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Fall Out Boy - Irresistible

Fall Out Boy - Irresistible Lyrics and Youtube Music Videos

Album: American Beauty/American Psycho
Released: 2015

Irresistible Lyrics

Count me in unannounced, drag my nails on the tile
I just follow your scent
You can't just follow my smile
All of your flaws are aligned with this mood of mine
Cutting me to the bone
Nothing left to leave behind
You ought to keep me concealed just like I was a weapon
I didn't come for a fight but I will fight till the end
This might be your battle, might not turn out okay
You know you look so Seattle, but you feel so LA

Eh eh eh eh eh
Eh eh eh eh eh
Eh eh eh eh eh
Eh eh eh eh eh

And I love the way you hurt me
It's Irresistible, oh oh oh oh oh oh yeah
Oh oh oh oh oh oh yeah
I love the way
I love the way
I love the way you hurt me baby
I love the way
I love the way
I love the way you hurt me baby

I'm gonna get you to burst just like you were a bubble
Frame me up on your walls, to keep me out of trouble
Like a moth getting trapped in the light by fixation
Truly free, love it baby, I'm talking no inflation

Too many war wounds and not enough wars
Too few rounds in the ring and not enough settled scores
Too many sharks and not enough blood in the waves
You know I give my lover a four letter name

Eh eh eh eh eh
Eh eh eh eh eh
Eh eh eh eh eh
Eh eh eh eh eh

And I love the way you hurt me
It's irresistible, oh oh oh oh oh oh yeah
Oh oh oh oh oh oh yeah
I love the way
I love the way
I love the way you hurt me baby
I love the way
I love the way
I love the way you hurt me baby

You're second hand smoke
You're second hand smoke
I breath you in, but honey I don't know
What you're doing to me
Mon Cheri, but the truth catches up with us eventually
Tryna say live, live and let live
I'm no good good, admit to this

Second is yours, mi amour
I'm coming for you, and I'm making war

I still love the way you hurt me,
It's irresistible, oh oh oh oh oh oh yeah
Oh oh oh oh oh oh yeah
I love the way
I love the way
I love the way you hurt me baby
I love the way
I love the way
I love the way you hurt me baby

Writer/s: WENTZ, PETER / STUMP, PATRICK / TROHMAN, JOSEPH / HURLEY, ANDREW
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Irresistible Song Chart

This sadistic song is about an abusive relationship which the victim finds "irresistible." Bassist Pete Wentz said it reminds him of a scene involving Sex Pistols bassist Sid Vicious and his girlfriend Nancy Spungen in the 1986 biopic Sid & Nancy. "When I think of 'Irresistible' it brings this image to my head, whether it's fictional or real, of Sid and Nancy in an alley garbage raining down on them in an eternal spiral of romance and poison," he explained. "Sometimes it hard not to love what can hurt us the most."

Pete Wentz told Kerrang!: "I'm particularly attracted to people that probably have the ability to hurt me, but hopefully they don't."

Initially released as a promotional single for American Beauty/American Psycho in early 2015, the song was re-released in a remixed version later in the year with additional vocals by Demi Lovato.

The original video, posted in February 2015, shows the band playing a hapless gave of basketball. In January 2016, Fall Out Boy released a new music video for their remix of "Irresistible" featuring Demi Lovato. The clip is a homage to the Toy Story narrative of the *NSYNC clip for "It's Gonna Be Me." In this instance, Fall Out Boy and *NSYNC both exist in the same store as figurine, but the Fall Out Boy dolls are unwanted.

The video is directed by Wayne Isham, the guy who helmed the "It's Gonna Be Me" visual. It features cameos by the boyband's Chris Kirkpatrick (as an assembly line worker) and Joey Fatone (as an employee in the toy store). Lance Bass also tweeted his approval.

The band wrote in a post: "I was looking back at the video for 'It's Gonna Be Me' - where they come to life as dolls - and we thought was there an analog to this story. Like somewhere in that same store was there a dollar bin full of toy that no one really wanted that would band together like the misfit, offbrand little outsiders they were.

The toys no one ever wanted come to life. Where would our band have fit in that story? We called up Wayne Isham, the director who did the original video (as well as some of our other favorite Mötley Crüe and Metlallica videos), and pitched ideas back and forth.

Before long we came with the treatment- and were lucky enough to get a few cameos from the original source; as well as our partner in crime on the song Demi Lovato."

The Rolling Stones - Brown Sugar

The Rolling Stones - Brown Sugar Lyrics and Youtube Music Videos

Album: Sticky Fingers
Released: 1971

Brown Sugar Lyrics

Gold Coast slave ship bound for cotton fields
Sold in the market down in New Orleans
Scarred old slaver knows he's doin' all right
Hear him whip the women just around midnight

Brown Sugar, how come you taste so good
Brown Sugar, just like a young girl should

Drums beatin' cold, English blood runs hot
Lady of the house wonderin' when it's gonna stop
House boy knows that he's doin' all right
You should have heard him just around midnight

Brown Sugar, how come you taste so good
Brown Sugar, just like a young girl should

Brown Sugar, how come you dance so good
Brown Sugar, just like a black girl should

I bet your mama was a Cajun Queen,
And all her boyfriends were sweet sixteen
I'm no school boy but I know what I like
You should have heard them just around midnight

Brown Sugar, how come you taste so good
Brown Sugar, just like a black girl should

I said, yeah, yeah, yeah, wooo
How come you, how come you dance so good
Yeah, yeah, yeah, wooo
Just like a, just like a black girl should
Yeah, yeah, yeah, wooo

Writer/s: RICHARDS, KEITH / JAGGER, MICK
Publisher: Abkco Music, Inc.
Lyrics licensed and provided by LyricFind

Brown Sugar Song Chart

The lyric is about slaves from Africa who were sold in New Orleans and raped by their white masters. The subject matter is quite serious, but the way the song is structured, it comes off as a fun rocker about a white guy having sex with a black girl. (thanks, Phil - Palo Alto, CA)

Mick Jagger wrote the lyric. According to Bill Wyman, it was partially inspired by a black backup singer named Claudia Lennear, who was one of Ike Turner's backup singers (Ikettes). Jagger and her met when The Stones toured with Turner in 1969. David Bowie also wrote his Aladdin Sane track "Lady Grinning Soul" about her.

American-born singer Marsha Hunt is also sometimes cited as the inspiration for the song. She and Jagger met when she was a member of the cast in the London production of the musical Hair, and their relationship, a closely guarded secret until 1972, resulted in a daughter, Karis.

According to the book Up And Down With The Rolling Stones by Tony Sanchez, all the slavery and whipping is a double meaning for the perils of being "mastered" by Brown Heroin, or "Brown Sugar." (thanks, Kyle - Wichita, KS)

The Rolling Stones recorded this in the musically rich but luxury deprived city of Sheffield, Alabama, where Jerry Wexler of the group's label, Atlantic Records, often sent his acts. The Stones arrived in Sheffield on December 2, 1969, stayed until the 4th, then performed their fateful Altamont Speedway concert on December 6, where they performed this song live for the first time. At the show, a fan was stabbed to death by a Hell's Angels security guard.

During their three days in Alabama, The Stones recorded at Muscle Shoals Sound Studios, which opened in May 1969 when four of the musicians from FAME Studios left to establish their own company. "Wild Horses" and "You Gotta Move" also came out of these sessions, making it a very productive stop. The engineer at the Muscle Shoals sessions was Jimmy Johnson, the producer/guitarist who was one of the studio's founders. The Rolling Stones engineer Glyn Johns added overdubs in England (including horns), but he left Johnson's mix intact. Johnson says that Johns called him from England to compliment him on the mix.

Even though this was recorded in December 1969, The Stones did not release it until April 1971 because of a legal dispute with their former manager, Allen Klein, over royalties. Recording technology had advanced by then, but they didn't re-record it because the original version was such a powerful take.

Mick Jagger started writing this while he was filming the movie Ned Kelly in the Australian outback. He's been in a few movies, including Performance, Freejack and The Man From Elysian Fields. Jagger recalled to Uncut in 2015: "I wrote it in the middle of a field, playing an electric guitar through headphones, which was a new thing then."

In Keith Richards' 2010 autobiography Life, it floats a theory as to what the lyrics "Scarred old slaver know he doin' alright" are all about. Some poor guy at their publishing company probably came up with that transcription for the lyrics, but Jagger was most likely singing, "Skydog Slaver," as "Skydog" was a nickname for Muscle Shoals regular Duane Allman, since he was high all the time. (thanks, Bertrand - Paris, France)

A year after this was first recorded, The Stones cut another version at Olympic Studios in London with Eric Clapton on guitar and Al Kooper on keyboards. It was considered for release as the single, but was shelved until 2015 when it appeared the a Sticky Fingers reissue.

Originally, Mick Jagger wrote this as "Black Pussy." He decided that was a little too direct and changed it to "Brown Sugar."

This was the first song released on Rolling Stones Records, The Stones subsidiary label of Atlantic Records. They used the now-famous tongue for their logo.

The album cover was designed by Andy Warhol. It was a close-up photo of a man wearing tight jeans, and contained a real zipper. This caused considerable problems in shipping, but was the kind of added value that made the album much more desirable (you don't get this kind of stuff with CDs or downloads).

Sticky Fingers also marked the first appearance of the famous tongue and lips logo, which was printed on the inner sleeve. The logo was designed by John Pasche, who was fresh out of art school (the Royal College of Art in London).

This was used in commercials for Kahlua and Pepsi. The Stones have made big bucks licensing their songs for ads. (thanks, Whitney - Houston, TX)

The fortunate souls who got to see The Rolling Stones on their nine-date UK tour in 1971 got a preview of this song, since it was included on the setlist even though Sticky Fingers wouldn't be released for another month.

This was one of four songs The Stones had to agree not to play when they were allowed to perform in China. After getting approval to play in China for the first time in 2003, they canceled because of SARS, a respiratory illness that was going around the country.

Jimmy Johnson, who was a guitar player for the Muscle Shoals Rhythm Section (also known as "The Swampers"), engineered the sessions that produced this song as well as "Wild Horses" and "You Gotta Move." Johnson worked with many artists, including Aretha Franklin, Bobby Womack, Lynyrd Skynyrd and Johnnie Taylor. (thanks, Bertrand - Paris, France)

This has been covered by Mos Def and ZZ Top. Bob Dylan often performed it on his 2002 US tour. (thanks, Brett - Edmonton, Canada)

In 327BC Alexander the Great came across the cultivation of sugar cane in India. From this reed, a dark brown sugar was extracted from the cane by chewing and sucking. Some of this "sweet reed" was sent back to Athens. This was the first time a European had come across sugar. (From the book Food for Thought: Extraordinary Little Chronicles of the World by Ed Pearce)

The bootleg version which has Eric Clapton playing lead slide guitar was recorded at a birthday party for Keith Richards. It is widely considered to have been part of an informal audition by Clapton to become The Stones second guitarist. The bootleg version shows why Clapton likely did not get offered the job, or withdrew himself from consideration: While Clapton plays a million notes a minute, his lead has almost no interaction with the rest of the band. It is like a studio musician simply playing along with a CD that has already been recorded.

In many interviews, Richards has spoken admiringly of his good friend Clapton's musicianship, but has always commented that the two-guitar sound he and Ron Wood have developed is not Eric's cup of tea. (thanks, David - Orlando, FL)

This features Bobby Keys on saxophone. A favorite of The Rolling Stones, having guested notably on Sticky Fingers and Exile on Main Street, he was also heard on John Lennon and Elton John's hit "Whatever Gets You Thru the Night" and on classic albums like George Harrison's All Things Must Pass and Marvin Gaye's Let's Get It On.

Francesca Battistelli - He Knows My Name

Francesca Battistelli - He Knows My Name Lyrics and Youtube Music Videos

Album: If We're Honest
Released: 2014

He Knows My Name Lyrics

Spent today in a conversation
In the mirror face to face with
Somebody less than perfect
I wouldn't choose me first if
I was looking for a champion
In fact I'd understand if
You picked everyone before me
But that's just not my story
True to who You are
You saw my heart
And made
Something out of nothing

I don't need my name in lights
I'm famous in my Father's eyes
Make no mistake
He Knows My Name
I'm not living for applause
I'm already so adored
It's all His stage
He knows my name oh, oh,
He knows my name oh, oh

I'm not meant to just stay quiet
I'm meant to be a lion
I'll roar beyond a song
With every moment that I've got
True to who You are
You saw my heart
And made
Something out of nothing

I don't need my name in lights
I'm famous in my Father's eyes
Make no mistake
He knows my name
I'm not living for applause
I'm already so adored
It's all His stage
He knows my name oh, oh,
He knows my name oh, oh

He calls me chosen, free forgiven, wanted, child of the King,
His forever, held in treasure
I am loved

I don't need my name in lights
I'm famous in my Father's eyes

I don't need my name in lights
I'm famous in my Father's eyes
Make no mistake
He knows my name
I'm not living for applause
I'm already so adored
It's all His stage
He knows my name oh, oh,
He knows my name oh, oh

Writer/s: FIELDES, MIA / MOSLEY, SETH / BATTISTELLI, FRANCESCA
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., MUSIC SERVICES, INC.
Lyrics licensed and provided by LyricFind

He Knows My Name Song Chart

Francesca Battistelli sings here about how God knows her name: "You write the songs you need to hear.," she explained. "This was about being transparent and going deeper spiritually. To me, it's an anthem. How many of us feel defined by what people say about us? But God calls us by name. His words for us are: chosen, free, forgiven, beautiful, wanted, loved. THAT is the only voice we should be listening to."

This was Francesca Battistelli's third chart-topper on Billboard's Christian Airplay chart following 2009's "Free To Be Me" and 2014's "Write Your Story."

The 12-minute-long music video was directed by Joseph Snyder and produced by Ben Kasica, who is the former lead guitarist for Skillet. The clip tells the stories of four totally broken women, who went into the Mercy Ministry program and emerged whole and healthy, both spiritually and physically.

The Rolling Stones - Monkey Man

The Rolling Stones - Monkey Man Lyrics and Youtube Music Videos

Album: Let It Bleed
Released: 1969

Monkey Man Lyrics

I'm a fleabit peanut monkey
And all my friends are junkies
That's not really true

I'm a cold Italian pizza
I could use a lemon squeezer
What you do?

But I've been bit and I've been tossed around
By every she-rat in this town
Have you babe?

But I am just a Monkey Man
I'm glad you are a monkey woman too

I was bitten by a boar
I was gouged and I was gored
But I pulled on through

Yeah, I'm a sack of broken eggs
I always have an unmade bed
Don't you?

Well I hope we're not too messianic
Or a trifle too satanic
But we love to play the blues

But well I am just a monkey man
I'm glad you are a monkey woman too
Monkey woman too babe

I'm a monkey man
I'm a monkey man
I'm a monkey man
I'm a monkey man
I'm a monkey
I'm a monkey
I'm a monkey
I'm a monkey
Monkey, monkey
Monkey

Monkey
I'm a monkey

Writer/s: JAGGER, MICK / RICHARDS, KEITH
Publisher: Abkco Music, Inc.
Lyrics licensed and provided by LyricFind

Monkey Man Song Chart

The lyrics don't seem to make much sense, but they are probably about heroin or a bad acid trip.

Nicky Hopkins was featured on piano. He and Ian Stewart made significant contributions to The Stones on keyboards, but were never credited with being official members of the group. Hopkins and Stewart both toured with the band as well.

Most of the album was recorded after the death of Brian Jones and before his replacement by Mick Taylor. On this song, Keith Richards played electric and slide electric guitar. Bill Wyman played bass and also provided vibes. Producer Jimmy Miller assisted drummer Charlie Watts on tambourine. (thanks, Bertrand - Paris, France)

The Stones performed this on their 1994-1995 Voodoo Lounge tour.

This song was used in the 1990 movie Goodfellas in a scene where the gangsters are trafficking cocaine. The film was directed by Martin Scorsese, who directed the 2008 Rolling Stones documentary Shine a Light.

Marvin Gaye - Ain't That Peculiar

Marvin Gaye - Ain't That Peculiar Lyrics and Youtube Music Videos

Album: Moods of Marvin Gaye
Released: 1965

Ain't That Peculiar Lyrics

Honey, you do me wrong but still I'm crazy about you
Stay away too long and I can't do without you
Every chance you get you seem to hurt me more and more
But each hurt makes my love stronger than before
I know flowers go through rain
But how can love go through pain?

Ain't That Peculiar?
A peculiar-arity
Ain't that peculiar, baby?
Peculiar as can be

Oh, you tell me lies that should be obvious to me
But I'm so much in love with you, baby, 'till I don't want to see
That things you do and say are designed to make me blue
It's a doggone shame my love for you makes all your lies seem true
But if the truth makes love last longer
Why do lies make my love stronger? (stronger, stronger, stronger)

Ain't that peculiar?
Peculiar as can be
Ain't that peculiar?
A peculiar-arity, hey, hey

Ah-ah-ah, ah-ah-ah, hey, hey (hey, hey)
Ah-ah-ah, ah-ah-ah, hey, hey (hey, hey)
Ah-ah-ah, ah-ah-ah, ah-ah-ah, ah-ah-ah

I cried so much just like a child that's lost its home
Maybe, baby, you think these tears I cry are tears of joy
A child can cry so much until you do everything they say
But unlike a child my tears don't help me to get my way
I know love can last through years
But how can love last through tears? (tears, tears, tears)

Now ain't that peculiar baby?
Peculiar-arity
Ain't it peculiar, honey?
Peculiar as can be

Said I don't understand it baby
It's so strange sometimes
Ain't it peculiar, darling?

Writer/s: Moore, Warren / Rogers, Robert / Tarplin, Marvin / Robinson Jr., William
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Ain't That Peculiar Song Chart

This song about the torment of a painful relationship was penned by Smokey Robinson in London with Miracles guitarist Marv Tarplin. The pair were on an European tour at the time with the Motortown Revue, a cavalcade of Motown stars. Smokey recalled to Mojo: "We were on tour and he came to me because he had that guitar riff, which I thought was awesome. And we wrote the song right there. It was specifically for him (Gaye). We wanted to get something to follow up 'I'll Be Doggone.'"

British New Romantic group, Japan, covered this on their 1980 album Gentlemen Take Polaroids.

The Rolling Stones - Midnight Rambler

The Rolling Stones - Midnight Rambler Lyrics and Youtube Music Videos

Album: Let It Bleed
Released: 1969

Midnight Rambler Lyrics

Did you hear about the Midnight Rambler
Everybody got to go
Did you hear about the midnight rambler
The one that shut the kitchen door
He don't give a hoot of warning
Wrapped up in a black cat cloak
He don't go in the light of the morning
He split the time the cock'rel crows

Talkin' about the midnight gambler
The one you never seen before
Talkin' about the midnight gambler
Did you see him jump the garden wall
Sighin' down the wind so sadly
Listen and you'll hear him moan
Talkin' about the midnight gambler
Everybody got to go
Yeah

Did you hear about the midnight rambler
Well, honey, it's no rock 'n' roll show
Well, I'm talkin' about the midnight gambler
Yeah, the one you never seen before

(Don't you do that)

Well you heard about the Boston,
It's not one of those
Well, talkin' 'bout the midnight, sh,
The one that closed the bedroom door
I'm called the hit-and-run raper in anger
The knife-sharpened tippie-toe...
Or just the shoot 'em dead, brainbell jangler
You know, the one you never seen before

So if you ever meet the midnight rambler
Coming down your marble hall
Well he's pouncing like a proud black panther
Well, you can say I, I told you so
Well, don't you listen for the midnight rambler
Play it easy, as you go
I'm gonna smash down all your plate glass windows
Put a fist, put a fist through your steel-plated door

Did you hear about the midnight rambler
He'll leave his footprints up and down your hall
And did you hear about the midnight gambler
And did you see me make my midnight call

And if you ever catch the midnight rambler
I'll steal your mistress from under your nose
I'll go easy with your cold fanged anger
I'll stick my knife right down your throat, baby and it hurts!

Writer/s: JAGGER, MICK / RICHARDS, KEITH
Publisher: Abkco Music, Inc.
Lyrics licensed and provided by LyricFind

Midnight Rambler Song Chart

In this song, Mick Jagger takes on the persona of killer who is stalking his victim. This character calls himself the "midnight rambler" and he seems to relish his notoriety - much like many real-life serial killers.

A likely inspiration for the lyric is the case of the Boston Strangler. Thirteen women were found dead (many had been sexually assaulted) in and around Boston from 1962-1964. Most of the victims had been strangled and were found with their nylon stockings tied in a bow around their necks.

In 1965, Albert DeSalvo, who was serving time in a mental institution on rape charges, confessed to the murders and was later sentenced to life in prison. There was no clear physical evidence that DeSalvo committed the crimes, however, and his confession has been questioned, with some forensic experts stating that there may have been multiple killers. DeSalvo died in prison in 1973; new evidence has come up in the case from time to time.

As for the song, while the lyrics do not directly relate to the case, Jagger implies it when he sings, "Well you heard about the Boston..." before an instrumental stab cuts him off.

The Stones played this in 1969 and throughout the '70s at their concerts, and when they did, it was a showstopper. Mick Jagger created a morbid atmosphere as he took the role of the killer, spastically whipping the floor toward the end of the song as the audience would scream along.

These performances were enhanced by a custom light rig that their lighting director, Chip Monck, created for the band's 1969 US tour. This was the first lighting system to travel with a rock band, and The Stones used it to great effect on this song. At the climax, the lights would shine red on Jagger in a very theatrical moment.

Mick Jagger: "That's a song Keith and I really wrote together. We were on a holiday in Italy. In this very beautiful hill town, Positano, for a few nights. Why we should write such a dark song in this beautiful, sunny place, I really don't know. We wrote everything there - the tempo changes, everything. And I'm playing the harmonica in these little cafés, and there's Keith with the guitar." (thanks, Bertrand - Paris, France)

Brian Jones is credited on percussion. Even though he died before this album was released, a few of the songs were recorded during the Beggar's Banquet sessions in 1968. "Midnight Rambler" was one of them. (thanks, Joel - Chicago, IL)

Mick Taylor added an extra guitar to the live performances of this. The live version can be heard on Get Yer Ya-Yas Out.

When Mick Jagger performed this in character on stage, it was good preparation for his acting career. In 1970, he appeared in two films: Ned Kelly and Performance. He would later appear in Freejack (1992) and The Man from Elysian Fields (2001).

Keith Richards: "When we did Midnight Rambler, nobody went in there with the idea of doing a blues opera, basically. Or a blues in four parts. That's just the way it turned out. I think that's the strength of the Stones or any good band. You can give them a song half raw and they'll cook it."

The Rolling Stones - Live With Me

The Rolling Stones - Live With Me Lyrics and Youtube Music Videos

Album: Let It Bleed
Released: 1969

Live With Me Lyrics

I got nasty habits, I take tea at three
Yes, and the meat I eat for dinner
Must be hung up for a week
My best friend, he shoots water rats
And feeds them to his geese
Don'cha think there's a place for you
In between the sheets?

Come on now, honey
We can build a home for three
Come on now, honey
Don't you want to Live With Me?

And there's a score of harebrained children
They're all locked in the nursery
They got earphone heads they got dirty necks
They're so 20th century
Well they queue up for the bathroom
'Round about 7:35
Don'cha think we need a woman's touch to make it come alive?

You'd look good pram pushing down the high street
Come on now, honey
Don't you want to live with me?

Whoa, the servants they're so helpful, dear
The cook she is a whore
Yes, the butler has a place for her
Behind the pantry door
The maid, she's French, she's got no sense
She's wild for Crazy Horse
And when she strips, the chauffeur flips
The footman's eyes get crossed

Don'cha think there's a place for us
Right across the street
Don'cha think there's a place for you,
In between the sheets?

Writer/s: RICHARDS, KEITH / JAGGER, MICK
Publisher: Abkco Music, Inc.
Lyrics licensed and provided by LyricFind

Live With Me Song Chart

Along with "Country Honk," this was one of two songs new guitarist Mick Taylor played on Let It Bleed. He and Keith Richards produced a distinctive 2 lead guitar sound.

This marked the first appearance of Bobby Keys, who played sax on this and many other Stones songs. He had toured in the past with Buddy Holly and Bobby Vee, and went on the road with The Stones from 1969-1974. Keith Richards and Bobby Keys were born on the same day: December 18, 1943. (thanks, Whitney - Houston, TX)

This song was a harbinger of what was to come for The Stones. The guitar and sax style would appear on their next few albums.

Leon Russell and Nicky Hopkins both played piano on this track. Russell also helped arrange the sax section.

The racy lyrics were a reason the London Bach Choir, who sang on "You Can't Always Get What You Want," asked that they not be associated with the album.

The album cover for Let It Bleed featured a cake, and was designed by a famous UK TV cook named Delia Smith. She said in Bill Wyman's book Rolling With The Stones: "I was working then as a jobbing home economist with a food photographer who shot for commercials and magazines. I'd cook anything they needed. One day they said they wanted a cake for a Rolling Stones record cover, it was just another job at the time. They wanted it to be very over-the-top and as gaudy as I could make it."

This was the first song lead guitarist Mick Taylor worked on with the Stones. He said in 2000: "'Live with Me,' very appropriately named because once I joined The Stones, it was like living with a family for the next five or six years. It was an interesting session, actually, because they were putting the finishing touches on Let It Bleed and the first track I played on was 'Live with Me.' We did that live, and the second thing I did was I overdubbed my guitar part on 'Honky Tonk Women.'"

Bobby Keys: "Both the horns AND Mick Taylor made their debut on the same album on the same track. At the time a lot of people overlooked the fact that it wasn't just Mick (Taylor) joining the band, that was the whole period where the horns joined too. And they all left at the same time." (thanks, Bertrand - Paris, France, for above 3)

Simon & Garfunkel - Old Friends

Simon & Garfunkel - Old Friends Lyrics and Youtube Music Videos

Album: Bookends
Released: 1968

Old Friends Lyrics

Old Friends, old friends,
Sat on their parkbench like bookends
A newspaper blown through the grass
Falls on the round toes
of the high shoes of the old friends

Old friends, winter companions, the old men
Lost in their overcoats, waiting for the sun
The sounds of the city sifting through trees
Settles like dust on the shoulders of the old friends

Can you imagine us years from today,
Sharing a parkbench quietly
How terribly strange to be seventy

Old friends, memory brushes the same years,
Silently sharing the same fears

Writer/s: SIMON, PAUL
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Old Friends Song Chart

Art Garfunkel sings here of two elderly men "sat on their parkbench like bookends." The pair reminisce on the years of their youth and the changes as they got older. Reflecting on the track in 2014, Garfunkel told The Mail on Sunday's Event magazine: "It's amazing that a 24-year-old Paul Simon could write with such wisdom about an older person's perspective: 'Preserve your memories… how terribly strange to be 70.' Now that I'm 73, I just think life is strange, period! A fabulous mystery."

The Rolling Stones - Love In Vain

The Rolling Stones - Love In Vain Lyrics and Youtube Music Videos

Album: Let It Bleed
Released: 1969

Love In Vain Lyrics

Well I followed her, to the station
With a suitcase in my hand
Yeah, I followed her to the station
With a suitcase in my hand

Whoa, it's hard to tell, it's hard to tell
When all your love's in vain

When the train, come in the station
I looked her in the eye
Well the train come in the station
And I looked her in the eye

Whoa, I felt so sad so lonesome
That I could not help but cry

When the train left the station
It had two lights on behind
Yeah, when the train left the station
It had two lights on behind

Whoa, the blue light was my baby
And the red light was my mind

All my love was in vain

All my love's in vain

Writer/s: ROBERT JOHNSON
Publisher: THE BICYCLE MUSIC COMPANY
Lyrics licensed and provided by LyricFind

Love In Vain Song Chart

This is a reworked version Robert Johnson's Blues classic. Prolific in the 1930s, Johnson was one of Keith Richard's inspirations.

The Stones recorded this with more of a Country feel than the original Blues version, which was more dreary and depressing.

Keith Richards: "For a time we thought the songs that were on that first album were the only recordings Robert Johnson had made, and then suddenly around '67 or '68 up comes this second bootleg collection that included Love in Vain. Love in Vain was such a beautiful song. Mick and I both loved it, and at the time I was working and playing around with Gram Parsons, and I started searching around for a different way to present it, because if we were going to record it there was no point in trying to copy the Robert Johnson style or ways and styles. We took it a little bit more country, a little bit more formalized, and Mick felt comfortable with that."

Mick Jagger: "We changed the arrangement quite a lot from Robert Johnson's. We put in extra chords that aren't there on the Robert Johnson version. Made it more country. And that's another strange song, because it's very poignant. Robert Johnson was a wonderful lyric writer, and his songs are quite often about love, but they're desolate." (thanks, Bertrand - Paris, France, for above 2)

With Brian Jones unavailable due to drug problems, Ry Cooder was brought in to play mandolin.

The Stones' record label at the time, ABKCO Music, lost the rights to this in 2000 when a court ruled that this, along with "Stop Breakin' Down," were the property of Robert Johnson's estate. The Stones thought the copyright on the song had expired.

Eric Clapton recorded this for his 2004 album Me and Mr. Johnson. Clapton is a big fan of Robert Johnson. (thanks, Bertrand - Paris, France)

The Stones performed this song at the 2007 Isle of Wight festival with Paolo Nutini, who was just 20 years old at the time and enjoying breakthrough success from his debut album These Streets. The band rehearsed it with Nutini in a Travelodge hotel room before the show, leaving quite an impression on the young Scottish singer.

Ariana Grande - One Last Time

Ariana Grande - One Last Time Lyrics and Youtube Music Videos

Album: My Everything
Released: 2014

One Last Time Lyrics

I was a liar
I gave into the fire
I know I should've fought it
At least I'm being honest
Feel like a failure
'Cause I know that I failed you
I should've done you better
'Cause you don't want a liar (come on)

And I know, and I know, and I know
She gives you everything but boy I couldn't give it to you
And I know, and I know, and I know
That you got everything
But I got nothing here without you

So One Last Time
I need to be the one who takes you home
One more time
I promise after that, I'll let you go
Baby I don't care if you got her in your heart
All I really care is you wake up in my arms
One last time
I need to be the one who takes you home

I don't deserve it
I know I don't deserve it
But stay with me a minute
I'll swear I'll make it worth it
Can't you forgive me
At least just temporarily
I know that this is my fault
I should have been more careful (come on)

And I know, and I know, and I know
She gives you everything but boy I couldn't give it to you
And I know, and I know, and I know
That you got everything
But I got nothing here without you baby

So one last time
I need to be the one who takes you home
One more time
I promise after that, I'll let you go
Baby I don't care if you got her in your heart
All I really care is you wake up in my arms
One last time
I need to be the one who takes you home

I know I shouldn't fight it
At least I'm being honest
Just stay with me a minute
I swear I'll make it worth it
'Cause I don't want to be without you

So one last time
I need to be the one who takes you home
One more time
I promise after that, I'll let you go
Baby I don't care if you got her in your heart
All I really care is you wake up in my arms
One last time
I need to be the one who takes you home

One last time
I need to be the one who takes you home

Writer/s: GUETTA, DAVID / TUINFORT, GIORGIO / FALK, CARL / YACOUB, RAMI / KOTECHA, SAVAN
Publisher: Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC, SHAPIRO BERNSTEIN & CO. INC., OLE MM
Lyrics licensed and provided by LyricFind

One Last Time Song Chart

This song finds Ariana racked with guilt as she admits to her ex-boyfriend that she's been unfaithful. She requests "one last time" with him as a final goodbye.

The song was written by the songwriting team of Savan Kotecha, Rami Yacoub and Carl Falk, who penned most of One Direction's early singles, French dance music hitmaker David Guetta and Dutch producer Giorgio Tuinfort, who has worked with Michael Jackson, Gwen Stefani, Whitney Houston and Lionel Richie.

Directed by Max Landis who is known for his 2013 film Chronicle, the video follows Grande making her way through panic-stricken street crowds with Earth on the brink of destruction from the fictional comet Eurydice. The singer's bespectacled beau is played by her former Victorious co-star, Matt Bennett.

The Australian band Safia accused the video's concept and some of its ideas as being similar to their own apocalyptic clip for "You Are the One." Safia described the likenesses as an instance of when "big labels and/or big film firms steal ideas from small independent creatives who are trying really hard to make something different for a change." Landis acknowledged similarities between the two visuals, but denied that his ideas had been stolen.

Here is the video for Safia's "You Are the One." Do you think the similarities are just coincidental?

The Rolling Stones - Honky Tonk Women

The Rolling Stones - Honky Tonk Women Lyrics and Youtube Music Videos

Album: Through The Past Darkly
Released: 1969

Honky Tonk Women Lyrics

I met a gin-soaked, bar-room queen in Memphis
She tried to take me upstairs for a ride
She had to heave me right across shoulder
Cause I just can't seem to drink you off my mind

It's the Honky Tonk Women
Gimme, gimme, gimme the honky tonk blues

I laid a divorcée in New York City
I had to put up some kind of a fight
The lady then she covered me with roses
She blew my nose and then she blew my mind

It's the honky tonk women
Gimme, gimme, gimme the honky tonk blues
It's the honky tonk women
Gimme, gimme
Alright!

It's the honky tonk women
Gimme, gimme, gimme the honky tonk blues
Yeah, it's the honky tonk women
Gimme, gimme

Writer/s: RICHARDS, KEITH / JAGGER, MICK
Publisher: Abkco Music, Inc.
Lyrics licensed and provided by LyricFind

Honky Tonk Women Song Chart

This song is about a prostitute - Mick Jagger would sometimes introduce it as being "a song for all the whores in the audience."

Like many Rolling Stones songs, it has highly suggestive lyrics, but they are just subtle enough to keep it from getting banned by radio stations. British rock bands often wrote lyrics that were ambiguously offensive, falling just in line with BBC guidelines for airplay. A good example in this song is "She blew my nose and then she blew my mind," which implies both cocaine and sex, but didn't give the BBC any specific reason to ban it.

The Stones started recording this as a Country song based on Hank Williams' "Honky Tonk Blues." They made it into a rocker for release as a single and released the country version, "Country Honk," a few months later on Let It Bleed.

Keith Richards: "'Honky Tonk Women' started in Brazil. Mick and I, Marianne Faithfull and Anita Pallenberg who was pregnant with my son at the time. Which didn't stop us going off to the Mato Grasso and living on this ranch. It's all cowboys. It's all horses and spurs. And Mick and I were sitting on the porch of this ranch house and I started to play, basically fooling around with an old Hank Williams idea. 'Cause we really thought we were like real cowboys. Honky tonk women. And we were sitting in the middle of nowhere with all these horses, in a place where if you flush the john all these black frogs would fly out. It was great. The chicks loved it. Anyway, it started out a real country honk put on, a hokey thing. And then couple of months later we were writing songs and recording. And somehow by some metamorphosis it suddenly went into this little swampy, black thing, a Blues thing. Really, I can't give you a credible reason of how it turned around from that to that. Except there's not really a lot of difference between white Country music and black Country music. It's just a matter of nuance and style. I think it has to do with the fact that we were playing a lot around with open tunings at the time. So we were trying songs out just to see if they could be played in open tuning. And that one just sunk in." (thanks, Bertrand - Paris, France)

Lead guitarist Brian Jones was a founding member of the group and was considered their leader in their early years. Unfortunately, drug abuse made him pretty much worthless, and when The Stones finished recording this on June 8, 1969, they drove to his house and fired him. This was released July 3, 1969, the same day Jones was found dead in his swimming pool.

Mick Taylor had taken over for Brian Jones on lead guitar, and this was his first appearance on a Stones recording. Taylor claims he came up with the famous guitar riff, even though Richards plays it.

The distinctive cowbell used to open the song was played by producer Jimmy Miller. He set the tempo for the song by venturing into the studio and hitting the two small cowbells his had set up on a prong.

Reparata & The Delrons, an early '60s girl group, sang the backup vocals. (thanks, Bertrand - Paris, France)

There is no bass on the verses.

The single was given away to all the fans who helped clean up after The Stones free concert in Hyde Park on July 5, 1969. This was the first concert Mick Taylor played with the band. A life-size cutout of Brian Jones, who died 3 days earlier, was kept on stage and the show was dedicated to him.

The Stones played this at most of their live shows, usually with great theatrics. The Steel Wheels tour in 1989 featured giant inflatable women during the performance.

This was banned in China. When the group made arrangements to play there for the first time in 2003, they had to agree not to play this, "Brown Sugar," "Let's Spent The Night Together," and "Beast Of Burden." They ended up not playing because of a respiratory disease that was going around China.

Chrissie Hynde, the lead singer of The Pretenders, joined The Rolling Stones on stage in Leipzig on June 20, 2003 and sang this as a duet with Jagger. (thanks, Bertrand - Paris, France)

"Honky Tonk Women" was used as the title for a session of the amime series Cowboy Bebop. Along with other classic rock songs, this was used to introduce the "Femme Fatale" character. (thanks, Nathan - Dillsburg, PA)

Calvin Harris - Pray To God

Calvin Harris - Pray To God Lyrics and Youtube Music Videos

Album: Motion
Released: 2014

Pray To God Lyrics

Ooh, I remember when this road was my own
I Pray To God, I just don't know anymore
I pray to God, I just don't know anymore
And ooh, I lost the feeling but I'm tryin'a hold on
I thought the end of love is what made you strong
I pray to God, I just don't know anymore!

When there's no getting through, I won't hold back
I will throw down everything in life, I know now
I've been laying on the floor, sweeping on the ground
I would give up everything in life, I'd know how!

'Cause I can't stop wondering
If I was too late to see the signs
If I could go back with hands up, I'd look up to the sky
I'd give it, I'd give it, I'd give it
I'd give it to you,
Give it to you!

Ooh, when the moon was shining bright before mornin'
I made a deal with the stars to keep holdin'
Shining bright to come and bring me back home
The lights in my eyes, they disappeared,
Visions in my mind about to keep me from fear
I won't let it hold me down, the other way around
I don't want the words 'til I can't make a sound

'Cause I can't stop wondering
If I was too late to see the signs
If I could go back with hands up, I'd look up into the sky
I'd give it, I'd give it, I'd give it
I'd give it to you,
Give it to you!

Can't hold back, reaching out
I-I-I was living in the heat of the moment
Between us, I told you that
I-I-I was living in the heat of the moment
I'd give it, I-I-I was living in the heat of the moment
I'd give it, I-I-I was living in the heat of the moment
I'd give it, I-I-I was living in the heat of the moment
I'd give it to you, give it to you!

I'd give it, I'd give it, I'd give it
I'd give it to you,
Give it to you!

I'd give it, I'd give it, I'd give it
I'd give it to you,
Give it to you!

Writer/s: HARRIS, CALVIN / RECHTSHAID, ARIEL / HAIM, ESTE / HAIM, DANIELLE / HAIM, ALANA
Publisher: Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Lyrics licensed and provided by LyricFind

Pray To God Song Chart

This unlikely collaboration between British EDM producer Calvin Harris and Californian rock band Haim is about the end of a relationship:

I lost the feeling but I try to hold on
I thought the end of a love is what made you strong
I pray to God, I just don't know anymore

The Haim sisters are struggling to deal with the emotional pain arising from the break up.

Haim are managed by Roc Nation, the same label that Harris is signed to.

Calvin Harris told The Daily Star that it was Haim who initiated the collaboration. "They started the idea rather than me going to them with an instrumental," he said. "That was quite nice, working on an idea I was never going to have by myself from people who are awesome at writing music, that I can finish off and make it sound like I want it to sound."