup vocalist. He was the contractor on this session, meaning he was in charge of the backup vocals. Dean Pitchford explained: "He came in, listened down to the track. We got to the end of the chorus and he said, 'Back it up, back it up! Check this out.' And Irene Cara sang, 'Baby remember my name,' and he went, 'Remember, remember, remember...' and we all went, 'Oh! That's terrific!' Luther Vandross is the one who not only came up with 'remember, remember, remember...' but he also stacked the voices on top of, 'I'm going to learn how to fly high.' He did that. He made a couple of other contributions around the edges, but the 'remember' was the major one."

The movie was spun off into a TV show in 1982, with this song used at the theme and sung by Erica Gimpel, who played Coco Hernandez in this version (Janet Jackson was on the show for a season). When the song was first released in 1980, it flopped in the UK, but two years later it hit #1 as a result of the TV series.

The line "I'm gonna live forever" is one Dean Pitchford knew very well when he started writing this song. Says Dean, "There was a play that had been on Broadway years ago called Dylan, and it won massive amounts of awards when it was on Broadway. It was about the life of the Welsh poet, Dylan Thomas. When I was in high school I competed in speech tournaments and I was a debater, but I also did dramatic interp and things like that. There was a particular long speech that Dylan Thomas gives. He's drunk and he speaks about the gift that a poet gets: he may not have a long life, but in his poems he gets to live forever. And I competed with this, I went all the way to the state finals delivering this speech. And I always loved the sentiment in poetry: if you write words, you get to live forever in your works.

I wrote that line when Michael Gore played me the melody that he had come up with for the chorus. I listened down to it once, and I said, 'Oh, you mean something like...' and he went back to the top and he was playing it down, and I sang, 'Fame! I'm gonna live forever,' and he stopped playing, and he went, 'Oh my god! Write that down! I don't want to forget that!' And I said, 'Oh, Michael, I don't think I could forget that one.' The rest of the song took forever to write. It was literally a month of six days, seven days a week, six hours a day of carving every one of those verses. But that line sprang out of my mouth."

Lyricists can be very particular about how their words are sung, lest the be misinterpreted. He was new at this, so Dean Pitchford didn't push it, but in later years he became more a of "lyric policeman," even asking Barbra Streisand to redo a line in his song "If I Never Met You." Said Pitchford: "When I did 'Fame,' it never occurred to me that anybody would mishear Irene Cara sing, 'People will see me and cry, Fame!', but people have misheard that as 'die.' And I was horrified to find that lyric sites would write out the lyric to 'Fame' and state as if it were fact that I had written 'people will see me and die.' No. I had written 'people will see me and cry, Fame!' That would be their cry."

The movie Fame got a remake in 2009, with Naturi Naughton in a starring role and performing this song. Her version made #33 in the UK.

Kelly Marie - Feels Like I'm In Love

Kelly Marie - Feels Like I'm In Love Lyrics and Youtube Music Videos

Album: The Best Of Kelly Marie
Released: 1980

Feels Like I'm In Love Lyrics

My head is in a spin
My feet don't touch the ground
Because you're near to me
My head goes round and round
My knees are skakin' baby
My heart it beats like a drum

It feels like
It Feels Like I'm In Love

Ain't been this way before
But I know I'm turned on
It's time for something baby
I can't turn off
My knees are skakin' baby
My heart it beats like a drum

It feels like
It feels like I'm in love
My knees shake
My heart beats like a drum

It feels like
It feels like I'm in love
My knees shake
My heart beats like a drum

Ooh baby Ooh baby Ooh baby
My head is in a spin
My feet don't touch the ground
Because you're near to me
My head goes round and round
My knees are skakin' baby
My heart it beats like a drum
It feels like
It feels like I'm in love
My knees shake
My heart beats like a drum

Ooh baby Ooh baby
Ooh baby Ooh baby
Writer/s: RAY DORSET
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Feels Like I'm In Love

Ray Dorset, who was the lead vocalist for Mungo Jerry, wrote this for Elvis Presley, who was one of his idols. Unfortunately, Elvis' untimely death ruled this out and the song ended up as the B-side of a Mungo Jerry single released in France. In the book 1000 UK #1 Hits by Jon Kutner and Spencer Leigh, Dorset explains: "I wrote Feels Like I'm In Love in 1977 with Elvis Presley in mind and even recorded it Elvis-style on my demo. My producer, Barry Murray, was about to send it to Elvis when he got a phone call saying Elvis had died. After that, I kinda put it to bed for a while. Kelly Marie had a few minor hits in France and had been hanging around our office a bit. I thought she had a good voice, so I asked her if she wanted to record the song."

This was originally released 18 months earlier but it failed to chart. It then became a northern club hit before finally topping the UK charts.

Kelly Marie was born Jacqueline McKinnon in Paisley, Scotland. She was known as Keli Brown, winning the TV talent show Opportunity Knocks 4 times under that name. She enjoyed European success when "Who's That Lady With My Man" won her a French gold disc and made many European charts. Her management thought this song could be the record to break her in the UK and they bought the rights to the song.

When this hit #1, Ray Dorset became one of the select group of singer/songwriters whose compositions had been #1s for themselves and other performers. In 1970 his own group Mungo Jerry topped the UK chart with "In The Summertime" then "Baby Jump."

The 46 weeks this spent on Billboard's Dance/Club Play Songs chart made it the longest-charting titles all-time on the tally.

The Jam - The Dreams Of Children

The Jam - The Dreams Of Children Lyrics and Youtube Music Videos

Album: Snap!
Released: 1980

The Dreams Of Children Lyrics

I sat alone with The Dreams Of Children
Weeping willows and tall dark building,
I've caught a fashion from the dreams of children
But woke up sweating from this modern nightmare, and
I was alone, no one was there
I was alone, no one was there
I caught a glimpse from the dreams of children
I got a feeling of optimism
But woke up to a grey and lonely picture
The streets below left me feeling dirty, and
I was alone, no one was there
I was alone, no one was there
Something's gonna crack on your dreams tonight...
You will crack on your dreams tonight
I fell in love with the dreams of children
I saw a vision of all the happy days
I've caught a fashion from the dreams of children
But woke up sweating from this modern nightmare, and
I was alone, no one was there
I was alone, no one was there
Something's gonna crack on your dreams tonight...
You will crack on your dreams tonight
You will choke on your dreams tonight

Writer/s: PAUL JOHN WELLER
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Dreams Of Children

The title was inspired by English writer Clive Barker's horror story The Forbidden, where The Candyman kills to preserve his reputation, so he can haunt "The Dreams Of Children." The book was adapted into a movie in 1992.

This song has a psychadelic Beatles-like interesting backwards intro. Prior to writing the song Paul Weller had been listening to his favourite album, The Beatles Revolver. Weller recalls in the book 1000 UK #1 Hits by Jon Kutner and Spencer Leigh, "After we'd finished recording the album Setting Sons, I asked the engineer if he could record the album backwards and put it on cassette. When I listened to it there was one piece of vocal that I really liked and wrote "The Dreams Of Children" around it."

This was released as a double A-side single along with "Going Underground." So many people pre-ordered the single that it entered the UK charts at #1. The previous time this had occurred was Slade's "Merry Christmas Everybody" in 1974.

The Clash - The Crooked Beat

The Clash - The Crooked Beat Lyrics and Youtube Music Videos

Album: Sandinista!
Released: 1980

The Crooked Beat Lyrics

Start the car lets make a midnight run
Across the river to South London
To dance to the latest hi-fi sound
Of bass, guitar and drum
Seeking out a rhythm that can take the pressure off
Stepping in and out of that crooked crooked beat

Take a piece of cloth, a coin for thirst
For the sweat will start to run
With a cymbal splash, a word of truth
And a rocking bass and drum
Seeking out a rhythm that can take the pressure on
Stepping in and out of that crooked crooked beat

So one by one they come on down
From the tower blocks of my home town
Stepping with the rhythm of the rockers beat
Drowning out the pressure of The Crooked Beat
Seeking out a rhythm that can take the tension on
Stepping in and out of that crooked crooked beat

It has crooked past this crooked street
Where cars patrol this crooked beat
Badges flash and sirens wail
They'll be taking one and all to jail

Prance! Prance! You want a law to dance?

Writer/s: JOE STRUMMER, PAUL SIMONON
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Crooked Beat

"The Crooked Beat" is often viewed as bassist Paul Simonon's followup to his popular song on the London Calling album, "The Guns Of Brixton." The songs share a South London location in the lyrics and also Simonon's monotone vocals. Both songs were written fully by him.

This was one of the very last songs recorded for the Sandinista! album, at Wessex in September 1980. It is rumoured to have been written and recorded quickly in order to both fill space on the huge triple-album, and give Paul Simonon some royalties. Indeed, the track is actually two versions of the same song - the original is then followed back to back by a dub remix by Mikey Dread, the Clash's producer at the time, featuring authentic Trenchtown patois vocals from Dread and an echo-saturated production.

The lyrics are inspired by the popular nursery rhyme "There Was A Crooked Man."

The song was one of the many more obscure tracks on Sandinista! never to be played live by The Clash, probably because "The Guns of Brixton" was used live as Simonon's signature song (he would swap instruments with singer Joe Strummer, who would play bass while Simonon sang lead vocals).

The Clash - The Equaliser

The Clash - The Equaliser Lyrics and Youtube Music Videos

Album: Sandinista!
Released: 1980

The Equaliser Lyrics

No! Gang boss no!
We don't want the whip!

As you get weaker - it will get harder
So don't be like him
Keep your bones of effort and strength
Don't sell them to him

We don't want no gang boss
We want to equalize
To my fathers fathers fathers father
Work was no joy
When his son had grown of age
You got to work now boy
Never ceasing for many years
Want to follow that boy?

Till half and half is equalized
Put down the tools
See the car see the house
See the fabulous jewels
See the world you have built it with shoulders of iron
See the world but it is not yours say the stealers of Zion

Geneva
Wall Street
Who makes them so fat?
Well well me an' you better think about that
In overdrive whooo

Till humanize is equalize
Put down the tools
Every face on every side
Throw down the tools
Stay at home
Don't check with Rome paint strike on the door
It's one to one the fight is on so don't go to war

We don't need no gang boss
We have to equalize

Writer/s: JOE STRUMMER, MICK JONES
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Equaliser

"The Equaliser" is a song often ignored by The Clash, and its writers appear to be slightly ashamed of it - singer Joe Strummer confessed in a 1999 interview with Q magazine that this and other examples (such as the ludicrous Rock Against the Rich tour in 1988, beset by protests from the Socialist Worker newspaper and claims of hypocrisy as to what constituted "the rich" in the first place) that sometimes his social idealist beliefs would blind him and he would become obsessed with the unobtainable.

Cast of Barnum - Thank God I'm Old

Cast of Barnum - Thank God I'm Old Lyrics and Youtube Music Videos

Album: Barnum Soundtrack
Released: 1980

Thank God I'm Old Lyrics

Thank God I'm Old

This song from Act I of the musical Barnum has music by Cy Coleman and lyrics by Michael Stewart, like all the others. It is sung by Joice Heth, the oldest woman in the world. Although the performance - if not the song itself - is laced with comedy, there was nothing humorous about the way Phineas T. Barnum treated the real Joice Heth, the woman who launched his career as a showman.

In the musical, Joice is represented as 160 years old; the real Joice was said to have been 161 years old; a former slave, it was also claimed she had been the nurse of a young George Washington. Barnum exhibited Joice from 1835 until her death on February 19, 1836. Then he had an autopsy performed on her in public, selling tickets to it. The doctor who carried it out claimed she had been no more than eighty years old.

Barnum is said to have paid a thousand dollars for the right to exhibit his charge while she was alive - an astronomical sum in the 1830s. If Barnum was duped by the claims and apparently authentic documentation about this woman, there can be no doubt that was because he allowed himself to be.

The Clash - If Music Could Talk

The Clash - If Music Could Talk Lyrics and Youtube Music Videos

Album: Sandinista!
Released: 1980

If Music Could Talk Lyrics

Make sure!
Taking cover in the bunker tonight
Waiting for Bo Diddley's headlights
I feel alright
Gotta Fender Stratosphere
I can do anything tonight
It's in neon lights an' global rights
Frank? He's on the phone
There ain't no German girl outside
But who cares when its warm inside?
With music
Special mystery of music tragically
Exchanging slaves for majesties
Modern waves of tragedy
Packing a two piece colt pair of shoots
A shiny grey Mexican suit
The blue eyed traffic can sashay by
'Cause tonight the sailor boys have hit Shanghai
The kick-out traffic goes creaking by
I smash my glass and shout shanghai
My drummer friend comes shooting by
He said Errol Flynn will never die
Oh no! Who am I to question why?
And are you lonesome tonight
And do ya need a country cowboy
Who's just thin and tight in those
Br' bus depot jeans
With a squirt resistant stud stud
Hey stoner

Get over there in the spliff bunker one
Because London Bridge was sold somehow
But it was too old anyhow
When Uncle Sam has broken down
We'll make him down in old Japan
Say ye'

Well there ain't no better blend
Than Joe Ely and his Texas Men
Where the wind blows
I ain't seen none like that scenery
You can see from a bus if you pay the price

Wave my arms around
Flag one of those taxi's maybe
I saw a girl somewhere somehow
Forever sticks in my mind somehow
I've just got three lines
And a pair of two's
Like a lucky roll of dice that you
You cast

If Music Could Talk!
Which means
Whatever your mind can bring
Like the apple fell off the tree
Pah! Fell right on his head
Yeah many years ago

There was a man who said
I am a shaman
A voodoo shaman
Got in trouble so he's going out
Mixing up and Haiti! Oh!
And the crickets
Buddy Holly said it was
Br' br' yee'

If music could talk you know

I feel kinda lonely
Standing out on the floor
Of Electric Ladyland

'cause this is a good question Samson
Are you partly Arabic?

Chi man! Whatcho all about

I don't want to I can't hope to
Say it all in one go
Occasionally once or twice
A day I feel alive enough to say
Let's hear what the drummer man's
Got to say about
He said is it Errol Flynn's birthday or not?
Sept twelfth until October
If they pack two piece
Colt pair of shoots
We got the shiny grey Mexican suits
I'm just wasting a great big
Corporation and the entire fund
The girders of Wall Street
And the temples of money
And the high priests
Of the expense account
And I'm wasting the whole thing
I come down in Yamaha-ha
They make the best pianos-time to step-up

Writer/s: JOE STRUMMER, MICK JONES, PAUL SIMONON, TOPPER HEADON
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

If Music Could Talk

The backing track to "If Music Could Talk" is in fact another one of the songs on the Sandinista! album: "Shepherd's Delight," which was recorded at Pluto Studios two months previously with producer Mikey Dread. The band decided to revisit the track, and singer Joe Strummer added a stream-of-consciousness set of lyrics about New York city, including a plethora of references to Joe Ely , Errol Flynn, singer Bo Diddley (whom The Clash had toured with in 1979), Buddy Holly, Jim Morrison and Elvis Presley's song "Are You Lonesome Tonight?"

There are also personal references to The Clash themselves, including the Electric Lady studios they had worked, lighting engineer Warren "Stoner" Steadman, and his own "spliffbunker," which was a nest-type contraption Strummer built in whichever studio the band were recording in out of flight cases where he would sit and write songs in peace whilst recording took place elsewhere in the studio.

Production tricks abound on this song, as they do throughout the album. In this case, Joe Strummer double-tracked his vocals, putting one track in the left channel and another in the right to create an all-encompassing sound. Gary Barnacle, session musician and longtime friend of the band, added jazzy saxophone interludes when the song was recorded in Wessex studios in August 1980.

As it's possible to tell from the backing track complexity, this never featured in The Clash's live set, probably because the band just wouldn't be able to do it justice in concert.

Cast of Barnum - The Colors of My Life

Cast of Barnum - The Colors of My Life Lyrics and Youtube Music Videos

Album: Barnum soundtrack
Released: 1980

The Colors of My Life Lyrics

The Colors of My Life

"The Colors of My Life" is a song from the first act of Barnum, the musical based on the life of American showman Phineas T. Barnum. Like the rest of the songs in the show it was composed by Cy Coleman and written by Michael Stewart. The slowest song in the show, it is begun by Barnum and finished by his wife. It is the way Barnum sees his life, but alas his wife paints a different and more realistic portrait. The song is reprised in act two.

Peter Gabriel - Lead a Normal Life

Peter Gabriel - Lead a Normal Life Lyrics and Youtube Music Videos

Album: Peter Gabriel (third, melt)
Released: 1980

Lead a Normal Life Lyrics

It's nice here with a view of the trees
Eating with a spoon?
They don't give you knives?
'Spect you watch those trees
Blowing in the breeze
We want to see you Lead a Normal Life

Writer/s: LEON CAFFREY, PETER GABRIEL, THOMAS SCOTT
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Lead a Normal Life

This song about mental illness led to questions asking if Gabriel was suffering from the condition himself. He told Mojo magazine September 2013: "I think the assumption was, you couldn't write about something like that unless you had experience of it."

Gabriel added: "I later discovered I had depression around the time of my marriage breaking up. But maybe there was something more there (long pause). Like actors in films, they say there is always something in a role that they need to work out. But mental illness was interesting to me."

Cast of Barnum - Museum Song

Cast of Barnum - Museum Song Lyrics and Youtube Music Videos

Album: Barnum soundtrack
Released: 1980

Museum Song Lyrics

Museum Song

This is a song from the first act of Barnum, the musical based on the life of American showman Phineas T. Barnum. Like the rest of the songs in the show, it was composed by Cy Coleman and written by Michael Stewart. Sung by Barnum himself solo, it is performed in the 1986 release by Michael Crawford.

"Museum Song" is both a list song and something of a tongue twister which finishes with a short dance routine by Barnum and the Company.

Neil Diamond - America

Neil Diamond - America Lyrics and Youtube Music Videos

Album: The Jazz Singer
Released: 1980

America Lyrics

Far
We've been traveling far
Without a home
But not without a star
Free
Only want to be free
We huddle close
Hang on to a dream

On the boats and on the planes
They're coming to America
Never looking back again
They're coming to America

Home, don't it seem so far away
Oh, we're traveling light today
In the eye of the storm
In the eye of the storm

Home, to a new and a shiny place
Make our bed, and we'll say our grace
Freedom's light burning warm
Freedom's light burning warm

Everywhere around the world
They're coming to America
Every time that flag's unfurled
They're coming to America

Got a dream to take them there
They're coming to America
Got a dream they've come to share
They're coming to America

They're coming to America
They're coming to America
They're coming to America
They're coming to America
Today, today, today, today, today

My country 'tis of thee
Today
Sweet land of liberty
Today
Of thee I sing
Today
Of thee I sing
Today

Writer/s: KEITH NOEL EMERSON, KEITH JOSEPH ANTHONY JACKSON, DAVID O'LIST
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

America

This is a tribute to immigration in America, where people from all over the world were welcome to come and seek opportunity. Diamond grew up in Brooklyn, New York, where many Europeans arrived. His grandparents were immigrants: on his father's side they came from Poland, and on his mother's side from Russia.

Michael Dukakis used this as his theme song in his failed 1988 Presidential campaign to emphasize his own ethnic origins as a third-generation American.

Diamond wrote this for the 1980 movie The Jazz Singer, where he starred as a young Jewish man who must defy his father to follow his dreams of becoming a singer.

Will Ferrell used to impersonate Diamond on Saturday Night Live. In one bit where they did a fake Behind The Music, Ferrell (as Diamond) said this song was "fueled creatively by my massive hatred of immigrants."

The Psychedelic Furs - Sister Europe

The Psychedelic Furs - Sister Europe Lyrics and Youtube Music Videos

Album: The Psychedelic Furs
Released: 1980

Sister Europe Lyrics

Stupid on the steinway
So sick upon a steinway
The sailors drown
See them talk and see them drown
And see them drink and fall around
Upon the floor
Sister of mine, home again
Sister of mine, home again
Lonely in a crowded room
The radio plays out of tune
So silently
The radio upon the floor
Is stupid it plays aznavour
So out of key
Sister of mine
Home again
Sister of mine
Home again
Broken on a ship of fools
Even dreams must fall to rules
So stupidly
Words are all just useless sound
Just like cards they fall around
And we will be
Sister of mine
Home again
Sister of mine
Home again
Buy a car and watch it rust
Sister see them fall to dust
They fall around
In another crowded room
Paint me like the shirt I'm in
Honestly
Sister of mine
Home again
Sister of mine
Home again
Sister of mine
Sister of mine
Sister of mine
Sister of mine
Sister

Writer/s: BUTLER, RICHARD/BUTLER, TIMOTHY/ASHTON, JOHN/DAVEY, VINCENT
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Sister Europe

Richard Butler, the band's frontman and co-songwriter, wrote the lyrics to this song about a specific person who left for Europe. "It's basically about my girlfriend, who I've been going out with for years," he said at the time. "She's in Italy at the moment."

Butler cloaked his feelings of loneliness and desperation in metaphor, using images to express his thoughts. He wrote the lyrics, but the entire band got composition credit on the song.

The band's producer Steve Lillywhite knew just how to infuse Butler's vocals with enough raw emotion to sell the song. Butler recalled Lillywhite's instructions: "he told me, 'go down the pub, have a couple of beers, and when you come back, I want you to sing like it's three in the morning, and you're talking on the telephone to someone.'"

This song was a popular opener for the band's live shows and also inspired several covers. Tenor saxophonist Gary Windo (who also contributed horns to the Furs' Forever Now album) emphasized its Jazz feel on his 1985 album Deep Water and, a decade later, Australian Rock band Icehouse covered it for their album The Berlin Tapes. The Foo Fighters also included it at as the B-side of their "All My Life" single in 2002.

The Clash - Something About England

The Clash - Something About England Lyrics and Youtube Music Videos

Album: Sandinista!
Released: 1980

Something About England Lyrics

They say immigrants steal the hubcaps
Of the respected gentlemen
They say it would be wine an' roses
If England were for Englishmen again

Well I saw a dirty overcoat
At the foot of the pillar of the road
Propped inside was an old man
Whom time would not erode
When the night was snapped by sirens
Those blue lights circled fast
The dance hall called for an' ambulance
The bars all closed up fast

My silence gazing at the ceiling
While roaming the single room
I thought the old man could help me
If he could explain the gloom
You really think it's all new
You really think about it too
The old man scoffed as he spoke to me
I'll tell you a thing or two

I missed the fourteen-eighteen war
But not the sorrow afterwards
With my father dead and my mother ran off
My brothers took the pay of hoods
The twenties turned the north was dead
The hunger strike came marching south
At the garden party not a word was said
The ladies lifted cake to their mouths

The next war began and my ship sailed
With battle orders writ in bed
In five long years of bullets and shells
We left ten million dead
The few returned to old Piccadilly
We limped around Lester Square
The world was busy rebuilding itself
The architects could not care

But how could we know when I was young
All the changes that were to come?
All the photos in the wallets on the battlefield
And now the terror of the scientific sun
There was masters an' servants an' servants an' dogs
They taught you how to touch your cap
But through strikes an' famine an' war an' peace
England never closed this gap

So leave me now the moon is up
But remember all the tales I tell
The memories that you have dredged up
Are on letters forwarded from hell

The streets were by now deserted
The gangs had trudged off home
The lights clicked off in the bedsits
An' old England was all alone

Writer/s: STRUMMER, JOE / JONES, MICK
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Something About England

"Something About England" is one of many crazy musical variations on the Sandinista! album, with The Clash experimenting with Music Hall, one of British music's oldest genres, stretching back to Victorian and Edwardian times. The campy vaudeville elements sound an odd contrast to Punk music, but Sex Pistols singer Johnny Rotten was very open about how much Music Hall "comedy of the absurd" elements he incorporated into his stage persona.

The lyrics are structured as a conversation between the narrator, guitarist Mick Jones, and a wistful old tramp, singer Joe Strummer. The first verse is a putdown of lazy racism - higher social classes blaming immigration for a society's ills ("They say immigrants steal the hubcaps of the respected gentlemen, they say it would be wine an' roses if England were for Englishmen again").

Joe Strummer's lyrics in the character of a wistful tramp are some of the most political and social commentary in The Clash's back catalogue, bemoaning how two world wars and the industrial revolution still couldn't break down the class system which causes such disharmony in England ("But through strikes an' famine an' war an' peace England never closed this gap"). Though musically the song is nothing like old Punk-Rock Clash, the lyrics stick right to the core values of Punk of anti-establishment and protest against social ills.

Musically "Something About England" is very complex, with Jones playing piano for the whole song, drummer Topper Headon playing a delicate 'quotation-mark' percussion beat and a horn section comprising of session musician Gary Barnacle, Gary's father Bill (a noted jazz musician) and military bandsman David Yates). Because of this complexity (and the worry that the first verse may be misinterpreted by certain sections of the audience), the song was never performed live.

Dire Straits - Romeo And Juliet

Dire Straits - Romeo And Juliet Lyrics and Youtube Music Videos

Album: Making Movies
Released: 1980

Romeo And Juliet Lyrics

A lovestruck Romeo sings the streets of serenade
Laying everybody low with a love song that he made
Finds a convenient streetlight steps out of the shade
Says something like you and me babe how about it?

Juliet says hey it's Romeo you nearly gimme me a heart attack
He's underneath the window she's singing hey la my boyfriend's back
You shouldn't come around here singing up at people like that
Anyway what you gonna do about it?

Juliet the dice were loaded from the start
And I bet and you exploded in my heart
And I forget I forget the movie song
When you gonna realize it was just that the time was wrong, Juliet?

Come up on different streets they booth were streets of shame
Both dirty both mean yes and the dream was just the same
And I dreamed your dream for you and now your dream is real
How can you look at me as if I was just another one of your deals?

When you can fall for chains of silver you can fall for chains of gold
You can fall for pretty strangers and the promises they hold
You promised me everything you promised me thick and thin
Now you just say oh Romeo yeah you know I used to have a scene with him

Juliet when we made love you used to cry
You said I love you like the stars above I'll love you till I die
There's a place for us you know the movie song
When you gonna realize it was just that the time was wrong Juliet?

I can't do the talk like they talk on TV
And I can't do a love song like the way it's meant to be
I can't do everything but I'd do anything for you
I can't do anything except be in love with you

And all I do is miss you and the way we used to be
All I do is keep the beat and bad company
All I do is kiss you through the bars of Orion
Julie I'd do the stars with you any time

Juliet when we made love you used to cry
You said I love you like the stars above I'll love you till I die
There's a place for us you know the movie song
When you gonna realize it was just that the time was wrong Juliet?

A lovestruck Romeo sings the streets of serenade
Laying everybody low with a love song that he made
Finds a convenient streetlight steps out of the shade
Says something like you and me babe how about it?

Writer/s: Gorman, Freddie / Hamilton, Bob
Publisher: EMI Music Publishing
Lyrics licensed and provided by LyricFind

Romeo And Juliet

This song was inspired by Mark Knopfler's broken romance with Holly Vincent, who was the leader of the band Holly And The Italians. Some of the lyrics indicate that Knopfler felt she used him to boost her career.

The line, "Now you just say, oh Romeo, yeah, you know I used to have a scene with him," came from an interview where Holly Vincent was quoted as saying: "What happened was that I had a scene with Mark Knopfler and it got to the point where he couldn't handle it and we split up."

Knopfler's younger brother David, how was rhythm guitarist in Dire Straits, left the band during the album sessions. Having two brothers in the same band caused tension and arguments. Said David: "I left because it was no longer possible for Mark and I to work in the same band. We'd be walking around in the studio with eyes averted to the floor. We no longer had a communicating relationship."

Roy Bittan from Bruce Springsteen's E Street Band played keyboards on the album.

This song is about a couple who are in love, but they break up because "The time wasn't right." It's a sad sentiment, as the guy will always love the girl.

This is played in the movie Empire Records, although it does not appear on the soundtrack.

Dire Straits recorded a popular live version for their album On The Night.

Making Movies was recorded at The Power Station in New York City with producer Jimmy Iovine. He had been engineer/mixer on Bruce Springsteen's Born To Run and producer on Patti Smith's Easter.

The Killers covered this on their 2007 B-sides, covers and rarities compilation Sawdust. In an interview with Q magazine January 2008, the band's drummer Ronnie Vannucci explained why they chose this song: "We've covered 'Romeo And Juliet' because it's a great song - Brandon was really into it. The original idea was to do the song with Johnny Borrell (Vocalist of British band Razorlight) though, but he got really sick and couldn't do it." Frontman Brandon Flowers added: "We're not overly anxious about Dire Straits, though. We're not ashamed of covering 'Romeo And Juliet,' either. It's one of the finest songs ever. Brilliant melodies."

Dexys Midnight Runners - Geno

Dexys Midnight Runners - Geno Lyrics and Youtube Music Videos

Album: Searching For The Young Soul Rebels
Released: 1980

Geno Lyrics

Geno! Geno! Geno! Geno! Geno! ...
Back in '68 in a sweaty club
Oh, Geno
Before Jimmy's Machine and The Rocksteady Rub
Oh-oh-oh Geno-o
On a night when flowers didn't suit my shoes
After a week of flunkin' and bunkin' school
The lowest head in the crowd that night
Just practicin' steps and keepin' outta the fights

Academic inspiration, you gave me none
But you were Michael the lover
The fighter that won
But now just look at me
I'm looking down at you
No, I'm not beinh flash
It's what I'm built to do

That man took the stage, his towel was swingin' high
Oh Geno
This man was my bombers, my Dexy's, my high
Oh-oh-oh Geno-o
The crowd they all hailed you, and chanted your name
But they never knew like we knew
Me and you were the same
And now you're all over, your song is so tame, brrrrr
You fed me, you bred me, I'll remember your name

Academic inspiration, you gave me none
You were Michael the lover
The fighter that won
But now just look at me
I'm looking down at you
No, I'm not being flash
It's what I'm built to do

Oh Geno, Woh-oh-oh Geno-o
Oh Geno, Woh-oh-oh Geno-o

Writer/s: Archer, Kevin / Rowland, Kevin
Publisher: EMI Music Publishing, Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Geno

This song is about Geno Washington, a US Soul singer the band admired. Washington was never big in his home country, but was a popular performer in the UK, where he played with Jimi Hendrix and Pink Floyd and scored two Top 40 hits in the '60s: "Water" and "Michael."

As Dexys Midnight Runners were on the upswing, packing club shows and getting positive press, Washington's career had faded, and the once-revered singer found himself on the cabaret circuit. "Geno," which was written by Dexys lead singer Kevin Rowland and guitarist Al Archer, is a tribute to Washington and also a look at the cyclical nature of entertainment.

This was the second Dexys Midnight Runners single released in the UK (following "Dance Stance"), and it shot to #1 on the chart, becoming a crowd favorite along the way. Dexys had no distribution in America, so the song wasn't heard in the US. The band would make their splash stateside in 1983 when "Come On Eileen" topped the charts and became an MTV staple.

Dexys Midnight Runners made their mark by adding their distinctive Celtic flavor to Soul music. They championed artists like Washington and did covers of songs by Sam And Dave, Aretha Franklin and the lesser-known Zoot Money. "Soul" was part of Rowland's stage patter ("our hearts are full of soul..."), as he made it clear where their musical roots had grown.

On the band's second album, they had a hit with a cover of "Jackie Wilson Said," which was Van Morrison's tribute to another Soul singer.

There is a reference to the band's name in the line, "This man was my bombers, my dexys, my high." The "dexys" are pep pills - Dexedrine.

Rowland told The Guardian that the lyrics are all true. He recalled: "I saw Geno Washington in 68 at the Railway Hotel in Harrow. I was 15 years old and out with all the older kids – you had to be 18 to get in – short-haired, cool-looking mods-turning-into-skinhead types. Looking back, it's probably not the best gig I've ever been to, but I didn't have anything to compare it to."

The video features plenty of scenes running around alleyways and jumping over railway station ticket barriers. Al Archer told Mojo: "We did all those things. It wasn't any kind of gimmick, we did actually bunk the trains and all that."

Motörhead - (We Are) The Road Crew

Motörhead - (We Are) The Road Crew Lyrics and Youtube Music Videos

Album: Ace Of Spades
Released: 1980

(We Are) The Road Crew Lyrics

Another town, another place
Another girl, another face
Another truck, another race
I'm eating junk, feeling bad
Another night, I'm going mad
My woman's leaving, I feel sad
But I just love the life I lead
Another beer is what I need
Another gig, my ears bleed

We are the road crew

Another town I've left behind
Another drink, completely blind
Another hotel I can't find
Another backstage pass for you
Another tube of superglue
Another border to get through
I'm driving like a maniac
Driving my way to hell and back
Another room, a case to pack

We are the road crew

Another hotel we can burn
Another screw, another turn
Another Europe map to learn
Another truck stop on the way
Another game that I can play
Another word I learn to say
Another blasted customs post
Another bloody foreign coast
Another set of scars to boast

We are the road crew
That's right!

Writer/s: KILMINSTER, IAN FRASER/CLARKE, EDWARD ALAN
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

(We Are) The Road Crew

Lemmy wrote this for the band's road crew, who he considered "The best crew in the world."

This took Lemmy just 10 minutes to write.

During Eddie Clark's guitar solo he falls on his back, resulting in a huge feedback which lasts a couple of seconds before making a comeback and returning to the solo.

Lemmy wrote this number in a studio toilet in Rickmansworth, North London. He explained to Q magazine January 2010: "It was the only quiet place in the building. I had an idea and I needed somewhere to work it through. That is the only song I can remember writing in the toilet."

Rush - Different Strings

Rush - Different Strings Lyrics and Youtube Music Videos

Album: Permanent Waves
Released: 1980

Different Strings Lyrics

Who's come to slay the dragon
Come to watch him fall
Making arrows out of pointed words
Giant killers, at the call
Too much fuss and bother
Too much contradiction
And confusion
Peel away the mystery
Here's a clue to some real motivation

All there really is
The two of us
And we both know why we've come along
Nothing to explain
It's a part of us
To be found within a song

What happened to our innocence
Did it go out of style?
Along with our naivete?
No longer a child
Different eyes see different things
Different hearts
Beat on Different Strings
But there are times
For you and me
When all such things agree

Writer/s: GEDDY LEE WEINRIB, ALEX LIFESON
Publisher: OLE MEDIA MANAGEMENT
Lyrics licensed and provided by LyricFind

Different Strings

This song's lyrics were written solely by Geddy Lee. It's the last Rush song in which Neil Peart does not have lyric credit.

The song reminds us to choose our words carefully. Do not ruin what we have. Be kind, as we all see life just a bit differently, yet we're all the same.

Queen - Sail Away Sweet Sister

Queen - Sail Away Sweet Sister Lyrics and Youtube Music Videos

Album: The Game
Released: 1980

Sail Away Sweet Sister Lyrics

Hey little babe you're changing
Babe are you feeling sore?
It ain't no use in pretending
You don't wanna play no more

It's plain that you ain't no baby
What would your mother say?
You're all dressed up like a lady
How come you behave this way?

Sail Away Sweet Sister
Sail across the sea
Maybe you'll find somebody
To love you half as much as me
My heart is always with you
No matter what you do
Sail away sweet sister
I'll always be in love with you

Forgive me for what I told you
My heart makes a fool of me
You know that I'll never hold you
I know that you gotta be free

Sail away sweet sister
Sail across the sea
Maybe you'll find somebody
To love you half as much as me
Take it the way you want it
But when they let you down my friend
Sail away sweet sister
Back to my arms again

Hot child don't you know you're young
You got your whole life ahead of you?
And you can throw it away too soon
Way too soon

Sail away sweet sister
Sail across the sea
Maybe you'll find somebody's
Gonna love you half as much as me
My heart is always with you
No matter what you do
Sail away sweet sister
I'll always be in love with you

Writer/s: MAY, BRIAN HAROLD
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Sail Away Sweet Sister

Queen guitarist Brian May wrote this, and though he usually played piano on his own songs, this time he asked Freddie Mercury do record it because of his perfect timing and rhythm sense. Mercury sings the middle eight of the song as well, while Brian sings the verses and choruses.