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Blondie - Call Me
Blondie - Call Me


Blondie - Call Me Lyrics and Youtube Music Videos

Album: American Gigolo Soundtrack
Released: 1980

Call Me Lyrics


Call on me, oh call up, baby
Call on me, oh call
Call on me, oh call up, darling
I know who you are
Come up off your calling chart
I know where you're coming from

Call Me!
(Call me!)
On the line
Call me, call me any anytime
Call me!
(Call me!)
I'll arrive
You can call me any day or night
Call me

Cover me with kisses, baby
Cover me with love
Roll me in designer sheets
I'll never get enough
Emotions come, I don't know why
Cover of love's alibi

Call me!
(Call me!)
On the line
Call me, call me any anytime
Call me!
(Call me!)
I'll arrive
When you're ready we can share the wine
Call me

Ooh, he speaks the languages of love
Ooh, amore, chiamami, chiamami
Ooh, appelle moi, mon cheri, appelle moi
Anytime, anyplace, anywhere, anyway
Anytime, anyplace, anywhere, any day

Call me!
(Call me!)
My love
Call me, call me any anytime
Call me
(Call me!)
For a ride
Call me
Call me for some overtime

Call me!
(Call me!)
My love
Call me
Call me in a sweet design
Call me!
(Call me!)
Call me for your lover's lover's alibi

Call me!
(Call me!)
For a ride
Call me, call me any anytime
Call me
(Call me!)
Uh, call me
Uh, uh, uh, call me!
(Call me!)
My love
Call me, call me any anytime

Writer/s: MORODER/HARRY
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Call Me
  • This song is about a prostitute. It was featured in the film American Gigolo in a scene where the lead character is "working."
  • European disco producer Giorgio Moroder wrote this with Blondie lead singer Debbie Harry, who thus became the first woman in British chart history to write three #1 hits. However she hadn't been Moroder's first choice. The Italian disco king had originally wanted Stevie Nicks to provide vocals on the track but the Fleetwood Mac vocalist declined the offer.
  • This was the most successful of all Blondie singles in their native USA. It was the best-selling single of 1980.
  • In 2002, The Box Tops recorded this for the compilation album When Pigs Fly: Songs You Never Thought You'd Hear . Cevin Soling, who was executive producer on the album, explains: "I got the Box Tops back together again, and that was a blast. That was so much fun working with the Box Tops. Especially with Alex Chilton there singing. I didn't produce that. I was in the studio, but the producer on that one was a buy named Benji King, who was the keyboard player for the band Scandal. That studio experience was pretty funny, because he's so full of energy. He's always excited and always really into things. The Box Tops are each one degree more laid back to the next. Coming from the South, they're all kind of very chill. Until you get to Alex Chilton, who's practically catatonic. And so you have that contrast." (Check out our interview with Cevin Soling.)
  • In 2009, Franz Ferdinand covered this song for the War Child Presents Heroes charity album.
  • This song was covered by the heavy metal band In This Moment on their 2008 album, The Dream. (thanks, Charlie - Las Vegas, NV)
  • Giorgio Moroder told Billboard magazine that his difficult experience of recording this song with Blondie taught him not to work with rock bands. "There were always fights," he recalled. "I was supposed to do an album with them after that. We went to the studio, and the guitarist was fighting with the keyboard player. I called their manager and quit."

  • Blondie - Drag You Aroun
    Blondie - Drag You Around


    Blondie - Drag You Around Lyrics and Youtube Music Videos

    Album: Ghosts of Download
    Released: 2014

    Drag You Around Lyrics


    Drag You Around
  • This was written by Matt Barus, the frontman of the Christchurch band The Dukes, who supported Blondie on a 2010 New Zealand tour. Blondie guitarist Chris Stein had asked Barus if he penned songs for other artists. Barus responded that he didn't, but he'd have a go. The New Zealander described the writing process to Stuff.co.nz as: "On the last night of the tour at The Mudhouse Winery in Waipara, we were in the middle of our set and I turned towards the sound desk and Chris and Debbie were there offstage watching our show. When we came off stage Chris came up to me and said 'we really like your songs, do you write for other people. I said, 'I haven't really'. And he asked me if I'd be keen to write some music for their next album. I just assumed it was a really nice thing to say at the end of a tour because people really don't know what else to say."

    "It took me a while and a few conversations with the people who look after my career to actually think he might have been serious so I started listening to their classic album Parallel Lines and thought about the kind of things Debbie might sing about and came up with Drag You Around," Barus continued. "It's me imagining the kind of relationship Debbie would be in. She would kick arse and be dragging whoever it was around. That's the image I wanted anyway."

  • Blondie - Platinum Blond
    Blondie - Platinum Blonde


    Blondie - Platinum Blonde Lyrics and Youtube Music Videos

    Album: The Platinum Collection
    Released: 1975

    Platinum Blonde Lyrics


    I want to be a Platinum Blonde
    Just like all the sexy stars
    Marilyn and Jeane, Jayne, Mae and Marlene
    Yeah they, they really had fun

    In a luminous day-glo shade
    Walk into a bar and I'll have it made
    'Cause if that's all it takes; a double processed blonde

    I want to be a platinum blonde
    I want to be a platinum blonde
    Be a platinum blonde

    Yeah I even tried wearing a wig for a while
    It was the right colour, but not the right style
    Gonna get some peroxide at the beauty supply
    See ya later

    I want to be a platinum blonde
    Just like all the sexy stars
    Marilyn and Jeane, Jayne, Mae and Marlene
    Yeah they, they really had fun

    Now if you need me on Sunday and you look twice and see
    That platinum blonde is gonna be me
    In a double processed luminous day-glo shade
    When I get this colour I'll have it made in the shade

    Oh, I hope I'm OK
    I want to be a platinum blonde
    I want to be a platinum blonde

    Honey, I gotta, I gotta, I gotta, I gotta
    I gotta be a platinum blonde
    I gotta be a platinum blonde
    I gotta be a platinum blonde
    I'll hit the bottle baby

    Writer/s: DEBORAH HARRY
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Platinum Blonde
  • This was one of five tracks from a 1975 demo recorded by Blondie. It was produced by Alan Betrock, the founder of New York Rocker, one of the primary organs of the American Punk scene. The song was first issued on the 1994 compilation The Platinum Collection.
  • The song was the first ever one that Debbie Harry wrote for Blondie, and it served as a mission statement. She told Mojo magazine: "I think as far as Blondie is concerned, I took reference from the silver screen. Blonde goddesses. All of them. Not just Marilyn, but Jean Harlow and Lana Turner and even Diana Dors and Jayne Mansfield. I think it was a conceived idea from Hollywood that registered in my brain as being something that would work in a band situation."

  • Blondie - Dreamin
    Blondie - Dreaming


    Blondie - Dreaming Lyrics and Youtube Music Videos

    Album: Eat To The Beat
    Released: 1979

    Dreaming Lyrics


    When I met you in the restaurant you could tell I was no debutante.
    You asked me what's my pleasure, "A movie or a measure"?
    I'll have a cup of tea and tell you of my dreamin'
    Dreamin' is free.
    Dreamin', Dreaming is free.

    I don't want to live on charity.
    Pleasure's real or is it fantasy?
    Reel to reel is living verite.
    People stop and stare at me, we just walk on by
    We just keep on dreamin'.

    Beat feet, walking a two-mile.
    Meet me, meet me at the turnstile.
    I never met him, I'll never forget him.
    Dream dream, even for a little while.
    Dream dream, filling up an idle hour.
    Fade away, radiate.

    I sit by and watch the river flow.
    I sit by and watch the traffic go.
    Imagine something of your very own, something you can have and hold.
    I'd build a road in gold just to have some dreamin'.
    Dreamin' is free.
    Dreamin', dreamin' is free.

    Dreamin', dreamin' is free.
    Dreamin', dreamin' is free.

    Writer/s: DEBORAH HARRY, CHRIS STEIN
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Dreaming
  • Blondie guitarist Chris Stein wrote the music for this song and came up with the line "dreaming is free." Lead singer Debbie Harry would often write lyrics after hearing the tracks for the songs, and that's what she did here.

    The song starts out with a coherent story - Harry getting propositioned in a restaurant - but it quickly veers off in many directions, simulating a dream where one idea jumps to the next with no real rhyme or reason. It works well with the theme and with the track, including the bridge where Harry repeats the first word of each line:

    Feet feet, walking a two mile
    Meet meet, meet me at the turnstile


    A similar structure can be heard in the 1982 Kim Wilde song "Kids In America."
  • Chris Stein said this song was "pretty much a cop" of "Dancing Queen" by ABBA.
  • Perhaps is was just a convenient word to rhyme with "pleasure," but when Harry sings "A movie or a measure," the word "measure" could be interpreted a few different ways. It might mean a plan of action, as in taking some kind of trip, or possibly a measure in the musical sense, meaning the rhythm.

  • Blondie - Raptur
    Blondie - Rapture


    Blondie - Rapture Lyrics and Youtube Music Videos

    Album: Autoamerican
    Released: 1980

    Rapture Lyrics


    Toe to toe
    Dancing very close
    Barely breathing
    Almost comatose
    Wall to wall
    People hypnotized
    And they're stepping lightly
    Hang each night in Rapture

    Back to back
    Sacroiliac
    Spineless movement
    And a wild attack

    Face to face
    Sadly solitude
    And it's finger popping
    Twenty-four hour shopping in Rapture

    Fab Five Freddie told me everybody's high
    DJ's spinnin' are savin' my mind
    Flash is fast, Flash is cool
    Francois sez fas, Flashe' no do
    And you don't stop, sure shot
    Go out to the parking lot
    And you get in your car and you drive real far
    And you drive all night and then you see a light
    And it comes right down and lands on the ground
    And out comes a man from Mars
    And you try to run but he's got a gun
    And he shoots you dead and he eats your head
    And then you're in the man from Mars
    You go out at night, eatin' cars
    You eat Cadillacs, Lincolns too
    Mercury's and Subaru's
    And you don't stop, you keep on eatin' cars

    Then, when there's no more cars
    You go out at night and eat up bars where the people meet
    Face to face, dance cheek to cheek
    One to one, man to man
    Dance toe too toe
    Don't move to slow, 'cause the man from Mars
    Is through with cars, he's eatin' bars
    Yeah, wall to wall, door to door, hall to hall
    He's gonna eat 'em all
    Rapture, be pure
    Take a tour, through the sewer
    Don't strain your brain, paint a train
    You'll be singin' in the rain
    I said don't stop, to punk rock

    Well now you see what you wanna be
    Just have your party on TV
    'Cause the man from Mars won't eat up bars when the TV's on
    And now he's gone back up to space
    Where he won't have a hassle with the human race
    And you hip-hop, and you don't stop
    Just blast off, sure shot
    'Cause the man from Mars stopped eatin' cars and eatin' bars
    And now he only eats guitars, get up!

    Writer/s: DEBORAH HARRY, CHRIS STEIN
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Rapture
  • This was the first #1 hit song with a rap. Artists like Grandmaster Flash, Afrika Bambaataa, and Kurtis Blow had been rapping since the mid-'70s, and The Sugarhill Gang had the first Top 40 hit earlier in 1980 with "Rapper's Delight," but until "Rapture," rap had never been incorporated into a hit pop song.

    Debbie Harry did the rap, and it was really ridiculous, with lyrics about the "Man from Mars eating cars," but the novelty helped the song become a hit.

    Harry's rap is so goofy that it sounds like she could be mocking the genre, but this was very early in the evolution of hip-hop, and many of the rhymes that came out of the New York block parties were just as silly. Harry and Chris Stein of Blondie championed rap and got involved in the community, often attending these block parties - they even took Nile Rodgers to one, which is where he learned that his song "Good Times" was a DJ favorite. Blondie brought rap to a far larger audience with this song; Debbie Harry says that a lot of rappers - including members of Mobb Deep and Wu-Tang Clan - told her it was the first rap song they ever heard, since the genre wasn't welcome on the radio then.
  • Until this came out, rappers always used existing songs as the basis for the music they would rap over. They usually took disco or soul records and looped the beats to extend the breaks. Debbie Harry's rap in this was nothing special, but it was the first rap in a song that had its own original music.
  • In certain Christian theology, The Rapture is an event where believers are transported to heaven while others must endure the beginning of the end times on Earth. The lyrics of this song are a bit apocalyptic, as the "Man from Mars" starts destroying the planet with his insatiable appetite. The word "Rapture" is also a play on the rap aspect of the song.
  • As the age of disco ended, so did Blondie's success. This was their last US hit until 1999, when they had a comeback song called "Maria." They did have another UK hit in 1982 called "Island Of Lost Souls."
  • If you listen carefully to the lyrics, you might hear something naughty. Shortly before the rap, there is a line that sounds a lot like "Finger F--king." Most lyric sheets list this line as "Finger Popping."
  • Hip-Hop promoter and former host of Yo! MTV Raps Fab 5 Freddie is in the video and is mentioned in the song. He was part of the early rap scene and is credited with helping bring it into the mainstream. Blondie originally met Fab Five Freddy and his crew at a club. They all became friends, and one day Freddy jokingly suggested that Debbie Harry should write a song about them. She did, and the result was the rap that is the second half of the song. She sent it to Freddy, he and his crew loved it and she ended up recording it.
  • The video for this features a cameo appearance by New York artist/Andy Warhol disciple Jean-Michel Basquiat, whose life was portrayed in the 1996 film Basquiat.
  • The lyrics, "Flash is fast, flash is cool" are a reference to pioneering hip-hop DJ Grandmaster Flash.
  • KRS-One interpolated this song on his 1997 single "Step Into A World (Rapture's Delight)," which made #70 in the US. Singing with KRS-One on the track is Keva Holman. The song can be heard in the 2013 movie This Is the End, where it fits with the rapture theme.
  • A few months after this song was released, Tom Tom Club issued their first single, "Wordy Rappinghood." The Tom Tom Club song wasn't issued in America, but became a big hit in Europe and Latin America. Like "Rapture," it featured a white female vocalist doing a rap (Tina Weymouth).

    Like Blondie, Tom Tom Club was immersed in the New York music scene and influenced by hip-hop. Neither act knew the other was working on a rap song - Blondie was recording in New York while Tom Tom Club was working in the Bahamas.

  • Blondie - Mari
    Blondie - Maria


    Blondie - Maria Youtube Music Videos and Lyrics

    Album: No Exit
    Released: 1999

    Maria Lyrics


    She walks like she don't care.
    Smooth as silk, cool as air.
    Ooh, it makes you wanna cry.

    She doesn't know your name and your heart beats like a subway train.
    Ooh, it makes you wanna die.

    Ooh, don't you wanna take her?
    Wanna make her all your own?

    Maria.
    You've gotta see her!
    Go insane and out of your mind.
    Latina.
    Ave maria.
    A million and one candle lights.

    Ive seen this thing before.
    In my best friend and the boy next door.
    Fool for love and fool of fire.

    Wont come in from the rain.
    Sees oceans running down the drain.
    Blue as ice and desire.

    Don't you wanna make her?
    Ooh, don't you wanna take her home?

    Maria.
    You've gotta see her!
    Go insane and out of your mind.
    Latina.
    Ave maria.
    A million and one candle lights.

    Ooh, don't you wanna break her?
    Ooh, don't you wanna take her home?

    She walks like she don't care.
    You wanna take her everywhere.
    Ooh, it makes you wanna cry.

    She walks like a she don't care.
    Walking on imported air.
    Ooh, it makes you wanna die.

    Maria.
    You've gotta see her!
    Go insane and out of your mind.
    Latina.
    Ave maria.
    A million and one candle lights.

    Maria.
    You've gotta see her!
    Go insane and out of your mind.
    Latina.
    Ave maria.
    A million and one candle lights.

    Maria.
    You've gotta see her!
    Go insane and out of your mind.
    Regina.
    Ave maria.
    A million and one candle lights.

    Maria.
    You've gotta see her!
    Go insane and out of your mind.
    Latina.
    Ave maria.
    A million and one candle lights.

    Writer/s: FRANCO, LILIA
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Maria
  • This was written by Blondie keyboard player Jimmy Destri, who when asked what this song was about replied: "Desire. Teenage desire because I have a teenage daughter and she's pretty beautiful and I watch all these boys gawk at her. I put myself in their shoes thinking about what I used to do with girls back then. I wasn't a very forward guy at all, I was like from afar and I'd go home and write a poem about her - I was really a sad little bastard. It sounds cute but you don't get any attention that way. So 'Maria' is about desire and the whole idea of using the Ave Maria thing is a way of saying she's on a pedestal, she's almost holy. It's not a religious thing at all, I don't believe in religion really." (from the official Blondie website - thanks, Simon - welling, England)
  • This was Blondie's comeback song - their lead singer Debbie Harry was 53 when it was released. The band re-formed in 1998 for a tour and album after breaking up in 1982. The new version of the band was made up of original members Chris Stein (guitar) and Deborah Harry (vocals) as well as former members Jimmy Destri (keyboards) and Clem Burke (drums) along with two new members. The band was gone for about a generation, which meant there were a lot of new fans who were just discovering Blonde and hearing their earlier hits for the first time.
  • When this hit #1 in the UK, Blondie became the first act to have #1s in the UK in the '70s, '80s and '90s.
  • This may seem like a great Karaoke choice, but it's more challenging to sing than many people think. Says Debbie Harry, "It has undone many a Karaoke singer. And me."

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