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Nicki Minaj - The Night Is Still Young

Nicki Minaj - The Night Is Still Young Lyrics and Youtube Music Videos

Album: The Pinkprint
Released: 2014

The Night Is Still Young Lyrics

Yo, ayo tonight is the night that I'ma get twisted
Myx Moscato and vodka, I'ma mix it
Roll that spaceship, we about to get lifted
Lift and the President gift is for the gifted
This what you came, this what you came for
You get what you buy, this what you paid for
So make sure the stars is what you aim for
Make mistakes though

I never worry, life is a journey
I just wanna enjoy the ride
What is the hurry? It's pretty early
It's ok, we'll take our time

The Night Is Still Young
The night is still young
The night is still young
And so are we

The night is still young
The night is still young
The night is still young
And so are we

Ayo, drinks on you or the drinks is on me
We ain't going nowhere like tanks on E
We still getting money, which bank is it gonna be?
If he sexy, he planking on me
So when them big boys want all of that
Tell the bartender, say my order back
It's bottle service, he ordered that
Might let him take it home and slaughter that
He got friends for all of my friends
They ain't leaving 'till we say when
And we gon' hangover the next day
But we will remember this day
So drop the pop and get low
Or we can drop the top and just cruise
We fresh to death, down to the shoes
My only motto in life is don't lose

I never worry, life is a journey
I just wanna enjoy the ride
What is the hurry? It's pretty early
It's ok, we'll take our time

The night is still young
The night is still young
The night is still young
And so are we

The night is still young
The night is still young
The night is still young
And so are we

We're just getting started, yeah, yeah
We're just getting started, yeah, yeah
Can't you see the night's still early
And we gon' get wild and crazy

We're just getting started, yeah, yeah
We're just getting started, yeah, yeah
Can't you see the night's still early
And we gon' get wild and crazy

The night is still young
The night is still young
The night is still young
And so are we

The night is still young
The night is still young
The night is still young
And so are we

Writer/s: JOEL, BILLY
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Night Is Still Young Song Chart

This dance-pop track is a collaboration with Dr. Luke, one of five songs that the American hitmaker contributed towards The Pinkprint.

When Minaj was asked to describe the song in one word during a Twitter Q&A, she actually replied with four - "makes me come alive."

Minaj told Complex that The Pinkprint was inspired after Jay Z's 2001 album The Blueprint, but just the name. "People keep asking me about Jay's The Blueprint and they think I'm doing something like that," said Young Money's First Lady. "I made reference to the 'The Blueprint' because Jay is the biggest rapper of our time. The name of the album was inspired by Jay, but not the body of work."

The song's music video shows Nicki Minaj enjoying the night and showcasing some choreographed dancing under a gigantic glowing moon. The clip shares certain similarities with Minaj's "Super Bass" - in both instances she's showcasing pink wigs, neon costumes and tight dance moves.

The Rolling Stones - Almost Hear You Sigh

The Rolling Stones - Almost Hear You Sigh Lyrics and Youtube Music Videos

Album: Steel Wheels
Released: 1989

Almost Hear You Sigh Lyrics

I can Almost Hear You Sigh
I can almost hear you cry
On every crowded street
All the places we would meet

What will I do without ya
They say that life goes on
I'm feeling sorry for myself
I can't believe you're gone

And you acted much too calm
You turned on all the charm
You had a cold look in your eyes

I can feel your tongue on mine
Silky smooth like wine
I'm living with these memories
That's all that's left of you and me

I can almost hear you sigh
Almost hear you cry
When you made sweet love to me
And you turned on all the charm
Acted much too calm
You had a cold look in your eyes

Did it mean nothing
Was it all in vain
Was I just your fool
Or was the pleasure pain

Have you set me free
Or will I wake up
In the morning
And find out it's been a bad dream

Come on, I beg you
I want to be your main man

I can almost hear you sigh
Almost hear you cry
When you make sweet love to me
Almost see your smile
It stretched half a mile
You had a stone cold look in your eyes

Writer/s: KEITH RICHARDS, STEPHEN K JORDAN, MICHAEL PHILLIP JAGGER
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Almost Hear You Sigh Song Chart

Keith Richards wrote this with drummer Steve Jordan for his solo album Talk Is Cheap. He decided to record it with The Stones after Mick Jagger changed some of the lyrics when he and Richards met in Barbados to write for Steel Wheels in 1989.

Jagger's brother, Chris, helped with the lyrics, which are about a difficult breakup. He is credited as "Literary Editor."

Papa Roach - Broken As Me

Papa Roach - Broken As Me Lyrics and Youtube Music Videos

Album: F.E.A.R.
Released: 2014

Broken As Me Lyrics

You're Just as Broken As Me

Shut your mouth
'Cause I can see through the lies
We're only getting sicker
From the secrets we hide
Disaster is, a master is
We lie here burning in bed
But something tells me
I cannot kill someone new yet
I will knock you out, burn you today

I will forgive, forgive
'Cause I know that it will set me free
But all that's left is the emptiness inside of me
(my heart)
You murder my heart
Broke my just and watch me fade away
Now I see, now I see
That you're just as broken as me

You're just as broken as me

You always play the victim
And you just can't decide
If the vicious way we loved each other
Fucked up our lives
Well we're standing in the aftermath of emptiness is what's left
And if you really love me, will you love me to death

[?]

I will forgive, forgive
'Cause I know that it will set me free
But all that's left is the emptiness inside of me
You murder my heart
Broke my just and watch me fade away
Now I see, now I see
That you just as broken as me

Just as broken as
Just as broken as
Just as broken as
You're just as broken as me

[?]

I will forgive, forgive
'Cause I know that it will set me free
But all that's left is the emptiness inside of me
You murder my heart
Broke my just and watch me fade away
Now I see, now I see
That you just as broken as me

You're just as broken as me
You're just as broken as me
You're just as broken as me

Writer/s: JACOBY DAKOTA SHADDIX, JERRY HORTON, TOBIN JOSEPH ESPERANCE, ANTHONY ESPERANCE, KEVIN CHURKO
Publisher: DOWNTOWN MUSIC PUBLISHING LLC
Lyrics licensed and provided by LyricFind

Broken As Me Song Chart

Singer Jacoby Shaddix explained the song's meaning to Loudwire : "That's about forgiveness," he said, "when you don't want to forgive but you know it's the best thing to do."

The all-out rocker was the first track that Papa Roach recorded for their F.E.A.R. album. Shaddix described the song in a live Google+ Hangout session as, "just an exciting, rip-roaring rock, hard rock, heavy metal progressive, nutty assault of musical creativity."

Shaddix expanded on the song's message to Artist Direct : "If I walk around this world with all of these resentments, grudges, and this hatred, there's no freedom," he explained. "I'm in a prison of judgment. I've found that people who have wronged me, whether it be family members, people in this business, or past friends, I have to understand they're human and nobody's perfect. Maybe they have some demons they're dealing with or the same f--king problems I've got? It comes from that broken relationship. You're trying to mend it with some forgiveness."

The Rolling Stones - Rock And A Hard Place

The Rolling Stones - Rock And A Hard Place Lyrics and Youtube Music Videos

Album: Steel Wheels
Released: 1989

Rock And A Hard Place Lyrics

The fields of Eden
Are full of trash
And if we beg and we borrow and steal
We'll never get it back
People are hungry
They crowd around
And the city gets bigger as the country comes begging to town

Stuck between a rock
And a hard place
Between a Rock And A Hard Place

This talk of freedom
And human rights
Man's bullying and private wars and chucking all the dust into our eyes
And peasant people
Poorer than dirt
Who are caught in the crossfire with nothing to lose but their shirts, yeah

Stuck between a rock
And a hard place
Between a rock and a hard place
You'd better stop, put on a kind face
Between a rock and a hard place

We're in the same boat
On the same sea
And we're sailing south
On the same breeze
Building dream churches
With silver spires
And our rogue children
Are playing loaded dice

Between a rock and a hard place
You'd better stop, yeah

Give me the truth now
Don't want no shame
I'd be hung drawn and quartered for a sheep just as well as a lamb

Stuck between a rock
And a hard place
A rock and a hard place
You'd better stop put on a kind face
Can't you see what you've done to me

Writer/s: LEE STOLLER, JIMMIE YOUNG
Publisher: CRISTY LANE MUSIC
Lyrics licensed and provided by LyricFind

Rock And A Hard Place Song Chart

This song was originally titled "Steel Wheels." They ended up using that as the name of the album, as it conveyed moving forward. The Stones launched their first tour in 8 years after releasing the album, and this was the second single, after "Mixed Emotions."

The title reflected the state of The Stones at the time. Mick Jagger and Keith Richards had released solo albums and were feuding, but they put aside their differences to record Steel Wheels.

This was one of bass player Bill Wyman's last recordings as a member of The Stones. He left the band in 1992.

Ryan Adams - It's in My Head

Ryan Adams - It's in My Head Lyrics and Youtube Music Videos

Album: No Shadow
Released: 2015

It's in My Head Lyrics

You sleep at night in the deep
Eyes girdle and the fire cannot raise
In the dark, in the dark
In the dark when it's calm
Everybody's gettin' come along
In the day, you slip away

It's in My Head
It's in my head
It's in my head
To stay, to stay

We feed at night in the
I struggle to fight in the window pane
Evelyn was afraid, afraid of me
My face breaks flies and it shatters in the womb
In the day

It's in my head
It's in my head
It's in my head
To stay, to stay

It's in my head
It's in my head
It's in my head
To stay, to stay

Writer/s: RYAN ADAMS
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

It's in My Head Song Chart

The B-side to "No Shadow,"' like the A-side this is a collaboration between Ryan Adams and Johnny Depp. Adams recalled: "The B side is from the first night we met where all we did was play and didn't say a word. This was the third thing we ever played together and there was no discussion. True rock and roll moments, as they should be, unfussy and delivered with all the heart and soul we had that night."

Marvin Gaye - I Heard It Through the Grapevine

Marvin Gaye - I Heard It Through the Grapevine Lyrics and Youtube Music Videos

Album: I Heard It Through the Grapevine
Released: 1968

I Heard It Through the Grapevine Lyrics

I bet you're wonderin' how I knew
'Bout your plans to make me blue
With some other guy you knew before
Between the two of us guys
You know I loved you more
It took me by surprise I must say
When I found out yesterday
Don't you know that I Heard It Through the Grapevine
Not much longer would you be mine
Oh I heard it through the grapevine
Oh I'm just about to lose my mind

Honey, honey yeah.
I heard it through the grapevine
Not much longer would you be mine baby

I know a man ain't supposed to cry
But these tears I can't hold inside
Losin' you would end my life you see
'Cause you mean that much to me
You could have told me yourself
That you loved some one else
Instead I heard it through the grapevine
Not much longer would you be mine
Oh, I heard it through the grapevine
And I'm just about to lose my mind

Honey, honey yeah
I heard it through the grapevine
Not much longer would you be mine, baby

People say believe half of what you see
Son and none of what you hear
But I can't help but be confused
If it's true please tell me dear
Do you plan to let me go
For the other guy you loved before?

Don't you know I heard it through the grapevine
Not much longer would you be mine, baby yeah
I heard it through the grapevine
I'm just about to love my mind
Honey, honey, yeah
I heard it through the grapevine,
Not much longer would you be mine, baby yeah

Writer/s: WHITFIELD, NORMAN / STRONG, BARRETT
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

I Heard It Through the Grapevine Song Chart

It seems like everyone in Motown heard about this song "through the grapevine" before it was finally recorded. The classic about a man who finds out his woman is cheating on him was written by Norman Whitfield and Barrett Strong. Strong came up with the idea and asked Motown writers Holland-Dozier-Holland to work on it with him. They refused to credit another writer, so Strong took it to Whitfield, who helped put it together. The song eventually became a Motown classic, but it had a rough start, as executives at the company thought it was too bluesy and lacked hit potential. Smokey Robinson and the Miracles were the first to record the song, but their version wasn't released until years later on an album called Special Occasion. The Isley Brothers then took a crack at it, but their version wasn't released. Whitfield and Strong then had Marvin Gaye record the song but still no luck: Motown head Berry Gordy chose Holland-Dozier-Holland's "Your Unchanging Love" over "Grapevine" as his next single. Finally, a new Motown act Gladys Knight and the Pips recorded the song as a gospel rocker. Their version was a hit, entering the Top 40 in November 1967 and going to #2 in America. Marvin Gaye's version was included on his 1968 album In The Groove (later re-titled I Heard It Through The Grapevine). After E. Rodney Jones, the Chicago disc jockey at WVON, started playing it on the air, Berry Gordy reconsidered and released Gaye's version as a single, which became even more popular and known as the definitive version of the song. Gaye's "Grapevine" pounded the charts about a year after Knight's, going to #1 in America on December 14, 1968.

With this heartbreaking tune about a man who finds out secondhand that his girl is cheating on him, Marvin Gaye wrung out the emotion in the song thanks to Norman Whitfield, who produced the track and gave him very specific instructions. Whitfield had Gaye sing slightly higher than his normal range, which created the strained vocal, and he made him do it over and over until he got it right. Gaye explained to NME: "I simply took direction, as I felt the direction he was expounding was a proper one. Had I done it myself I would not have sung it at all like that, but y'see there are many benefits in just singing other people's material and taking directions. The job of interpreting is quite an important one, because when people are not able to express what is in their souls if there is an artist who can... then I think that is very valuable."

Barrett Strong got the idea for the song when he was living in Chicago and heard lots of people using the phrase "I heard it through the grapevine." Said Strong, "Nobody wrote a song about it, so I sat at a piano and came up with the bass line." He took the song to Whitfield, who helped complete it. It was the first collaboration for the writers.

Along with "Papa Was A Rollin' Stone," Barrett Strong considers this the best song he wrote with Norman Whitfield. Other hits they wrote together include "Ain't Too Proud To Beg," "Just My Imagination," and "Money (That's What I Want)."

This is the longest running Motown #1 hit in the US, where it topped the Hot 100 chart for 7 weeks. It was a sensation in the UK as well, where it was #1 for 3 weeks.

This was Gaye's first #1 hit, and it made him a star. He already had 23 Top 40 hits by the time "Grapevine" was released, and was doing a lot of duets with Tammi Terrell, which were especially popular on the R&B charts. His next #1 came in 1973 with "Let's Get It On," and he had one more with "Got To Give It Up."

Creedence Clearwater Revival released an 11-minute version in 1970 for their Cosmo's Factory album; it was one of the few songs CCR recorded that they didn't write. Quite a contrast to many of the band's compact hits, it allowed them to spread out and jam. According to their drummer Doug Clifford, he was given free reign to create his drum parts off of John Fogerty's guitar. At times in the song, Fogerty would set up a rhythmic lead that Clifford would follow and at other points in the song, Fogerty follows a rhythm Clifford set up. In December, 1975, CCR's label Fantasy Records re-released the song as a single, which made it to #43 in the US. This release came in the middle of some heated legal battles between the band and the label, which resulted in John Fogerty taking a 10-year break from making music.

In 1987, this got new life when it was used in commercials for California Raisins, with claymation raisins performing the song. In addition to boosting raisin sales, the California Raisins became an '80s fad and were the most popular Halloween costume that year. Buddy Miles – known as the founding member of The Electric Flag and as a member of Jimi Hendrix's Band of Gypsys – was the group's lead singer.

This is the only song that was a #1 R&B hit for three different artists. In addition to the Gladys Knight and the Pips and Marvin Gaye versions, Roger Troutman (recording as "Roger") took it to the top of the R&B charts with his 1981 version. Long before the Auto-Tune craze, Troutman used a Vocoder to create a kind of electro funk and had a hit with "More Bounce To The Ounce," recorded by his band Zapp. Troutman saw that three different artists had already hit with this song and needed something with recognizable lyrics to make it easy to understand through his Vocoder.

This song was prominently featured in the opening of the 1983 film The Big Chill as a group of friends learn the news about another friend's suicide. The soundtrack also boasts other Motown hits such as Gaye's "What's Going On"; The Temptations' "My Girl" and "Ain't Too Proud to Beg"; The Miracles' "I Second That Emotion" and "The Tracks Of My Tears"; The Four Tops' "It's the Same Old Song"; The Marvelettes' "Too Many Fish in the Sea" and Martha and The Vandellas' "Dancing in the Street" (which was co-written by Gaye).

The original version of this song was presented for consideration at one of the famous Friday morning meetings help at the Motown offices where Berry Gordy would decide which songs to release as singles. Gordy usually went by staff vote, but even though "Grapevine" had the votes, he went instead with a song written by Holland-Dozier-Holland called "Your Unchanging Love." "I personally liked 'Grapevine' better," Gordy said in his autobiography. "But I felt the other record was more in the romantic vein of what Marvin needed."

Pretty Little Horses - Just Like Love

Pretty Little Horses - Just Like Love Lyrics and Youtube Music Videos

Album: Evergreen
Released: 2012

Just Like Love Lyrics

Just Like Love Song Chart

Pretty Little Horses was a long distance collaboration between country and progressive rock singer/songwriter, Dean Madonia, and his friend, Greg Curvey, from the psychedelic band, The Luck of Eden Hall. The two have known each other for years but hadn't seen each other in awhile. When they ran into each other, Madonia suggested that they should record something together. With Curvey residing in Chicago, Illinois and Madonia in Nashville, Tennessee, Curvey wrote the music and would then send it to Madonia to write the lyrics, and Madonia would then send it back to him. When everything was ready to be recorded, Curvey flew to Nashville to cut drums, guitar, and vocals while Madonia added his parts and mixed the album.

Greg Curvey composed the whole score for the film, The Stream. He was asked for a pop song for the movie to play during the ending credits, so he suggested "Just Like Love" by Pretty Little Horses.

When we interviewed Dean Madonia , he gave insight about what he wishes for the project in the future, "I'm hoping that maybe someday, we'll record a Pretty Little Horses 2. I'd like to see a little bit of interest somehow through this movie and maybe spark a second album."

Sinéad O'Connor - Nothing Compares 2 U

Sinéad O'Connor - Nothing Compares 2 U Lyrics and Youtube Music Videos

Album: I Do Not Want What I Haven't Got
Released: 1990

Nothing Compares 2 U Lyrics

It's been seven hours and fifteen days
Since you took your love away
I go out every night and sleep all day
Since you took your love away
Since you been gone I can do whatever I want
I can see whomever I choose
I can eat my dinner in a fancy restaurant
But nothing
I said nothing can take away these blues
'Cause nothing compares
Nothing compares to you

It's been so lonely without you here
Like a bird without a song
Nothing can stop these lonely tears from falling
Tell me baby where did I go wrong
I could put my arms around every boy I see
But they'd only remind me of you
I went to the doctor guess what he told me
Guess what he told me
He said girl you better try to have fun no matter what you do
But he's a fool
'Cause nothing compares, nothing compares to you

All the flowers that you planted mama
In the back yard
All died when you went away
I know that living with you baby was sometimes hard
But I'm willing to give it another try
Nothing compares
Nothing compares to you
Nothing compares
Nothing compares to you
Nothing compares
Nothing compares to you

Writer/s: NELSON, PRINCE ROGERS
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Nothing Compares 2 U Song Chart

Prince wrote this song. He did a live version with Rosie Gaines on his album Hits.

Prince originally wrote this for The Family, a band that was signed to his Paisley Park record label. The song was inspired by a member who had just broken up with his girlfriend. The Family was made up of former members of The Time, and they released only one album.

This was a #1 hit in 17 countries. In the US, it was the #1 song of 1990, topping the charts for 4 weeks.

O'Connor released her first album three years earlier. It got a lot of play on college radio, earning her a small, but devoted fan base. This song thrust her into the spotlight, and the attention had some deleterious effects on the singer. O'Connor claimed she hated the fame the song brought her, and struggled with the commercialization of her music. "Nothing Compares 2 U" earned her a Grammy for Best Alternative Performance, but she refused to appear on the awards show in protest.

The director shot a lot of footage around Paris for the video, but ended up using just a simple tight shot of O'Connor singing. It was the first time most people saw what she looked like and were surprised that she was bald. She shaved her head when she first started recording because she wanted to make a statement and not be known for her beauty.

When Sinéad cried In the video, it was a real tear. In the Rolling Stone Top 500 songs issue, she said, "I didn't intend for that moment to happen, but when it did, I thought, 'I should let this happen.'"

She told The Daily Telegraph in 2014 that the tear was triggered because she associated the song's lyrics of love and loss with her mother, who was killed in a car accident in 1985.

Chris Hill, the co-director of O'Connor's label Ensign, recalled to Mojo magazine January 2009 the first time he heard this song: "Fachtna O'Kelly, Sinéad's manager, brought in a cassette and when I heard it I actually started crying. I just sat there with tears in my eyes."
Then O'Kelly rang up Sinead OConnor and went, 'Chris is crying.' 'Was it that bad?' Sinéad asked.

This was O'Connor's last big hit. She turned off a lot of people with her political statements, which included refusing to let the National Anthem be played before a concert in New Jersey and tearing up a picture of the Pope on Saturday Night Live.

In 1998, MTV named this #34 on their list of the greatest videos ever made.

Although this was a mainstream hit, O'Connor was considered an "Alternative" artist at the time. The album won the 1990 Grammy for Best Alternative Music Performance. She boycotted the awards show to protest materialism in the music industry.

The "2 U" in the title is a Prince thing. He has songs called "I would die 4 U" and "If I Love U 2 Nite."

This was produced by Beresford Romeo (Jazzie B.) and Nellee Hooper, two members of the group Soul II Soul.

It was Sinéad O'Connor's manager, Fachtna O'Kelly, who came up with the idea for the Irish singer to cover the Prince song.

The video for Miley Cyrus' "Wrecking Ball" also contained some very tight shots of the singer's face, and also a tear, which Cyrus claimed was shed for her recently departed dog. Speaking with Rolling Stone, Cyrus said, "It's like the Sinead O'Connor video, but, like, the most modern version."

This quote, which didn't even make the magazine (it was posted on the web), set in motion a feud between the singers, with O'Connor publishing what she called an "open letter" on her website, warning Cyrus about the dangers of her career path. Cyrus responded with a Tweet that simply said "Before Amanda Bynes.... There was....", a reference to O'Connor's past mental health issues.

The confrontation illuminated some of the strange parallels between the singers:

- Both shaved their heads. Sinéad did it so she couldn't be marketed for her looks; Miley so she could establish her style and blend in.

- Cyrus was a favorite on Saturday Night Live, and hosted the show the week after the feud. O'Connor was banned from the show after her first appearance.

- Their tearful songs were their first #1 hits, but both were written by others. O'Connor's song was written by Prince, Cyrus' by a team of five professional writer/producers.

Aretha Franklin covered this for her 2014 album, Aretha Franklin Sings the Great Diva Classics. Her version was produced by Andre 3000, who gives it a classic jazz feel. Aretha's longtime collaborator, Clive Davis, has known the Outkast rapper since he was 17, and that friendship led to his involvement. "He said his dream is to produce a cut or two for the great Aretha Franklin," said Davis.

Sinéad O'Connor announced in March 2015 that she will not be performing this song anymore. The Irish songstress explained: "The first principle of the manner in which I'm trained as a singer (Bel Canto) is we never sing a song we don't emotionally identify with. After twenty-five years of singing it, nine months or so ago I finally ran out of anything I could use in order to bring some emotion to it."

"I don't want audiences to be disappointed coming along to a show and then not hearing it, so am letting you know here that you won't. If I were to sing it just to please people, I wouldn't be doing my job right, because my job is to be emotionally available. I'd be lying. You'd be getting a lie."

Druckfarben - Liberated Dream

Druckfarben - Liberated Dream Lyrics and Youtube Music Videos

Album: Second Sound
Released: 2014

Liberated Dream Lyrics

Liberated Dream Song Chart

"Liberated Dream" is the fourth track from Druckfarben's second album, Second Sound. The song was written by the Canadian progressive rock band's guitarist, Ed Bernard. In our interview with Bernard , he told us that he wrote the tune a couple of summers earlier when he had a huge burst of creativity and wrote 13 songs in just two months. "I had a studio here at my place so I just tracked the whole thing and presented it to the band," said Bernard. "It was actually a tricky song to get the vocal melody and the lyrics because the music is so busy."

The song lyrically speaks about Bernard's spiritual beliefs. He explained to us why he did not want his beliefs to come at the listener in a heavy-handed way. "Regardless of who writes the lyrics, if people read it and see what the lyrics are saying, they tend to think that that's what the whole band thinks and that's how the whole band feels," he said.

Bernard went on to reveal that Druckfarben needed to deal with this problem: "There was a moment in the writing of this record where there was a concern that had to be addressed. I didn't want to feel like I was speaking for everybody in the band and I know they didn't want that either."

The Rolling Stones - Sad Sad Sad

The Rolling Stones - Sad Sad Sad Lyrics and Youtube Music Videos

Album: Steel Wheels
Released: 1989

Sad Sad Sad Lyrics

Someone woke me up this mornin'
And I lit a cigarette
Found myself when I stopped yawnin'
Started getting myself dressed

Then I felt that I had a dream
I remembered the things that I'd seen
I could still hear the things you said
With that bad dream in my head

It was a sad day, bad day
Sad day, bad day

So I called you on the phone
And your friend said, "She's not home"
So I told her where I'd be at
And that you should call me back

Then I looked at the morning mail
I was not even expecting a bill
Your letter a-started, "Dear"
And it left me with these tears

It was a sad day, bad day
Sad day, bad day

Think of the times that we had rows
But we patched them up somehow
Think of the times I tried to go
But you screamed and told me no

There is only one thing in this world
That I can't understand, that's a girl
I keep a-readin' the things you said
Like a bad dream in my head

It was a sad day, bad day
Sad day, bad day

Oh, what a sad, sad old day
A sad old day, it was a sad old day
A sad old day, it was a bad old day
A sad old day, a bad old day

If there is one awful thing in this world
That I can't understand, that's a girl
It was a sad, sad old day
Sad old day, it was a sad old day
Writer/s: RICHARDS, KEITH / JAGGER, MICK
Publisher: Abkco Music, Inc.
Lyrics licensed and provided by LyricFind

Sad Sad Sad Song Chart

This is the first track from Steel Wheels, an album that brought The Stones back together. Jagger and Richards had both done solo albums and it looked like The Stones may have been done.

The horns were played by the Brass ensemble The Kick Horns.

Ron Wood played bass. Bill Wyman, The Stones bassist, had to deal with the press after announcing his engagement to 18-year-old Mandy Smith, and was not available. Wyman and Smith divorced soon after their marriage.

Charlie Watts helped write this, but as was custom for The Stones, it was credited only to Jagger/Richards.

Druckfarben - Long Walk Down

Druckfarben - Long Walk Down Lyrics and Youtube Music Videos

Album: Second Sound
Released: 2014

Long Walk Down Lyrics

Long Walk Down Song Chart

"Long Walk Down" is the fifth track on Druckfarben's 2014 sophomore release, Second Sound. The music was written by the progressive rock band's keyboard player, Will Hare. He brought the song to their guitarist, Ed Bernard , who liked it right away. "It was great because it has a nice ballad feel to it, which is something that we don't always do either," said Bernard in our interview.

Bernard was happy that "Long Walk Down" was fairly short because a criticism that prog rock often endures is that the songs are far too long so people do not want to listen them. Bernard explained that sometimes they have to fix the length of their tunes. "We actually try to make our songs longer sometimes if it doesn't happen," he said.

Bernard wrote the lyrics, and says he wants the listener to come up with their own meaning for the song. "I ad-libbed the vocals and I have absolutely no idea what I'm talking about," he said. "Everyone is free to interpret that one how they want but I think it's pretty."

Ministry - What About Us

Ministry - What About Us Lyrics and Youtube Music Videos

Album: Greatest Fits
Released: 2001

What About Us Lyrics

What About Us Song Chart

Ministry wrote this for the 2001 Steven Spielberg movie A.I., where the band performed it in the "Flesh Fair" scene. Ministry frontman Al Jourgensen came up with the lyrics to go along with the theme of the movie, which is the conflict between robots and humans; the humans mantra is "What About Us?", and they proceed to rip apart the robots at the Flesh Fair.

Ministry was the first real band Spielberg used in one of his movies, and for a while, it looked like the industrial rockers and the legendary director were not going to get along. In our 2012 interview with Al Jourgensen, he explained: "We were on set for three days; I saw Spielberg while we were onstage and we were doing rehearsals, but we didn't meet, so they set up a meeting with Spielberg, his handler, and the whole band. And it was kind of like meeting the queen. You couldn't talk to him, you couldn't look him in the face unless he talked to you. I was at the end of the line of the fans, and he got down to me, and I just blew off all the protocol, and I told him, 'Hey, Steve, baby, what's the deal? I thought 'A.I.' stood for Anal Intruder and this was supposed to be a porno film.' I told him that. 'This man's gotta walk. We're quitting today.' I was kidding. Just break the ice. But his handler freaked out and Spielberg took it personally and I had to chase him down in all my costuming and all this crap that I was wearing and just go, 'Look, I was just kidding! Just relax!' They were so uptight about it.

After that, every day on the set, Spielberg would come up and name a new moniker for A.I. Like, I think his first one was 'Animal Indecency.' So every day he'd come up and he'd name a new porn title. And then he finally started wearing my cowboy hat and started jamming with us on stage. So I love Steven, man, he's great. But we had kind of an auspicious start."

Stanley Kubrick was the original director for A.I., but when he died, Spielberg took it over. It was Kubrick who asked Ministry to write the song and perform in the film. "That was all initiated by Stanley Kubrick who called me up out of the blue and said he was a big fan and he had this screenplay that he sent me and he wanted us to be the band and to write the music for it," said Jourgensen. "I hung up on him. I thought it was a crank call. His secretary was calling and I was like, 'Yeah, right.' Click. And then he called back personally and then talked to me, and I was just freaked out. I mean, who wouldn't be freaked out? Here's this eccentric American God living in the countryside of England, and he's calling me up in Austin, Texas, and saying he wants me to do the music for his film and he wants me to be in his film and he's famous and all that. I didn't even believe it."

The robotic teddy bear plays a big role in Flesh Fair scene were Ministry performed this song in A.I., but it wasn't so cute when it was holding up production. Said Jourgensen: "I wound up getting stuck with this f--king electronic teddy bear that was on the set the whole time that was breaking down. So it took us like three weeks to film our part because the bear broke down every f--king day. (Laughing) We'd be sitting there on stage and you hear walkie talkies going on all over the place going, 'The bear is down! The bear is down!' So then we'd hit the commissary and just drink beers and get drunk and wait for the bear to get back up. And then you'd hear walkie talkies going, 'The bear is up! The bear is up! Everyone back on set!' So we'd have to run back on set in our costumes. And this f--king bear... seriously, I would like to buy it at auction just so I could put it in my firepot and burn it once and for all. This thing was a nightmare that bear. I hated that bear."

This doesn't appear on the A.I. soundtrack, where it would have clashed with the John Williams and David Foster pieces from the score.