Songs Lyrics and YT- Youtube Music Videos

Slash - The Unholy

Slash - The Unholy Youtube Music Videos and Lyrics

Album: World On Fire
Released: 2014

The Unholy Lyrics

Evil shadows they are falling
And the misty-eyed are calling
To a god so far
People, troubled times are coming
Still you wonder why I’m running
I will take no part

I know it was you this time
I know it was you this time (evil)
I've seen it with my own two eyes
You lie, you lie

Unholy so vile
How can you justify a lie?
One more sacred alibi
Concealing your crimes
Until the end of time
Oh why
It’s you that should be crucified

Echoes of your true intentions
Well I guess you failed to mention
What was in your heart
Now I say it all so clearly
What you did to them has nearly
Torn us all apart

I know it was you this time
I know it was you this time (evil)
Took them like a sacrifice
You lie, you lie

Unholy so vile
How can you justify a lie?
One more sacred alibi
Concealing your crimes
Until the end of time
Oh why
It’s you that should be crucified

You say, on your knees that you don’t believe now
Don’t question a thing at all
Just receive what you’re meant to see
Now fall
On your knees

Evil shadow they are falling
And the misty-eyed are calling
You will break their heart

Unholy so vile
How can you justify a lie?
One more sacred alibi
Concealing your crimes
Until the end of time
Oh why
It’s you that should be crucified

The broken how they cry
They only gave you heart and mind
How can you justify?
They loved you
Now father don’t deny
You took them like a sacrifice
We finally know the truth about you
Oh yeah

You’re unholy
So vile
How can you justify?
Oh my, how they loved you
Oh yeah
Concealing your crimes
But now they’ll see this time
The blind will deny you

Writer/s: HUDSON, SAUL / KENNEDY, MYLES
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

The Unholy Song Chart

In 2010 Slash founded Slasher Films, a horror film production company. The former Guns N' Roses guitarist co-wrote the soundtrack for its first motion picture, Nothing Left to Fear, which was premiered on October 4, 2013. This song was influenced by Slash's time in the film world. He told Artist Direct : "When I write music for movies, a different side of me as a musician comes out. I really liked that side. It's something I never apply to the confines of a rock band who's doing songs at roughly around four minutes long. It's not as a rule, but it just never happened."

"I thought, 'God, I'd just love to sit down and write thematically in the context of the band as opposed to only doing it for cinema and visuals,'" Slash added. "'The Unholy' was the result of that, and it still ended up being seven minutes long. It started out like it does on acoustic."

Slash told Premier Guitar magazine that he used his Goldtop '57 reissue guitar on World On Fire, "for that creamy stuff where it's sustainy smooth where I turn the tone down." That included the guitar solo at the very end of this song.

Crazy Town - Black Cloud

Crazy Town - Black Cloud Youtube Music Videos and Lyrics

Album: The Gift Of Game
Released: 1999

Black Cloud Lyrics

Now people say I'm jinxed
I got some kind of voodoo hex
Life is so complex
There's no telling what could happen next
Life on the edge,
Fuels the sickness in my head
It embeds the type of thoughts
That got a lot of brothers dead
The smarter brother knows
To keep his foes close
And I'm the type of brothers
That smarter than most
A cold hearted overdose
Of lyrical antidotes
The cure to make sure
My karma can't take me down
Up to the same old tricks
I wonder if I'll stick around

Is a penny really lucky
If you find it on the ground?
I can't figure it out
My karma crashing down
In the form of a Black Cloud

[Chorus: x2]
I've got a little black cloud,
That follows me
Everywhere I go
It takes over me

I'm sick
I've got an ill disposition
My intentions are pure
But there's a cure for my condition
My decisions
Put me in the wrong positions
Chasing pipe dreams
Of fame and recognition
The Epic
Not only a name
A definition
My game remains no matter the pain
I stay a charmer
The Don of Karma
I navigate like the Dalli Lama
I ain't a saint
But I've got joi de vie
And I'm the one to blame
If the cloud rains on me
I can't complain about it
Or even let regret
Provoke the energy it takes
For me to get upset

A bad boy since birth
So I can't forget
what goes around
Comes around
And it ain't got me yet
I've gotten wise in my age
And tame the treat of my rage
I've got allot to learn
And I've got money to spend
To pretend is reaping more
Than sewing ever could mend

[Chorus]

Trade my torches for a dime
Black cloud's lifted for the light
The pressure's fading away now
A thousands cigarettes
Won't change the way we feel
The pressure's fading now
Can you bare the though of knowing truth?
Knowing truth?

I was rapping in the rain
Hoping that my luck would change
And if there's any truth
To all those all sayings
'Cause if I kill a spider
Would my house catch on fire?
If I walk under a ladder
Would it matter?
I tend to laugh
When a black cats cross my path
Break mirrors in half
Just to test the aftermath
Now here comes the rain
I protect my pain
Trying to make sense
Of these crazy things
I'm a diamond in the rough
Could I suffer enough?
I'm getting high for a living
Not giving a fuck
These hard times got me stuck
Stuck in a jam
Disastrous
Took time to master this
And the past
Is just a map to capture this
In the darkness
I'm force to adapt to this
I would change the past
If I could have one wish

[Chorus]

Writer/s: GORDON, JAY/MAZUR, BRET H/BINZER, SETH/MILLER, DOUG/EPIQUE, RUST/WILLIAMS, BERNARD
Publisher: Warner/Chappell Music, Inc., THE BICYCLE MUSIC COMPANY
Lyrics licensed and provided by LyricFind

Black Cloud Song Chart

This song is about Karma and transcendence.

Writing this was a team effort. It is credited to Seth Binzer, Bret Mazur, Doug Miller, (a.k.a. Shifty Shellshock, Epic Mazur, and Faydoedeelay), along with Rust Epique, and Bernard Williams. Orgy vocalist Jay Gordon also wrote some of it and sang on the chorus. He also plays keyboards on the track. (thanks, Nick - Paramus, NJ)

Tim McGraw - Lincoln Continentals and Cadillacs

Tim McGraw - Lincoln Continentals and Cadillacs Youtube Music Videos and Lyrics

Album: Sundown Heaven Town
Released: 2014

Lincoln Continentals and Cadillacs Lyrics

I said is that you in that old picture back behind the bar
Leaning up against that classic car
Sure look cool, man, in your three piece with your snake skin boots
Hey that sure is cute
Little honey, sitting in the front seat
Touching up her lipstick with her hoop silver earrings
He said damn right I hung it there 'cause boy she takes me back
To the days with Lincoln Continentals and Cadillacs

She was a queen of the red white and bell bottom blues
Back in the she'd write her number on a matchbook days
When you'd take her out for a drink and then you'd walk her back
To your Lincoln Continental or your Cadillac
She looks so good, cruising up and down
This don't take no shit from no one all-American downtown
Main street all lined up with shiny and black
Lincoln Continentals and Cadillacs

He said that sweet girl, she moved on when as time slowed down
But I just kept on hanging around
And that sweet ride cost me too much when the town dried up
Let the bank take it back, paid in cash
For that old Ford truck sitting right out front
And this picture's all I have left of
And I always thought she would have but she never came back
No, she never came back

And I did so miss that queen of the red white and bell bottom blues
Back in the she'd write her number on a matchbook days
When you'd take her out for a drink and then you'd walk her back
To your Lincoln Continental or your Cadillac
She looks so good, cruising up and down
This don't take no shit from no one all-American downtown
Main street laying down that hard earned cash on them
Lincoln Continentals and Cadillacs

She looks so damn good, cruising up and down
This don't take no shit from no one all-American downtown
Main street all lined up with shiny and black
Lincoln Continentals and Cadillacs
Yeah the best times are the good times that you can't get back
Like those Lincoln Continentals and the Cadillacs

Writer/s: LAIRD, LUKE ROBERT / CLAWSON, RODNEY DALE
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Lincoln Continentals and Cadillacs Song Chart

This Rodney Clawson and Luke Laird-penned track finds Tim McGraw duetting with his pal Kid Rock. "When I first heard the demo I knew I wanted Kid Rock to do it with me," the country star told Taste of Country . "I just felt like it was the perfect song for he and I to do. I'm a huge fan of his, I think that he's just a great, great singer."

McGraw didn't actually record the song in person with Kid Rock, because he was too busy at the time to schedule a visit. "I shot him a text message and said, 'Hey I got a song,'" McGraw recalled. "He said, 'send it over to me.' So I sent it to him, and a week later I got back his vocal."

Dave Matthews Band - I'll Back You Up

Dave Matthews Band - I'll Back You Up Youtube Music Videos and Lyrics

Album: Remember Two Things
Released: 1993

I'll Back You Up Lyrics

I'll Back You Up Song Chart

Dedicated to Matthew's girlfriend at the time, Julia Grey, this was the first song Dave Matthews wrote.

Dave Matthews Band - I'll Back You Up

Dave Matthews Band - I'll Back You Up Youtube Music Videos and Lyrics

Album: Remember Two Things
Released: 1993

I'll Back You Up Lyrics

I'll Back You Up Song Chart

President John F. Kennedy commissioned Broadway composer Meredith Willson, who wrote music for The Music Man and The Unsinkable Molly Brown, to write an anthem that would inspire school children across the United States to whip themselves into shape as part of the President's Council on Physical Fitness. What followed was "Chicken Fat," also known as "The Youth Fitness Song," that would become a fixture in gym classes throughout the '60s and '70s. It was performed by actor Robert Preston, who originated the role of Harold Hill in the 1957 musical The Music Man and reprised the part for the 1962 film adaptation.

While the radio version of the song only clocked in at 2 minutes and 12 seconds, the school version was over 6 minutes and packaged with floor exercises designed to "give that chicken fat back to the chicken."

This song became a novelty hit and a nostalgic reminder of gym classes gone by for baby boomers.

This song was resurrected in 2014 as part of the new Apple iPhone 5s campaign to tout the smartphone's usefulness for physical fitness endeavors. The TV commercial shows runners, swimmers, and scale steppers gearing up to the words "touch down every morning ... not just now and then" and going full force with "Go you, chicken fat, go away!" while the handy gadget marks their progress - with a touch of good-old-fashioned fat shaming: "Nuts to the flabby guys!" At least it sounds jolly.

For whatever reason, Apple doesn't want us to know the singer of the 2014 version of the song. It's not Robert Preston, and it's not Bernie Knee, the jingle writer who supposedly sang it in 2000 - even though he died in 1994. New York Times advertising columnist Stuart Elliott implores "anyone who recognizes the voice, please stop exercising long enough to clue the rest of us in."

Robert Preston recorded the 1962 version with the Bernie Green Orchestra during the same sessions for The Music Man film soundtrack.

Robert Preston - Chicken Fat

Robert Preston - Chicken Fat Youtube Music Videos and Lyrics

Album: single release only
Released: 1962

Chicken Fat Lyrics

Chicken Fat Song Chart

President John F. Kennedy commissioned Broadway composer Meredith Willson, who wrote music for The Music Man and The Unsinkable Molly Brown, to write an anthem that would inspire school children across the United States to whip themselves into shape as part of the President's Council on Physical Fitness. What followed was "Chicken Fat," also known as "The Youth Fitness Song," that would become a fixture in gym classes throughout the '60s and '70s. It was performed by actor Robert Preston, who originated the role of Harold Hill in the 1957 musical The Music Man and reprised the part for the 1962 film adaptation.

While the radio version of the song only clocked in at 2 minutes and 12 seconds, the school version was over 6 minutes and packaged with floor exercises designed to "give that chicken fat back to the chicken."

This song became a novelty hit and a nostalgic reminder of gym classes gone by for baby boomers.

This song was resurrected in 2014 as part of the new Apple iPhone 5s campaign to tout the smartphone's usefulness for physical fitness endeavors. The TV commercial shows runners, swimmers, and scale steppers gearing up to the words "touch down every morning ... not just now and then" and going full force with "Go you, chicken fat, go away!" while the handy gadget marks their progress - with a touch of good-old-fashioned fat shaming: "Nuts to the flabby guys!" At least it sounds jolly.

For whatever reason, Apple doesn't want us to know the singer of the 2014 version of the song. It's not Robert Preston, and it's not Bernie Knee, the jingle writer who supposedly sang it in 2000 - even though he died in 1994. New York Times advertising columnist Stuart Elliott implores "anyone who recognizes the voice, please stop exercising long enough to clue the rest of us in."

Robert Preston recorded the 1962 version with the Bernie Green Orchestra during the same sessions for The Music Man film soundtrack.

The Who - Won't Get Fooled Again

The Who - Won't Get Fooled Again Youtube Music Videos and Lyrics

Album: Who's Next
Released: 1971

Won't Get Fooled Again Lyrics

We'll be fighting in the streets
With our children at our feet
And the morals that they worship will be gone
And the men who spurred us on
Sit in judgment of all wrong
They decide and the shotgun sings the song

I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again

The change, it had to come
We knew it all along
We were liberated from the fold, that's all
And the world looks just the same
And history ain't changed
Cause the banners, they are flown in the next war

I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again
No, no!

I'll move myself and my family aside
If we happen to be left half alive
I'll get all my papers and smile at the sky
Though I know that the hypnotized never lie
Do ya?

There's nothing in the streets
Looks any different to me
And the slogans are replaced, by-the-bye
And the parting on the left
Are now parting on the right
And the beards have all grown longer overnight

I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again
Don't get fooled again
No, no!

Yeah!

Meet the new boss
Same as the old boss

Writer/s:
Publisher: ABKCO MUSIC INC PETE TOWNSHEND CATALOG, FABULOUS MUSIC LTD, SPIRIT MUSIC GROUP
Lyrics licensed and provided by LyricFind

Won't Get Fooled Again Song Chart

Pete Townshend wrote this song about a revolution. In the first verse, there is an uprising. In the middle, they overthrow those in power, but in the end, the new regime becomes just like the old one ("Meet the new boss, same as the old boss"). Townshend felt revolution was pointless because whoever takes over is destined to become corrupt. In Townshend: A Career Biography , Pete explained that the song was antiestablishment, but that "revolution is not going to change anything in the long run, and people are going to get hurt."

The synthesizer represents the revolution. It builds at the beginning when the uprising starts, and comes back at the end when a new revolution is brewing.

Townshend wrote this as part of his "Lifehouse" project. He wanted to release a film about a futuristic world where the people are enslaved, but saved by a rock concert. Townshend couldn't get enough support to finish the project, but most of the songs he wrote were used on the Who's Next album.

Roger Daltrey's scream is considered one of the best on any rock song. It was quite a convincing wail - so convincing that the rest of the band, lunching nearby, thought Daltrey was brawling with the engineer.

The album version runs 8:30. The single was shortened to 3:35 so radio stations would play it.

Daltrey was unhappy about the editing. He recalled to Uncut magazine: "I hated it when they chopped it down. I used to say 'F--k it, put it out as eight minutes', but there'd always be some excuse about not fitting it on or some technical thing at the pressing plant."

"After that we started to lose interest in singles because they'd cut them to bits," Daltrey added. "We thought, 'What's the point? Our music's evolved past the three-minute barrier and if they can't accommodate that we're just gonna have to live on albums.'"

In a 1985 "My Generation" radio special, Pete Townshend said he wrote the song as a message to the supposedly "new breed" of politicians who came around in the early '70s.

This is the last song on the album. It was also the last song they played at their concerts for many years.

This was one of the first times a synthesizer was used in the rhythm track. When they played this live, they had to play the synthesizer part off tape.

Townshend (from Rolling Stone magazine): "It's interesting it's been taken up in an anthemic sense when in fact it's such a cautionary piece." (thanks, Bertrand - Paris, France)

Pete Townshend lived on Eel Pie Island in Richmond, London, when he wrote this song. There was an active commune on the Island at the time situated in what used to be a hotel. According to Townshend, this commune was an influence on the song. "There was like a love affair going on between me an them," he said. "They dug me because I was like a figurehead in a group, and I dug them because I could see what was going on over there. At one point there was an amazing scene where the commune was really working, but then the acid started flowing and I got on the end of some psychotic conversations."

This song was played by the remaining members of the band at "The Concert for New York City," a fundraising concert in the wake of the devastating attacks on September 11, 2001. Daltrey omitted the last line of the song: "Meet the new boss, Same as the old boss." (thanks, Chris - Philadelphia, PA)

Part of this is used in the opening sequence of the CBS TV show CSI Miami.

This was played in Super Bowl XLI (2007) as the Indianapolis Colts came out of the locker room. The Colts won the game. (thanks, Colin - New Egypt, NJ)

In The Simpsons episode "A Tale of Two Springfields," Homer forms "New Springfield" and gets The Who to play there. Pete Townshend blasts the wall between old and new Springfield by blasting the guitar riff from this song. (thanks, Bertrand - Paris, France)

In its May 26, 2006 issue, the conservative National Review magazine published a list of "The 50 greatest conservative rock songs." "Won't Get Fooled Again" was ranked song number one. Pete Townsend responded on his blog as follows:
"It is not precisely a song that decries revolution - it suggests that we will indeed fight in the streets - but that revolution, like all action can have results we cannot predict. Don't expect to see what you expect to see. Expect nothing and you might gain everything.'' Townsend then goes on to explain that the song was simply ''Meant to let politicians and revolutionaries alike know that what lay in the center of my life was not for sale, and could not be co-opted into any obvious cause.'' (thanks, Dale - Laguna Niguel, CA)

Pete Townshend refused Michael Moore permission to use this song in his 2004 anti-George W. Bush documentary, Fahrenheit 9/11, citing the left wing filmaker as a "bully."

This was used in commercials for the 2000 Nissan Maxima. Some people considered this the biggest sellout in rock, but The Who made lots of money in the deal. The same year, Nissan used The Who's "Baba O'Reily" in an ad for their Pathfinder.

DJs like to play this as their last song before leaving a particular radio station because of the line "meet the new boss, same as the old boss" - a snub directed at station management because they might not be leaving on the friendliest terms. (thanks, Kelly - San Luis Obispo, CA)

AC/DC - Play Ball

AC/DC - Play Ball Youtube Music Videos and Lyrics

Album: Rock or Bust
Released: 2014

Play Ball Lyrics

Listen!
Pick me up
Fill my cup
Pour me another round
Come on in, mix in the sin
Come in and join the crowd
I said it’s party time
When I’m on the loose
Make it feel alright
Listen, drinks all around
I’m in the mood
Because the night is mine

Let’s Play Ball
Shoot it down the wall
Let’s play ball, baby
Battin’ down the stalls
Play, play, play ball

Listen Sid, light me up
I’m in love
I’m all regional now
Dive on in and swim in the gin
Come on, shout it out loud

Let’s play ball
Shoot it down the wall, yeah
Let’s play ball
Battin’ down the stalls, yeah
Play, play, play ball

Let’s play ball
Shootin' down the wall
Let’s play ball
And never stall
Let’s play ball
Let’s play ball
Let’s play ball
Play, play, play ball

Writer/s: MALCOLM MITCHELL YOUNG, ANGUS MCKINNON YOUNG
Publisher: J. ALBERT & SON(INTERNATIONAL) PTY. LTD.
Lyrics licensed and provided by LyricFind

Play Ball Song Chart

The first taste of music from AC/DC's Rock or Bust album was heard on September 27, 2014 when this aptly title song was used as part of a promotional trailer for TBS' American League baseball playoff coverage.

It wasn't the first time that the Australian rockers have been paired with the sport. The practice of using a heavy metal theme song to signal the entrance of a relief pitcher began in 1998, when the San Diego Padres started playing "Hell's Bells" to accompany Trevor Hoffman's taking the mound. Other pro players that have used the band's songs as their walk on music include Chad Billingsley, Adam Castro, Brendan Donnelly and Adam Dunn.

Rock Or Bust was the first AC/DC album in the band's history on which Malcolm Young doesn't appear. The band's former guitarist officially departed the band due to serious dementia and Stevie Young – nephew of the Young brothers – plays rhythm guitar on disc. He previously played with AC/DC during their 1988 Blow Up Your Video tour, while Malcolm Young was in rehab.

The song's performance-based music video was shot on October 3-4, 2014 with director David Mallet at Black Island Studios in Middlesex, England. Phil Rudd was unable to attend due to murder allegations which were later dropped. Bob Richards of Shogun filled in for him on drums, whilst Stevie Young took his uncle Malcolm's place. Mallet, who's been working with the band since their 1986 "You Shook Me All Night Long" clip said : "They are the same band they were – they have never come out with any pretence to be anything else than the best rock'n'roll band in the world."

"It's just as thrilling doing stuff with them now as it was all those years ago," he added. "That's because the records are just as good."

Rock or Bust was AC/DC's second album in a row with producer Brendan O'Brien, following Black Ice. This was the first time the band had used the same producer on consecutive albums since Mutt Lange helmed 1980's Back in Black and then For Those About to Rock.

Brian Johnston told Shaun Keaveny and Steve Lamacq of BBC Radio 6 Music about O'Brien's production. "Seven days a week, [Brendan] kept the adrenaline pumped all the time and he calls everybody by both their names. He never says 'Brian' or 'Angus.' He's, like, 'Angus Young. C'mon! I want you in here now. Let me get that magic from you. What do you got for me? Brian Johnson, downstairs now. Sing, baby, sing.' And it turned out wonderful. We were excited, and I think that's great, 'cause it comes through in songs. If you sing a song twelve times to get it right, you can tell. If you sing a song just a couple of times, like I did, you can tell it's fresh and it's new. And it was the same for Ang, and it was the same for everyone. [Brendan is] wonderful to work with."

Angus Young added: "He keeps everyone moving, so nobody's sitting around, going, 'What am I doing next?' Once we had a track down, he would go, 'Right. I'm gonna take this. I'm going down with Brian.' He'd get Brian up. 'While I am doing that, you guys get this track together and start knocking it out. Know all your bits.' So when he'd come back out, we would more or less [have] the track all in order and ready to go."

The video also shows clips of different sports, with an emphasis on female athletes in bikinis. Asked about the visual during an interview on the Australian television program, The Project, Angus Young said: "I've gotta admit. When they watched the Olympics, I'm always the one… I mean, I tuned in for the bikini beach volleyball. That's one of my favorite sports. If that wasn't on, I don't think I'd be watching."

This was used to soundtrack two commercials from Beats Electronics that aired in early 2015, promoting the Apple-owned company's Powerbeats2 Wireless and Studio Wireless headphones. AC/DC have rarely licensed its music for advertising, although the band have twice allowed "Back In Black" to be used: In 2011 they gave permission for the song's opening riff to feature during a commercial for Walmart, and a few years later, the track featured in a commercial for the 2015 Chevy Colorado pickup truck.

Kenny Loggins - Danger Zone

Kenny Loggins - Danger Zone Youtube Music Videos and Lyrics

Album: Top Gun Soundtrack
Released: 1986

Danger Zone Lyrics

Revvin' up your engine
Listen to her howlin' roar
Metal under tension
Beggin' you to touch and go

Highway to the Danger Zone
Ride into the danger zone

Headin' into twilight
Spreadin' out her wings tonight
She got you jumpin' off the track
And shovin' into overdrive

Highway to the danger zone
I'll take you
Ridin' into the danger zone

You'll never say hello to you
Until you get it on the red line overload
You'll never know what you can do
Until you get it up as high as you can go

Out along the edges
Always where I burn to be
The further on the edge
The hotter the intensity

Highway to the danger zone
Gonna take you
Right into the danger zone

Highway to the danger zone

Writer/s: MORODER, GIORGIO / LOGGINS, KENNY / WHITLOCK, TOM
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Danger Zone Song Chart

This was featured in the action scenes of the 1986 movie Top Gun, starring Tom Cruise and Val Kilmer. After the movie came out, the US Navy had a slew of applicants for it's flying program.

This was written by Giorgio Moroder and Tom Whitlock, who also wrote "Take My Breath Away" for the movie. A year later, they wrote "Meet Me Halfway," which Loggins recorded for the arm wrestling movie Over The Top.

Loggins was a movie soundtrack mainstay in the '80s, and had a #1 hit with the theme song to the movie Footloose two years earlier. Asked in 2007 about performing these soundtrack songs in concerts, Loggins said of "Danger Zone," "It's a good rock 'n' roll song, but I don't think it holds up that well."

Nissan used this in commercials. The spots were a parody of Top Gun, with birds trying to poop on the cars.

Alt-J - Arrival In Nara

Alt-J - Arrival In Nara Youtube Music Videos and Lyrics

Album: This Is All Yours
Released: 2014

Arrival In Nara Lyrics

As she submarines
The rope loops 'round her feeble feet
Before the dawn
Breaks on her sorry grasp

In a blink and in one motion
Rope constricts
Rips her towards the ocean

She never finds her bearings
Sucking splash into her lungs

Ooh
Ooh
Ooh ooh
Ooh ooh
Though I cannot see
I can hear her smile as she sings

And though I cannot see
I can hear her smile as she sings

Oh ooh
Ooh

Writer/s: THOMAS GREEN, JOE NEWMAN, AUGUSTUS UNGER HAMILTON
Publisher: Kobalt Music Publishing Ltd.
Lyrics licensed and provided by LyricFind

Arrival In Nara Song Chart

This acoustic-driven track is the first of three tunes on This Is All Yours named after a Japanese city in which tame deer are viewed as divine. Nara doesn't actually appear in the lyrics, which detail a drowning girl singing as she falls into the ocean.

The Who - See Me, Feel Me

The Who - See Me, Feel Me Youtube Music Videos and Lyrics

Album: Tommy
Released: 1969

See Me, Feel Me Lyrics

See Me
Feel Me
Touch Me
Heal Me
See Me
Feel Me
Touch Me
Heal Me
Listening to you, I get the music
Gazing at you, I get the heat
Following you, I climb the mountain
I get excitement at your feet
Right behind you, I see the millions
On you, I see the glory
From you, I get opinion
From you, I get the story
Listening to you, I get the music
Gazing at you, I get the heat
Following you, I climb the mountain
I get excitement at your feet
Right behind you, I see the millions
On you, I see the glory
From you, I get opinion
From you, I get the story

Writer/s: PETER TOWNSHEND
Publisher: ABKCO MUSIC INC PETE TOWNSHEND CATALOG, FABULOUS MUSIC LTD, SPIRIT MUSIC GROUP
Lyrics licensed and provided by LyricFind

See Me, Feel Me Song Chart

This is the last song on Tommy, the first "Rock Opera." It tells the story of a deaf, dumb, and blind kid who becomes a pinball champion and is idolized by his followers. This was a very uplifting song to end the rock opera. The show got mostly good reviews.

The Who performed the album from start to finish on their tour. Roger Daltrey sang this as the character Tommy.

The message of unification and hope in this song was inspired by Meher Baba, a guru Pete Townshend was following. Townshend wrote Tommy in an attempt to bring people together through rock music.

Tommy was made into a play as well as a movie. The 1975 movie starred Jack Nicholson, Ann Margaret, Tina Turner and Elton John. Daltrey played Tommy and Keith Moon was the evil Uncle Ernie.

On Tommy, this is played as one song with "We're Not Gonna Take It," which follows this on the single release.

Some of the names Townshend considered before settling on "Tommy" were "Deaf, Dumb and Blind Boy," "The Amazing Journey," and "Brain Opera."

The Who played all of Tommyat Woodstock, and they performed this song just as the sun was rising on the third morning of the festival in 1969. That image from Woodstock helped launch Roger Daltrey's career as a sex symbol and The Who's success in America.

This title of this song is also the title of a Biopic about Who drummer Keith Moon. The full title of the movie is See Me, Feel Me: Keith Moon Naked for Your Pleasure. It is produced by Who frontman Roger Daltrey and Mike Myers plays Moon. (thanks, Mike - Syracuse, NY)

Alt-J - Bloodflood Pt.II

Alt-J - Bloodflood Pt.II Youtube Music Videos and Lyrics

Album: This Is All Yours
Released: 2014

Bloodflood Pt.II Lyrics

Bloodflood Pt.II Song Chart

This is a sequel to the An Awesome Wave track, "Bloodflood," which told a semi-fictional story of vocalist Joe Newman being attacked in a Southampton park called The Common.

Newman sings here:

Dead in the middle of the C-O-double-M-O-N
Little did I know then that the Mandela Boys
Soon become Mandela Men

The first line was inspired by a lyric from rapper Big Punisher's 1998 track "Twinz (Deep Cover '98)":

Dead in the middle of Little Italy.
Little did we know that we riddle some middlemen who didn't do diddle

Newman explained to NME: "There's a gang in Southampton (his hometown) called The Mandela Boys. We were scared s---less of them when we were kids."

"The next line, 'Little did I know then that the Mandela Boys soon become Mandela Men' refers to the narrator wondering whether they're still in the gang or if they've just all got jobs and kids now."

Joe Newman explained the story of the song to Nothing But Hope and Passion : "Bloodflood began as just a riff and a melody that eventually became a verse idea," he said. "It didn't really dawn on any of any of us to turn it into Bloodflood Part II until we started writing towards a second album. I think as the ideas started to evolve, we started thinking about having a Bloodflood Part II and it being related to the other side of the story."

"The first part of the story is about a guy that's been slapped," Newman added, "while the second is about the guy that's slapped him."