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Rumer - Dangerou
Rumer - Dangerous


Rumer - Dangerous Youtube Music Videos and Lyrics

Album: Into Colour
Released: 2014

Dangerous Lyrics


Rainbow Song Chart
  • The lead single from Rumer's Into Colour album takes the singer in a disco direction. Lyrically it addresses her initial reluctance to return to music after the release of her covers album Boys Don't Cry in 2012. "I had so much resistance to going back into writing and performing publicly again that I realised I wasn't going to be able to break through it until I literally wrote a song about the resistance itself," Rumer said. "We worked it into a love song, and the emotion just felt naturally disco in theme."
  • Rumer told The Independent this song "is about overcoming fears of being hurt."
  • Rumer wrote the song with Rob Shirakbari, an Arkansas composer/arranger/musician whom she met when she relocated to Los Angeles after the release of Boys Don't Cry.
  • In the Anthony Byrne-directed music video, Rumer portrays a dancer-turned-studio manager of a ballet company who pines for one of its top male stars. Her fear of admitting her feelings is only matched by her fear of dancing, a career that was cut short by a debilitating injury. Will confronting her demons set her free, or is it too "Dangerous"?

    Byrne is known for his work as a director of UK TV series like Upstairs Downstairs, Mr Selfridge and Ripper Street.

  • Radiohead - Planet Tele
    Radiohead - Planet Telex


    Radiohead - Planet Telex Youtube Music Videos and Lyrics

    Album: The Bends
    Released: 1995

    Planet Telex Lyrics


    You can force it but it will not come
    You can taste it but it will not form
    You can crush it but it's always here
    You can crush it but it's always near
    Chasing you home

    Saying, everything is broken
    Everyone is broken

    You can force it but it will stay stung
    You can crush it as dry as a bone
    You can walk it home straight from school
    You can kiss you can break all the rules

    But still, everything is broken
    Everyone is broken
    Everyone is, everyone is broken
    Everyone is, everything is broken

    Why can't you forget
    Why can't you forget
    Why can't you forget

    Writer/s: YORKE, THOMAS EDWARD/O'BRIEN, EDWARD JOHN/GREENWOOD, COLIN CHARLES/GREENWOOD, JONATHAN RICHARD GUY/SELWAY, PHILIP JAMES
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Planet Telex Song Chart
  • Lead singer Thom Yorke was drunk and improvising when he recorded the vocals. The band came to the studio after drinking a lot of wine, and Yorke lied on the floor and sang. He did only one take.
  • The original title was "Planet Xerox," but Xerox is a copyrighted name and would have caused problems if they used it.
  • The album title refers to a condition divers get when they come to the surface too fast. It is a commentary on Radiohead's sudden fame.
  • The drums in this song were cut up from different parts of other songs from the sessions for the album. (thanks, Charlie - Stittstown, Canada)
  • Yorke: "The product of a single sex education, romantic novels and art college." (thanks, Bertrand - Paris, France)

  • Seether - Nobody Praying For M
    Seether - Nobody Praying For Me


    Seether - Nobody Praying For Me Youtube Music Videos and Lyrics

    Album: Isolate And Medicate
    Released: 2014

    Nobody Praying For Me Lyrics


    I'm a whisper lost upon wind
    I'm the ember that'll burn you down
    I'm the water that'll drown you
    I'm a star that's just a black hole now
    I'm a terrifying danger
    I'm a fruit decaying on the ground
    I'm a swallower of anger
    I'm the tree that falls that makes no sound
    I make no sound

    'Cause if I stand up, I break my bones
    Everybody loves to see it fall unfold
    Ain't nobody giving up
    Cause nobody gives a fuck
    Stand up, and break my bones
    Everybody wants what they just can't hold
    There's Nobody Praying For Me

    I am fungus in the forest
    I'm a lizard with a poisoned tongue
    I'm the child in the manger
    I'm the one who sacrificed his son
    Rust is showing on my armor
    I am lazing like an old man done
    I'm a product of my anger
    I'm the bullet in a loaded gun

    Stand up, I break my bones
    Everybody loves to see it fall unfold
    Ain't nobody giving up
    'Cause nobody gives a fuck
    Stand up, and break my bones
    Everybody wants what they just can't hold
    There's nobody praying for me

    If I stand up, I break my bones
    Everybody loves to see it fall unfold
    Ain't nobody giving up
    'Cause nobody gives a fuck
    Stand up, break my bones
    Everybody wants what they just can't hold
    There's nobody praying for me

    (There's nobody praying for me)
    There's nobody praying for me

    Writer/s: SHAUN MORGAN WELGEMOED, JOHN STEPHEN HUMPHREY, DALE WILLIAM STEWART
    Publisher: RESERVOIR MEDIA MANAGEMENT INC
    Lyrics licensed and provided by LyricFind

    Nobody Praying For Me Song Chart
  • Seether frontman Shaun Morgan had this song's chorus way before he came up with the verse. "I struggled with that verse," he told Artist Direct . "I thought the chorus had a good melody, and I liked what the chorus was saying at the beginning. I had about three or four different verse ideas, and I eventually settled on the one it has now."

    "I had the melody and music ideas at the same time," he added. "That usually doesn't happen very often. I think I was in the shower, and I started singing it. I went upstairs to my studio and began writing it. It came out pretty quickly, and I was happy with the result. I knew it was a good chorus so I had to write a verse that would complement it. Sometimes, it works that way. It's not always that the verse comes first and is followed by a chorus. Quite often, the chorus comes first, and I have to think, 'How can I make a verse that matches that?' That was an interesting one to write. I think it would be one of my favorites on the album."

  • Radiohead - Like Spinning Plate
    Radiohead - Like Spinning Plates


    Radiohead - Like Spinning Plates Youtube Music Videos and Lyrics

    Album: Amnesiac
    Released: 2001

    Like Spinning Plates Lyrics


    While you make pretty speeches,
    I'm being cut to shreds
    You feed me to the lions,
    a delicate balance

    And this just feels Like Spinning Plates
    I'm living in cloud cuckoo land
    And this just feels like spinning plates
    My body is floating down the muddy river

    Writer/s: YORKE, THOMAS EDWARD/GREENWOOD, JONATHAN RICHARD GUY/O'BRIEN, EDWARD JOHN/SELWAY, PHILIP JAMES/GREENWOOD, COLIN CHARLES
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Like Spinning Plates Song Chart
  • This has the melody of another, unreleased Radiohead song called "I Will" run in reverse.
  • Thom Yorke sang this backwards because he thought it sounded too uncomfortable the regular way. His tracks were then reversed and added on, resulting in the lyrics sung backward, then forward.
  • The album was recorded at the same time as Kid A, but released shortly after.
  • "Cloudcuckooland" is a reference to the ancient Greek comedy/satire The Birds by Aristophanes. It is a city built by birds to escape the frantic aspects of normal human civilization (in the case of the play, Athens).

  • Slash - The Unhol
    Slash - The Unholy


    Slash - The Unholy Youtube Music Videos and Lyrics

    Album: World On Fire
    Released: 2014

    The Unholy Lyrics


    Evil shadows they are falling
    And the misty-eyed are calling
    To a god so far
    People, troubled times are coming
    Still you wonder why I’m running
    I will take no part

    I know it was you this time
    I know it was you this time (evil)
    I've seen it with my own two eyes
    You lie, you lie

    Unholy so vile
    How can you justify a lie?
    One more sacred alibi
    Concealing your crimes
    Until the end of time
    Oh why
    It’s you that should be crucified

    Echoes of your true intentions
    Well I guess you failed to mention
    What was in your heart
    Now I say it all so clearly
    What you did to them has nearly
    Torn us all apart

    I know it was you this time
    I know it was you this time (evil)
    Took them like a sacrifice
    You lie, you lie

    Unholy so vile
    How can you justify a lie?
    One more sacred alibi
    Concealing your crimes
    Until the end of time
    Oh why
    It’s you that should be crucified

    You say, on your knees that you don’t believe now
    Don’t question a thing at all
    Just receive what you’re meant to see
    Now fall
    On your knees

    Evil shadow they are falling
    And the misty-eyed are calling
    You will break their heart

    Unholy so vile
    How can you justify a lie?
    One more sacred alibi
    Concealing your crimes
    Until the end of time
    Oh why
    It’s you that should be crucified

    The broken how they cry
    They only gave you heart and mind
    How can you justify?
    They loved you
    Now father don’t deny
    You took them like a sacrifice
    We finally know the truth about you
    Oh yeah

    You’re unholy
    So vile
    How can you justify?
    Oh my, how they loved you
    Oh yeah
    Concealing your crimes
    But now they’ll see this time
    The blind will deny you

    Writer/s: HUDSON, SAUL / KENNEDY, MYLES
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    The Unholy Song Chart
  • In 2010 Slash founded Slasher Films, a horror film production company. The former Guns N' Roses guitarist co-wrote the soundtrack for its first motion picture, Nothing Left to Fear, which was premiered on October 4, 2013. This song was influenced by Slash's time in the film world. He told Artist Direct : "When I write music for movies, a different side of me as a musician comes out. I really liked that side. It's something I never apply to the confines of a rock band who's doing songs at roughly around four minutes long. It's not as a rule, but it just never happened."

    "I thought, 'God, I'd just love to sit down and write thematically in the context of the band as opposed to only doing it for cinema and visuals,'" Slash added. "'The Unholy' was the result of that, and it still ended up being seven minutes long. It started out like it does on acoustic."
  • Slash told Premier Guitar magazine that he used his Goldtop '57 reissue guitar on World On Fire, "for that creamy stuff where it's sustainy smooth where I turn the tone down." That included the guitar solo at the very end of this song.

  • Crazy Town - Black Clou
    Crazy Town - Black Cloud


    Crazy Town - Black Cloud Youtube Music Videos and Lyrics

    Album: The Gift Of Game
    Released: 1999

    Black Cloud Lyrics


    Now people say I'm jinxed
    I got some kind of voodoo hex
    Life is so complex
    There's no telling what could happen next
    Life on the edge,
    Fuels the sickness in my head
    It embeds the type of thoughts
    That got a lot of brothers dead
    The smarter brother knows
    To keep his foes close
    And I'm the type of brothers
    That smarter than most
    A cold hearted overdose
    Of lyrical antidotes
    The cure to make sure
    My karma can't take me down
    Up to the same old tricks
    I wonder if I'll stick around

    Is a penny really lucky
    If you find it on the ground?
    I can't figure it out
    My karma crashing down
    In the form of a Black Cloud

    [Chorus: x2]
    I've got a little black cloud,
    That follows me
    Everywhere I go
    It takes over me

    I'm sick
    I've got an ill disposition
    My intentions are pure
    But there's a cure for my condition
    My decisions
    Put me in the wrong positions
    Chasing pipe dreams
    Of fame and recognition
    The Epic
    Not only a name
    A definition
    My game remains no matter the pain
    I stay a charmer
    The Don of Karma
    I navigate like the Dalli Lama
    I ain't a saint
    But I've got joi de vie
    And I'm the one to blame
    If the cloud rains on me
    I can't complain about it
    Or even let regret
    Provoke the energy it takes
    For me to get upset

    A bad boy since birth
    So I can't forget
    what goes around
    Comes around
    And it ain't got me yet
    I've gotten wise in my age
    And tame the treat of my rage
    I've got allot to learn
    And I've got money to spend
    To pretend is reaping more
    Than sewing ever could mend

    [Chorus]

    Trade my torches for a dime
    Black cloud's lifted for the light
    The pressure's fading away now
    A thousands cigarettes
    Won't change the way we feel
    The pressure's fading now
    Can you bare the though of knowing truth?
    Knowing truth?

    I was rapping in the rain
    Hoping that my luck would change
    And if there's any truth
    To all those all sayings
    'Cause if I kill a spider
    Would my house catch on fire?
    If I walk under a ladder
    Would it matter?
    I tend to laugh
    When a black cats cross my path
    Break mirrors in half
    Just to test the aftermath
    Now here comes the rain
    I protect my pain
    Trying to make sense
    Of these crazy things
    I'm a diamond in the rough
    Could I suffer enough?
    I'm getting high for a living
    Not giving a fuck
    These hard times got me stuck
    Stuck in a jam
    Disastrous
    Took time to master this
    And the past
    Is just a map to capture this
    In the darkness
    I'm force to adapt to this
    I would change the past
    If I could have one wish

    [Chorus]

    Writer/s: GORDON, JAY/MAZUR, BRET H/BINZER, SETH/MILLER, DOUG/EPIQUE, RUST/WILLIAMS, BERNARD
    Publisher: Warner/Chappell Music, Inc., THE BICYCLE MUSIC COMPANY
    Lyrics licensed and provided by LyricFind

    Black Cloud Song Chart
  • This song is about Karma and transcendence.
  • Writing this was a team effort. It is credited to Seth Binzer, Bret Mazur, Doug Miller, (a.k.a. Shifty Shellshock, Epic Mazur, and Faydoedeelay), along with Rust Epique, and Bernard Williams. Orgy vocalist Jay Gordon also wrote some of it and sang on the chorus. He also plays keyboards on the track. (thanks, Nick - Paramus, NJ)

  • Tim McGraw - Lincoln Continentals and Cadillac
    Tim McGraw - Lincoln Continentals and Cadillacs


    Tim McGraw - Lincoln Continentals and Cadillacs Youtube Music Videos and Lyrics

    Album: Sundown Heaven Town
    Released: 2014

    Lincoln Continentals and Cadillacs Lyrics


    I said is that you in that old picture back behind the bar
    Leaning up against that classic car
    Sure look cool, man, in your three piece with your snake skin boots
    Hey that sure is cute
    Little honey, sitting in the front seat
    Touching up her lipstick with her hoop silver earrings
    He said damn right I hung it there 'cause boy she takes me back
    To the days with Lincoln Continentals and Cadillacs

    She was a queen of the red white and bell bottom blues
    Back in the she'd write her number on a matchbook days
    When you'd take her out for a drink and then you'd walk her back
    To your Lincoln Continental or your Cadillac
    She looks so good, cruising up and down
    This don't take no shit from no one all-American downtown
    Main street all lined up with shiny and black
    Lincoln Continentals and Cadillacs

    He said that sweet girl, she moved on when as time slowed down
    But I just kept on hanging around
    And that sweet ride cost me too much when the town dried up
    Let the bank take it back, paid in cash
    For that old Ford truck sitting right out front
    And this picture's all I have left of
    And I always thought she would have but she never came back
    No, she never came back

    And I did so miss that queen of the red white and bell bottom blues
    Back in the she'd write her number on a matchbook days
    When you'd take her out for a drink and then you'd walk her back
    To your Lincoln Continental or your Cadillac
    She looks so good, cruising up and down
    This don't take no shit from no one all-American downtown
    Main street laying down that hard earned cash on them
    Lincoln Continentals and Cadillacs

    She looks so damn good, cruising up and down
    This don't take no shit from no one all-American downtown
    Main street all lined up with shiny and black
    Lincoln Continentals and Cadillacs
    Yeah the best times are the good times that you can't get back
    Like those Lincoln Continentals and the Cadillacs

    Writer/s: LAIRD, LUKE ROBERT / CLAWSON, RODNEY DALE
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Lincoln Continentals and Cadillacs Song Chart
  • This Rodney Clawson and Luke Laird-penned track finds Tim McGraw duetting with his pal Kid Rock. "When I first heard the demo I knew I wanted Kid Rock to do it with me," the country star told Taste of Country . "I just felt like it was the perfect song for he and I to do. I'm a huge fan of his, I think that he's just a great, great singer."
  • McGraw didn't actually record the song in person with Kid Rock, because he was too busy at the time to schedule a visit. "I shot him a text message and said, 'Hey I got a song,'" McGraw recalled. "He said, 'send it over to me.' So I sent it to him, and a week later I got back his vocal."

  • Dave Matthews Band - I'll Back You U
    Dave Matthews Band - I'll Back You Up


    Dave Matthews Band - I'll Back You Up Youtube Music Videos and Lyrics

    Album: Remember Two Things
    Released: 1993

    I'll Back You Up Lyrics


    I'll Back You Up Song Chart
  • President John F. Kennedy commissioned Broadway composer Meredith Willson, who wrote music for The Music Man and The Unsinkable Molly Brown, to write an anthem that would inspire school children across the United States to whip themselves into shape as part of the President's Council on Physical Fitness. What followed was "Chicken Fat," also known as "The Youth Fitness Song," that would become a fixture in gym classes throughout the '60s and '70s. It was performed by actor Robert Preston, who originated the role of Harold Hill in the 1957 musical The Music Man and reprised the part for the 1962 film adaptation.
  • While the radio version of the song only clocked in at 2 minutes and 12 seconds, the school version was over 6 minutes and packaged with floor exercises designed to "give that chicken fat back to the chicken."
  • This song became a novelty hit and a nostalgic reminder of gym classes gone by for baby boomers.
  • This song was resurrected in 2014 as part of the new Apple iPhone 5s campaign to tout the smartphone's usefulness for physical fitness endeavors. The TV commercial shows runners, swimmers, and scale steppers gearing up to the words "touch down every morning ... not just now and then" and going full force with "Go you, chicken fat, go away!" while the handy gadget marks their progress - with a touch of good-old-fashioned fat shaming: "Nuts to the flabby guys!" At least it sounds jolly.
  • For whatever reason, Apple doesn't want us to know the singer of the 2014 version of the song. It's not Robert Preston, and it's not Bernie Knee, the jingle writer who supposedly sang it in 2000 - even though he died in 1994. New York Times advertising columnist Stuart Elliott implores "anyone who recognizes the voice, please stop exercising long enough to clue the rest of us in."
  • Robert Preston recorded the 1962 version with the Bernie Green Orchestra during the same sessions for The Music Man film soundtrack.

  • Robert Preston - Chicken Fa
    Robert Preston - Chicken Fat


    Robert Preston - Chicken Fat Youtube Music Videos and Lyrics

    Album: single release only
    Released: 1962

    Chicken Fat Lyrics


    Chicken Fat Song Chart
  • President John F. Kennedy commissioned Broadway composer Meredith Willson, who wrote music for The Music Man and The Unsinkable Molly Brown, to write an anthem that would inspire school children across the United States to whip themselves into shape as part of the President's Council on Physical Fitness. What followed was "Chicken Fat," also known as "The Youth Fitness Song," that would become a fixture in gym classes throughout the '60s and '70s. It was performed by actor Robert Preston, who originated the role of Harold Hill in the 1957 musical The Music Man and reprised the part for the 1962 film adaptation.
  • While the radio version of the song only clocked in at 2 minutes and 12 seconds, the school version was over 6 minutes and packaged with floor exercises designed to "give that chicken fat back to the chicken."
  • This song became a novelty hit and a nostalgic reminder of gym classes gone by for baby boomers.
  • This song was resurrected in 2014 as part of the new Apple iPhone 5s campaign to tout the smartphone's usefulness for physical fitness endeavors. The TV commercial shows runners, swimmers, and scale steppers gearing up to the words "touch down every morning ... not just now and then" and going full force with "Go you, chicken fat, go away!" while the handy gadget marks their progress - with a touch of good-old-fashioned fat shaming: "Nuts to the flabby guys!" At least it sounds jolly.
  • For whatever reason, Apple doesn't want us to know the singer of the 2014 version of the song. It's not Robert Preston, and it's not Bernie Knee, the jingle writer who supposedly sang it in 2000 - even though he died in 1994. New York Times advertising columnist Stuart Elliott implores "anyone who recognizes the voice, please stop exercising long enough to clue the rest of us in."
  • Robert Preston recorded the 1962 version with the Bernie Green Orchestra during the same sessions for The Music Man film soundtrack.

  • The Who - Won't Get Fooled Agai
    The Who - Won't Get Fooled Again


    The Who - Won't Get Fooled Again Youtube Music Videos and Lyrics

    Album: Who's Next
    Released: 1971

    Won't Get Fooled Again Lyrics


    We'll be fighting in the streets
    With our children at our feet
    And the morals that they worship will be gone
    And the men who spurred us on
    Sit in judgment of all wrong
    They decide and the shotgun sings the song

    I'll tip my hat to the new constitution
    Take a bow for the new revolution
    Smile and grin at the change all around
    Pick up my guitar and play
    Just like yesterday
    Then I'll get on my knees and pray
    We don't get fooled again

    The change, it had to come
    We knew it all along
    We were liberated from the fold, that's all
    And the world looks just the same
    And history ain't changed
    Cause the banners, they are flown in the next war

    I'll tip my hat to the new constitution
    Take a bow for the new revolution
    Smile and grin at the change all around
    Pick up my guitar and play
    Just like yesterday
    Then I'll get on my knees and pray
    We don't get fooled again
    No, no!

    I'll move myself and my family aside
    If we happen to be left half alive
    I'll get all my papers and smile at the sky
    Though I know that the hypnotized never lie
    Do ya?

    There's nothing in the streets
    Looks any different to me
    And the slogans are replaced, by-the-bye
    And the parting on the left
    Are now parting on the right
    And the beards have all grown longer overnight

    I'll tip my hat to the new constitution
    Take a bow for the new revolution
    Smile and grin at the change all around
    Pick up my guitar and play
    Just like yesterday
    Then I'll get on my knees and pray
    We don't get fooled again
    Don't get fooled again
    No, no!

    Yeah!

    Meet the new boss
    Same as the old boss

    Writer/s:
    Publisher: ABKCO MUSIC INC PETE TOWNSHEND CATALOG, FABULOUS MUSIC LTD, SPIRIT MUSIC GROUP
    Lyrics licensed and provided by LyricFind

    Won't Get Fooled Again Song Chart
  • Pete Townshend wrote this song about a revolution. In the first verse, there is an uprising. In the middle, they overthrow those in power, but in the end, the new regime becomes just like the old one ("Meet the new boss, same as the old boss"). Townshend felt revolution was pointless because whoever takes over is destined to become corrupt. In Townshend: A Career Biography , Pete explained that the song was antiestablishment, but that "revolution is not going to change anything in the long run, and people are going to get hurt."
  • The synthesizer represents the revolution. It builds at the beginning when the uprising starts, and comes back at the end when a new revolution is brewing.
  • Townshend wrote this as part of his "Lifehouse" project. He wanted to release a film about a futuristic world where the people are enslaved, but saved by a rock concert. Townshend couldn't get enough support to finish the project, but most of the songs he wrote were used on the Who's Next album.
  • Roger Daltrey's scream is considered one of the best on any rock song. It was quite a convincing wail - so convincing that the rest of the band, lunching nearby, thought Daltrey was brawling with the engineer.
  • The album version runs 8:30. The single was shortened to 3:35 so radio stations would play it.

    Daltrey was unhappy about the editing. He recalled to Uncut magazine: "I hated it when they chopped it down. I used to say 'F--k it, put it out as eight minutes', but there'd always be some excuse about not fitting it on or some technical thing at the pressing plant."

    "After that we started to lose interest in singles because they'd cut them to bits," Daltrey added. "We thought, 'What's the point? Our music's evolved past the three-minute barrier and if they can't accommodate that we're just gonna have to live on albums.'"
  • In a 1985 "My Generation" radio special, Pete Townshend said he wrote the song as a message to the supposedly "new breed" of politicians who came around in the early '70s.
  • This is the last song on the album. It was also the last song they played at their concerts for many years.
  • This was one of the first times a synthesizer was used in the rhythm track. When they played this live, they had to play the synthesizer part off tape.
  • Townshend (from Rolling Stone magazine): "It's interesting it's been taken up in an anthemic sense when in fact it's such a cautionary piece." (thanks, Bertrand - Paris, France)
  • Pete Townshend lived on Eel Pie Island in Richmond, London, when he wrote this song. There was an active commune on the Island at the time situated in what used to be a hotel. According to Townshend, this commune was an influence on the song. "There was like a love affair going on between me an them," he said. "They dug me because I was like a figurehead in a group, and I dug them because I could see what was going on over there. At one point there was an amazing scene where the commune was really working, but then the acid started flowing and I got on the end of some psychotic conversations."
  • This song was played by the remaining members of the band at "The Concert for New York City," a fundraising concert in the wake of the devastating attacks on September 11, 2001. Daltrey omitted the last line of the song: "Meet the new boss, Same as the old boss." (thanks, Chris - Philadelphia, PA)
  • Part of this is used in the opening sequence of the CBS TV show CSI Miami.
  • This was played in Super Bowl XLI (2007) as the Indianapolis Colts came out of the locker room. The Colts won the game. (thanks, Colin - New Egypt, NJ)
  • In The Simpsons episode "A Tale of Two Springfields," Homer forms "New Springfield" and gets The Who to play there. Pete Townshend blasts the wall between old and new Springfield by blasting the guitar riff from this song. (thanks, Bertrand - Paris, France)
  • In its May 26, 2006 issue, the conservative National Review magazine published a list of "The 50 greatest conservative rock songs." "Won't Get Fooled Again" was ranked song number one. Pete Townsend responded on his blog as follows:
    "It is not precisely a song that decries revolution - it suggests that we will indeed fight in the streets - but that revolution, like all action can have results we cannot predict. Don't expect to see what you expect to see. Expect nothing and you might gain everything.'' Townsend then goes on to explain that the song was simply ''Meant to let politicians and revolutionaries alike know that what lay in the center of my life was not for sale, and could not be co-opted into any obvious cause.'' (thanks, Dale - Laguna Niguel, CA)
  • Pete Townshend refused Michael Moore permission to use this song in his 2004 anti-George W. Bush documentary, Fahrenheit 9/11, citing the left wing filmaker as a "bully."
  • This was used in commercials for the 2000 Nissan Maxima. Some people considered this the biggest sellout in rock, but The Who made lots of money in the deal. The same year, Nissan used The Who's "Baba O'Reily" in an ad for their Pathfinder.
  • DJs like to play this as their last song before leaving a particular radio station because of the line "meet the new boss, same as the old boss" - a snub directed at station management because they might not be leaving on the friendliest terms. (thanks, Kelly - San Luis Obispo, CA)

  • AC/DC - Play Bal
    AC/DC - Play Ball


    AC/DC - Play Ball Youtube Music Videos and Lyrics

    Album: Rock or Bust
    Released: 2014

    Play Ball Lyrics


    Listen!
    Pick me up
    Fill my cup
    Pour me another round
    Come on in, mix in the sin
    Come in and join the crowd
    I said it’s party time
    When I’m on the loose
    Make it feel alright
    Listen, drinks all around
    I’m in the mood
    Because the night is mine

    Let’s Play Ball
    Shoot it down the wall
    Let’s play ball, baby
    Battin’ down the stalls
    Play, play, play ball

    Listen Sid, light me up
    I’m in love
    I’m all regional now
    Dive on in and swim in the gin
    Come on, shout it out loud

    Let’s play ball
    Shoot it down the wall, yeah
    Let’s play ball
    Battin’ down the stalls, yeah
    Play, play, play ball

    Let’s play ball
    Shootin' down the wall
    Let’s play ball
    And never stall
    Let’s play ball
    Let’s play ball
    Let’s play ball
    Play, play, play ball

    Writer/s: MALCOLM MITCHELL YOUNG, ANGUS MCKINNON YOUNG
    Publisher: J. ALBERT & SON(INTERNATIONAL) PTY. LTD.
    Lyrics licensed and provided by LyricFind

    Play Ball Song Chart
  • The first taste of music from AC/DC's Rock or Bust album was heard on September 27, 2014 when this aptly title song was used as part of a promotional trailer for TBS' American League baseball playoff coverage.

    It wasn't the first time that the Australian rockers have been paired with the sport. The practice of using a heavy metal theme song to signal the entrance of a relief pitcher began in 1998, when the San Diego Padres started playing "Hell's Bells" to accompany Trevor Hoffman's taking the mound. Other pro players that have used the band's songs as their walk on music include Chad Billingsley, Adam Castro, Brendan Donnelly and Adam Dunn.
  • Rock Or Bust was the first AC/DC album in the band's history on which Malcolm Young doesn't appear. The band's former guitarist officially departed the band due to serious dementia and Stevie Young – nephew of the Young brothers – plays rhythm guitar on disc. He previously played with AC/DC during their 1988 Blow Up Your Video tour, while Malcolm Young was in rehab.
  • The song's performance-based music video was shot on October 3-4, 2014 with director David Mallet at Black Island Studios in Middlesex, England. Phil Rudd was unable to attend due to murder allegations which were later dropped. Bob Richards of Shogun filled in for him on drums, whilst Stevie Young took his uncle Malcolm's place. Mallet, who's been working with the band since their 1986 "You Shook Me All Night Long" clip said : "They are the same band they were – they have never come out with any pretence to be anything else than the best rock'n'roll band in the world."

    "It's just as thrilling doing stuff with them now as it was all those years ago," he added. "That's because the records are just as good."
  • Rock or Bust was AC/DC's second album in a row with producer Brendan O'Brien, following Black Ice. This was the first time the band had used the same producer on consecutive albums since Mutt Lange helmed 1980's Back in Black and then For Those About to Rock.

    Brian Johnston told Shaun Keaveny and Steve Lamacq of BBC Radio 6 Music about O'Brien's production. "Seven days a week, [Brendan] kept the adrenaline pumped all the time and he calls everybody by both their names. He never says 'Brian' or 'Angus.' He's, like, 'Angus Young. C'mon! I want you in here now. Let me get that magic from you. What do you got for me? Brian Johnson, downstairs now. Sing, baby, sing.' And it turned out wonderful. We were excited, and I think that's great, 'cause it comes through in songs. If you sing a song twelve times to get it right, you can tell. If you sing a song just a couple of times, like I did, you can tell it's fresh and it's new. And it was the same for Ang, and it was the same for everyone. [Brendan is] wonderful to work with."

    Angus Young added: "He keeps everyone moving, so nobody's sitting around, going, 'What am I doing next?' Once we had a track down, he would go, 'Right. I'm gonna take this. I'm going down with Brian.' He'd get Brian up. 'While I am doing that, you guys get this track together and start knocking it out. Know all your bits.' So when he'd come back out, we would more or less [have] the track all in order and ready to go."
  • The video also shows clips of different sports, with an emphasis on female athletes in bikinis. Asked about the visual during an interview on the Australian television program, The Project, Angus Young said: "I've gotta admit. When they watched the Olympics, I'm always the one… I mean, I tuned in for the bikini beach volleyball. That's one of my favorite sports. If that wasn't on, I don't think I'd be watching."
  • This was used to soundtrack two commercials from Beats Electronics that aired in early 2015, promoting the Apple-owned company's Powerbeats2 Wireless and Studio Wireless headphones. AC/DC have rarely licensed its music for advertising, although the band have twice allowed "Back In Black" to be used: In 2011 they gave permission for the song's opening riff to feature during a commercial for Walmart, and a few years later, the track featured in a commercial for the 2015 Chevy Colorado pickup truck.

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