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Metronomy - On Dancefloors
Metronomy - On Dancefloors


Metronomy - On Dancefloors Lyrics and Youtube Music Videos

Album: Nights Out
Released: 2008

On Dancefloors Lyrics


Hearing is getting me down
Is getting me down to the disco floor
Hearing is wearing me down
It's wearing down from my ears

All those evenings
Spent disappointed On Dancefloors
[Incomprehensible] and learn one day

I wanna get more from this
I wanna get more from this
I wanna get more from this, than you

Sometimes I'll put up with it, alright
But I can't even dance the way I might
Were it just me and you tonight?

I wanna get more from this
I wanna get more from this
I wanna get more from this
I wanna get more from this, than you

Writer/s: MOUNT, JOSEPH PATRICK
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

On Dancefloors
  • Metronomy frontman Joe Mount told NME that this was the first song he wrote that had "more than four or so words in it." He added: "When I wrote it I was living in a Brighton bedsit. Bedsits are great places for steering up all kinds of emotions. I think I stole the 'I want to get more from this' from Roxy Music's 'More Than This.'"
  • Philip Castle did the Nights Out album cover. Mount explained to NME: "He was an airbrush artist in the 70s and I wanted him to do a kind of pastoral English scene, but airbrush it. One problem was that airbrushing is much better if you use metallic colours, and I wanted to use dark green."

    "But yeah," Mount added, "it's supposed to look like a dystopian future city."

  • Rush - Limbo
    Rush - Limbo


    Rush - Limbo Lyrics and Youtube Music Videos

    Album: Test For Echo
    Released: 1996

    Limbo Lyrics


    Limbo
  • In the middle of the song, when you hear, "Whatever happened to my Transylvania twist?", it's a quote from "Monster Mash," a 1962 hit by Bobby "Boris" Pickett and the Crypt-Kickers. The sounds heard at the beginning of the song (water bubbling, chains dropping and dragging) are also taken from "Monster Mash." (thanks, Mike - Mountlake Terrace, Washington)
  • Limbo was the first level of Hell in the book Dante's Inferno. (thanks, Chris - Ocean County, NJ)
  • Neil Peart (from Jam! Showbiz, Oct. 16, 1996): "I'd been stuck on Monster Mash and we were trying to use the Internet to get the words because I couldn't remember them. One of the guys on the production team is an Internet preacher. So I said, 'Here's your chance, go get these lyrics for me.' Well, he went onto the Internet and found the lyrics - but they were wrong! In all the jokes of that, our co-producer, Peter Collins, went out and bought the CD that had a compilation of some funny songs like that. We got to listening to it, thinking about how funny it was and decided to put some samples of it in there. That's Igor going 'Goo mash goo.' We had to get special permission and pay money and everything. You think it's so strange, when you just want to make a joke, and people want you to get permission and pay money." (thanks, Matthew Daubert - Mequon, WI)

  • Metronomy - Some Written
    Metronomy - Some Written


    Metronomy - Some Written Lyrics and Youtube Music Videos

    Album: The English Riviera
    Released: 2011

    Some Written Lyrics


    I tried to catch you up but I'm too late
    So as I finish up your lemonade
    I'll send a message, Some Written, one sung
    You left a number that's eight numbers long

    I though I did enough but that's my mistake
    It's time to liven up your lemonade
    I'll send a message, some written, one sung
    You left a number that's eight numbers long

    There's no getting over so I'm done
    I'll forget the number and I'm gone
    There's no getting over so I'm done
    I'll forget the number and I'm gone

    Writer/s: MOUNT, JOSEPH PATRICK
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Some Written
  • Metronomy frontman Joe Mount recalled to NME: "I remember sitting down and playing the end section of this song over and over again. At that point I had no idea how it would actually become a track, I just enjoyed playing the part. I have about six or so versions of how it could have panned out, as it is, it's my most Billy Joel moment."

  • Rush - Chain Lightning
    Rush - Chain Lightning


    Rush - Chain Lightning Lyrics and Youtube Music Videos

    Album: Presto
    Released: 1989

    Chain Lightning Lyrics


    Energy is contagious
    Enthusiasm spreads
    Tides respond to lunar gravitation
    Everything turns in synchronous relation

    Laughter is infectious
    Excitement goes to my head
    Winds are stirred by planets in rotation
    Sparks ignite and spread new information

    Respond, vibrate, feed back, resonate

    Sun dogs fire on the horizon
    Meteor rain stars across the night
    This moment may be brief
    But it can be so bright

    Hope is epidemic
    Optimism spreads
    Bitterness breeds irritation
    Ignorance breeds imitation

    Sun dogs fire on the horizon
    Meteor rain stars across the night
    This moment may be brief
    But it can be so bright

    Reflected in another source of light
    When the moment dies
    The spark still flies
    Reflected in another pair of eyes

    Dreams are sometimes catching
    Desire goes to my head
    Love responds to your invitation
    Love responds to imagination

    Respond, vibrate, feed back, resonate

    Writer/s: NEIL PEART, GEDDY LEE WEINRIB, ALEX LIFESON
    Publisher: OLE MEDIA MANAGEMENT
    Lyrics licensed and provided by LyricFind

    Chain Lightning
  • Neil Peart (from the Rush Profiled! CD): "I'm a weather fanatic - I really love weather, and I watch the weather and look for a good weatherman. And, one night I was watching it, and there are two incidents in that song that are Synchronicity to one weather report, where the weatherman showed a picture of sun dogs, and described them, and they are just two little points of light that appear at sunset, often in the winter when the sky is clear and crystalline, and they are like little prisms, and they sit about ten degrees north and south of the setting sun, and they are just beautiful little diamonds of light, and often times there's a circle of light - one line, that connects them. So they are a really beautiful natural phenomenon, and I love the name too. 'Sun dogs' just has a great sound to it. And in that same weather forecast, the weatherman announced a meteor shower that night, and so my daughter and I went out on the lake in the middle of the night and watched this meteor shower. So the whole idea of the song was response and how people respond to things, and it's a thing I've found a lot in traveling around the world, too. It's not enough just to travel and see things. You have to respond to them - you have to feel them, and a lot of the thrust of that song is how things are transferred, like chain lightning or enthusiasm or energy or love are things that are contagious, and if someone feels them, they are easily transferable to another person, or in the case of watching a meteor shower, it's made more special if there is someone else there. 'Reflected in another pair of eyes' is the idea that it's a wonderful thing already, just you and the meteor shower, but if there's someone else there with you to share it, then it multiplies, you know, it becomes exponentially a bigger experience, so response is a theme that recurs in several of the songs and was one of my probably dominant sub-themes in the writing." (thanks, Mike - Mountlake Terrace, Washington)

  • Tegan and Sara - Everything Is Awesome
    Tegan and Sara - Everything Is Awesome


    Tegan and Sara - Everything Is Awesome Lyrics and Youtube Music Videos

    Album: The Lego Movie
    Released: 2014

    Everything Is Awesome Lyrics


    Everything Is Awesome
  • This song was performed by the Canadian identical twins Tegan and Sara Quin as the theme song for The Lego Movie, whilst musical comedy trio The Lonely Island delivered the rap breakdown.

    To the delight of parents accustomed to biding their time through dreadful movies their kids like, the film was very entertaining for both generations. Adults picked up on the Orwellian themes, as the evil ruler of Bricksburg (not-so-subtly named "Lord Business") keeps the citizens in line with a propaganda campaign that includes this song - the only one allowed to play. Tegan and Sara were asked to "sound as jubilant as possible" to give the song a vibe that is so euphoric it's creepy.
  • This was written by the soundtrack composer Shawn Patterson (El Tigre: The Adventures of Manny Rivera), Canadian singer-songwriter Joshua Bartholomew, and Los Angeles Rock musician Lisa Harriton who has toured with The Smashing Pumpkins as their keyboardist and back-up vocalist. The song was produced by Devo's Mark Mothersbaugh .
  • Tegan Quin went into the studio with Mothersbaugh to record the song's main vocals, while Sara sent in backing vocals from her apartment. The Lonely Island delivered their rapped contribution separately.
  • The song succeeds in both getting the listener super pumped up and spoofing it. Mothersbaugh told The Los Angeles Times: "The directors requested something like that, and I think it fits in a smart way. It's a mantra for everyone to get up and go to work and buy $30 cups of coffee. It's an irritant. But after the transformation in the movie, when the characters learn to create, it becomes something bigger. And then at the ending it becomes kind of ironic."
  • Tegan & Sara signed on to record the song after hearing an early version, which didn't yet have Lonely Island's contribution. "It's a crazy earworm," Sara Quin told Billboard magazine. "As someone who prides myself on being able to write things that are memorable and hooky, the second that we heard this song, I was astounded. Whether you like the song or not, whether you think it's funny or annoying, there's no denying that it's a ridiculously hooky thing. As soon as you hear it, it never leaves your brain."
  • The Lego Movie soundtrack also contains three non-dance interpretations of the song by other artists including one by Joshua Bartholomew and Lisa Harriton.
  • The music video features Lego versions of Tegan and Sara Quin as well as The Lonely Island trio of Akiva Schaffer, Andy Samberg and Jorma Taccone.
  • This was nominated for an Oscar for Best Original Song - Tegan and Sara performed it at the ceremony along with The Lonely Island, Mark Mothersbaugh, Questlove, and a team of colorful, hyperkinetic dancers. The movie, however, was snubbed for a nomination, even in the Best Animated Feature Film category. When the nominations were announced, the film's co-director Philip Lord tweeted a photo of a yellow Oscar statuette made of Legos. When this song was performed at the ceremony, the dancers handed out these Lego Oscars to the audience. The show's host Neil Patrick Harris was seen holding one on stage.

  • Rush - Force Ten
    Rush - Force Ten


    Rush - Force Ten Lyrics and Youtube Music Videos

    Album: Hold Your Fire
    Released: 1987

    Force Ten Lyrics


    Tough times demand tough talk
    Demand tough hearts demand tough songs
    Demand

    We can rise and fall like empires
    Flow in and out like the tide
    Be vain and smart, humble and dumb
    We can hit and miss like pride

    We can circle around like hurricanes
    Dance and dream like lovers
    Attack the day like birds of prey
    Or scavengers under cover

    Look in
    To the eye of the storm
    Look out
    For the force without form
    Look around
    At the sight and the sound
    Look in look out look around

    We can move with savage grace
    To the rhythms of the night
    Cool and remote like dancing girls
    In the heat of the beat and the lights

    We can wear the rose of romance
    An air of joie de vivre
    Too-tender hearts upon our sleeves
    Or skin as thick as thieves'

    Rising falling at Force Ten
    We twist the world and ride the wind

    Look in
    Look the storm in the eye
    Look out
    To the sea and the sky
    Look around
    At the sight and the sound
    Look in look out look around

    Writer/s: ALEX LIFESON, GEDDY LEE WEINRIB, NEIL PEART, PAUL PHILIP WOODS
    Publisher: OLE MEDIA MANAGEMENT
    Lyrics licensed and provided by LyricFind

    Force Ten
  • Geddy Lee (on Rockline, 10/5/87): "It was more or less an afterthought in the writing stage. We took two months to do all of our writing and preproduction, you know, preparation for the making of the record, and we had nine songs, and we had about a day and a half left of time booked before we were supposed to leave and get ready to make the record. And our producer and all of us were pushing for ten tracks on the album, and some lyrics had been submitted to us by a friend of ours, Pye Dubois, who co-wrote 'Tom Sawyer' with us in years gone by. And Neil was able to put some of his own thoughts to one of the songs that he had and present it to us in the morning of the last day that we were there, and we loved the results, so we got together and brainstormed for about 2 or 3 hours, and we had Force Ten."
  • When asked what the title meant, Neil Peart said: "The Beaufort scale - look it up!"
  • Peart: "The song expresses ways to face barriers and urges people not to be afraid of failure - one of our basic temperamental traits."
  • Geddy Lee (Bass Player, 1987): "Before I had a visit from Jeff Berlin, who's a friend, on the tour I had the opportunity to watch him goofing around backstage with a bass, and was just amazed at his knowledge of bass chords. That's something I had never really exploited in my playing, so he inspired me to play around more with it. He probably doesn't know it, and would be embarrassed to hear it. I ended up using bass chords on "Force Ten" and "Turn The Page." Not so much in the sense of strumming them as using my thumb more, almost like a fingerpicking style of playing, which is something that I'm still working on. Just plucking with my thumb and going back and forth between the thumb and the first two fingers and pulling. Almost like a snapping technique. It's opened up a bit more range for me. There's more melodic possibilities and rhythmic possibilities too, which is an important role for the bass player. If you can establish not only a melody but a rhythmic feel, that's an extra tool."
  • The song opens with the sound of a jackhammer. The session keyboard player Andy Richards had a sample of it that the band used. (thanks, Mike - Mountlake Terrace, Washington, for all above)

  • Adrenaline Mob - Feel The Adrenaline
    Adrenaline Mob - Feel The Adrenaline


    Adrenaline Mob - Feel The Adrenaline Lyrics and Youtube Music Videos

    Album: Men Of Honor
    Released: 2014

    Feel The Adrenaline Lyrics


    Feel The Adrenaline
  • Guitarist Mike Orlando explained the meaning of this propulsive tune: "It's about a car, but it's also about us," he said. "Are you feeling the Adrenaline we're bringing you as a band? You can take it a few ways. There's the double entendre of a beautiful girl and the car too. It's whatever gets you revved up."

  • Pink Floyd - Yet Another Movie
    Pink Floyd - Yet Another Movie


    Pink Floyd - Yet Another Movie Lyrics and Youtube Music Videos

    Album: A Momentary Lapse of Reason
    Released: 1987

    Yet Another Movie Lyrics


    One sound, one single sound
    One kiss, one single kiss
    A face outside the window pane
    However did it come to this?

    A man who ran, a child who cried
    A girl who heard, a voice that lied
    The sun that burned a fiery red
    The vision of an empty bed

    The use of force, he was so tough
    She'll soon submit, she's had enough
    The march of fate, the broken will
    Someone is lying very still

    He has laughed and he has cried
    He has fought and he has died
    He's just the same as all the rest
    He's not the worst, he's not the best

    And still this ceaseless murmuring
    The babbling that I brook
    The seas of faces, eyes upraised
    The empty screen, the vacant look

    A man in black on a snow white horse,
    A pointless life has run its course,
    The red rimmed eyes, the tears still run
    As he fades into the setting sun

    You're going on that plane to take you where you belong.
    But no, I have
    You have got to listen to me.
    Do you have any idea what you have to look forward to if you stay here?
    Nine chances out of ten we both end up in a concentration camp and that
    You're only saying these things to make me go.
    I'm saying it 'cause it's true. Inside us, we both know we belong in different
    Maybe not today, maybe not tomorrow, but soon, and for the rest of your life.
    But what about us?
    But what about us?
    But what about us?

    Writer/s: GILMOUR, LEONARD
    Publisher: IMAGEM U.S. LLC
    Lyrics licensed and provided by LyricFind

    Yet Another Movie
  • Dave Gilmour (from Only Music, December 1987): "It's a more surrealistic effort than anything I've attempted before. I don't even know what all of it means myself." (thanks, Mike - Mountlake Terrace, Washington)

  • Adrenaline Mob - House of Lies
    Adrenaline Mob - House of Lies


    Adrenaline Mob - House of Lies Lyrics and Youtube Music Videos

    Album: Men Of Honor
    Released: 2014

    House of Lies Lyrics


    House of Lies
  • Guitarist Mike Orlando explained this cut: "It's high energy with a cool groove and sexy bass line," he said. "It's about a strip club. You go into those places, and they're houses of lies. Make me feel good. Lie to me honey!"

  • Dead Kennedys - I Fought The Law
    Dead Kennedys - I Fought The Law


    Dead Kennedys - I Fought The Law Lyrics and Youtube Music Videos

    Album: Plastic Surgery Disasters / In God We Trust, Inc.
    Released: 2001

    I Fought The Law Lyrics


    Drinkin' beer in the hot sun
    I Fought The Law and
    I won
    I fought the law and
    I won

    I needed sex and I got mine
    I fought the law and
    I won
    I fought the law and
    I won

    The law don't mean shit
    If you got the right friends
    That's how this county's run
    Twinkies are the best friend I ever had

    I fought the law and
    I won
    I fought the law and
    I won

    I blew George and Harvey's brains out with my
    Six gun!
    I fought the law and
    I won
    I fought the law and
    I won

    Gonna write my book and make a million
    I fought the law and
    I won
    I fought the law and
    I won

    I'm the new folk hero of the Ku Klux Klan
    My cop friend thinks it's fun
    You can get away with murder if you got a badge

    I fought the law and
    I won
    I fought the law and
    I won
    I fought the law and
    I won
    I AM the law so I won

    Writer/s: CURTIS, SONNY
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    I Fought The Law
  • The song is about the murder of San Francisco mayor George Moscone and his aide Harvey Milk ("I blew George and Harvey's brains out with my six-gun") by police officer Dan White, who later managed to get out of a double murder sentence through a rather peculiar insanity defense - he claimed he went temporarily insane after eating too many Twinkies ("Twinkies are the best friends I ever had") even though there is evidence the murders were premeditated.
  • This song was featured in the second season Crime Story episode "Pauli Taglia's Dream." During portions of the titular dream, John Santucci lip-synchs to the song. (thanks, James - Tracy, CA)

  • Austin Mahone - U
    Austin Mahone - U


    Austin Mahone - U Lyrics and Youtube Music Videos

    Album: single release only
    Released: 2014

    U Lyrics


    TUrn your radio up, turn your radio up, yea yea
    Turn your radio up, turn your radio up, yea yea

    Ain't no other shawty out for you baby,
    Put a million on that that that that,
    I took my world and gave you half of it baby,
    I pray you never give it back back back back.

    I love your style,
    I love your smile,
    I love your eyes,
    They look like diamonds to me
    So you could have it all,
    All of it baby,
    In your favorite store blowin' stacks stacks stacks.

    Because I know that all my dreams
    Are coming true yeah
    And I know-ow-ow-ow-ow-ow
    I'll never feel the way I feel girl,
    'Bout anyone but you, oh baby you yeah you,
    You oh baby you yeah you,

    See I'll go up and get a star for you baby
    Pick it out and bring it back back back back
    I'm glad you opened up your heart for me baby
    I ain't lying that's a fact fact fact fact

    I remember us sitting up late in my one bedroom apartment
    Memories runnin' thru my head head head head
    You the only one I want if you were to leave me
    I don't know what I would do instead stead stead stead
    'Cause I love ya, I love ya
    Even if I'm tempted I swear
    I'll never put none of them others above ya
    Hoping I can get along with your big brothers
    'Cause I'm in it for the long haul like truckers
    Cartier love, purple label kisses, just give me a minute
    And I'll be making you my Mrs.
    We can look exquisite, trips to the Pacific
    Look up in the sky like look Mèma I did it

    Because I know that all my dreams
    Are coming true yeah
    And I know-ow-ow-ow-ow-ow
    I'll never feel the way I feel girl,
    You oh baby you yeah you,
    You oh baby you yeah you,
    You oh baby you yeah you,
    You oh baby you yeah you,

    Turn your radio up, turn your radio up, yea yea
    Turn your radio up, turn your radio up, yea yea
    Baby throw your hands up, let's see you throw your hands up, yea yea
    Let me see them hands up, let me see them hands up, yea yea
    (See I love you)

    Because I know that all my dreams
    Are coming true yeah
    And I know-ow-ow-ow-ow-ow
    I'll never feel the way I feel girl, 'bout anyone but
    You oh baby you yeah you,
    You oh baby you yeah you,
    You oh baby you yeah you,
    You oh baby you yeah you
    Yeah you

    Writer/s: MAHONE, AUSTIN HARRIS / GREEN, BRANDON MICHAEL
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    U
  • Austin made this song available to his fans on Valentine's Day 2014. However, it's hardly new. "'U' was actually the first song that I recorded when I moved to Miami about two years ago, so it's kind of old but I've always loved the song," he said on Live From MTV. "It's always been one of my favorites and I just thought it would be cool to release it as a Valentine's Day gift to my fans."
  • Halfway through the song, Austin reveals his rapping skills. "Hopefully I didn't sound too white," he joked to MTV.

  • Rush - Vital Signs
    Rush - Vital Signs


    Rush - Vital Signs Lyrics and Youtube Music Videos

    Album: Moving Pictures
    Released: 1981

    Vital Signs Lyrics


    Unstable condition
    A symptom of life
    In mental
    And environmental
    Change

    Atmospheric disturbance
    The feverish flux
    Of human interface
    And interchange

    The impulse is pure
    Sometimes our circuits get shorted
    By external interference

    Signals get crossed
    And the balance distorted
    By internal incoherence

    A tired mind become a shape-shifter
    Everybody need a mood lifter
    Everybody need reverse polarity

    Everybody got mixed feelings
    About the function and the form
    Everybody got to deviate
    From the norm

    An ounce of perception
    A pound of obscure
    Process information
    At half-speed

    Pause
    Rewind, replay
    Warm memory chip
    Random sample
    Hold the one you need

    Leave out the fiction
    The fact is
    This friction
    Will only be worn by persistence

    Leave out conditions
    Courageous convictions
    Will drag the dream into existence

    A tired mind become a shape-shifter
    Everybody need a soft filter
    Everybody need reverse polarity

    Everybody got mixed feelings
    About the function and the form
    Everybody got to elevate
    From the norm

    Writer/s: NEIL PEART, GEDDY LEE WEINRIB, ALEX LIFESON
    Publisher: OLE MEDIA MANAGEMENT
    Lyrics licensed and provided by LyricFind

    Vital Signs
  • Neil Peart (Guitar for the Practicing Musician, 1986): "At the end of an album it's impossible for us to judge which songs will truly be popular and which won't. We're inevitably surprised. And then there are songs like "Vital Signs" from our Moving Pictures album. At the time it was a very transitional song. Everybody had mixed feelings about it, but at the same time it expressed something essential that I wanted to say. That's a song that has a marriage of vocals and lyrics I'm very happy with. But it took our audience a long time to get it, because it was rhythmically very different for us and it demanded the audience to respond in a different rhythmic way. There was no heavy downbeat; it was al counterpoint between upbeat and downbeat, and there was some reflection of reggae influence and a reflection of the more refined areas of new wave music that we had sort of takes under our umbrella and made happen. That song took about three tours to catch on. It was kind of a baby for us. We kept playing it and wouldn't give up. We put it in our encore last tour-putting it in the most exciting part of the set possible-and just demanded that people accept it because we believed in it. I still think that song represents a culmination-the best combination of music, lyrics, rhythm. It opens up so many musical approaches, from being very simplistic and minimal to becoming very overplayed. Everything we wanted in the song is there. So that song was very special to us. But we had to wait. We had to be patient and wait for the audience to understand us." (thanks, Mike - Mountlake Terrace, Washington)
  • In the Moving Pictures tour book, Peart added: "'Vital Signs' was the ultimate result, eclectic in the extreme, it embraces a wide variety of stylistic influences, ranging from the sixties to the present. Lyrically, it derives from my response to the terminology of 'Technospeak,' the language of electronics and computers, which often seems to parallel the human machine, in the functions and interrelationships they employ. It is interesting, if irrelevant, to speculate as to whether we impose our nature on the machines that we build, or whether they are merely governed by the inscrutable laws of Nature as we. (Perhaps Murphy's Laws?) Never mind!" (thanks, Nathan - Wichititty, KS)
  • Vocalist Geddy Lee recalled to The Plain Dealer newspaper in a 2011 interview: "That was a hoot to write. We wrote it in about 5 minutes in the studio. We just put it together quickly and had a lot of fun doing it. It's still fun to play. It's the quirkier side of Rush's sound, and I think there's always a need for that, to give your sound diversity."

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