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Articles by "1976"

Al Stewart - Year of the Cat
Al Stewart - Year of the Cat


Al Stewart - Year of the Cat Lyrics and Youtube Music Videos

Album: Year Of The Cat
Released: 1976

Year of the Cat Lyrics


On a morning from a Bogart movie
In a country where they turn back time
You go strolling through the crowd like Peter Lorre
Contemplating a crime
She comes out of the sun in a silk dress running
Like a watercolor in the rain
Don't bother asking for explanations
She'll just tell you that she came
In the Year of the Cat

She doesn't give you time for questions
As she locks up your arm in hers
And you follow 'till your sense of which direction
Completely disappears
By the blue tiled walls near the market stalls
There's a hidden door she leads you to
These days, she says, I feel my life
Just like a river running through
The year of the cat

While she looks at you so cooly
And her eyes shine like the moon in the sea
She comes in incense and patchouli
So you take her, to find what's waiting inside
The year of the cat

Well morning comes and you're still with her
And the bus and the tourists are gone
And you've thrown away your choice you've lost your ticket
So you have to stay on
But the drum-beat strains of the night remain
In the rhythm of the new-born day
You know sometime you're bound to leave her
But for now you're going to stay
In the year of the cat

Year of the cat

Writer/s: WOOD, PETER / STEWART, AL
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., CARLIN AMERICA INC
Lyrics licensed and provided by LyricFind

Year of the Cat
  • Stewart is Scottish born, and has been recording since 1967. His songs have lots of very catchy tunes, many historical and political themes, and lots of clever lyrics that seem to paint pictures in your mind. He was once described as the chief scribe of English music. (thanks, steve - worcester, England)
  • Many of the lyrics were inspired by the 1942 Humphrey Bogart movie Casablanca.
  • The title comes from Vietnamese astrology. The Year of the Cat is also called the Year of the Rabbit... It comes every 12 Years and it is supposed to be a stress free year. The Last Year of the Cat was 1999. It was also the Year of the Cat in 1975, the year before this came out. But, there is no guarantee that the Year of the Cat that Stewart sang about was 1975, since it could have been 1963, 1951,1939, 1927 and so forth. We'll look forward to the next one in 2011. (thanks, Brian - Grand Forks, ND)
  • Alan Parsons produced the album. Parsons was a prominent recording engineer long before going on to his own solo success. He had previously worked on the Pink Floyd album Dark Side of the Moon.
  • This started off as a completely different song. Al Stewart originally wrote the lyrics after seeing the British comedian Tony Hancock in Bournemouth, England in 1966. Hancock was very depressed, and the show was a disaster, with the comedian going to the front of the stage and addressing the audience directly and pouring out his soul. In Al Stewart: The True Life Adventures of a Folk Rock Troubadour , Stewart is quoted: "He came on stage and he said 'I don't want to be here. I'm just totally pissed off with my life. I'm a complete loser, this is stupid. I don't know why I don't just end it all right here.' And they all laughed, because is was the character he played... this sort of down-and-out character. And I looked at him and I thought, Oh my god, He means it. This is for real." Hancock killed himself in 1968 with a drug overdose. Stewart's song was originally titled "Foot Of The Stage," with the chorus, "Your tears fall down like rain at the foot of the stage.
    Many of Stewart's songs have alternate lyrics, and he wasn't happy with the Hancock-inspired words, as he didn't want to take advantage of the man's tragedy and besides, no one in America knew who Hancock was. Al re-wrote the lyrics as "Year Of The Cat," which he delivered to Parsons. (thanks, mike - Edinburgh, United Kingdom)

  • Rush - A Passage To Bangko
    Rush - A Passage To Bangkok


    Rush - A Passage To Bangkok Lyrics and Youtube Music Videos

    Album: 2112
    Released: 1976

    A Passage To Bangkok Lyrics


    Our first stop is in BogotÁ
    To check Columbian fields
    The natives smile and pass along
    A sample of their yield
    Sweet Jamaican pipe dreams
    Golden Acapulco nights
    Then Morocco, and the East
    Fly by morning light

    We're on the train to Bangkok
    Aboard the Thailand Express
    We'll hit the stops along the way
    We only stop for the best

    Wreathed in smoke in Lebanon
    We burn the midnight oil
    The fragrance of Afghanistan
    Rewards a long day's toil
    Pulling into Kathmandu
    Smoke rings fill the air
    Perfumed by a Nepal night
    The Express gets you there

    Writer/s: NEIL PEART, GEDDY LEE WEINRIB, ALEX LIFESON
    Publisher: OLE MEDIA MANAGEMENT
    Lyrics licensed and provided by LyricFind

    A Passage To Bangkok
  • This song is about the travails of using marijuana and opium, which is grown in Bangkok).
  • In the book Contents Under Pressure: 30 years of Rush by Martin Popoff, Alex Lifeson admits to smoking hashish (a high-grade form of marijuana) after some dental work in the early seventies. In the book Traveling Music: The Soundtrack To My Life And Times by Neil Peart, he admits to using recreational drugs including marijuana and LSD as a youth. (thanks, Mike - Mountlake Terrace, Washington, for above 2)

  • Judas Priest - The Rippe
    Judas Priest - The Ripper


    Judas Priest - The Ripper Lyrics and Youtube Music Videos

    Album: Sad Wings Of Destiny
    Released: 1976

    The Ripper Lyrics


    You're in for surprise
    You're in for a shock
    In London town streets
    When there's darkness and fog
    When you least expect me
    And you turn your back
    I'll attack

    I smile when I'm sneaking
    Through shadows by the wall
    I laugh when I'm creeping
    But you won't hear me at all

    All hear my warning
    Never turn your back
    On The Ripper

    You'll soon shake with fear
    Never knowing if I'm near
    I'm sly and I'm shameless
    Nocturnal and nameless
    Except for "The Ripper"
    Or if you like "Jack The Knife"

    Any back alley street
    Is where we'll probably meet
    Underneath a gas lamp
    Where the air's cold and damp
    I'm a nasty surprise
    I'm a devil in disguise
    I'm a footstep at night
    I'm a scream of the fright

    All hear my warning
    Never turn your back
    On the ripper, the ripper, the ripper

    Writer/s: TIPTON, GLENN
    Publisher: Peermusic Publishing
    Lyrics licensed and provided by LyricFind

    The Ripper
  • This is a brief recounting of the crimes of Jack the Ripper, from the perspective of the killer.
  • This was parodied in the movie This Is Spinal Tap in a scene where they mention a Spinal Tap project called "Saucy Jack." (thanks, Jeff - Haltom City, TX)

  • Rush - Lakeside Par
    Rush - Lakeside Park


    Rush - Lakeside Park Lyrics and Youtube Music Videos

    Album: Caress Of Steel
    Released: 1976

    Lakeside Park Lyrics


    Midway hawkers calling
    "Try your luck with me"
    Merry-go-round wheezing
    The same old melody
    A thousand ten-cent wonders
    Who could ask for more?
    A pocketful of silver
    The key to heaven's door

    Lakeside Park
    Willows in the breeze
    Lakeside Park
    So many memories
    Laughing rides
    Midway lights
    Shining stars on summer nights

    Days of barefoot freedom
    Racing with the waves
    Nights of starlit secrets
    Crackling driftwood flames
    Drinking by the lighthouse
    Smoking on the pier
    Still we saw the magic
    Fading every year

    Everyone would gather
    On the twenty-fourth of May
    Sitting in the sand
    To watch the fireworks display
    Dancing fires on the beach
    Singing songs together
    Though it's just a memory
    Some memories last forever

    Writer/s: GEDDY LEE WEINRIB, ALEX LIFESON, NEIL PEART
    Publisher: OLE MEDIA MANAGEMENT
    Lyrics licensed and provided by LyricFind

    Lakeside Park
  • The "Lakeside Park" is St. Catharine's, on Lake Ontario in Canada. Rush drummer and lyricist Neil Peart lived very near Lakeside Park and spent summers as a child working and playing there. This song details his memories, his time spent there, and of how it used to be before they changed it.
  • The lyrics mention the "24th of May" - This is Victoria Day, commemorating Queen Victoria's birthday. (thanks, Mike - Mountlake Terrace, Washington)
  • Neil Peart (from Traveling Music): "Another important setting in my childhood and early teens was Lakeside Park, in Port Dalhousie. When I was 14 and 15, I worked summers at Lakeside Park as a barker ('Catch a bubble, prize every time,' all day and night), and there was music: some of the kids brought transistor radios to work, and the music of that summer of 1966 played up and down the midway. At night, when the midway closed, we gathered around a fire on the beach, singing. Lakeside Park resonated in my life in so many deep ways, especially those fundamental exposures to music that would be forever important. It's all gone now. All that's left, apart from memories, is the old merry-go-round." (thanks, Rick - Omaha, NE)
  • Get more information and view a photo of Lakeside Park

  • ABBA - Dancing Quee
    ABBA - Dancing Queen

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    ABBA - Dancing Queen Lyrics and Youtube Music Videos

    Album: Arrival
    Released: 1976

    Dancing Queen Lyrics




    Dancing Queen
  • This was written by ABBA members Bjorn Ulvaeus and Benny Andersson. According to ABBA's official site, it was conceived as a dance song with the working title "Boogaloo." They drew inspiration from the 1974 George McCrae disco hit "Rock Your Baby," and from the drumming on the 1972 album Gumbo by Dr. John . Their manager Stig Anderson came up with the title "Dancing Queen," and after several months working on the track, ABBA came up with arguably the world's first europop disco hit.
  • ABBA recorded this about a year before it was released. It was written and recorded around the same time as "Fernando," which was chosen as the single. They knew "Dancing Queen" would also be a hit, so they held it until the album was released before issuing it as a single.
  • ABBA performed this song on June 18, 1976 at a televised tribute to Queen Silvia and King Gustaf XVI of Sweden, who were married the next day.
  • This was the only one of ABBA's 14 US Top 40 hits to make it to #1.
  • Regarding the lyrics, "Night is young and the music's high," many listeners interpret this as a statement that the music makes you feel high. In ABBA's part of the world, however, it simply means that the music is loud.
  • Along with many other ABBA songs, this was featured in Muriel's Wedding, a hit Australian movie starring Toni Collette and Rachel Griffiths. (thanks, Katie - Australia)
  • According to the BBC Radio 2 DJ Chris Evans, when this song was played at a Windsor Castle event Queen Elizabeth said: "I always try to dance when this song comes on because I am the Queen and I like to dance."
  • This song also reached #1 in Australia, Belgium, Brazil, Ireland, Mexico, Netherlands, New Zealand, Norway, Rhodesia, South Africa, Sweden and West Germany. (thanks, Jerro - New Alexandria, PA)
  • When Benny first played Frida the song's backing track, she burst into tears. "And that was before me and Agnetha had even sung on it!" she smiled to The Guardian. "I knew it was absolutely the best song Abba had ever done."
  • This came top of a 2014 poll conducted by Blinkbox concerning the most commonly misheard lyrics in Pop. 22% of the people polled admitted they had mistaken the lyric "See that girl, watch that scene, diggin' the dancing queen" for, "See that girl, watch her scream, kicking the dancing queen."
  • Chris Stein of Blondie says that his group's 1979 hit "Dreaming" is "pretty much a cop" of "Dancing Queen."
  • U2 covered this during the band's Zoo TV tour in 1992, and were joined onstage by Bjorn and Benny when the show hit Stockholm. "ABBA have a purer joy to their music," Bono explains in the documentary ABBA: The Winner Takes It All, "and that's what makes them extraordinary."
  • The American disco singer Carol Douglas covered this song in 1977, taking it to #110 in America. The other two covers to chart are by ABBA clones A*Teens (#95 in 2000) and the Glee Cast (#74, 2011).

  • Eagles - The Last Resor
    Eagles - The Last Resort


    Eagles - The Last Resort Lyrics and Youtube Music Videos

    Album: Hotel California
    Released: 1976

    The Last Resort Lyrics


    The Last Resort
  • Don Henley wrote the lyrics about how people from the Eastern United States ruined the West early on. They killed the Native Americans, and the more West America goes, the more commercial it gets. (thanks, Bill - Johnstown, PA)
  • In a 1987 interview with Rolling Stone, Henley said: "The Last Resort, on Hotel California, is still one of my favorite songs... That's because I care more about the environment than about writing songs about drugs or love affairs or excesses of any kind. The gist of the song was that when we find something good, we destroy it by our presence - by the very fact that man is the only animal on earth that is capable of destroying his environment. The environment is the reason I got into politics: to try to do something about what I saw as the complete destruction of most of the resources that we have left. We have mortgaged our future for gain and greed."

  • Charlene - I've Never Been To M
    Charlene - I've Never Been To Me


    Charlene - I've Never Been To Me Lyrics and Youtube Music Videos

    Album: I've Never Been To Me
    Released: 1976

    I've Never Been To Me Lyrics


    Hey lady, you, lady, cursin' at your life
    You're a discontented mother and a rich inventive wife
    I've no doubt you dream about the things you'll never do
    But I wish someone had a talked to me like I wanna talk to you

    Ooh I've been to Georgia and California, oh, anywhere I could run
    Took the hand of a preacher man and we made love in the sun
    But I ran out of places and friendly faces because I had to be free
    I've been to paradise, but I've Never Been To Me

    Please lady, please, lady, don't just walk away
    Cause I have this need to tell you why I'm all alone today
    I can see so much of me still living in your eyes
    Won't you share a part of a weary heart that has lived a million lies

    Oh I've been to Nice and the isle of Greece
    While I sipped champagne on a yacht
    I moved like Harlow in Monte Carlo and showed 'em what I've got
    I've been undressed by kings and I've seen some things
    That a woman ain't s'posed to see
    I've been to paradise, but I've never been to me

    Hey, you know what paradise is? It's a lie. A fantasy we create about
    People and places as we'd like them to be. But you know what truth is?
    It's that little baby you're holding, and it's that man you fought with
    This morning, the same one you're going to make love with tonight.
    That's truth, that's love

    Sometimes I've been to cryin' for unborn children
    That might have made me complete
    But I, I took the sweet life and never knew I'd be bitter from the sweet
    I spent my life exploring the subtle whoring that cost too much to be free
    Hey lady, I've been to paradise, but I've never been to me

    I've been to paradise, never been to me
    (I've been to Georgia and California, and anywhere I could run)
    I've been to paradise, never been to me
    (I've been to Nice and the isle of Greece
    While I sipped champagne on a yacht)
    I've been to paradise, never been to me
    (I've been to cryin' for unborn children)

    Writer/s: Hirsch, Kenneth W / Miller, Ronald N.
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    I've Never Been To Me
  • Charlene originally recorded this in 1976, and it got to #97 in the American charts. Six years later, it was re-released after a Florida radio station started playing it to great public acclaim, by which time Charlene had moved to England and was working in an Ilford, Essex sweet shop. The re-release became a huge hit in England as well. (thanks, Edward Pearce - Ashford, Kent, England)
  • The song was originally written from a male perspective but was rewritten by Ron Miller for Charlene. The use of the line "I've been to crying for unborn children" was not written about abortion. The line refers to a woman who is at a point in her life that she wished she had taken the time to have children.
  • There are many misconceptions about this song. The spoken bridge in the song was not about or did it mention abortion - it was deemed too feminist and when Charlene's first album was re-released in 1977, the spoken bridge had been deleted. When the song became an unexpected hit in 1982 it was the version WITH the spoken bridge intact that was released. It has also been widely reported that the 1982 single was a re-recording, it is not. (thanks, Shawn - Los Angeles, CA)
  • Charlene was signed to Motown Records, but this was her only hit.
  • When this song was first released in America in 1976, Charlene's full name was Charlene Duncan through her marriage to record producer Larry Duncan, but when the song was released for a second time in 1982, her name was then Charlene Oliver because of her marriage to Englishman Jeff Oliver. (thanks, Terry - Northampton, England)
  • This was used in the 1994 movie The Adventures Of Priscilla, Queen Of The Desert.
  • There have been several cover versions of this song by both male and female artists, including Nancy Wilson, Randy Crawford, The Temptations, Walter Jackson and Howard Keel.
  • Charlene filmed the video for the song at Blicking Hall, Norfolk, England in the very same dress that she got married in. (thanks, Terry - Northampton, England)

  • Billy Joel - Summer, Highland Fall
    Billy Joel - Summer, Highland Falls


    Billy Joel - Summer, Highland Falls Lyrics and Youtube Music Videos

    Album: Turnstiles
    Released: 1976

    Summer, Highland Falls Lyrics


    They say that these are not the best of times
    But they're the only times I've ever known
    And I believe there is a time for meditation
    In cathedrals of our own

    Now I have seen that sad surrender in my mother's eyes
    I can only stand apart and sympathize
    For we are always what our situations hand us
    Its either sadness or euphoria

    So we'll argue and we'll compromise
    And realize that nothing's ever changed
    For all our mutual experience
    Our separate conclusions are the same

    Now we are forced to recognize our inhumanity
    A reason coexists with our insanity
    Though we choose between reality and madness
    Its either sadness or euphoria

    How thoughtlessly we dissipate our energies
    Perhaps we'll help fulfill each other's fantasies
    And as we stand upon the ledges of our lives with our respective similarities
    Its either sadness or euphoria

    Writer/s: JOEL, BILLY
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Summer, Highland Falls
  • A track from Billy Joel's fourth album, this song is about manic depression. He wrote it in 1975 during a transitional period in his life when he was moving back to New York after spending the previous three years in California. At a Howard Stern Town Hall event in 2014, Joel explained: "It was more about manic depression than depression. That song was about a relationship that wasn't really working out. It was very disappointing - you want everything to work out and when it doesn't, how do you deal with that?"
  • Joel wrote the music to reflect the highs and lows of manic depression. The song has a musical piano theme: the left hand plays the "depression" part, going slowly up and down, while the right hand is the "manic" part, playing a bouncy bit. "It actually describes manic depression in the music," says Joel.
  • Many yearbooks have been filled with the opening lines to this song:

    They say that these are not the best of times
    But they're the only times I've ever known


    It's a very unusual song in that the title doesn't appear in the lyric and there's no chorus. This limited its hit potential, but the song has endured as a favorite for many of Joel's ardent fans.
  • Highland Falls is the village in the southern part of New York State where Joel lived at the time.

  • Stevie Wonder - Isn't She Lovel
    Stevie Wonder - Isn't She Lovely


    Stevie Wonder - Isn't She Lovely Lyrics and Youtube Music Videos

    Album: Songs In The Key Of Life
    Released: 1976

    Isn't She Lovely Lyrics


    Isn't She Lovely
    Isn't she wonderful
    Isn't she precious
    Less than one minute old
    I never thought through love we'd be
    Making one as lovely as she
    But isn't she lovely made from love
    Isn't she pretty
    Truly the angel's best
    Boy, I'm so happy
    We have been heaven blessed
    I can't believe what God has done
    Through us he's given life to one
    But isn't she lovely made from love
    Isn't she lovely
    Life and love are the same
    Life is Aisha
    The meaning of her name
    Londie, it could have not been done
    Without you who conceived the one
    That's so very lovely made from love

    Writer/s: WONDER, STEVIE
    Publisher: EMI Music Publishing, Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Isn't She Lovely
  • Wonder wrote this to celebrate the birth of his daughter, Aisha. In 2005, Aisha (last name: Morris, which is Wonder's real name) sang a duet with her dad on his song "How Will I Know." (thanks, Brett - Edmonton, Canada)
  • The baby crying in the beginning is Aisha. Also, at the end of the song, Stevie says, "Come on, Aisha. Get out of the water, Baby," which is a memorable moment with Stevie and his daughter.

    Wonder had Aisha with Yolanda Simmons, who he mentions near the end of the song: "Londi it could have not been done, without you who conceived the one." (thanks, Annabelle - Eugene, OR)
  • Wonder performed the harmonica part, which was mostly improvised. It came out sounding very good.
  • This appears in the 2003 Cuba Gooding Jr. film The Fighting Temptations. Other movies to use the song include Sea of Roses (1978) and Juwanna Mann (2002). TV series to use it include Designing Women, Doogie Howser, M.D., and Desperate Housewives.
  • Much of the album was recorded at The Hit Factory, a legendary recording studio in New York City where John Lennon, Bruce Springsteen and Paul Simon also recorded. Wonder was the first client at The Hit Factory, which closed in 2005.
  • In 2015, Wonder was honored with the TV special Stevie Wonder: Songs in the Key of Life - An All-Star Grammy Salute. This was performed at the ceremony by Ne-Yo, who was joined midway through the song by Aisha Morris, surprising Wonder, who didn't expect to hear his daughter's voice.
  • American Idol finalist Clay Aiken performed this on the TV show Scrubs in the Episode "My Life in Four Cameras." (thanks, Logan - Troy, MT)
  • This was never released as a single by Stevie, despite Motown's requests, as he didn't want to edit down to a radio-friendly length.
  • A cover version by singer-songwriter and producer David Parton was a #4 hit in the UK in early 1977. Parton is best known for writing and co-producing Sweet Sensation's 1974 hit "Sad Sweet Dreamer" in 1974.

    Livingston Taylor (younger brother of James), released his version on his 1997 album, Ink.
  • The song entered the Billboard Hot 100 for the first time in May 2011 when a cover by The Glee Cast debuted at #65.

  • Neil Young - Long May You Ru
    Neil Young - Long May You Run


    Neil Young - Long May You Run Youtube Music Videos and Lyrics

    Album: Decade
    Released: 1976

    Long May You Run Lyrics


    Long May You Run
  • Neil's beloved Pontiac hearse, "Mort" (a.k.a. "Mortimer Hearseburg"), was the inspiration for this song. Neil drove "Mort" from Toronto to Los Angeles, where he met Stephen Stills and formed Buffalo Springfield.

    Neil was in Canada driving to Sudbury when 'Mort' broke down in Blind River, June 1965. (Which is contradictory to the lyrics; "well it was back in Blind River, in 1962, when I last saw you alive").
  • In 1976, Stephen Stills and Neil Young formed The Stills-Young Band and released an album called Long May You Run, which turned out to be somewhat ironic when the collaboration quickly stalled.

    Stills and Young wrote separately for the album, which Stephen contributing four songs, and Young adding five, including the title track.

    Stills is a longtime collaborator of Neil's, having worked with him first in Buffalo Springfield and then in Crosby, Stills, Nash & Young. However, they had a falling out only nine days into the Long May You Run tour. Young decided to abandon the project, leaving Stills with a mere telegram to explain his departure. It read: "Dear Stephen, funny how some things that start spontaneously end that way. Eat a peach. Neil."
  • In addition to Young's compilation album Decade this also appears on his 1993 album Unplugged. (thanks, Paulus - Tasmania, Australia, for all above)
  • The last ever Tonight Show with Conan O'Brien on Friday January 22, 2010 finished in style when O'Brien's final musical guest, Neil Young, performed this song in what appeared to be a poke at NBC. O'Brien had been asked to move his slot to 12:05 a.m., and the TV host refused to move his show to such a late hour, and instead negotiated a $45 million exit deal.
  • Neil Young performed this song at the Closing Ceremonies of the 2010 Vancouver Winter Olympic Games to a rousing ovation of Canadian audience members. (thanks, Chris - Red Deer, Alberta, Canada)

  • Kansas - Carry On Wayward So
    Kansas - Carry On Wayward Son


    Kansas - Carry On Wayward Son Youtube Music Videos and Lyrics

    Album: Leftoverture
    Released: 1976

    Carry On Wayward Son Lyrics


    Carry on my wayward son,
    For there'll be peace when you are done
    Lay your weary head to rest
    Don't you cry no more

    Once I rose above the noise and confusion
    Just to get a glimpse beyond the illusion
    I was soaring ever higher, but I flew too high
    Though my eyes could see I still was a blind man
    Though my mind could think I still was a mad man
    I hear the voices when I'm dreamin', I can hear them say

    Carry on my wayward son,
    For there'll be peace when you are done
    Lay your weary head to rest
    Don't you cry no more

    Masquerading as a man with a reason
    My charade is the event of the season
    And if I claim to be a wise man, it surely means that I don't know
    On a stormy sea of moving emotion
    Tossed about I'm like a ship on the ocean
    I set a course for winds of fortune, but I hear the voices say

    Carry on my wayward son,
    For there'll be peace when you are done
    Lay your weary head to rest
    Don't you cry no more

    Carry on, you will always remember
    Carry on, nothing equals the splendor
    Now your life's no longer empty
    Surely heaven waits for you

    Carry on my wayward son,
    For there'll be peace when you are done
    Lay your weary head to rest
    Don't you cry no more

    Writer/s: LIVGREN, KERRY
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Carry On Wayward Son
  • This was written by Kansas guitarist Kerry Livgren . According to Livgren, the song was not written to express anything specifically religious, though it certainly expresses spiritual searching and other ideas.

    Livgren became an evangelical Christian in 1980, and has said that his songwriting to that point was all about "searching." Regarding this song, he explained: "I felt a profound urge to 'Carry On' and continue the search. I saw myself as the 'Wayward Son,' alienated from the ultimate reality, and yet striving to know it or him. The positive note at the end ('Surely heaven waits for you') seemed strange and premature, but I felt impelled to include it in the lyrics. It proved to be prophetic."
  • This song can be seen as the continuation of the last song of Kansas' previous album Masque. As stated in the last verse of "The Pinnacle":
    "I stood where no man goes/Above the din I rose
    Life is amusing though we are losing
    Drowned in tears of awe..."

    By definition in the Cambridge dictionary, "Din" is a loud unpleasant confused noise which lasts for a long time. The first line of "Carry On Wayward Son" is: "Once I rose above the noise and confusion." (thanks, Rich - Trenton, NJ)
  • This was the group's first major hit, and like their next one, "Dust In The Wind," it was a last minute addition to the album. Kerry Livgren wrote the song just two days before they started recording Leftoverture. At that point, the band was polishing the songs they had, not bringing in new ones. "I've got one more song that you might want to hear," he told the band, and when he played "Carry On," they knew it was a hit and made it the lead track on the album.
  • The a cappella vocals in the beginning of this song gave it a very distinctive intro. This worked well on rock radio stations where disc jockeys rarely talked over the music.
  • This song has appeared in several movies, including Heroes (1977), Happy Gilmore (1996) and Anchorman - The Legend of Ron Burgundy (2004).
  • The Oak Ridge Boys recorded this for the album When Pigs Fly: Songs You Never Thought You'd Hear . Cevin Soling, who put the compilation together, said: "The Oak Ridge Boys, I wanted them to do Nine Inch Nails' 'Closer,' and I had this wonderful arrangement worked out... this very 'Elvira' Country version of the Nine Inch Nails' 'Closer,' with all the doo-wops and poppa oom maus and everything. I could not wait to get them in the studio to work on that. I had alternate lyrics, you know, but they were still uncomfortable with doing that. So that kind of went back and forth and somehow "Wayward Son" got thrown out there. I don't remember exactly who picked that one, but generally I'd give the artist a few choices and they sort of pick among them." (Check out our interview with Cevin Soling.)
  • This song is featured in the South Park episode "Guitar Queer-O." In the episode, Stan and Kyle become obsessed with the video game Guitar Hero and often play to "Carry On Wayward Son." The song is played throughout the episode. (thanks, Matthew - Hawthorne, NJ)
  • The album Leftoverture not only propelled Kansas to international stardom, it also saved the band for the time being. Kansas' previous record, Masque, was a commercial failure, and the progressive style of the band and their songs hindered their ability to get serious radio play. While he personally enjoyed the band, producer Don Kirshner gave Kansas one last chance: produce a hit record, or be dropped by the label. Overwhelmed and distressed with the predicament, the band returned to their hometown of Topeka, Kansas, to relax and begin writing for the next album.

    Lead singer and keyboard player, Steve Walsh, began suffering from writer's block which hindered his songwriting contributions, and so it was left up to lead guitar player and lyricist, Kerry Livgren, to generate song ideas and lyrics. Sitting at his parent's home, in front of the family organ, Livgren composed the music for what would become "Carry On Wayward Son." In late 2011, Livgren stated in a short interview at his home that the lyrics were partially about himself and the struggles and pressures he was facing at the time when the band's career was on the line. The piano interlude and accompanying verse express how happy the band's success had made him, as well as how sad and fearful he was that it might possibly be over ("I was soaring ever higher, but I flew too high"). However, the chorus expresses hope that everything will work out and that he must simply keep going. ("Carry on, my wayward son. There'll be peace when you are done").

    In reality, the song was almost not included on the album, and thus contributes to the album's title of Leftoverture. The album title comes from the idea that many of the songs are leftover songs from the band's past. For instance, the string part at the end of the second track, "The Wall", was an old song idea that was added on to the end of the song for the record. The album, while met with mixed reviews by critics, was commercially successful, going platinum five times. "Carry On" became the bands' first Top 40 hit (peaking at #11), and is often regarded as one of the greatest rock songs of all time. It gave Kansas the staying power it needed to keep producing records with Kirshner, and earned Kerry Livgren the reputation as one of the most respected musicians and lyricists in rock and roll. (thanks, Alex - Topeka, KS)

  • Heart - Crazy On Yo
    Heart - Crazy On You


    Heart - Crazy On You Youtube Music Videos and Lyrics

    Album: Dreamboat Annie
    Released: 1976

    Crazy On You Lyrics


    If we still have time, we might still get by
    Every time I think about it, I want to cry
    With bombs and the devil, and the kids keep comin'
    No way to breathe easy, no time to be young

    But I tell myself that I was doin' all right
    There's nothin' left to do at night
    But to go Crazy On You
    Crazy on you
    Let me go crazy, crazy on you, oh

    My love is the evenin' breeze touchin' your skin
    The gentle, sweet singin' of leaves in the wind
    The whisper that calls after you in the night
    And kisses your ear in the early moonlight
    And you don't need to wonder, you're doing fine
    My love, the pleasure's mine

    Let me go crazy on ya
    Crazy on you
    Let me go crazy, crazy on you, ohhh

    Wild man's world is cryin' in pain
    What you gonna do when everybody's insane
    So afraid of one who's so afraid of you
    What you gonna do...ohhh...

    (Ah-ah-ah-ah)

    Ooooo...Crazy on ya
    Crazy on you
    Let me go crazy, crazy on you

    I was a willow last night in my dream
    I bent down over a clear running stream
    Sang you the song that I heard up above
    And you kept me alive with your sweet flowing love

    Crazy
    Yeah, crazy on ya
    Let me go crazy, crazy on you, oh
    Crazy on ya
    Crazy on you
    Let me go crazy, crazy on you, yeah

    (Ah-ah-ah-ah)

    Crazy on ya
    Crazy on you
    Let me go crazy, crazy on you, ohhh...

    Writer/s: WILSON, ANN / WILSON, NANCY / FISHER, ROGER
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Crazy On You
  • Ann and Nancy Wilson wrote this song about Mike Fisher, who was an original guitarist for Heart (he eventually stopped performing and became their sound man) - he and Ann were dating. Roger Fisher, who is Mike's brother and also plays guitar in the band, is also credited as a writer on this song.

    According to Ann, she felt that the world was crazy and sometimes maddening, but her relationship with Mike kept her balanced.
  • This was Heart's first single. They were based in Vancouver at the time and signed to a small label called Mushroom. When the album became a hit, they moved to Seattle and signed with a label owned by CBS Records.
  • The original band members were from Seattle. According to the liner notes for one of their greatest hits albums, they moved to Vancouver when some of the male members of the band would have been subject to the draft in the Vietnam War. They returned to Seattle when that was no longer a threat of them being called up in the draft. Unfortunately, their Vancouver years limited their exposure in the US at a time when they could have been one of the top bands there. (thanks, Rick - Seattle, WA)

  • Al Green - Full of Fir
    Al Green - Full of Fire


    Al Green - Full of Fire Youtube Music Videos and Lyrics

    Album: Full of Fire
    Released: 1976

    Full of Fire Lyrics


    I'm Full of Fire (full of fire, full of fire)
    You're my one desire,
    Baby I'm full of fire (full of fire, full of fire)
    You can make me cry,
    I can dance to the music,
    I can sing, all night long
    I can play with the band, until you hear my song

    Cause I'm full of fire (full of fire, full of fire)
    See the party lights,
    Baby I'm full of fire (full of fire, full of fire)
    Its the reason why,
    I can dance with the fire,
    Burnin', burnin' low,
    I can stay until the party is all over

    Baby I'm full of fire (full of fire, full of fire)
    I'm over a twenty one,
    Baby I'm full of fire (full of fire full of fire)
    Life has just begun,
    Oh, oh I can dance to the music,
    I, I can under, understand
    That there must be an upper power that is holding my hand
    Dance, dance, dance

    Oh I understand,
    Young lady, young man, I say I understand,

    Baby I'm full of fire (full of fire, full of fire)
    I'm over a twenty one,
    Baby I'm full of fire (full of fire full of fire)
    Life has just begun,
    Oh, oh I can dance to the music,
    I, I can under, understand
    That there must be an upper power that is holding my hand
    Dance, dance, dance

    Oh I understand,
    Young lady, young man, I say I understand,

    I can dance dance, dance, dance,
    I understand, understand, understand
    There's some things that may not know,
    But I want the horn to blow,
    There's some things that I know,
    But I want the horn to blow,
    I can dance dance, dance, dance,
    I understand, understand, understand
    There's some things that may not know,
    But I want the horn to blow,
    I can dance
    Let me say that I can dance
    Full of fire, my heart's desire
    Full of fire

    Writer/s: GREEN, AL L. / MITCHELL, WILLIE / HODGES, MABON
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Full of Fire
  • Written by Al Green, producer Willie Mitchell and guitarist Mabon "Teenie" Hodges, this was the last of six #1 R&B hits for Green.
  • While his own studio was crowded with other artists, Mitchell was forced to record this Disco-flavored tune in not one, but two different studios. "I recorded part of it in Vegas and part of it in Chicago," he remembered. "The sound changed... because it was a different studio."
  • This song marks the beginning of the end in Green and Mitchell's partnership. After one more album in 1976, Have a Good Time (and the hit "Keep Me Cryin'") Green became a self-produced Gospel singer and the pair didn't work together again until 1985 for Green's He Is the Light album.

  • Kiss - Bet
    Kiss - Beth


    Kiss - Beth Youtube Music Videos and Lyrics

    Album: Destroyer
    Released: 1976

    Beth Lyrics


    Beth I hear you calling
    But I can't come home right now
    Me and the boys are playing
    And we just can't find the sound

    Just a few more hours
    And I'll be right home to you
    I think I hear them calling
    Oh Beth what can I do
    Beth what can I do

    You say you feel so empty
    That our house just ain't our home
    I'm always somewhere else
    And you're always there alone

    Just a few more hours
    And I'll be right home to you
    I think I hear them calling
    Oh Beth what can I do
    Beth what can I do

    Beth I know you're lonely
    And I hope you'll be alright
    'Cause me and the boys will be playing all night

    Writer/s: CRISS, PETER / EZRIN, BOB / PENRIDGE, STANLEY
    Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Beth
  • This song dates back to a band called Chelsea, which future Kiss drummer Peter Criss was in with the guitarist Stan Penridge from 1970-1972. Criss and Penridge came up with a song called "Beck," which was about the wife of their guitarist Mike Brand, whose name was Becky. She was constantly interrupting their band practices asking when Mike was coming home, and the song was a joke directed at him.

    In August 2000, less than a year before Penridge died at age 50, he explained to the KissFAQ : "'Beck' was written, almost word for word, from Mike Brand's responses to his wife's constant calls that interrupted our rehearsals. It got to the point where I wrote down his remarks over a period of three or four days in what I called my 'wizard book.' It was merely a small notebook I carried to jot down silly sayings, sketch in, to save ideas. If you look at the lyrics and view them as a hen-pecked hubby's remarks to his nagging wife you'll see what I mean. Just pause after every sentence and pretend there's a bitch at the other end of the line. You'll catch it - I'm sure. Absolutely not responsible at all. Another poorman's copyright by me in '70."

    Penridge and Criss recorded a demo of "Beck" but never released the song. In 1976, after Criss joined Kiss, he and Penridge revived the song and with the help of producer Bob Ezrin, they changed the title to "Beth" and made it more sentimental, changing the end of the first verse from:

    "I know you love complaining, but Beck what can I do?"
    to
    "I think I hear them callin', Oh, Beth what can I do?"
  • A piano ballad not typical of Kiss' sound, this was released as the B-side of "Detroit Rock City," which was the third single from the album, following "Shout It Out Loud" and "Flaming Youth." These three first single releases were hard-driving anthems in the style of Kiss' previous hit "Rock And Roll All Nite," but the song that got the most attention was "Beth." Radio stations began playing the song, and the record company responded by flipping the sides of the single, with "Beth" becoming the A-side about six weeks later. It became the biggest hit for Kiss, and their only their only song to get significant airplay on Top 40 radio and even - gasp - Adult Contemporary formats.
  • Stan Penridge co-wrote and played guitar on most of the songs on Peter Criss' 1980 solo album Out of Control. Criss was best man at Stan's wedding (Ace Frehley was also in the bridal party) and they worked together for a few years after Criss left Kiss. In 2000, Penridge filed a lawsuit claiming he was owed money for some of the songs he wrote with Criss that Kiss recorded, including "Baby Driver," "Dirty Living," and "Baby, Don't You let me Down."
  • Peter Criss sang lead, as he did on several Kiss songs, including "Black Diamond" and "Hard Luck Woman." He was the only member of the band to perform on this song - Dick Wagner played the acoustic guitar and an orchestra was brought in. Wagner had toured with Lou Reed and Alice Cooper, but was living in New York and taking session work at the time. He wasn't credited on the album, but remembers also playing on the tracks "Sweet Pain" and "Flaming Youth."
  • Live performances of this song were a bit of a problem unless Kiss had an orchestra handy. When they didn't, Peter Criss would move to the front of the stage and sing it to a recorded backing track.
  • This song is a source of contention between Peter Criss and Kiss frontman Paul Stanley. Criss was fired from the band in 1980, and while he participated in reunion tours, he was replaced by other musicians: first Eric Carr and then Eric Singer (on later tours, Singer would sometimes sing this song like Criss used to).

    As the co-writer/singer of Kiss' biggest hit, Criss stakes a solid claim to the band's legacy, but Stanley has maintained that Stan Penridge wrote just about all of "Beth," and Criss contributed very little to the song. "Peter had nothing to do with it," Stanley told Rolling Stone in 2014. "It was a lifeline that Peter hung on to validate himself, but it wasn't based on reality."

    The rift between Criss and Stanley runs far deeper than a dispute over this song. When Kiss was inducted into the Rock and Roll Hall of Fame in 2014, Stanley and Gene Simmons refused to reunite with the original lineup and ultimately decided not to perform at the ceremony.
  • Sitcom writer Paul Simms named the obnoxious secretary character from NewsRadio Beth after this song. The character had "no last name." (thanks, Brett - Edmonton, Canada)
  • Peter Criss married his first wife, Lydia, in 1970. They were still together when this song became a hit, which lent some veracity to the lyric about coming home to see your girl. In 1978, their relationship turned rocky when Criss took up with Debra Jensen, who was Miss January in Playboy that year. Peter and Lydia divorced in 1979 (with Lydia getting a reported $1 million settlement), and Peter and Debra were later married.
  • In our interview with Lydia Criss , she claims credit for coming up with the name "Beth." According to Lydia, Gene Simmons didn't want to call it "Beck" to avoid confusion with the guitarist Jeff Beck. She says she suggested "Beth" because she was thinking about the woman Neil Bogart of Kiss' label Casablanca Records was married to: the former Beth Weiss. Like the original inspiration for the song, Becky Brand, Beth was also a twin.

    Lydia also says that she provided the line "You say you feel so empty that our house just ain't our home." She explained: "I was working for six years of our marriage and supporting Peter. When I finally stopped working, I said, 'I feel so empty. I feel like this house isn't even my home.' And he put that in the song. Because I was used to paying the bills, and being a Scorpio, kind of controlling things. When I moved, I didn't have control anymore, so I felt a little empty, and they put it in a song."
  • This was used in a 2015 commercial for the Volkswagen Passat where a husband gets a call from his wife, Beth, that shows up on his car information system. He ignores it, and runs off to join their kids for some fun and adventure. Driving home with the kids asleep in the back seat, he tells the vehicle: "Text Beth: What can I do?" The reply: "Pick up milk."

  • Gordon Lightfoot - Wreck Of The Edmund Fitzgeral
    Gordon Lightfoot - Wreck Of The Edmund Fitzgerald


    Gordon Lightfoot - Wreck Of The Edmund Fitzgerald Youtube Music Videos and Lyrics

    Album: Summertime Dream
    Released: 1976

    Wreck Of The Edmund Fitzgerald Lyrics


    The legend lives on from the Chippewa on down
    Of the big lake they called 'gitche gumee'
    The lake, it is said, never gives up her dead
    When the skies of November turn gloomy
    With a load of iron ore twenty-six thousand tons more
    Than the Edmund Fitzgerald weighed empty
    That good ship and crew was a bone to be chewed
    When the gales of November came early

    The ship was the pride of the American side
    Coming back from some mill in Wisconsin
    As the big freighters go, it was bigger than most
    With a crew and good captain well seasoned
    Concluding some terms with a couple of steel firms
    When they left fully loaded for Cleveland
    And later that night when the ship's bell rang
    Could it be the north wind they'd been feelin'?

    The wind in the wires made a tattle-tale sound
    And a wave broke over the railing
    And every man knew, as the captain did too,
    T'was the witch of November come stealin'
    The dawn came late and the breakfast had to wait
    When the gales of November came slashin'
    When afternoon came it was freezin' rain
    In the face of a hurricane west wind

    When suppertime came, the old cook came on deck sayin'
    Fellas, it's too rough to feed ya
    At seven pm a main hatchway caved in, he said
    Fellas, it's been good t'know ya
    The captain wired in he had water comin' in
    And the good ship and crew was in peril
    And later that night when his lights went outta sight
    Came the Wreck Of The Edmund Fitzgerald

    Does any one know where the love of God goes
    When the waves turn the minutes to hours?
    The searches all say they'd have made Whitefish Bay
    If they'd put fifteen more miles behind her
    They might have split up or they might have capsized
    They may have broke deep and took water
    And all that remains is the faces and the names
    Of the wives and the sons and the daughters

    Lake Huron rolls, superior sings
    In the rooms of her ice-water mansion
    Old Michigan steams like a young man's dreams
    The islands and bays are for sportsmen
    And farther below Lake Ontario
    Takes in what Lake Erie can send her
    And the iron boats go as the mariners all know
    With the gales of November remembered

    In a musty old hall in Detroit they prayed,
    In the maritime sailors' cathedral
    The church bell chimed till it rang twenty-nine times
    For each man on the Edmund Fitzgerald
    The legend lives on from the Chippewa on down
    Of the big lake they call 'gitche gumee'
    Superior, they said, never gives up her dead
    When the gales of November come early

    Writer/s: LIGHTFOOT, GORDON
    Publisher: Moose Music Ltd./Early Morning Music Ltd.
    Lyrics licensed and provided by LyricFind

    Wreck Of The Edmund Fitzgerald
  • This is a factual retelling of a shipwreck on Lake Superior in November, 1975 that claimed the lives of 29 crew members. On November 10, 1975, the S.S. Edmund Fitzgerald broke in half and sunk in Lake Superior. The storm she was caught in reported winds from 35 to 52 knots, and waves anywhere from 10 to 35 feet high.

    She was loaded with 26,116 tons of taconite pellets at the Burlington Northern Railroad, Dock #1. Her destination was Zug Island on the Detroit River. There were 29 crew members who perished in the sinking.
  • In the US, this was held out of the #1 spot by Rod Stewart's "Tonight's The Night."
  • This was nominated for the Song of the Year Grammy, but it was beaten by Barry Manilow's "I Write The Songs." (thanks, Frank - Pembroke Pines, FL, for above 3)
  • Paul Gross hoped to use this tune for his episode of the TV show Due South, "Mountie on the Bounty." He discreetly tried to secure the rights to use the song, but out of respect for the families who wished not to be reminded of the tragedy he didn't pursue the option aggressively. He instead wrote the similarly themed song "32 down On The Robert MacKenzie." (thanks, Billy - Plymouth, NH)
  • Ohio-based Great Lakes Brewery produces a beer called Edmund Fitzgerald Porter. (thanks, Douglas - Waterloo, England)
  • In 1970, baseball commissioner Bud Selig's co-founding partner in the Brewers was fellow Milwaukee businessman Edmund B. Fitzgerald, a patron of Milwaukee arts and civic projects, and the son of a family that owned Great Lakes shipyards. In 1958, the freighter SS Edmund Fitzgerald was named for Edmund B.'s father. Fitzgerald later became a professor at Vanderbilt University.
  • An initial investigation suggested that the crew was partly to blame for the disaster by not securing the ship's hatches. Lightfoot's song reflected the original findings in the verse, "…at 7 p.m. a main hatchway gave in." However, in 2010 a Canadian documentary claimed to have proven the crew of the ship was not responsible for the tragedy. It concluded that there is little evidence that failure to secure the ship's hatches caused the sinking.
    Lightfoot said he intended to change it to reflect the new findings. "I'm sincerely grateful to yap films and their program The Dive Detectives for putting together compelling evidence that the tragedy was not a result of crew error," he said in a release. "This finally vindicates, and honours, not only all of the crew who lost their lives, but also the family members who survived them."
  • Lightfoot recalled the story of the song during a Reddit AMA: "The Edmund Fitzgerald really seemed to go unnoticed at that time, anything I'd seen in the newspapers or magazines were very short, brief articles, and I felt I would like to expand upon the story of the sinking of the ship itself," he said. "And it was quite an undertaking to do that, I went and bought all of the old newspapers, got everything in chronological order, and went ahead and did it because I already had a melody in my mind and it was from an old Irish dirge that I heard when I was about three and a half years old."

    "I think it was one of the first pieces of music that registered to me as being a piece of music," he continued. "That's where the melody comes from, from an old Irish folk song."
  • Lightfoot wrote the lyrics after coming up with the melody and chords. He recalled: "When the story came on television, that the Edmund had foundered in Lake Superior three hours earlier, it was right on the CBC here in Canada, I came into the kitchen for a cup of coffee and saw the news and I said 'That's my story to go with the melody and the chords.'"
  • In a 2015 interview with NPR's Scott Simon, Gordon Lightfoot explained that the article he read in Newsweek about the tragedy was, "Short shrift for such a monumental event." Lightfoot says the song came about when he discovered the newspaper writers kept misspelling the name of the ship, rendering it as "Edmond Fitzgerald" rather than "Edmund Fitzgerald." Though he didn't say whether or not the misspelling was deliberate, he was quoted as telling Scott, "That's it! If they're gonna spell the name wrong, I've got to get to the bottom of this!" (thanks, Annabelle - Eugene, OR)
  • This is referenced in the Seinfeld episode "Andrea Doria," when Elaine mistakenly believes Gordon Lightfoot was the name of the ship and Edmund Fitzgerald was the name of the singer. Jerry quips: "Yeah, and it was rammed by the Cat Stevens."

  • Johnnie Taylor - Disco Lad
    Johnnie Taylor - Disco Lady


    Johnnie Taylor - Disco Lady Youtube Music Videos and Lyrics

    Album: Eargasm
    Released: 1976

    Disco Lady Lyrics


    Shake it up,
    Shake it down;
    Move it in move it round,
    Disco Lady
    Move it in move it out move in and about disco lady.
    Shake it up shake it down
    Move it in move it out, disco lady.
    Hey sexy lady ,
    Said I like the way you move your thang,
    Lord have mercy girl,
    You dance so fine,and you're right on time.
    Girl you ought to be on T.V. on soul train.
    When you get the groove,
    It ain't no stopp-in. just can't help it, I'm finger pop-pin;
    Shake it up shake it down; move it in move it round, disco lady.
    Move it in move it round ;move it in round about,disco lady.
    Shake it baby shake it baby shake your thang;
    Shake it baby shake it baby shake your thang,
    You got me groovin,
    I feel like movin,
    Can't sit still I'm groovin. (spoken- I like that funky stuff)
    Shake it up
    Shake it down; move it in move it round, disco lady
    Move it in move it round
    Move it in round about, disco lady
    Hey sexy lady! girl, you drive me crazy,
    You dance so fine and your right on time.
    Girl you drive me right out of my mind.
    If it wasn't for the girl sit-tin next to me,
    I'd jump right up and out-ta my safe-ty seat.
    You got me hyp-no-tized, soul mes-mor-ized. girl ,
    Your mov-in me girl your groov-in me.

    Writer/s: Davis, Don / Scales, Harvey / Vance, Al
    Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Disco Lady
  • Written by Don Davis, Harvey Scales and Lee Vance, this song was originally titled "Disco Baby." Scales brought the song to Davis, who was Taylor's producer, Davis came up with new lyrics inspired by an African dancer he saw in Spain who would draw all eyes to her when she started dancing. The Impressions had a song called "Gypsy Woman," and Davis used those themes to create his song - instead of a Gypsy Woman, he had a Disco Lady.
  • Johnnie Taylor, nicknamed the "Soul Philosopher," recorded for Stax Records until the label imploded in 1975. Moving to Columbia, his first release was this massive Disco hit, which finds Taylor singing the praises of a lady on the dancefloor. Members of George Clinton's crew, including Bootsy Collins and Bernie Worrell, played on the track, and Telma Hopkins - of "Shut Your Mouth!" fame - sang backup. It was recorded at United Sound Studios in Detroit, where Davis usually worked.
  • The Platinum award was instituted in 1976 by the RIAA for albums selling one million units and singles selling two million units (in 1989 they lowered the requirements for singles so Gold was 500,000 units and Platinum was a million). This was the first single to ever be certified platinum and it's claimed that to celebrate his success, Taylor took a bath in Dom Perignon champagne.
  • Though there had previously been several disco songs that had reached #1, this was the first Hot 100 chart-topper with the word "disco" in its title. "A lot of people thought it was disco," mused Taylor. "But it was not a disco tune. We were just talking about disco."
  • This song was a huge hit on both the Pop and R&B charts, which it climbed simultaneously. It spent 4 weeks at #1 on the Hot 100 and 6 weeks at the top of the R&B chart.

  • Steely Dan - Everything You Di
    Steely Dan - Everything You Did


    Steely Dan - Everything You Did Youtube Music Videos and Lyrics

    Album: The Royal Scam
    Released: 1976

    Everything You Did Lyrics


    Where did the bastard run
    Is he still around
    Now you gotta tell me Everything You Did baby
    I'm gonna get a gun

    Shoot the lover down
    Are you gonna tell me everything you did baby
    Traces are everywhere
    In our happy home

    Now you better tell me everything you did baby
    I jumped out of my easy chair
    It was not my own
    Now I want to hear about everything you did baby

    I never knew you
    You were a roller skater
    You gonna show me later
    Turn up the Eagles the neighbors are listening

    You know how people talk
    I wonder what they say
    I think you better tell me everything you did baby

    I never knew you
    You were a roller skater
    You gonna show me later

    You never came to me
    When you were so inclined
    Yes you could have told me everything you did baby
    I know where baby's at
    I know your filthy mind
    Now you're gonna do me everything you did baby

    Writer/s: BECKER, WALTER CARL / FAGEN, DONALD JAY
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Everything You Did
  • This is an angry song directed to a lover. It's one of Steely Dan's lesser-known compositions; NME called it "relaxed and hummable, but hardly memorable" in their review.
  • The line, "Turn up the Eagles; the neighbors are listening" has become the mythologized in rock. Steely Dan admired the Eagles, and the group's had the same manager: Irving Azoff. The duo has been coy about the line, but legend has it that Walter Becker's girlfriend loved the Eagles and played them all the time, which bothered him a bit. One day they got in a fight, and he came up with that line.

    A story with more veracity is how the Eagles returned the favor on "Hotel California" with the line, "They stab it with their steely knives but they just can't kill the beast." With the clear intention of getting a Steely Dan mention in the song, the line was written as "They stab it with their Steely Dan," but they decided to make it a little more vague. As Glenn Frey has pointed out, changing it to "steely knives" retains the phallic imagery.
  • Asked by Uncut what he thought when he heard the line, Don Henley replied: "I know them pretty well, and it was like he was sort of saying, 'Everybody's in LA's playing this f--kin' record, and I'm sick of it.!' It was a little bit of an acknowledgment and a little bit taking the piss, because we had the same management – still do- but you know, they're very droll, Fagen in particular."

  • Bee Gees - You Should Be Dancin
    Bee Gees - You Should Be Dancing


    Bee Gees - You Should Be Dancing Youtube Music Videos and Lyrics

    Album: Children Of The World
    Released: 1976

    You Should Be Dancing Lyrics


    My baby moves at midnight
    Goes right on till the dawn
    My woman takes me higher
    My woman keeps me warm

    What you doin' on your back, aah
    What you doin' on your back, aah?
    You Should Be Dancing, yeah
    Dancing, yeah

    She's juicy and she's trouble
    She gets it to me good
    My woman gives me power
    Goes right down to my blood

    What you doin' on your back, aah
    What you doin' on your back, aah?
    You should be dancing, yeah
    Dancing, yeah

    What you doin' on your back, aah
    What you doin' on your back, aah?
    You should be dancing, yeah
    Dancing, yeah

    My baby moves at midnight
    Goes right on till the dawn, yeah
    My woman takes me higher
    My woman keeps me warm

    What you doin' on your back, aah
    What you doin' on your back, aah?
    You should be dancing, yeah
    Dancing, yeah

    What you doin' on your back, aah
    What you doin' on your back, aah?
    You should be dancing, yeah
    Dancing, yeah

    You should be dancing, yeah
    You should be dancing, yeah
    You should be dancing, yeah
    You should be dancing, yeah
    You should be dancing, yeah
    You should be dancing, yeah
    You should be dancing, yeah
    You should be dancing, yeah
    You should be dancing, yeah
    You should be dancing, yeah
    You should be dancing, yeah

    Writer/s: GIBB, BARRY ALAN/GIBB, MAURICE ERNEST/GIBB, ROBIN HUGH
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    You Should Be Dancing Song Chart
  • This song was a #1 US hit in September 1976, becoming one of the biggest Disco hits of the era. When the movie Saturday Night Fever hit theaters in December, 1977, the song was used in a famous scene from the movie where John Travolta takes over the dance floor - an appropriate choice since the song is specifically about dancing.

    "You Should Be Dancing" was included on the soundtrack along with five other songs performed by the Bee Gees (plus another they wrote: "If I Can't Have You" by Yvonne Elliman). The album sold over 15 million copies in the US, marking the Bee Gees as a Disco act when their earlier output was more charitably classified as Blue-Eyed Soul. Decades later, a new generation discovered the group's earlier work and the Disco taint began to fade, but for Barry Gibb, the memories of the backlash didn't. "It still haunts me like hell," he told Mojo in 2001 about this time. "Every time anyone asks me about it my mouth goes dry."
  • Along with "Jive Talkin'," this is one of two Bee Gees songs on the Saturday Night Fever soundtrack that had already been released. It first appeared on their 1976 Children Of The World album.
  • John Travolta prepared for the Saturday Night Fever movie by practicing his dance moves to this song. When he was told by the producers that "Night Fever" would be used for the sequence for which he was practicing, Travolta insisted that "You Should Be Dancing" be used instead.

    The dance sequence from the movie was choreographed by Deney Terrio, host of the TV show Dance Fever.
  • Stephen Stills of Crosby, Stills and Nash played percussion on this track. He recalled to The Independent August 17, 2013: "We were in the studio next door making a CSN album and David (Crosby) was all full of himself and saying this is going to be the album of the year. I went, "No it's not, that's being recorded across the hall," 'cause I'd heard some of that Saturday Night Fever stuff and I knew it was totally unique and going to be a monster. So I played timbales and for a long time that was my only platinum single."
  • This featured at the end of the movie Despicable Me, where the minions replace ballet music with the song so everyone can dance.

  • Lyrics

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