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The Beatles - Old Brown Shoe

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The Beatles - Old Brown Shoe Lyrics and Youtube Music Videos

Album: Past Masters, Vol. 2
Released: 1969

Old Brown Shoe Lyrics

Old Brown Shoe Song Chart

George Harrison wrote this song and also played guitar, organ and bass on the track; it was one of the few times he included a guitar solo for himself. Regarding the words, opposites were a common theme in Harrison's lyrics: right/wrong, short/tall. He explained: "I started the chord sequences on the piano, which I don't really play, and then began writing ideas for the words from various opposites... Again, it's the duality of things - yes no, up down, left right, right wrong, etcetera."

This was released as the B-side of "The Ballad of John and Yoko."

The album cover to the single echoes the album cover for Hey Jude in a clever way. On the single version for "The Ballad of John and Yoko," John and Yoko are seated on a pair of statues, while the rest of the group, looking rather forlorn, stand in the background. On the cover of Hey Jude, all four Beatles stand indoors in a classical setting flanked by statues - one of which off to the side wears Yoko's hat.

Even fans argue to this day whether that's George's or Paul's bass work. The various editing sessions in the studio muddy the waters quite a bit. To wit: During the Let It Be sessions, the group did two recordings, one with Harrison and piano accompaniment, and one with the whole group plus Billy Preston. They rehearsed the song eight more times for these sessions, and there's some bootlegs of these tapes out there. Then a complicated hail of edits on different tracks ensued when they actually went to record "Old Brown Shoe," with Harrison replacing two guitar tracks with his own and wiping Lennon's rhythm guitar in favor of a Hammond organ. Remember that this was towards the end of the Beatles' career, and there were growing creative fractures in the band. For the record, Harrison told a Creem interview that that's his bass.

Incubus - Absolution Calling

Incubus - Absolution Calling Lyrics and Youtube Music Videos

Album: Trust Fall (Side A)
Released: 2015

Absolution Calling Lyrics

It's like an intuition or a feeling in the air
An intangible impression that's always everywhere
You bit into the apple, laid down your sword an shield
(Untie, a little bit dies, a little each time, the medicine smile)
Then spun 'round like a gyre in the unified field!
(Inside, your elegant guide, an arrow in flight a million miles)

I remember feeling the opposite of falling
(Into that spot where we untie every knot)
Spinning past the ceiling, Absolution Calling
Are you there, or not?

It's an open invitation, come see the sights of sages
We've been a pride of lions so afraid to leave our cages
Don't fret over the pieces that smolder in the sun
(Untie! A little bit dies, a little each time, the medicine smile)
'Cause nothing can be broken when everything is one
(Inside, your elegant guide, an arrow in flight a million miles)

I remember feeling the opposite of falling
(Into that spot where we untie every knot)
Spinning past the ceiling, absolution calling
"Are you there, or not?"

I remember feeling the opposite of falling
(Into that spot where we untie every knot)
Spinning past the ceiling, absolution calling
"Are you there, or not?"

You bit into the apple, laid down your sword an shield
(Untie! A little bit dies, a little each time, the medicine smile)
Then spun 'round like a gyre in the unified field!
(Inside, your elegant guide, an arrow in flight a million miles)

Oh, I remember feeling the opposite of falling
(Into that spot where we untie every knot)
Spinning past the ceiling, absolution calling
"Are you there, or not?"

I remember feeling the opposite of falling
(Into that spot where we untie every knot)
Spinning past the ceiling, absolution calling
"Are you there?"

Writer/s: JOSE ANTH PASILLAS, CHRISTOPHER E KILMORE, BENJAMIN LEE KENNEY, MICHAEL AARON EINZIGER, BRANDON CHARLES BOYD
Publisher: EMI Music Publishing
Lyrics licensed and provided by LyricFind

Absolution Calling Song Chart

This song started with a bass riff laid down when vocalist Brandon Boyd was away in Bali and evolved from there. Guitarist Mike Einziger recalled on KROQ-FM's Kevin & Bean Show: "He (Boyd) had to leave on this trip so we were like, let's just try to make studio magic while he was gone so we started sending him idea. All four of us were in the studio jamming. That song just came out of us all in the studio improvising. It was like, 'Oh wait, what's that? Oh cool.' And it just evolved."

The Beatles - Get Back

The Beatles - Get Back Lyrics and Youtube Music Videos

Album: Let It Be
Released: 1969

Get Back Lyrics

Jojo was a man who thought he was a loner
But he knew it wouldn't last
Jojo left his home in Tucson, Arizona
For some California grass

Get Back, get back
Get back to where you once belonged
Get back, get back
Get back to where you once belonged
Get back Jojo. Go home
Get back, get back
Back to where you once belonged
Get back, get back
Back to where you once belonged
Get back Jo

Sweet Loretta Martin thought she was a woman
But she was another man
All the girls around her say she's got it coming
But she gets it while she can

Get back, get back
Get back to where you once belonged
Get back, get back
Get back to where you once belonged
Get back Loretta. Go home
Get back, get back
Get back to where you once belonged
Get back, get back
Get back to where you once belonged

Writer/s: Lennon, John / Mccartney, Paul James
Publisher: EMI Music Publishing
Lyrics licensed and provided by LyricFind

Get Back Song Chart

Early versions include the line "I dig no Pakistanis." The song began as a commentary about immigration, telling people to "Get Back" to their own countries. It was meant to mock Britain's anti-immigrant proponents. Paul McCartney thought better of it and made the lyrics more obscure. (thanks, Brad Wind - Miami, FL)

A live version on the Apple rooftop ended the movie Let It Be. This is what The Beatles were playing on the Apple rooftop when the police shut them down. The album version is a studio take with the end of the rooftop concert spliced on, complete with comments to make it sound live.

"Get Back" was going to be the title of the album. The concept was The Beatles "getting back" to their roots and playing new songs for a live audience without any studio tricks. This song came closest to capturing that spirit, but the album became something completely different when they decided to scrap the idea of a live album. Glyn Johns, who engineered the sessions was asked to put the album together from what were really rehearsal tapes. After he put the album together, it sat around while the Let It Be Movie was being edited from the film footage of The Beatles rehearsing in the studio and playing on the rooftop. During this time, The Beatles made the Abbey Road album, released it, and broke up. John Lennon had Phil Spector produce his solo song "Instant Karma," which Harrison played on. They liked Spector's work and asked him to produce the Get Back album, which was re-titled Let It Be. Spector took the tapes and added orchestrations using his "Wall Of Sound" technique, and the album that was supposed to be the raw sound of The Beatles returning to their roots was released as a highly-produced final album after they had broken up.

In their early days, The Beatles played in clubs for hours most nights, but by 1967, they stopped touring. This single was advertised as "The Beatles as nature intended."

At the beginning of the album version, Lennon sang, "Sweet Loretta fat she thought she was a cleaner, but she was a frying pan." He was making fun of the first line in the song.

At the end of the album version, Paul says "thanks Mo" in response to Ringo's wife, Maureen, who was clapping.

The press release to promote the single contained this quote from McCartney: "We were sitting in the studio and we made it up out of thin air... we started to write words there and then... when we finished it, we recorded it at Apple Studios and made it into a song to roller coast by."

Lennon claimed this was basically a rewrite of their 1968 song "Lady Madonna."

The single version is longer than the album version. Usually it is the other way around.

Paul looked at Yoko in the studio when he sang the line "get back to where you once belong." John thought he was disrespecting her.

McCartney got the idea for this from the line, "Get back to where you should be," which came from a song Harrison wrote called "Sour Milk Sea," which was eventually recorded by Jackie Lomax. McCartney changed the line to, "Get back to where you once belonged." (thanks, Bertrand - Paris, France)

There was speculation that the character "JoJo" was based on Joseph Melville See Jr., Linda McCartney's first husband, who was from Tucson, Arizona. McCartney denied this, explaining in his 1988 autobiography Many Years From Now, that he and Linda were on good terms with See, who used the first name Melville, and that "JoJo" was "an imaginary character, half-man and half-woman." See never remarried, and in 2000 he killed himself in Tucson.

Billy Preston played piano and became the only guest artist to get a credit on a Beatles single when this was credited to "The Beatles with Billy Preston." After George Harrison left the sessions, he saw Preston in concert with Ray Charles. The Beatles met Preston in 1962 when they were both playing in Germany, but they hadn't seen each other since. Harrison asked Preston to come by the studio the next day, where he played on this and "Don't Let Me Down." Having him in the studio eased the tension and made it easier for The Beatles to put personal conflicts aside and record the album.

The last version of the song, which can be heard in the widely bootlegged "rooftop sessions," finds McCartney mocking the police as they shut down the rooftop concert. You can hear him ad-lib the lines "You been out too long, Loretta! You've been playing on the roofs again! That's no good! You know your mommy doesn't like that! Oh, she's getting angry... she'll have you arrested! Get back!"

Some of the artists to cover this song include: The Bee Gees, The Crusaders, Dizzy Gillespie, Al Green, Elton John, The London Symphony Orchestra, The Main Ingredient, Nitty Gritty Dirt Band, Billy Preston, Kenny Rogers, The Royal Philharmonic Orchestra, The Shadows, Status Quo, Rod Stewart, Ike and Tina Turner, and Sarah Vaughan. (thanks, Bertrand - Paris, France, for above 2)

In 2003, Paul and Ringo gave permission to Apple Records to rework the album and remove Phil Spector's production. The result is the stripped down version called Let It Be... Naked, which McCartney claims is what the group intended.

McCartney played this at halftime of the 2005 Super Bowl. It was the year after Janet Jackson exposed her breast during the halftime show.

Jessie Ware - Pieces

Jessie Ware - Pieces Lyrics and Youtube Music Videos

Album: Tough Love
Released: 2014

Pieces Lyrics

A reason to live, reason to love
You gave me them both and more yet,
A reason to fall, and a reason to hide
Suddenly all I'm left with

I was so sure this was real, but
Now I'm sure of nothing at all

I had to shatter to Pieces
You made me reveal myself, reveal myself
So if you no longer need them
Then give them to someone else, to someone else

Take what you gave
And throw it away
Now everything's changed, it's misplaced
Nothing to say, 'cause I'm not the same.
It's almost as if we just met.

I was so sure this was real but
Now I'm sure of nothing at all

I had to shatter to pieces
You made me reveal myself, reveal myself
Now that you no longer need them
I'll give them to someone else, to someone else

It's illogical, I was nothing without you
But you ought to know
I was lost when I had found you

I had to shatter to pieces
Made me reveal myself, reveal myself
Now that you no longer them, I'll give them someone else.
To someone else

I had to shatter to pieces
Made me reveal myself, reveal myself
Now that you no longer them
I'll give them someone else.
To someone else

Writer/s: PHILLIPS, WILLIAM EDWARD / NAPIER, JAMES JOHN / WARE, JESSICA
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Pieces Song Chart

This slow-building tender ballad finds Jessie Ware a broken woman after the end of a relationship. However she realizes such break-ups are an important step towards self discovery. Ware co-wrote the song with Jimmy Napes and William "Tourist" Phillips, who also collaborated with Sam Smith on his "Stay With Me" hit tune. The cut was produced by Emile Haynie of Lana Del Rey's Born To Die album fame.

The Beatles - The Long and Winding Road

The Beatles - The Long and Winding Road Lyrics and Youtube Music Videos

Album: Let It Be
Released: 1970

The Long and Winding Road Lyrics

The Long and Winding Road that leads to your door,
Will never disappear,
I've seen that road before It always leads me here,
Leads me to your door.

The wild and windy night the rain washed away,
Has left a pool of tears crying for the day.

Why leave me standing here, let me know the way
Many times I've been alone and many times I've cried
Anyway you'll never know the many ways I've tried, but
Still they lead me back to the long and winding road
You left me standing here a long, long time ago
Don't leave me waiting here, lead me to you door

Writer/s: Lennon, John / Mccartney, Paul James
Publisher: EMI Music Publishing, Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

The Long and Winding Road Song Chart

One of the last Beatles songs, Paul McCartney wrote this based on tensions within the band.

The road McCartney is talking about is the B842 which runs down the east coast of Kintyre and on into Campbeltown near his Scottish farmhouse. (thanks, Mike - Mountlake Terrace, WA)

McCartney: "I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration." (thanks, Bertrand - Paris, France)

The Beatles recorded this in January 1969 as a fairly simple ballad. By 1970, The Beatles were breaking up and and Phil Spector was brought in to go through the tapes and produce the album. Spector was known for his "Wall Of Sound" recording technique, where he added many instruments and layered the tracks to create a very full sound. On this track, he took out most of The Beatles instruments and added a string section and choir (The Mike Sammes Singers). The result was very different from what the group originally had in mind.

Even though he wrote this song, Paul McCartney didn't go to the sessions where Spector produced it. When McCartney heard the results, he made it clear that he hated what Spector did to his song, and tried to get the original version, which was mixed by engineer Glyn Johns, on the album. The band was already falling apart, and this caused further turmoil within the group, as Harrison and Lennon both supported Spector. Paul has not changed his stance over the years, and still believes Spector butchered it. Lennon and Harrison felt otherwise, and each had Spector produce their next solo efforts. Lennon said of Spector's work on Let It Be: "Phil was given the s--ttiest load of badly recorded s--t with a lousy feeling to it, and he made something of it."

The Beatles performed this in the movie Let It Be. Both the movie and album were the last The Beatles released. Abbey Road was the last album they recorded.

Paul McCartney offered this song to Tom Jones in 1968 on the condition it be his next single. He had "Without Love (There is Nothing)" set for release so he turned down the offer, something he would later regret. Speaking with Media Wales in 2012, Jones explained: "I saw him (McCartney) in a club called Scotts Of St James on Jermyn Street in London. I said to him When are you going to write me a song then Paul? He said, aye I will then. Then not long after he sent a song around to my house, which was 'The Long And Winding Road,' but the condition was that I could do it but it had to be my next single.

Paul wanted it out straight away. At that time I had a song called 'Without Love' that I was going to be releasing. The record company was gearing up towards the release of it. The timing was terrible, but I asked if we could stop everything and I could do 'The Long And Winding Road.' They said it would take a lot of time and it was impractical, so I ended up not doing it. I was kicking myself. I knew it was a strong song."

"Without Love" did well for Jones - it reached #5 in the US and #10 in the UK, but didn't have anywhere near the staying power of this Beatles classic. Jones did eventually record a Paul McCartney song, but not until 2012 when Paul wrote "(I Want To) Go Home," which was released on Jones' album Spirit In The Room.

This was the only Beatles song where John Lennon played bass. He was ordinarily their rhythm guitarist. Harrison and Ringo had their parts removed by Phil Spector, so they don't appear on this at all.

Alistair Taylor, the General manager at Apple Records, witnessed Paul McCartney's recording of the original demo version of this at 3 in the morning. He recalls in 1000 UK #1 Hits by Jon Kutner and Spencer Leigh: "He was picking out a melody and I said 'I like that, it's a fabulous melody,' and he said, 'It's just an idea.' He told the engineer to switch on the tape and he recorded 'The Long And Winding Road' then and there: it was full of la-las as he'd only written a few lines, but it was quite fantastic."

McCartney blocked release of the song as a single in the UK, but he could not prevent its release in the US where it topped the charts for 2 weeks. (thanks, Edward Pearce - Ashford, Kent, England, for above 2)

This was one of 5 Beatles songs McCartney played on his 1976 Wings Over America tour.

n 2002 a cover version by Pop Idol winner Will Young and runner-up Gareth Gates topped the UK chart.

In 2003, Apple Records released a new version of the album called Let It Be... Naked, with Spector's production removed. For this song, a previously unreleased take was used when it was remixed. This version is what McCartney had in mind when he wrote the song.

Ringo's drums can be heard both on the Anthology 3 version and Spector's version (Spector's version just has the strings on top of the Anthology 3 version). (thanks, Adrian - Wilmington, DE)

Brazilian singer Caetano Veloso begins his song "It's a long way" with the lines, "Woke up this morning singing an old Beatles song." A few verses later he says, "It's a long and winding road." The song is in his 1972 British album Transa. (thanks, Marcos - Rio de Janeiro, Brazil)

Some of the many artists who covered this song: Tony Bennett, George Benson, Cilla Black, Ray Charles, Cher, Judy Collins, Peter Frampton, Aretha Franklin, Richie Havens, Cissy Houston, Gladys Knight and the Pips, Liberace, The London Symphony Orchestra, Barry Manilow, Mantovani, Johnny Mathis, Bill Medley , George Michael, Olivia Newton-John, Billy Ocean, Stu Phillips, Kenny Rogers, Diana Ross, Kevin Rowland , Sarah Vaughan, Andy Williams and Nancy Wilson. (thanks, Bertrand - Paris, France)

In an interview shortly before he became British Prime Minister, after five years of Leader of the Opposition, David Cameron told Q magazine that this is his favorite Paul McCartney song. He explained; "It has a wonderful melody and emotion and pretty much sums up the life of the Leader of the Opposition."

This became The Beatles 20th and last US #1 song on June 13, 1970.

The Lacs - God Bless a Country Girl

The Lacs - God Bless a Country Girl Lyrics and Youtube Music Videos

Album: Outlaw in Me
Released: 2015

God Bless a Country Girl Lyrics

God Bless a Country Girl Song Chart

The Lacs are a country-rap duo comprising Clay "Uncle Snap" Sharpe and Brian "Rooster" King. Their name is short for "Loud Ass Crackers."

"Our music is not one dimensional," says Sharpe. "We take the good out of rock, the good out of country and the good out of rap and mix them together and create something different. We build from scratch."

The song, which the guys both had a hand in co-writing, pays tribute to country girls. "Country girls are the best," said Sharpe. "These are the kind of girls we grew up with, and we're happy to honor them in this song."

"This is a song that brings the country out in every girl," added King, "no matter where she lives."

The Beatles - I've Got a Feeling

The Beatles - I've Got a Feeling Lyrics and Youtube Music Videos

Album: Let It Be
Released: 1970

I've Got a Feeling Lyrics

I've Got a Feeling, a feeling deep inside
Oh yeah, oh yeah.
I've got a feeling, a feeling I can't hide
Oh no, oh no, oh no.
Yeah, I've got a feeling.

Oh please believe me, I'd hate to miss the train
Oh yeah, oh yeah.
And if you leave me I won't be late again
Oh no, oh no, oh no.
Yeah, I've got a feeling, yeah.

All these years I've been wandering around,
Wondering how come nobody told me
All that I was looking for was somebody
Who looked like you.

I've got a feeling, that keeps me on my toes
Oh yeah, oh yeah.

I've got a feeling, I think that everybody knows
Oh yeah, oh yeah, oh yeah.
Yeah, yeah, I've got a feeling, yeah.
Yeah

Ev'rybody had a hard year
Ev'rybody had a good time
Ev'rybody had a wet dream,
Ev'rybody saw the sunshine
Oh yeah, oh yeah.

Ev'rybody had a good year,
Ev'rybody let their hair down,
Ev'rybody pulled their socks up,
Ev'rybody put their foot down.
Oh yeah, oh yeah.

Yeah I've got a feeling
A feeling deep inside
Oh yeah, oh yeah.

I've got a feeling, a feeling I can't hide
Oh no
Oh no no no

Yeah yeah yeah yeah
I've got a feeling
I've got a feeling

Writer/s: LENNON, JOHN / MCCARTNEY, PAUL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

I've Got a Feeling Song Chart

This is a mix of two unfinished songs, Paul McCartney's "I've Got a Feeling" and John Lennon's "Everybody Had a Hard Year." In later years, The Beatles would sometimes cobble together songs from bits they hadn't completed. "A Day In The Life" is a good example.

This was the last song Lennon and McCartney wrote as a partnership.

The Beatles recorded this live on the Apple rooftop, which was used in their movie, Let It Be. They played on the roof as a way to end the movie, which was footage of The Beatles working out songs in the studio.

Pearl Jam recorded this very early in their career; it was part of a 3 song promotional sampler sent out in May, 1991 when the band was just starting out. Let It Be was the first album Jeff Ament of Pearl Jam ever bought, and it was his idea to record the song. Eddie Vedder took some lyrical liberties, mentioning their Temple of the Dog project ("Making Temple was a good time"), their appearance in the movie Singles ("Everybody had one line") and the death of Seattle musician Andrew Wood ("Everybody misses Andy"). The sampler of this song went to the mailing lists of Soundgarden and Mother Love Bone, which was the band Ament, Wood and Stone Gossard were part of.

The String Cheese Incident - 45th of November

The String Cheese Incident - 45th of November Lyrics and Youtube Music Videos

Album: One Step Closer
Released: 2005

45th of November Lyrics

45th of November Song Chart

This song was written by String Cheese Incident keyboard player Kyle Hollingsworth, with a lyric from longtime Grateful Dead lyricist Robert Hunter. The song is a surreal look at the significance of life, asking us to imagine a date and time that don't seem to exist (26:10 on November 45th).

In our interview with Kyle Hollingsworth , he explained that he and Hunter worked on the song through email. Hollingsworth sent over some tracks, and Hunter picked one and wrote the lyric. When Hollingsworth suggested some changes, Hunter told him to leave it exactly as written, earning the respect of the SCI keyboard man. "It was amazing to work with such a great writer," Hollingsworth said. "A lyricist that knows what he wants."

The Beatles - Let It Be

The Beatles - Let It Be Lyrics and Youtube Music Videos

Album: Let It Be
Released: 1970

Let It Be Lyrics

When I find myself in times of trouble, Mother Mary comes to me
Speaking words of wisdom, Let It Be
And in my hour of darkness she is standing right in front of me
Speaking words of wisdom, let it be
Let it be, let it be, let it be, let it be
Whisper words of wisdom, let it be

And when the broken hearted people living in the world agree
There will be an answer, let it be
For though they may be parted, there is still a chance that they will see
There will be an answer, let it be
Let it be, let it be, let it be, let it be
There will be an answer, let it be
Let it be, let it be, let it be, let it be
Whisper words of wisdom, let it be
Let it be, let it be, let it be, let it be
Whisper words of wisdom, let it be

And when the night is cloudy there is still a light that shines on me
Shine until tomorrow, let it be
I wake up to the sound of music, Mother Mary comes to me
Speaking words of wisdom, let it be
Let it be, let it be, let it be, yeah, let it be
There will be an answer, let it be
Let it be, let it be, let it be, yeah, let it be
Whisper words of wisdom, let it be

Writer/s: LENNON, JOHN / MCCARTNEY, PAUL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Let It Be Song Chart

Paul McCartney wrote this song. It was inspired by his mother, Mary, who died when he was 14. Many people thought "Mother Mary" was a biblical reference when they heard it.

Since Let It Be was The Beatles last album, it made an appropriate statement about leaving problems behind and moving on in life. The album was supposed to convey an entirely different message. It was going to be called "Get Back," and they were going to record it in front of an audience on live TV, with another TV special showing them practicing the songs in the studio. It was going to be The Beatles getting back to their roots and playing unadorned live music instead of struggling in the studio like they did for The White Album. When they started putting the album together, it became clear the project wouldn't work and George Harrison left the sessions. When he returned, they abandoned the live idea and decided to use the TV footage as their last movie. While the movie was being edited, The Beatles recorded and released Abbey Road, then broke up. Eventually, Phil Spector was given the tapes and asked to produce the album, which was released months after The Beatles broke up. By then, it was clear "Let It Be" would be a better name than "Get Back."

McCartney had a dream one night when he was paranoid and anxious. He saw his mom who had been dead for ten years or so; she came to him in his time of trouble, speaking words of wisdom. This brought him much peace when he needed it. It was this sweet dream that got him to begin writing the song.

John Lennon hated this song because of it's apparent Christian overtones. He made the comment before recording it, "And now we'd like to do Hark The Angels Come." Lennon saw to it that "Maggie Mae," a song about a Liverpool prostitute, followed it on the album. (thanks, Mike - Mountlake Terrace, WA. for above 2)

It was John Lennon who wanted Phil Spector to produce the album. Spector worked on Lennon's "Instant Karma" and was known for his bombastic "Wall Of Sound" style. McCartney hated Spector's production, and in 2003 he pushed to have the album remixed and released without Spector's influence. The result was Let It Be... Naked, which eliminated most of Spector's work and is much closer to what The Beatles intended for the album. "Maggie Mae" and "Dig It" were removed, and an entirely different guitar solo was used for this song.

You'll hear different guitar parts on different versions on this song, as there were several overdubs of the solo. On April 30, 1969, George Harrison overdubbed a new guitar solo over the best take from the January 31, 1969 session. Harrison overdubbed another one on January 4, 1970, but there's a possibility that it was actually McCartney on that overdub. The first overdub solo was used for the original single release, and the second overdub solo was used for the original album release. The Let It Be... Naked version is the one from the movie.

The Beatles weren't the first to release this song - Aretha Franklin was. The Queen of Soul recorded it in December 1969, and it was released on her album This Girl's In Love With You in January 1970, two months before The Beatles released their version (she also covered The Beatles "Eleanor Rigby" on that album).

Aretha recorded it with the Muscle Shoals Rhythm Section , who were a group of musicians that owned their own studio in Alabama, but would travel to New York to record with Aretha. David Hood, who was their bass player, told us that Paul McCartney sent demos of the song to Atlantic Records (Franklin's label) and to the Muscle Shoals musicians. Said Hood, "I kick myself for not grabbing that demo. Because I think they probably dropped it in the garbage. Our version was different. We changed it a little bit from his demo, where their version is different from that demo and from Aretha's version, as well. Just slightly, but little things."

In April 1987, this was released as a charity single in aid of the The Sun newspaper's Zeebrugge ferry disaster fund. Featuring Paul McCartney, Mark Knopfler, Kate Bush, Boy George and many others, it was called "Ferry Aid" and spent 3 weeks at #1 in the UK. (thanks, Vishal - Delhi, India)

Sesame Street used this with the title changed to "Letter B." The lyrics were changed to list words that begin with B.

This was the first Beatles song released in The Soviet Union. The single made it there in 1972.

In 2001, McCartney helped organize the "Concert For New York," to benefit victims of The World Trade Center disaster. He closed the show with this, inviting the other acts and some New York cops and firefighters on stage to sing with him.

The album had the largest initial sales in US record history up to that time: 3.7 million advance orders. (thanks, Bertrand - Paris, France)

This song was played at Linda McCartney's funeral.

On July 18, 2008, Paul McCartney joined Billy Joel onstage at Shea Stadium in New York and played this as the final song of the final concert at Shea. As a member of The Beatles, McCartney played the first stadium rock concert when they performed at Shea on August 15, 1965.

According to Ian Macdonald's book Revolution in the Head , McCartney wrote "Let It Be" and "The Long and Winding Road" on the same day. (thanks, mick - london, United Kingdom)

Until 1994 and the recordings for "Free As A Bird," the session for this song on January 4, 1970 was the last Beatles recording session. Lennon wasn't present that day, as he was on holiday.

A cover by American R&B artist Jennifer Hudson featuring the Roots, who are the house band on NBC's Late Night with Jimmy Fallon, debuted at #98 on the Hot 100 in February 2010. She recorded it for the Hope For Haiti Now charity telecast after the earthquake that devastated the country. It was the third time the song had entered the US singles chart as Joan Baez's version peaked at #49 in 1971.

A month after Jennifer Hudson's version reached the Hot 100, Kris Allen took the song to the chart for a fourth time when his cover debuted at #63. Allen's cut charted after he performed the song on American Idol, with proceeds from its digital sales benefiting Haiti earthquake relief efforts through the Idol Gives Back Foundation.

John Legend and Alicia keys performed this song on the tribute special The Beatles: The Night That Changed America, which aired in 2014 exactly 50 years after the group made their famous appearance on Ed Sullivan Show. Legend introduced it as "a song that has comforted generations with its beauty and its message."

Nick Cave & the Bad Seeds - Stagger Lee

Nick Cave & the Bad Seeds - Stagger Lee Lyrics and Youtube Music Videos

Album: Murder Ballads
Released: 1996

Stagger Lee Lyrics

It was back in '32 when times were hard
He had a Colt forty-five and a deck of cards
Stagger Lee

He wore rat-drawn shoes and an old stetson hat
Had a '28 Ford, had payments on that
Stagger Lee

His woman threw him out in the ice and snow
And told him, "Never ever come back no more."
Stagger Lee

So he walked through the rain, and he walked through the mud
Till he came to a place called The Bucket Of Blood
Stagger Lee

He said "Mr. Motherfucker, you know who I am?"
The barkeeper said, "No, and I don't give a good goddamn."
To Stagger Lee

He said, "Well, bartender, it's plain to see
I'm that bad motherfucker called Stagger Lee."
Mr. Stagger Lee

Barkeep said, "Yeah, I've heard your name down the way
And I kick motherfucking asses like you every day."
Mr Stagger Lee

Well, those were the last words that the barkeep said
'Cause Stag put four holes in his motherfucking head

Just then in came a broad called Nellie Brown
Was known to make more money than any bitch in town

She struts across the bar, hitching up her skirt
Over to Stagger Lee, she starts to flirt
With Stagger Lee

She saw the barkeep, said, "O God, he can't be dead!"
Stag said, "Well, just count the holes in the motherfucker's head."

She said, "You ain't look like you scored in quite a time.
Why not come to my pad? It won't cost you a dime."
Mr. Stagger Lee

"But there's something I have to say before you begin
You'll have to be gone before my man Billy Dilly comes in,
Mr. Stagger Lee."

"I'll stay here till Billy comes in, till time comes to pass
And furthermore I'll fuck Billy in his motherfucking ass."
Said Stagger Lee

"I'm a bad motherfucker, don't you know?
And I'll crawl over fifty good pussies just to get one fat boy's asshole,"
Said Stagger Lee

Just then Billy Dilly rolls in and he says, "You must be
That bad motherfucker called Stagger Lee."
Stagger Lee

"Yeah, I'm Stagger Lee, and you better get down on your knees
And suck my dick because if you don't, you're gonna be dead,"
Said Stagger Lee

Billy dropped down and slobbered on his head
And Stag filled him full of lead
Oh yeah

Writer/s: GARCIA, JERRY / HUNTER, ROBERT
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Stagger Lee Song Chart

On the night of December 25, 1895, "Stag" Lee Shelton shot dead his underworld rival William "Billy" Lyons in a St. Louis saloon following a dispute. The crime soon became the subject of songs as well as folktales and poems. The best known version of "Stagger Lee," by Lloyd Price, reached #1 on the Billboard Hot 100 in 1959 - Dick Clark insisted the violent content of the song be toned down when Price appeared on American Bandstand Nick Cave and the Bad Seeds' sweary interpretation tells the story from a neutral perspective and is set in the 1930s.

The recording of the song for the Murder Ballads album was a happy accident. "It was a real last-minute miracle," drummer Jim Sclavunos told NME. "I came into the studio towards the very end of the sessions, and I showed Nick a book called The Life, which was a collection of black hustler prison poetry. I pointed out an old really nasty version of 'Stagger Lee', and he got quite excited. Just a few minutes later, we piled into the live room, and recorded the song, fully realized, totally off-the-cuff, in one take."

The Beatles - I Me Mine

The Beatles - I Me Mine Lyrics and Youtube Music Videos

Album: Let It Be
Released: 1970

I Me Mine Lyrics

I Me Mine Song Chart

George Harrison wrote this song and sang lead. He said it is "About the ego, the eternal problem."

This uses a 3/4 time signature like a waltz, rather than the standard 4/4. With a rather mournful sound, Harrison called it a "heavy waltz."

This song owes its release to the Beatles movie Let It Be. Filmed in 1969 and originally called "Get Back," the plan was to get footage of the group recording the album and use it as a TV special or movie. During sessions at Twickenham Studios in London, Harrison, McCartney and Starr played an early version of this song as John Lennon and his future wife Yoko Ono waltzed to it. The movie was shelved, and Let It Be moved forward as an album, but without "I Me Mine."

Later in 1969, The Beatles manager, Allen Klein, made a deal with United Artists to release the film. With the project revived, a new version of "I Me Mine" was needed for the film and the soundtrack - the footage of John and Yoko dancing together was deemed crucial to the film. On January 3, 1970, the Beatles - minus Lennon - assembled at Abbey Road studios and recorded a polished version of the song with George Martin producing. After further delays, The Beatles broke up and Phil Spector was brought in to produce the album from the tapes.

The Beatles recorded this without John Lennon. The session took place just four days after the band learned that Let It Be was picked up as a movie and this song was needed for the soundtrack. By this time, the group had the #1 album in America with Abbey Road, but were fractured and moving on to solo projects - they wanted to get their remaining obligations settled quickly. With Lennon unavailable, George Harrison played acoustic guitar, Ringo Starr handled drums and Paul McCartney played electric bass and overdubbed organ and electric piano. Harrison also played the electric guitar lead which he overdubbed. What was so unusual about this session was the efficiency. In their later years, The Beatles spent a lot of time working up songs in the studio, but this one was completed in just one day.

The first version The Beatles recorded ran just 1:34, and had only one chorus. The album's producer, Phil Specter, copied and pasted parts of that recording to make the song 2:25.

When the album was re-released in 2003 as Let It Be... Naked, the songs were remixed to eliminate most of Phil Spector's lush production. His edit to make this longer was one of the few things he did that was left alone.

Harrison's 1980 autobiography is titled "I Me Mine." The book was reissued in 2002.

Omarion - Post to Be

Omarion - Post to Be Lyrics and Youtube Music Videos

Album: Sex Playlist
Released: 2014

Post to Be Lyrics

Omarion
Breezy (your chick)

Your chick

If your chick come close to me
She ain't going home when she Post to Be (no)
I'm getting money like I'm post to be
I'm getting money like I'm post to be, oh
All my niggas close to me
And all them other niggas where they post to be oh
The hoes go for me
Have your chick send a pic like pose for me (oh)
That's how it post to be
Yo that's how it post to be (oh)
Yo that's how it post to be
Everything good like it post to be

Pull up to the club and it go up (go up)
Make your girl fall in love when I show up
It's not my fault she wanna know me
She told me you was just a homie
She came down like she knew me
Gave it up like a groupie (true)
And that's facts, no printer (no printer)
Cold nigga turn the summer to the winter
She save me in her phone as bestie
But I had her screaming oh
Yo girl wasn't supposed to text me (nope)
You want to know how I know what I know

If your chick come close to me
She ain't going home when she post to be (no)
I'm getting money like I'm post to be
I'm getting money like I'm post to be, oh
All my niggas close to me
And all them other niggas where they post to be oh
The hoes go for me
Have your chick send a pic like pose for me (oh)
That's how it post to be
Yo that's how it post to be
Yo that's how it post to be
Everything good like it post to be

Got your girl in my section finna blow up
A nigga smoking loud, I'm about to roll up
She ain't never got high like this with a guy like this
When she pop tell her hol' up
Better believe she gone leave with a real nigga
I dick her down can't put it down like I do
I get to bussin' no discussin', gotta deal with it
Team us, we ain't worried about you
Murder she wrote
Yeah yeah when I hit it I'mma kill it I'mma get it like
Murder she wrote
You want to know how I know what I know

If your dude come close to me
He gon' want to ride off in a ghost with me (I'll make him do it)
I might let your boy chauffeur me
But he got to eat the booty like groceries
But he gotta get rid of these hoes from me
I might have that nigga sailing his soul for me
Ooh, that's how it post to be
If he wants me to expose the freak ooh
That's how it post to be ooh
That's how it post to be ooh
That's how it post to be
Everything good like it post to be ooh

If your chick come close to me (if she come close to me)
She ain't going home when she post to be (oh yeah)
I'm getting money like I'm post to be (post to be)
I'm getting money like I'm post to be, oh (I'm getting money)
All my niggas close to me
And all them other niggas where they post to be oh (yeah yeah girl)
The hoes go for me
Have your chick send a pic like pose for me (oh)
(Girl) That's how it post to be (yeah)
Yo that's how it post to be (girl)
Yo that's how it post to be (ay)
Everything good like it post to be

She 'bout to ride down with me
And I don't even know her name (no name)
But I know that she your girl (your girl)
She chose up, are you mad or nah? Bruh
Don't be mad about it
These chicks be for everybody

Omarion
C-Breezy
I'll make 'em do it!
I'll make 'em do it!

Writer/s: JEAN, SAMUEL / GRANDBERRY, OMARI / BROWN, CHRIS / MCFARLANE, DIJON / POWELL, MICAH
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group, SONGS MUSIC PUBLISHING
Lyrics licensed and provided by LyricFind

Post to Be Song Chart

The second single off Sex Playlist, Omarion's debut release on Rick Ross' Maybach Music label, this features a clap-heavy West Coast production by DJ Mustard. Omarion kicks the song off with warnings that he is likely to steal your girl. He then passes the baton to a similarly brash Chris Brown, who raps and sings the second verse. Jhené Aiko slows things down at the end crooning the closing rhymes.

Aiko's lyric, "I might let your boy chauffeur me. But he got to eat the booty like groceries," was inspired by rapper Kevin Gates. She said: "When I heard the song was titled "Post to Be' it reminded me of the Kevin Gates video where he says 'I'm pose to eat the booty.'"

Aiko elaborated on her lyric to MTV News: "I wrote my verse with Micah Powell, someone that I've written with before and I just told him, 'Whatever we say I want to make sure we say something about eat the booty,'" she explained, with a bit of a chuckle.
"It was a fun song. I wanted my part to be funny and unexpected and ironically 'groceries' rhymes with 'post to be' and so it works."

Omarion decided to make this a collaboration track because he wanted to show R&B camaraderie. "I have a long history with Jhene and Chris, and the organic connection, the friendship, that we have with each other ended up on the track," he explained to Billboard magazine. "I want people know that this is a real effort into showing what futurists are all about, and that is breaking the sound barrier and creating something that hasn't been created before. When's the last time you heard three singers on one track that still felt like a party? That's what 'Post to Be' is, and it's been received so well."