Neil Young Songs - Heart of Gold Lyrics

Neil Young - Heart of Gold

Neil Young - Heart of Gold Lyrics and Youtube Music Videos

Album: Harvest
Released: 1972

Heart of Gold Lyrics

I want to live,
I want to give
I've been a miner
For a Heart of Gold
It's these expressions
I never give
That keep me searching
For a heart of gold
And I'm getting old
Keeps me searching
For a heart of gold
And I'm getting old

I've been to Hollywood
I've been to Redwood
I crossed the ocean
For a heart of gold
I've been in my mind,
It's such a fine line
That keeps me searching
For a heart of gold
And I'm getting old
Keeps me searching
For a heart of gold
And I'm getting old

Keep me searching
For a heart of gold
You keep me searching
And I'm growing old
Keep me searching
For a heart of gold
I've been a miner
For a heart of gold

Writer/s: KENNEDY/LEVER/PERCY/HOBBS/MEW
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Heart of Gold Song Chart

With a straightforward metaphor and complete lack of pathos, this not a typical Neil Young song. It finds him mining for a "heart of gold," which depending on your perspective, is either a touching and heartfelt sentiment, or a mawkish platitude. Rolling Stone took the churlish view, complaining that the album evoked "superstardom's weariest clichés." The listening public and Young's fans were far more accepting, however, and the song became his biggest hit.

Young wrote this in 1971 after he suffered a back injury that made it difficult for him to play the electric guitar, so on the Harvest tracks he played acoustic. Despite the injury, Young was in good spirits (possibly thanks to the pain-killers), which is reflected in this song. The next few years were more challenging for Young, as he suffered a series of setbacks: his son Zeke was born with cerebral palsy, his friend Danny Whitten died, and he split with his wife, Carrie Snodgress. His next three albums, which became known as "The Ditch Trilogy," expressed these dark times in stark contrast to "Heart of Gold."

This song was recorded at the first sessions for the Harvest album, which took place on Saturday, February 6, 1971 and were set up the night before.

Neil Young was in Nashville to record a performance for The Johnny Cash Show along with Tony Joe White , James Taylor and Linda Ronstadt. Elliot Mazer, a producer who owned nearby Quadrafonic Studios, set up a dinner party on February 5, inviting the show's guests and about 50 other people. Mazer was friends with Young's manager Elliot Roberts, who introduced the two at the gathering. Young and Mazer quickly hit it off when Neil learned that Elliot has produced a band called Area Code 615. Young asked if he could set up a session the next day, and Mazer complied.

Nashville has an abundance of studio musicians, but getting them to work on a Saturday could be a challenge. Mazur was able to get one member of Area Code 615: Drummer Kenny Buttrey. The other musicians he found were guitarist Teddy Irwin, bass player Tim Drummond, and pedal stell player Ben Keith. All were seasoned pros.

Keith recalls showing up late and sitting down to play right away. He says they recorded five songs before they stopped for introductions.

By far, this was the biggest hit for Young as a solo artist. A very influential musician, he was never too concerned about making hit records.

James Taylor and Linda Ronstadt sang backup; they don't come in until the end of the song. Like Young, Taylor and Ronstadt were in town to appear on The Johnny Cash Show (the song's producer Elliot Mazer had produced Ronstadt's 1970 Silk Purse album). Young convinced them to lend their voices to this track, and they came in on Sunday, February 8, the day after the rest of the song was completed.

When it was their turn to add harmonies, the task proved rather arduous. Ronstadt recalled to Mojo: "We were sat on the couch in the control room, but I had to get up on my knees to be on the same level as James because he's so tall. Then we sang all night, the highest notes I could sing. It was so hard, but nobody minded. It was dawn when we walked out of the studio."

In the liner notes to his Decade collection, Young said: "This song put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch."

This statement reflected Young's aversion to fame, and was not meant to demean the song. In a later interview with NME, he clarified: "I think Harvest is probably the finest record I've made."

This was the song that tweaked Bob Dylan; Young had made no secret that he idolized Dylan, but when Dylan heard "Heart of Gold" he thought this was going too far. As quoted in Neil Young: Long May You Run: The Illustrated History , Dylan complained, "I used to hate it when it came on the radio. I always liked Neil Young, but it bothered me every time I listened to "Heart of Gold." I'd say, that's me. If it sounds like me, it should as well be me."

This song was recorded in just two takes. The musicians were not familiar with Young or the song, but knew how to play. This spontaneity created just the right feel for the track - something that would have never come about through additional tweaking. This style of recording, where top-tier studio musicians are asked to give total focus to a take with little instruction, is something Bob Dylan often did. It's also a throwback to the analog days when tape (which was expensive) was rolling, making additional takes costly and cumbersome.

"Heart Of Gold" is the name of the spaceship stolen by Zaphod Beeblebrox in Douglas Adams' book, The Hitchhiker's Guide to the Galaxy . (thanks, Charles - London, England)

Young became the first Canadian to have a #1 album in the US when Harvest topped the Billboard 200 for two weeks in April 1972.

This song appears in the 1984 film Iceman, and on the soundtrack of the 2010 movie Eat Pray Love.

Lady Gaga references this in her song "You and I." The line goes, "On my birthday you sung me 'Heart of Gold,' with a guitar humming and no clothes."

In 2005, the CBC Radio One series 50 Tracks: The Canadian Version declared "Heart of Gold" to be the third best Canadian song of all time.

Stryper frontman Michael Sweet covered this for his 2014 I'm Not Your Suicide album. He also recorded a second duet version with country artist Electra Mustaine, who is the daughter of Megadeth frontman Dave Mustaine.

Young revived the guitar riff for this song on CSN&Y's "Slowpoke" in 1999.

Tori Amos covered this on her 2001 album Strange Little Girls . She was trying to demonstrate how men and women hear different meaning in the same songs.