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The Byrds - Eight Miles Hig
The Byrds - Eight Miles High


The Byrds - Eight Miles High Lyrics and Youtube Music Videos

Album: Fifth Dimension
Released: 1966

Eight Miles High Lyrics


Eight Miles High and when you touch down
You'll find that it's stranger than known
Signs in the street that say where you're going
Are somewhere just being their own

Nowhere is there warmth to be found
Among those afraid of losing their ground
Rain gray town known for its sound
In places small faces unbound

Round the squares huddled in storms
Some laughing some just shapeless forms
Sidewalk scenes and black limousines
Some living some standing alone

Writer/s: GENE CLARK, DAVID CROSBY, ROGER MC GUINN
Publisher: BMG RIGHTS MANAGEMENT US, LLC, HORI PRO ENTERTAINMENT GROUP, Reservoir One Music, RESERVOIR MEDIA MANAGEMENT INC
Lyrics licensed and provided by LyricFind

Eight Miles High
  • Many people believe this song is about drugs, but the band claimed it was inspired by a flight where singer Gene Clark asked guitarist Roger McGuinn how high they were in the sky. McGuinn told him six miles, but for the song they changed it to eight.

    This story was likely a smokescreen to keep the song in the good graces of sensitive listeners. The band had been doing a lot of drugs at the time, including LSD, which is the likely inspiration. If the band owned up to the drug references, they knew it would get banned by some radio stations, and that's exactly what happened when a radio industry publication reported that the song was about drugs and that stations should be careful about playing it. As soon as one station dropped it, others followed and it quickly sank off the charts.
  • In his book Echoes , Gene Clark said that he wrote the song on his own with David Crosby coming up with one key line ("Rain gray town, known for its sound"), and Roger McGuinn arranging the song with help from Crosby.

    In the Forgotten Hits newsletter, McGuinn replied: "Not true! The whole theme was my idea... Gene would never have written a song about flying. I came up with the line, 'Six miles high and when you touch down.' We later changed that to Eight because of the Beatles song 'Eight Days a Week.' I came up with several other lines as well. And what would the song be without the Rickenbacker 12-string breaks?"
  • This song is often cited in discussions of "Acid Rock," a term that got bandied about in 1966 with the release of Bob Dylan's Blonde on Blonde album. The genre covers a kind of psychedelic music that became popular at the time, and also the look and lifestyle that went with it. "Acid Rock" was hailed as a pathway to higher consciousness and derided as senseless drug music. At the end of the '60s, the term petered out, as rock critics moved on to other topics for their think pieces.
  • The band recorded this on their own, but Columbia Records made them re-record it before they would put it on the album, partly because they had contracts with unions. The Byrds liked the first version better.
  • Don McLean referred to this in his song "American Pie," which chronicles the change in musical style from the '50s to the '60s. The line is "Eight miles high and falling fast- landed foul out on the grass." McLean could be sardonically implying that the song is about drugs, since "foul grass" was slang for marijuana. (thanks, Brett - Edmonton, Canada)
  • Husker Du recorded a noise-pop version in 1985. (thanks, Paul - Glasgow, Scotland)

  • Tori Amos - Wild Wa
    Tori Amos - Wild Way


    Tori Amos - Wild Way Lyrics and Youtube Music Videos

    Album: Unrepentant Geraldines
    Released: 2014

    Wild Way Lyrics


    I hate you
    I hate you, I do
    I hate that
    You're the one who can
    Make me feel gorgeous
    With just just a flick of your finger
    It is that easy

    Yes there was a time
    You didn't always get your way
    Back there where my heart
    Was not so easy to invade
    When my battlements were strong
    Before the Pilgrims came
    Don't forget you were the one
    Who loved my Wild Way

    I hate you
    I hate you I do
    I hate that
    I turn into a kind
    Some kind of monster
    With just just a flick of your finger
    It is that easy

    Of course there was a time
    You didn't always get your way
    Back there where my heart
    Was not so easy to invade
    When my battlements were strong
    Before the pilgrims came
    Don't forget you were the one
    Who loved my wild way

    I hate you
    I hate you I do
    I hate that
    You're the one who can
    Make me feel gorgeous
    With just just a flick of your finger
    It is that easy
    To hate you
    To hate you

    Writer/s: MYRA ELLEN TORI AMOS
    Publisher: SWORD AND STONE PUBLISHING CO.
    Lyrics licensed and provided by LyricFind

    Wild Way
  • This song finds Tori Amos drawing parallels between gender relations and the treatment of Native Americans. "I've always been aware of my part Cherokee ancestry," she told Uncut magazine, "the idea that I'm both conquered and conqueror. 'Wild Way' explores how violent, manipulative men will fetish women as they use them, just as pilgrims fetished Indians while they were committing genocide. And society hasn't really confronted either."

  • Lifehouse - Cling And Clatte
    Lifehouse - Cling And Clatter


    Lifehouse - Cling And Clatter Lyrics and Youtube Music Videos

    Album: No Name Face
    Released: 2000

    Cling And Clatter Lyrics


    Too many voices, It won't take long
    Which one's right, which one's wrong
    Yours is most likely to be misunderstood
    Screaming in tongues

    On the top of my lungs
    'Til I find you, 'til you found me
    Somehow I always knew that you would
    And I am contemplating matters

    All this Cling And Clatter
    In my head, and what you said
    Is ringing, ringing faster
    And it's all good if you would

    Stop the world from making sense
    And if I could just realize
    It doesn't really matter
    It doesn't really matter

    It doesn't really matter
    If I could touch
    The sound of silence now
    You know I would if I knew how

    To make these intentions
    Come around
    I'm hearing without listening
    And believing every word

    You are not saying
    Speaking without a sound
    Trapped inside
    Of these four walls

    Walking brainless muppet dolls
    Mushroom face
    Beneath the tangles
    Bleeding silhouette inside

    Dancing like an angel would

    Writer/s: Aniello, Ron John / Wade, Jason
    Publisher: Sony/ATV Music Publishing LLC, RESERVOIR MEDIA MANAGEMENT INC
    Lyrics licensed and provided by LyricFind

    Cling And Clatter
  • Lifehouse lead singer Jason Wade: "That's about trying to make your way through the cling and clatter - all the noise and emotional distractions - to get to what you really need. It's about sorting through the conflicting voices inside and outside your head." (thanks, Patti - Mahopac, NY)

  • Capital Cities - Tell Me How To Liv
    Capital Cities - Tell Me How To Live


    Capital Cities - Tell Me How To Live Lyrics and Youtube Music Videos

    Album: In a Tidal Wave Of Mystery
    Released: 2013

    Tell Me How To Live Lyrics


    The grass is greener
    The grass is greener

    Been a good man
    Been a good man all my life
    Can’t stand the feeling, I’ve been so hypnotized

    Been a good man
    Been a good man all my life
    Can’t stand the feeling, I’ve been so hypnotized

    Ain’t nobody gonna Tell Me How To Live
    Ain’t nobody gonna tell me how to live
    Ain’t nobody gonna tell me how to live

    Ain’t nobody gonna tell me how to live

    The grass is greener, greener on my side
    You know you love the feeling
    I’ve come to hypnotize

    The grass is greener, greener on my side
    You know you love the feeling
    I’ve come to hypnotize

    Ain’t nobody gonna tell me how to live
    Ain’t nobody gonna tell me how to live
    Ain’t nobody gonna tell me how to live
    Ain’t nobody gonna tell me how to live

    Been a good man
    Been a good man
    I’ve come to
    I’ve come to hypnotize

    Ain’t nobody gonna tell me how to live
    Ain’t nobody gonna tell me how to live
    Ain’t nobody gonna tell me how to live
    Ain’t nobody gonna tell me how to live

    Writer/s: SIMONIAN, SEBU / MERCHANT, RYAN
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Tell Me How To Live
  • Sebu Simonian of Capital Cities singles this out as one of his favorites from the duo's debut album. In our 2014 interview , he told us about the song:

    "That one incorporates the oud, which is an ancient Armenian stringed instrument; kind of like an ancient guitar. It has a little bit of a guitar vibe, with this strong Hip-Hop feeling to it.

    I think we were able to do something clever with that: it's got electronic sounds mixed with the very ancient Armenian stringed instrument. I think it's special and new, so I like that track a lot."

  • Lifehouse - Only On
    Lifehouse - Only One


    Lifehouse - Only One Lyrics and Youtube Music Videos

    Album: No Name Face
    Released: 2000

    Only One Lyrics


    She's got a pretty smile it covers up the poison
    That she hides she walks around in circles in my head
    Waiting for the chance to break me chance to take me down
    Well I see the burden you gave me
    It's too much to carry it's too much to bury inside
    I guess you're the Only One
    Nobody changes I guess you're the only one
    That's still doing everything else ...
    You're still the only one yeah you're still the only one
    Wisdom shallow oh so peeling
    Now I'm up to my ankles and I'm drowning
    Away in a sea sarcastic faces familiar places
    Everything that's quite the same it's all confusing ...
    Amusing literally tainted a picture you've painted to me
    I guess you're the only one
    Nobody changes I guess you're the one
    That's still doing when everything else goes down
    You're still the only one
    We never change faces
    I guess you're the only one that's still doing
    Everything else goes down
    Just cause the sounds in your head
    Doesn't mean it has to be in mine
    Don't believe what you said still can't get it out of my mind
    I've tried to find myself in approval
    I've already been there already done that
    It got me no where it brought me nothing
    But a good place to hide in no one to confide in
    Now I guess you're the only one
    Nobody changes I guess you're the only one
    That will never change faces
    I guess you're the only one

    Writer/s: JASON WADE
    Publisher: RESERVOIR MEDIA MANAGEMENT INC
    Lyrics licensed and provided by LyricFind

    Only One
  • Lead singer Jason Wade: "I wrote "Only One" right after someone in my life did something I felt was totally wrong. It was a really tough time for me. I have these trails in my life, like my dad leaving and my not being with him anymore, and then this man, who I really looked up to, failing. "Only One" is about how sometimes people are just not there for you and you have to look somewhere else for guidance." (thanks, Patti - Mahopac, NY)

  • Ice Cube - It Was a Good Da
    Ice Cube - It Was a Good Day


    Ice Cube - It Was a Good Day Lyrics and Youtube Music Videos

    Album: The Predator
    Released: 1993

    It Was a Good Day Lyrics


    Break me, shit, yo

    Just waking up in the morning gotta thank God
    I don't know but today seems kinda odd
    No barking from the dogs, no smog
    And momma cooked a breakfast with no hog
    I got my grub on, but didn't pig out
    Finally got a call from a girl want to dig out
    Hooked it up on later as I hit the do'
    Thinking will i live another twenty fo'
    I gotta go cause I got me a drop top
    And if I hit the switch, I can make the ass drop
    Had to stop at a red light
    Looking in my mirror not a jacker in sight
    And everything is alright
    I got a beep from Kim and she can fuck all night
    Called up the homies and I'm askin' y'all
    Which park, are y'all playin' basketball?
    Get me on the court and I'm trouble
    Last week fucked around and got a triple double
    Freaking brothers every way like M.J.
    I can't believe, today was a good day

    Drove to the pad and hit the showers
    Didn't even get no static from the cowards
    Cause just yesterday them fools tried to blast me
    Saw the police and they rolled right past me
    No flexin', didn't even look in a niggas direction as I ran the intersection
    Went to $hort Dog's house, they was watchin' Yo! MTV Raps
    What's the haps on the craps
    Shake 'em up, shake 'em up, shake 'em up, shake 'em
    Roll 'em in a circle of niggaz and watch me break 'em
    With the seven, seven-eleven, seven-eleven
    Seven even back do' little Joe
    I picked up the cash flow
    Then we played bones, and I'm yellin' domino
    Plus nobody I know got killed in South Central L.A.
    Today was a good day

    Left my niggas house paid
    Picked up a girl been tryin' to fuck since the twelfth grade
    It's ironic, I had the brew she had the chronic
    The Lakers beat the Supersonics
    I felt on the big fat fanny
    Pulled out the jammy, and killed the punanny
    And my dick runs deep so deep so deep put her ass to sleep
    Woke her up around one
    she didn't hesitate, to call Ice Cube the top gun
    Drove her to the pad and I'm coasting
    Took another sip of the potion hit the three-wheel motion
    I was glad everything had worked out
    Dropped her ass off, then I chirped out
    Today was like one of those fly dreams
    Didn't even see a berry flashing those high beams
    No helicopter looking for a murder
    Two in the morning got the fat burger
    Even saw the lights of the Goodyear Blimp
    And it read Ice Cube's a pimp (yeah)
    Drunk as hell but no throwing up
    Half way home and my pager still blowing up
    Today I didn't even have to use my A.K.
    I got to say It Was a Good Day

    Hey wait, wait a minute fool stop the shit
    What the fuck am I thinking about?

    Writer/s: ISLEY, MARVIN / GOODMAN, ALBERT / JACKSON, O'SHEA / RAY, HARRY MILTON / ROBINSON, SYLVIA / ISLEY, O'KELLY / JASPER, CHRISTOPHER / ISLEY, ERNIE / ISLEY, RUDOLPH / ISLEY, RONALD
    Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    It Was a Good Day
  • The song was meant to be a contrast to the other songs on Ice Cube's album, The Predator, which was recorded in the wake of the LA Riots of 1992. According to Cube, "The inspiration was my life at the time... I was at the top of the rap game. It was the summer of '92 and I was in a hotel room, really in a state of euphoria. I had all the money I had dreamed of. I was in a good frame of mind. And I remember thinking, 'Okay, there's been the riots, people know I will deal with that. That's a given. But I rap all this gangsta stuff – what about all the good days I had?"
  • The song's music video is the first half of a two-part series. It is the prelude to the video for "Check Yo Self," which depicts Ice Cube being arrested in front of his home and being sent to prison.
  • The song is exactly 4:20 in length, an allusion to the song's depiction of hedonistic activity (specifically, marijuana use). (thanks, Fujiko - Lexington, KY for above 3)
  • The slinky groove on this song is sampled from an Isley Brothers tune called "Footsteps in the Dark."
  • Ice Cube ends this song on a negative note, ordering his DJ to stop the record and declaring, "Stop this s--t! What the f--k I'm thinking about." Turns out the good day may have been imaginary.
  • This was Ice Cube's most popular song, getting lots of spins on Urban radio stations and some play on Top 40 stations with bold program directors. Of course, the version used on the radio was heavily edited, but there was little mistaking what he meant by "my Jimmy runs deep."

    It was Ice Cube's highest Hot 100 chart placing, and an especially lucrative one since he wrote the song entirely by himself (credited to his real name: O'Shea Jackson). Many of his other chart entries are collaborations, including his recording with the female rapper Yo-Yo on "You Can't Play With My Yo-Yo" (#36, 1991) and "Check Yo Self," which he recorded with Das EFX (#20, 1993).

  • Lifehouse - Somebody Else's Son
    Lifehouse - Somebody Else's Song


    Lifehouse - Somebody Else's Song Lyrics and Youtube Music Videos

    Album: No Name Face
    Released: 2000

    Somebody Else's Song Lyrics


    Can't change this feeling I'm way out of touch
    Can't change this meaning it means too much
    Never been this lonely never felt so good
    Can't be the only one misunderstood I remind myself of somebody else
    Feeling like I'm chasing like I'm facing myself alone
    I've got somebody else's thoughts in my head I want some of my own
    I want some of my own I want some of my own

    Can you see me up here would you bring me back down
    Cause I've been living to see my fears as they fall to the ground
    I remind myself of somebody else
    Feeling like I'm chasing like I'm facing myself alone
    I've got somebody else's thoughts in my head I want some of my own
    I want some of my own I want some of my own am I hiding behind my doubts
    Are they hiding behind me closer to finding out it doesn't mean anything
    I remind myself of somebody else now

    Writer/s: Aniello, Ron John / Wade, Jason
    Publisher: Sony/ATV Music Publishing LLC, RESERVOIR MEDIA MANAGEMENT INC
    Lyrics licensed and provided by LyricFind

    Somebody Else's Song
  • Lead singer Jason Wade said that "When I was writing "Somebody Else's Song" I had this picture of some kid with all these expectations on him, about what he's supposed to become in the world and what he's supposed to do. That's where I got that lyric "I've got somebody else's thoughts in my head / I want some of my own." It's about figuring things out for yourself. There was this whole period where I was searching and trying to think for myself. I was, like, I don't want to believe in something just because my parents believe in it. Or, I don't want to go to college just because they told me to go to college. I think people go through that kind of stuff their whole lives." (thanks, Patti - Mahopac, NY)

  • Patsy Cline - Leavin' On Your Min
    Patsy Cline - Leavin' On Your Mind


    Patsy Cline - Leavin' On Your Mind Lyrics and Youtube Music Videos

    Album: The Patsy Cline Story
    Released: 1963

    Leavin' On Your Mind Lyrics


    If you got Leavin' On Your Mind
    Tell me now, get it over
    Hurt me now, get it over
    If you got leavin' on your mind

    If there's a new love in your heart
    Tell me now, get it over
    Hurt me now, get it over
    If there's a new love in your heart

    Don't leave me here, in a world
    Filled with dreams that might have been
    Hurt me now, get it over
    I may learn to love again

    If there's a new love in your heart
    Tell me now, get it over
    Hurt me now, get it over
    If there's a new love in your heart

    Hurt me now, get it over
    If there's a new love in your heart

    Writer/s: PIERCE, WEBB / WALKER, WAYNE P.
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Leavin' On Your Mind
  • Written by Wayne Walker and Webb Pierce, this was one of Cline's three posthumous Top 10 Country hits. The other two were "Sweet Dreams" and "Faded Love."
  • This song was first recorded by the Canadian singer Joyce Smith in 1961.
  • Country singer Jamie O'Neal covered this song for her 2014 covers album Eternal. She said in a Songfacts interview : "You don't hear a lot of songs like that these days that are just that really raw emotion. It's almost like desperation in a way. I feel like back then people used to sing and lay it all out on the table when they loved somebody."
  • This song was featured in the season one Lost episode "Tabula Rasa."

  • Lifehouse - Sick Cycle Carouse
    Lifehouse - Sick Cycle Carousel


    Lifehouse - Sick Cycle Carousel Lyrics and Youtube Music Videos

    Album: No Name Face
    Released: 2000

    Sick Cycle Carousel Lyrics


    If shame had a face
    I think it would kind of look like mine
    If it had a home would it be my eyes?
    Would you believe me
    If I said I am tired of this
    How here we go now one more time

    I tried to climb your steps
    I tried to chase you down
    I tried to see how low I could get down to the ground
    I tried to earn my way
    I tried to tame this mind
    You better believe that I tried to beat this

    So when will this end
    It goes on and on
    Over and over and over again
    Keep spinning around i know that it won't stop
    Till I step down from this for good

    I never thought I'd end up here
    I never thought Id be standing where I am
    I guess a kind of thought it would be easier than this I guess
    I was wrong now one more time

    I tried to climb your steps
    I tried to chase you down
    I tried to see how low I could get down to the ground
    I tried to earn my way
    I tried to tame this mind
    You better believe that I tried to beat this

    So when will this end
    It goes on and on
    Over and over and over again
    Keep spinning around
    I know that it won't stop
    Till I step down from this

    Sick Cycle Carousel,
    This is a sick cycle, yeah
    Sick cycle carousel
    This is a sick cycle, yeah

    So will this end
    It goes on and on
    Over and over and over again
    Keep spinning around
    I know that it won't stop
    Till I step down from this for good

    When will this end
    It goes on and on
    Over and over and over again
    Keep spinning around
    I know that it won't stop
    Till I step down from this for good

    Sick cycle carousel
    Sick cycle carousel
    Sick cycle carousel
    Sick cycle carousel
    Sick cycle carousel
    Sick cycle carousel
    Sick cycle carousel

    Writer/s: SCOTT FAIRCLOFF, JASON WADE
    Publisher: RESERVOIR MEDIA MANAGEMENT INC
    Lyrics licensed and provided by LyricFind

    Sick Cycle Carousel
  • Jason, the singer songwriter guitarist from Lifehouse, said:
    "It's about my relationship with my girlfriend. There was a specific time when we felt the struggles of going through a relationship, of trying to communicate and going through all the things you go through to get to that point of real depth. I wrote the song during the most crucial time when we were either going to break up, or continue our relationship." (thanks, Patti - Mahopac, NY)

  • Bingo Players - Knock You Ou
    Bingo Players - Knock You Out


    Bingo Players - Knock You Out Lyrics and Youtube Music Videos

    Album: Single Release Only
    Released: 2014

    Knock You Out Lyrics


    Eight miles high and when you touch down
    You'll find that it's stranger than known
    Signs in the street that say where you're going
    Are somewhere just being their own

    Nowhere is there warmth to be found
    Among those afraid of losing their ground
    Rain gray town known for its sound
    In places small faces unbound

    Round the squares huddled in storms
    Some laughing some just shapeless forms
    Sidewalk scenes and black limousines
    Some living some standing alone

    Writer/s: GENE CLARK, DAVID CROSBY, ROGER MC GUINN
    Publisher: BMG RIGHTS MANAGEMENT US, LLC, HORI PRO ENTERTAINMENT GROUP, Reservoir One Music, RESERVOIR MEDIA MANAGEMENT INC
    Lyrics licensed and provided by LyricFind

    Knock You Out
  • On December 17, 2013, one half of Bingo Players, Paul Bäumer, died after an ongoing cancer battle. Maarten Hoogstraten announced in early 2014 that Bingo Players would be continuing on as a solo act, as per Paul's wishes. He released this song around the same time.
  • The song was built around by Bäumer and Hoogstraten of Australian singer-songwriter Sia Furler's demo vocal. New Yorker Kim Viera was then brought in to sing on the track. The Berklee College School of Music graduate first broke through after her soulful rendition of Rihanna's "Diamonds" became a viral hit.
  • Hoogstraten told Billboard magazine that he instantly connected to Sia's lyrics about self-empowerment and triumph over haters. "It's all about overcoming struggles and emotional challenges, it really reflects [where I am] right now," he said. "When I play it, it's spot on. I could write those lyrics myself."

  • Harry Chapin - Cat's in the Cradl
    Harry Chapin - Cat's in the Cradle


    Harry Chapin - Cat's in the Cradle Lyrics and Youtube Music Videos

    Album: Verities And Balderdash
    Released: 1974

    Cat's in the Cradle Lyrics


    My child arrived just the other day
    He came to the world in the usual way
    But there were planes to catch, and bills to pay
    He learned to walk while I was away
    And he was talking 'fore I knew it, and as he grew
    He'd say, "I'm gonna be like you, dad
    You know I'm gonna be like you."

    [Chorus]
    And the Cat's in the Cradle and the silver spoon
    Little boy blue and the man in the moon
    "When you coming home, dad?" "I don't know when
    But we'll get together then
    You know we'll have a good time then."

    My son turned ten just the other day
    He said, "Thanks for the ball, dad; come on, let's play
    Can you teach me to throw?"
    I said, "Not today, I got a lot to do."
    He said, "That's okay."
    And he walked away, but his smile never dimmed
    And said, "I'm gonna be like him, yeah
    You know I'm gonna be like him."

    [Chorus]

    Well, he came from college just the other day
    So much like a man, I just had to say
    "Son, I'm proud of you. Can you sit for a while?"
    He shook his head, and he said with a smile
    "What I'd really like, dad, is to borrow the car keys
    See you later; can I have them please?"

    And the cat's in the cradle and the silver spoon
    Little boy blue and the man in the moon
    "When you coming home, son?" "I don't know when
    But we'll get together then, dad
    You know we'll have a good time then."

    I've long since retired, and my son's moved away
    I called him up just the other day
    I said, "I'd like to see you if you don't mind."
    He said, "I'd love to, dad, if I could find the time
    You see, my new job's a hassle, and the kid's got the flu
    But it's sure nice talking to you, dad
    It's been sure nice talking to you."
    And as I hung up the phone, it occurred to me
    He'd grown up just like me
    My boy was just like me

    And the cat's in the cradle and the silver spoon
    Little boy blue and the man in the moon
    "When you coming home, son?" "I don't know when
    But we'll get together then, dad
    We're gonna have a good time then."

    Writer/s: CHAPIN, HARRY F./CHAPIN, SANDY
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Cat's in the Cradle
  • This heartbreaking song tells of a father and son who can't schedule time to be with each other, and it serves as a warning against putting one's career before family. The verses start out with a natural harmony and depict the tale of a father with his newborn son. Although dad gets the necessities of child rearing accomplished, he doesn't allow himself to put in quality time with his son because of his career. Initially, this seems like no big deal because of his hectic and oblivious life working and paying bills.

    The recurring verse has the son saying, "I'm gonna be like you Dad, you know I'm gonna be like you..."

    Over time, both father and son grow into a switching of life roles. The father realizes his son's ambitions of college, grades, and driving, and wants to spend more time with him, yet slowly grasps the reality that now his son has no time for such things. In the last verse, Chapin illustrates that the son is all grown up with a fast-paced job and kids of his own. In a glaring twist of roles, we see that the son now has no time to spend with his father. With a heavy heart, dad realizes that his boy has become just like him.
  • This song is based on a poem that Harry's wife Sandy wrote. She told us: "'Cat's In The Cradle' was a combination of a couple of things. Whenever I was on a long drive I would listen to country music, because words would keep me awake more than just music. And I heard a song… I can remember the story, but I don't remember who sang it or what the title was, but an old couple were sitting at their breakfast table and looking out the window, and they saw the rusted swing and the sandbox, and they were reminiscing about the good old days when all the children were around and then the grandchildren, and how it passed, and now it's all gone.

    The other part of the idea – this is always a problem, because Harry introduced the song at all his concerts and said, 'This is a song my wife wrote to zap me because I wasn't home when our son Josh was born.' I was always kind of amused by that because of the fact that we learn life's lessons too late. We don't learn lessons before the fact. We don't have a child born and then have all this wisdom. So I always thought it was interesting the way he told the story.

    But I learned the story because my [first] husband was going to New York to be a lawyer, and I had a teaching job in New York. While we were apartment hunting, we were living with his parents in Brooklyn. His father was the borough president of Brooklyn at the time, which I think was a much more important job than it is today. But every day when he got home from work, he would start talking to his son about, 'It'd be great if you'd go down to the club on Tuesday night, I'd like to introduce you to some of the people I know,' and so forth. And he started trying to engineer a career for him which leads to politics. They did not have any relationship or communication because they had been so busy until his son went off to college and was gone. I don't remember exactly how, but he started talking to me. My father-in-law would say me, even though we were all in the same room, 'Tell Jimmy I would like to see him down at the clubhouse on Tuesday.' It was really very strange.

    So this is the way the evenings went. The conversation was going through me. So I realized what had happened. You know, relationships and characters and personalities and all those things are formed by two, so I realized that that hadn't happened. And it was very jerky at that stage. So I observed something that gave me the idea for the song."
  • It took the birth of his son for Harry Chapin to decide to turn the poem his wife wrote into a song. Sandy Chapin explained in her Songfacts interview: "Harry and I would exchange writing of all kinds. We were always working on each other's writing. Some of my writing at a certain period were 20-page papers for a doctoral program at Columbia. So it wasn't always that poetic. But we both looked at each other's stuff. And then one time he came home and he said, 'What have you been doing?' I showed him 'Cat's In The Cradle,' and he said, 'Well, that's interesting.'

    You know, sometimes he'd pick up something and put music to it. And that didn't really grab him at all. And then after Josh was born, it did. He picked it up and he wrote music to it."
  • Sandy Chapin runs the Harry Chapin Foundation, which does what it can to continue supporting the causes Harry championed when he was alive. While Sandy does a lot of work for the foundation, her focus is her family and her role as an on-call grandmother for six grandchildren. As can be expected of the woman who wrote "Cat's In The Cradle," she values the time she can spend with them while they are still young.

    In our 2009 interview, she said: "The eldest of the six has just gone into 6th grade, which means not only does she live in a community where the kids grow up fast, but now she's in a middle school where everybody thinks they're teenagers and ought to be in high school. So you know, you have to grab those years. It used to be when I would drive up to the house, she would jump out and run and greet me, and say, 'Grandma, what's the project for today?' Because I would always bring some arts and crafts. We'd make Thanksgiving place cards, or Christmas tree ornaments. But all through the year I was always doing projects with them. So now she's answering her e-mail, she's on her cell phone and doing dates, walking around town with her friends, being a grownup, and doing all the after school activities. You have to grab that chance when you have it." (Read more in our interview with Sandy Chapin .)
  • The message about procrastination and missed opportunities makes this song an excellent parable for use in church sermons, where it remains very popular.
  • Harry Chapin included various symbols of childhood in the lyrics as reminders of how quickly it ends. "Cat's Cradle" is a game played with string, "Silver Spoons" are ornamental spoons for babies, and "Little Boy Blue" is a nursery rhyme. "Man In The Moon" could be about the human features children see when they look at the moon.
  • This song was used for a commercial in Northern Ireland about the troubles at the time. In the spot, a father is involved in one of the political groups and he isn't much of an example for his son (flash back father with gun running into house terrorizing family of opposite religion, etc.). Because of this the kid ends of following in his foot steps. It tried to send the message that following a bad example can become a vicious circle and unless we change, the troubles will never go away and our children will suffer. (thanks, Tess - L'Derry, Ireland)
  • There have been many cover versions of this song, but the only one to chart is by Ugly Kid Joe, a puckish rock band known for their novelty hit "Everything About You." Released as a single from their 1992 album America's Least Wanted, their rendition went to #6 US and #7 UK (the only UK chart entry for the song, since Chapin's original didn't make the tally).

    In their remake, Ugly Kid Joe changed the lyric "Man in the moon" to "Man ON the moon," apparently thinking the song was referring to Neil Armstrong's 1969 lunar landing. Another tweak: their version is titled "Cats in the Cradle," without the apostrophe. This indicates that there is more than one cat in the cradle, but it's unlikely the band was concerned with the vagaries of grammar.

    Ugly Kid Joe's version is earnest, however. When we spoke with their lead singer Whitfield Crane , he said, "That song means a lot to me just because of my childhood."
  • The video for the Ugly Kid Joe version was directed by Matt Mahurin, an illustrator whose work has appeared in many high-profile magazines. Mahurin was shooting a lot of music videos around this time, including clips for Alice in Chains ("No Excuses") and Soundgarden ("Outshined").

    For the "Cats in the Cradle" video, Mahurin shows the boy growing into a man, ending with a shot of the father old and lonely. It's an elegant and touching portrayal of the song, with lots of cinematic slow-motion footage.

    The scenes where Whitfield Crane is singing were shot in Mahurin's game room - he had Crane sit on the pool table and sing. They had what they needed after one take.
  • This song plays throughout a Nissan commercial that debuted during the 2015 Super Bowl (between the Patriots and Seahawks). In the spot, a champion race car driver spends most of his time away from home and rarely sees his son. At the end of the commercial, he shows up in a Nissan to surprise his now-teenaged son.

    We found the ad troubling for two reasons:

    1) The idea that an absentee father can show up late in his child's life and all will be forgiven.
    2) At one point in the commercial, the driver survives a crash. Chapin was killed in a car accident.

    Still, any time the song is used in a commercial, Chapin's estate gets paid, which ultimately benefits his foundation.

  • Brantley Gilbert - Small Town Throwdow
    Brantley Gilbert - Small Town Throwdown


    Brantley Gilbert - Small Town Throwdown Lyrics and Youtube Music Videos

    Album: Just as I Am
    Released: 2014

    Small Town Throwdown Lyrics


    Aw Son
    Round these parts there ain't much to do
    Except work like a dog til Friday
    Punch that clock
    Cash that check raise a little hell til Sunday
    Its about that time

    There's a party back in the woods tonight
    Heard it thru the redneck grapevine
    Gotta keg of beer and a buncha girls
    Sure enough gonna be a good time

    It's a Small Town Throwdown
    Its time to tall boy up let them tailgates down
    Yea Man its on tonight right into morning light
    Crank that country up loud
    It's a small town throwdown

    Ow we bout to throw it down son
    Now we gotta field full of daisy dukes
    Round here we know how to grow em
    Rockin' little body and long tan legs
    Sure ain't scared to show em naw

    Show a little son girl
    Somebody said them city boys
    Riding around looking for some trouble
    If they bring it cross that county line
    Ya know there's gonna be a rumble

    It's a small town throwdown
    Its time to tall boy up let them tailgates down
    Yea Man its on tonight right into morning light
    Crank that country up loud
    It's a small town throwdown

    Come on
    It's a small town

    (Small town) Throwdown (Throwdown)
    Its time to tall boy up
    Let them tailgates down
    Yea man its on tonight
    Right in to the morning light
    Crank that country up loud

    (Crank it up loud)
    It's a small town Throwdown(Throwdown)
    It's a small town throwdown
    Its time to tall boy up
    Let them tailgates down
    Aw man its on tonight

    Right in the morning light
    Crank that country up loud
    It's a small town throwdown
    It's a small town throwdown
    Now that's country ha ha, son

    Writer/s: DAVIDSON, DALLAS / AKINS, RHETT / HAYSLIP, BEN / GILBERT, BRANTLEY
    Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Small Town Throwdown
  • Gilbert tapped labelmates Thomas Rhett and Justin Moore for this Country-rocker. "Oh, it was awesome," Rhett said to The Boot of working with his Valory Music Co labelmates. "You know, we're the three guys on the label, and so it's just really cool to have, first of all, three of your buddies on a song, and second of all, all three of the guys on your label on the same song."
  • The song was penned by Gilbert and the Peach Pickers, a songwriter team composed of Rhett Akins (Thomas Rhett's dad), Dallas Davidson, and Ben Hayslip. "It's just a throwdown song, a party song," Gilbert told Billboard magazine. "It's when we all get together out in the middle of nowhere – we don't need a club, a cover charge or nothing. Most of the time, you charge somebody three dollars for a Dixie cup, and let them drink a keg all night."

  • Lyrics

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