Songs Lyrics and YT- Youtube Music Videos

Gojira - Pain Is A Master

Gojira - Pain Is A Master Lyrics and Youtube Music Videos

Album: L'Enfant Sauvage
Released: 2012

Pain Is A Master Lyrics

Crawling and moaning in the sharp blade of grass
All my life starting over, blood spilled inside out
I went through this cycle of pain deep in myself
Destroyed by awful hands, a demon of illusion
The pain now awaken, I'm cracking wide open
Can barely recognize my body, a battlefield
Unquestioned pride once so fragile
I cannot even recall names or faces
Those standing on my side

My side
I am nothing the pain awake is forging me
Face down, inert
Forcing me, dreams haunting me
I am immense, I am awake, renewed
Lost in the darkest time
I know I felt their presence
Even if I was blind
Pain, please forgive my ignorance
My master

Writer/s: DUPLANTIER, MARIO / ANDREU, CHRISTIAN / DUPLANTIER, JOSEPH
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Pain Is A Master

Gojira's vocalist, guitarist and songwriter Joe Duplantier explained the background of this song to Artist Direct : "The meaning is that if you don't have someone to show you the way in difficult times, pain itself will show you the way," he said. "In order to survive, we do things in difficult times when we suffer or feel lost. We understand things because it is hard. We fight to survive. 'Surviving' is a big word."

Sweet - Ballroom Blitz

Sweet - Ballroom Blitz Lyrics and Youtube Music Videos

Album: Blockbusters
Released: 1973

Ballroom Blitz Lyrics

Are you ready Steve? Uh-huh
Andy? Yeah
Mick? Okay
Alright fellas, let's go!

Oh it's been getting so hard
Living with the things you do to me
My dreams are getting so strange
I'd like to tell you everything I see

Oh, I see a man at the back as a matter of fact
His eyes are as red as the sun
And the girl in the corner let no one ignore her
Cause she thinks she's the passionate one

Oh yeah! It was like lightning
Everybody was fighting
And the music was soothing
And they all started grooving

[Chorus]
Yeah, yeah, yeah-yeah-yeah
And the man in the back said everyone attack
And it turned into a Ballroom Blitz
And the girl in the corner said boy I want to warn you
It'll turn into a ballroom blitz
Ballroom blitz, ballroom blitz, ballroom blitz, ballroom blitz

Oh reaching out for something
Touching nothing's all I ever do
Oh I softly call you over
When you appear there's nothing left of you

And the man in the back is ready to crack
As he raises his hands to the sky
And the girl in the corner is everyone's woman
She could kill you with a wink of her eye

Oh yeah! It was electric
So perfectly hectic
And the band started leaving
'Cause they all stopped breathing

[Chorus]

Oh yeah! It was like lightning
Everybody was fighting
And the music was soothing
And they all started grooving

[Chorus]

It's it's a ballroom blitz
It's it's a ballroom blitz
It's it's a ballroom blitz
Yeah, it's a ballroom blitz

Writer/s: CHAPMAN, MICHAEL DONALD / CHINN, NICHOLAS BARRY
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Ballroom Blitz

This was written by Nicky Chinn and Mike Chapman, who wrote many Glam Rock hits like this one. They also wrote Sweet's "Blockbuster," Suzi Quatro's "Devil Gate Drive" and Tony Basil's "Mickey."

This song was inspired by an incident in 1973 when the band were performing at the Grand Hall in Kilmarnock, Scotland and were driven offstage by a barrage of bottles.

In 2000, this was used in La Vie Ne Me Fait Pas Peur, a French movie about a group of girls who don't speak English - the only words they know are "Ballroom Blitz." (thanks, Edward Pearce - Ashford, Kent, England, for above 3)

Quentin Tarantino was considering using this song in the ear scene in Reservoir Dogs but went with the Stealers Wheel's "Stuck In The Middle With You" instead. (thanks, Johanna - London, England)

Cassandra's (Tia Carrere's) band covered this in the movie Wayne's World. As Wayne says, they wail. (thanks, Leah - Ottawa, Canada)

Kelis - Jerk Ribs

Kelis - Jerk Ribs Lyrics and Youtube Music Videos

Album: Food
Released: 2014

Jerk Ribs Lyrics

And my ear drum, reminds me
His name was just way down in my feet
And this moment, well, I can't breathe
You can't control, something that's getting free
And the rhythm's, exciting
Oh when I start this road full of streets
I'm glad you get this one for cheap

In Harlem, where I started to breathe
Your beat was like a soundtrack to me
I was the girl, my daddy was the world
He played the notes and keys
He said to look for melody in everything

It feels just like it should
I wake up, this, this is what it looks like
So don't miss this, this is what it looks like
So call on me, it feels just like it should
So call on me

The best favorites, go through me
I press the strings, I love everything
Hurtful pain, forget the time and keep staying
Hold the doors, dance and give it away
Just around me, I hear it
And melody was right over me
But whistleblowers happened for me

It feels just like it should
I wake up, this, this is what it looks like
So don't miss this, this is what it looks like
So call on me, it feels just like it should
So call on me

In Harlem, where I started to breathe
Your beat was like a soundtrack to me
I was the girl, my daddy was the world
He played the notes and keys
He said to look for melody in everything

It feels just like it should
I wake up, this, this is what it looks like
So don't miss this, this is what it looks like
So call on me, it feels just like it should
So call on me
[x3]

Writer/s: ROGERS, KELIS / SITEK, DAVID ANDREW / SIMON, TODD
Publisher: Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC, DOWNTOWN MUSIC PUBLISHING LLC
Lyrics licensed and provided by LyricFind

Jerk Ribs

The first single from Kelis' Food album, this was released on January 28, 2014, but it had previously been available to download for free from the singer's website since April 2013.

Food was produced by TV on the Radio's Dave Sitek. Speaking about the album's title, Kelis told HipHollywood : "We recorded in a house. It was Dave's house and he lives really close to me. It was a huge band, so people were there, and people are hungry. So we were eating, and recording, and singing, and eating some more and it was a lot of that. It wasn't the plan but that's just what it ended up being because that's just who we are. It was really natural and it felt really good and it tasted really good too."

The Food title is thematically appropriate to Kelis' own skills. She trained part-time as a chef in the late 2000s, eventually graduating from Le Cordon Bleu culinary school. Her Saucy and Sweet show premiered on The Cooking Channel on February 25, 2014.

The eclectic video sees Kelis posing for photoshoots and performing at a garden party. "This song is the cornerstone of my album," she told Time magazine. "So I wanted the video to look like my life, my love - back to the beginning."

This was originally named "Call On Me" before Kelis reverted to the random placeholder title Dave Sitek used to describe the song in the studio.

Heart - Fallen Ones

Heart - Fallen Ones Lyrics and Youtube Music Videos

Album: Jupiter's Darling
Released: 2004

Fallen Ones Lyrics

Born on the edge of a borderline
In the simmering summer of sweet blue fire
Now you walk on the cold cold wind
Nothing left of your light
The living sun just falls away leaving only day ~ day for night
Again and again the comrades fall
The tears roll down and the wounded crawl
In this heartless crazy world the wounds just burn like fire
Light a light for the Fallen Ones
Light a light and hold it ~ hold it high
Your burning star turned to midnight sun
I will stay alive for the fallen ones
Dancing with the smoke of your devastated flame
Dancing with the smoke dancing with the rain
So cold being here again
So I call your name ~ I call ~ I call your name

Writer/s: NANCY LAMOUREAUX WILSON, CRAIG STEVEN BARTOCK, ANN DUSTIN WILSON
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Fallen Ones

Jerry Cantrell from Alice In Chains played guitar on this. He and Heart are both from the Seattle area.

The album title is the name of an old Esther Williams movie. It's the story of a goddess who was sent t to distract men of power away from war. According to the band, "Something the world could use nowadays."

Michael Kiwanuka - You've Got Nothing To Lose

Michael Kiwanuka - You've Got Nothing To Lose Lyrics and Youtube Music Videos

Album: Single Release Only
Released: 2014

You've Got Nothing To Lose Lyrics

You've Got Nothing To Lose

This song was produced by Jack White and recorded in the summer of 2013. It was released as part of White's Third Man Records' Blue Series of singles. Speaking about working with the former White Stripes frontman, Kiwanuka told NME: "I'm a big fan of Jack White. I used to hear his guitar riffs in secondary school growing up as a teenager."

"He inspired loads of us to start bands and pick up a guitar, which I did," Kiwanuka added. "He's an artist that still inspires me today, so it was such a pleasure getting to work with him, and put out this single on Third Man Records."

This was released as a double A-side with a cover of Townes Van Zandt's "Waitin' Round To Die," from the Texas singer-songwriter's first album, 1968's For the Sake of the Song. Kiwanuka previously performed the tune while filming an episode of Austin City Limits at the Moody Theater on June 10, 2013.

Heart - Barracuda

Heart - Barracuda Lyrics and Youtube Music Videos

Album: Little Queen
Released: 1977

Barracuda Lyrics

So this ain't the end, I saw you again today
Had to turn my heart away
You smiled like the Sun, kisses for everyone
And tales, it never fails!

You lying so low in the weeds
Bet you gonna ambush me
You'd have me down, down, down to my knees
Wouldn't you, Barracuda?

Back over time when we were all trying for free
Met up with porpoise and me
No right no wrong you're selling a song, a name
Whisper game

If the real thing don't do the trick
You better make up something quick
You gonna burn it out to the wick
Aren't you, Barracuda?

"Sell me sell you" the porpoise said
Dive down deep to save my head
You, I think you got the blues too.

All that night and all the next
Swam without looking back
Made for the western pools, silly fools!

Writer/s: KING, LEONARD/GARCIA, FRANK/KING, LARRY/KING, GREGORY
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Barracuda

This was written by Ann and Nancy Wilson together with guitarist Roger Fisher and drummer Michael DeRosier. According to the band, the song is a statement about the record industry in general. It was written at a time when there was friction between the band and their label. Little Queen was the first album Heart released for the CBS-Portrait label. Their old label, Mushroom Records, sued the band and in 1978 released Magazine, an album made up of previously recorded material that Heart did not want released. (Thanks to Sovereign Records for this information.)

The Wilson sisters revealed in various interviews that the song was about Heart's anger towards an ad Mushroom Records placed in trade publications implying that Ann and Nancy were lesbians having an affair (see the full ad and read more about it). The song focuses on Ann's rage towards a promoter who came up to her after a concert in Detroit asking how her "lover" was. She initially thought he was talking about her then-boyfriend - band member Michael Fisher. After the promoter revealed he was talking about her sister Nancy Wilson, Ann became angry and went back to her hotel room to write the song. Nancy put suitably angry music to the words to complete the song comparing the sleazy side of music to a dangerous fish.

This song can be heard in the movies Wag the Dog (1997), Charlie's Angles (2000), Roll Bounce (2005), You Again (2010), The Campaign (2012) and Identity Thief (2013).

TV series to feature the song include The Sopranos, Chuck and My Name Is Earl. It was also used in a 2009 episode of Glee where it was performed by Lea Michele and Adam Lambert.

Fergie performed this with Heart at the 2008 Idol Gives Back charity special on American Idol. (thanks, Bertrand - Paris, France)

During the 2008 presidential campaign, this song was used as the as the unofficial theme song for Republican Vice Presidential nominee Sarah Palin. The Alaska governor originally earned the nickname "Sarah Barracuda" when she played basketball in high school, because of her fierce competitiveness. The name was revived after Palin became mayor of her hometown, Wasilla, in 1996 and it was played at the 2008 National Republican Convention, after she gave a speech. The next day, Ann and Nancy Wilson issued a statement that said: "The Republican campaign did not ask for permission to use the song, nor would they have been granted that permission. We have asked the Republican campaign publicly not to use our music. We hope our wishes will be honored."

Their wishes were not honored, and the song was played at the convention that night after their presidential nominee John McCain spoke and Palin joined him on stage. As the Republican campaign pointed out, they had obtained the proper performance rights to the song and were under no obligation to get further permission to use it (they would have if they wanted to use it in a commercial or video).

With no legal recourse, the Wilson sisters retaliated in the media, telling Entertainment Weekly: "Sarah Palin's views and values in NO WAY represent us as American women. We ask that our song 'Barracuda' no longer be used to promote her image. The song 'Barracuda' was written in the late 70s as a scathing rant against the soulless, corporate nature of the music business, particularly for women. While Heart did not and would not authorize the use of their song at the RNC, there's irony in Republican strategists' choice to make use of it there."

The song's co-writer Roger Fisher was also anti-Palin, but he saw things differently, telling Reuters he was "thrilled" that the song was being used as it was a win-win situation. He explained that while Heart gets publicity and royalties, the Republicans benefit from "the ingenious placement of a kick-ass song." He added that he would use some of the proceeds in a donation to the Obama campaign, and thus, "the Republicans are now supporting Obama."

Needtobreathe - Difference Maker

Needtobreathe - Difference Maker Lyrics and Youtube Music Videos

Album: Rivers In the Wasteland
Released: 2014

Difference Maker Lyrics

Yeah, isn't it amazing how a man can find himself alone
Call into the darkness for an answer that he's never known
Yeah, isn't it amazing how God can take a broken man
Yeah, let him find a fortune, let him ruin it with his own two hands

And he climbs on up the hill on the rock on which he stands
He looks back at the crowd
He looks down at his hands and he says
I am a Difference Maker

Oh, I am the difference maker
Oh, I am the only one who speaks to him
I am the friendliest of friends of God

Yeah, isn't it amazing how a man can find himself alone
Call into the darkness for an answer that he's never known
Yeah, isn't it amazing how God can take a broken man
Yeah, let him find a fortune, let him ruin it with his own two hands

He walks on up the hill to the rock on which he stands
He looks back at the crowd
He looks down at his hands and he says
I am a difference maker

Oh, I am the difference maker
Oh, I am the only one that speaks to him
And I am the friendliest of friends of God

I am on the fence about nearly everything I've seen
And I have felt the fire be put out by too much gasoline
And we're all strangers passing through a place and time afternoon
Life is but a vision in a window that we're peeking through

A helpless conversation with a man who says he cares a lot
It's a passive confrontation about who might throw a punch or not
We are all transgressors, we're all sinners, we're all astronauts
So if you're beating death then raise your hand but shut up if you're not

'Cause I am the difference maker
Oh, I am the only one that speaks to him
And I am the friendliest of friends of God

I am the difference maker
Oh, I am the only one that speaks to him
And I am the friendliest of friends of God

Writer/s: NATHANIEL RINEHART, WILLIAM RINEHART
Publisher: BLUEWATER MUSIC CORP.
Lyrics licensed and provided by LyricFind

Difference Maker

Needtobreathe singer Bear Rinehart told Billboard magazine about this song: "It's really about walking that line of humility and how that really makes you a difference maker," he said. "Maybe none of us should be an authority on too many things. I don't think that's our place especially as musicians. I feel like we can easily get on our soapbox. I think we wrote that song really to ourselves."

The song is Rinehart's story of trying to understand his role in God's plan. He explained to NewReleaseTuesday : "We were on tour with a secular artist, Taylor Swift, playing to 20,000 and even 50,000 people per night. We felt like we were doing what we were supposed to be doing. Despite our efforts, I didn't feel like we were having the impact we are called to have."

"I think God was asking us at this time, 'What are you doing this for? Are you doing it for Me?,' he continued. "And, I think that's where this song was birthed. That confusion is almost a good thing. The bridge says 'I am on the fence about nearly everything I've seen.' I meant that in how the whole band was going through a 'we surrender to God' kind of way."

"We don't need to be concerned about what happens after we've given up this gift we have to God," Rinehart added. "That was really powerful for us. We had ambition and let that take too much of a priority in things that led us down a road that wasn't good. I think that in trying to re-prioritize, God wants us to sacrifice those things, those idols in our lives. Some idols for us were wondering what the outcome was going to be, that we had the upper hand or maybe we were the best band out there, or we thought we were the most clever at it."

"I feel like the beginning of the song is us asking ourselves are we really difference makers," he concluded. "How valuable are we, really? Towards the end of the song it comes around that God makes us a part of what He does, which is so crazy. It starts with us realizing that we don't get to make the rules. We don't control it, and we don't get to say what the timing is. It's not because of our talents. He doesn't need that. He needs our willing hearts."

Local H - Hands On The Bible

Local H - Hands On The Bible Lyrics and Youtube Music Videos

Album: Here Comes The Zoo
Released: 2002

Hands On The Bible Lyrics

Hands On The Bible

This song slams fundamentalist Christians. Scott Lucas sings the song in a mocking manner.

The solo was played on an electric violin.

This is the first track on Here Comes the Zoo, the first Local H album with new drummer Brian St. Clair. (thanks, James - La Crosse, WI, for all above)

Nina Nesbitt - Mr. C

Nina Nesbitt - Mr. C Lyrics and Youtube Music Videos

Album: Peroxide
Released: 2014

Mr. C Lyrics

You must be blind, you're blind, you're blind
Or maybe I'm unkind, unkind, unkind
You're the rich boy from my town, my town, my town
But that can't win me round, me round, me round
Oh you and all your people
You think I like you cause you bought me a drink
But I'm just short of cash and able to wink

Excuse me Mr. C
Who you tryna kid?
I'll take the drink, but if you think
You're coming home with me
Who you tryna kid?
Oh you're so vain

When you're under the lights, the lights, you're alright
But conversation's dry, you're dry, you're dry
Just trying to boast about your parents' house in the south of France
And I'm laughing at the way you dance
You're gone, you're gone, you're all gone
Oh you and all your people
I've come to conclusion you're quite fit
But I'm under no illusion you're a dick

Excuse me Mr. C
Who you tryna kid?
I'll take the drink, but if you think
You're coming home with me
Who you tryna kid?
Oh you're so vain, I can't believe it

I, I never meant to hurt or make you cry
Your mum's outside, she's waiting for you in her new X5
I'm sure she'll dry those eyes

Excuse me Mr. C
Who you tryna kid?
I'll take the drink, but if you think
You're coming home with me
Who you tryna kid?
Oh you're so vain, I can't believe it

Excuse me Mr. C (excuse me Mr. C)
Excuse me Mr. C (one more champagne please)
Excuse me Mr. C (and a strawberry daiquiri)
Excuse me Mr. C (excuse me Mr. C)

Writer/s: COOPER, LILY ROSE BEATRICE / MAC, STEVE / NESBITT, NINA / POOLE, KAREN ANN
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Mr. C

This song finds Nina railing against men who try to impress her by boasting how successful they are. "It's about going out to clubs in Edinburgh and London," the singer told The Daily Record. "A lot of guys can be quite rude. They think they just need to buy you a drink or tell you wonderful things about themselves and you will go out with them."

"I'm also paranoid about my drink getting spiked so I keep an eye on my drink and never leave it," Nina added. "I don't usually take drinks from random people and if I do, I watch the drink being poured. I'm very careful that way."

Bonnie Tyler - Holding Out For A Hero

Bonnie Tyler - Holding Out For A Hero Lyrics and Youtube Music Videos

Album: Footloose Soundtrack
Released: 1984

Holding Out For A Hero Lyrics

Where have all the good men gone
And where are all the gods?
Where's the streetwise Hercules to fight the rising odds?
Isn't there a white knight upon a fiery steed?
Late at night I toss
And I turn
And I dream of what I need.
I need a hero. I'm Holding Out For A Hero 'til the end of the night.
He's gotta be strong
And he's gotta be fast

And he's gotta be fresh from the fight.
I need a hero. I'm holding out for a hero 'til the morning light.
He's gotta be sure
And it's gotta be soon

And he's gotta be larger than life!
Larger than life.
Somewhere after midnight
In my wildest fantasy

Somewhere just beyond my reach
There's someone reaching back for me.
Racing on the thunder and rising with the heat

It's gonna take a superman to sweep me off my feet.
I need a hero. I'm holding out for a hero 'til the end of the night.
He's gotta be strong
And he's gotta be fast

And he's gotta be fresh from the fight.
I need a hero. I'm holding out for a hero 'til the morning light.
He's gotta be sure
And it's gotta be soon

And he's gotta be larger than life.
I need a hero. I'm holding out for a hero 'til the end of the night.
Up where the mountains meet the heavens above

Out where the lightning splits the sea

I could swear there is someone
Somewhere
Watching me.
Through the wind
And the chill
And the rain

And the storm
And the flood

I can feel his approach like a fire in my blood.
I need a hero. I'm holding out for a hero 'til the end of the night.
He's gotta be strong and he's gotta be fast

And he's gotta be fresh from the fight.
I need a hero. I'm holding out for a hero 'til the morning light.
He's gotta be sure
And it's gotta be soon

And he's gotta be larger than life.
I need a hero. I'm holding out for a hero 'til the end of the night.

Writer/s: PITCHFORD, DEAN / STEINMAN, JIM
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Holding Out For A Hero

This was featured in the movie Footloose, starring Kevin Bacon as a young man who comes to a small town where dancing in public is not allowed. The screenplay for the movie was written by Dean Pitchford , who also wrote the lyrics to the nine songs used in the film. This one appears in a scene where Bacon is playing chicken on tractors with a local. He becomes a "hero" when he wins - not by force of will, but because his shoelace gets caught on a pedal, and he can't jump off (yes, he couldn't get hit Foot Loose).

In putting together songs for his movie Footloose, Dean Pitchford used seven different co-writers and eight different artists, since he wanted a variety of styles. On this song, he wrote with the mercurial Jim Steinman, who wrote most of Meat Loaf's hits, including "Paradise By the Dashboard Light" and "I'd Do Anything For Love (But I Won't Do That)." In our interview with Dean Pitchford, he told us how this one came together: "We decided that we were going to go after Bonnie Tyler, who was not even really happening at the time. I had fallen in love with Bonnie Tyler because she'd sung 'It's a Heartache,' and the song 'Total Eclipse Of The Heart' was a hit in Australia when I heard it, but it had not broken in the United States yet. But when we went to try to find her, nobody at Columbia Records knew who had signed her and where she was. We finally tracked her A&R rep down to Nashville, because in the United States she had been signed as a country act, and that was where 'It's A Heartache' had first broken. But in order to get to Bonnie Tyler and to get her to sing something for us, I was going to work with Jim Steinman. And I'd known Jim Steinman's work from all of his Meat Loaf days. So I sat down and listened to a lot of Jim Steinman. And I came up with 'Where have all the good men gone and where are all the gods? Where's the streetwise Hercules to fight the rising odds?' I wrote that lyric with an ear toward snaring Jim Steinman, and it worked. He looked at the lyric and he immediately knew what to do with it because it was so much in a style that he was familiar with. So in every case I tried to write a lyric that was in the style of the artist I was working with or the writer that I knew I would have to write with. Bill Wolfer, for instance, was a producer for Shalamar, and I knew what I needed to do in order to snare his involvement. And 'Dancing in the Sheets' is different than 'Holding Out For A Hero' is different than 'Almost Paradise.' So every one of those represented a different head set, a mindset."

Jim Steinman literally bled for this song when he demoed it for the Footloose director. Dean Pitchford told us the story: "I remember bringing in a girl to sing 'Holding Out For A Hero' with Jim Steinman pounding the crap out of the keyboard. When we were done, I looked over and there was blood on the keys. That's the kind of 'DUN DUN DUN DUN DUN da DON DON DON da DA DUN.' He was just pounding the s--t out of the keyboard. Everybody was just grooving along as he's pounding and this girl's singing, singing, singing. And at the end of the whole thing I looked over and there was blood up and down the keyboard. It cut his fingers."

The introduction to this song was originally used by Jim Steinman on the song "Stark Raving Love" from his 1981 solo album Bad For Good. (thanks, Kelley - Hickory, KY)

Ella Mae Bowen recorded this for the 2011 remake of the Footloose movie. Bowen, who was just 14 when she recorded the song, came up with a stripped down, countrified arrangement with her producer Seth Bolt. The movie's director, Craig Brewer, chose her version from many submissions.

A version by Jennifer Saunders was featured in the 2004 movie Shrek 2. It was also used in the climactic scene from the movie Short Circuit 2. (thanks, Gerry - Trinity, AL)

Nina Nesbitt - Hold You

Nina Nesbitt - Hold You Lyrics and Youtube Music Videos

Album: Peroxide
Released: 2014

Hold You Lyrics

You're far away tonight
Haven't seen you in a while
It always feels like a climb
On this never ending hill

And I keep saying wait just one more day
But days slowly drift away
And I can hold to the memories
But they won't hold me in the same way, as you

And this distance between us has come and cut us clean as
A sharp blade
And this distance between us has made my heart as weak as
Silk that's frayed

And I just wanna hold ya, hold ya, hold ya, now
You're the one that keeps me, keeps me, on the ground
I just wanna hold ya, hold ya, hold ya, now
Can we turn this knife the blunt way around

I feel empty my eyes are closed
It's getting dark and I'm alone
And I sleep next to my window
In case you decide to come home

And I keep saying wait just one more day
But days slowly drift away
The memories I have begin to fade
'Cause you're so far away

This distance between us has come and cut us clean as
A sharp blade
And this distance between us has made my heart as weak as
Silk that's frayed

And I just wanna hold ya, hold ya, hold ya, now
You're the one that keeps me, keeps me, on the ground
I just wanna hold ya, hold ya, hold ya, now
Can we turn this knife the blunt way around

And I can only stay
One more day
It's like waiting on the rain
In a warm summer haze

And this distance between us has come and cut us clean as
A sharp blade
And this distance between us has made my heart as weak as
Silk that's frayed

And I just wanna hold ya, hold ya, hold ya, now
You're the one that keeps me, keeps me, on the ground
I just wanna hold ya, hold ya, hold ya, now
Can we turn this knife the blunt way around, now

Writer/s: NINA NESBITT
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Hold You

This song finds Nina collaborating with the Irish band Kodaline ."They were great," she told HMV.com . "I played some gigs with them and we made friends and they asked me to feature on their 'Brand New Day' EP and I then asked them to feature on the record."

This is one of the oldest tracks on Nina's Peroxide album. She wrote the tune at the age of 16.

Donna Summer - Love To Love You Baby

Donna Summer - Love To Love You Baby Lyrics and Youtube Music Videos

Album: Love To Love You Baby
Released: 1975

Love To Love You Baby Lyrics

I Love To Love You Baby
I love to love you baby
I love to love you baby
I love to love you baby
I love to love you baby

When you're laying so close to me
There's no place I'd rather you be than with me

I love to love you baby
I love to love you baby
I love to love you baby

Do it to me again and again
You put me in such a awful spin, in a spin

I love to love you baby
I love to love you baby
I love to love you baby

Lay your head down real close to me
Soothe my mind and set me free, set me free

Uh, love to love you baby
Uh, love to love you baby
Uh, love to love you baby
Uh, love to love you baby
Uh, love to love you baby
Uh, love to love you baby

When you're laying so close to me
There's no place I'd rather you be than with me

I love to love you baby
I love to love you baby
I love to love you baby

Do it to me again and again
You put me in such a awful spin, in a spin

I love to love you baby
I love to love you baby
I love to love you baby
I love to love you baby
I love to love you baby
I love to love you baby
I love to love you baby

Writer/s: SUMMER, DONNA / MORODER, GIORGIO / BELLOTTE, PETE
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Love To Love You Baby

Summer wrote this with the help of European producers Giorgio Moroder and Pete Bellotte. It was the first big hit for Moroder, who went on to great success as a songwriter and producer. Among his accomplishments: Summer's "Hot Stuff" and "On The Radio"; scores for many movies, including Scarface, Midnight Express and American Gigolo; and many songs used in movies, among them "Take My Breath Away" (used in Top Gun) and "Call Me" (used in American Gigolo).

This was Summer's first hit, and one of the first disco hits. Disco gained popularity in gay dance clubs where they used DJs instead of bands. Eventually, the music spread to mainstream clubs and made it's way onto radio stations and movies like Saturday Night Fever. Summer had many hits and became known as the "Queen of Disco," but before "Love To Love You Baby," she was more of a folk-pop artist, and before that, she performed in musicals and recorded show tunes. This was the song that set her on the path to disco divadom.

It was rumored that Summer sang her very convincing orgasmic-sounding vocals on the studio floor while simulating a sex act. The rumor was partly true - after trying to record her vocal the traditional way, her producer Giorgio Moroder had her sing on the studio floor while lying on her back with the lights out, since she didn't want the guys working on the album looking at her when she sang it. She explained that she was indeed touching herself during the vocal: she had her hand on her knee. Her boyfriend Peter served as her fantasy inspiration.

Donna Summer had had a Christian upbringing and was an unlikely writer of such a sexual song. She told Time magazine December 1975 that to write the lyrics, "I let go long enough to show all the things I've been told since childhood to keep secret." She added in an interview with the Telegraph Magazine: "So I took on this character and eventually it just fitted me."

Donna had a hard time listening back to the song after she recorded it and was concerned about what the song did to her image, but she learned to embrace it and made it a centerpiece of her subsequent tour, putting on a stage show that Madonna would later crib from, complete with dancers simulating sexual positions and Summer squatting over an array of guys.

According to a tally by Time magazine, Summer could be heard enjoying 22 orgasms in this number. In Britain the BBC banned the song. In the US, the Reverend Jesse Jackson attacked her. Summer told the Telegraph Magazine: "They were afraid of what it would perpetrate among the youth. And I don't disagree with them on this end of it as a mother. I would not have chosen that specific song to open my career with. But I accept that's what happened. And I tried my best to parlay the success of that record into something else and get away from that imagery as soon as I could."

Summer explained to the Telegraph Magazine why she stopped performing this song at her concerts. "If I were to do that song like I did it in the old days, the fire department would have to be at the show," she said. "Seriously. Riots broke out in, like, Argentina and Italy. I was in a tent in Italy, 5,000 men, almost no women, and I was doing 'Love to Love You, Baby' and I was fairly scantily clad - I was fairly young, and the guys got so wrapped up that they began to push the stage back. And I had to run off the stage, to my trailer out the back. And they came to the trailer and started to rock it. Five thousand guys in a little village in Italy! I just thought, 'I'm going to die today, I'm not going to get out of here.' It's not the kind of song you just want to throw out there."

Summer's record label, Casablanca Records, made a huge push to promote their new artist, and in a classic example of record company excess, had a life-sized cake sculpted in her image that was flown from Los Angeles to New York on two first class airline seats. The cake made it's way to a disco on December 31, 1975, where Summer performed in celebration of the release of this single and her birthday (this story is recounted in the book Love Saves the Day by Tim Lawrence). Summer did a variety of press press parties to promote the song and her upcoming tour. The reception wasn't always good, but it did get her lots of attention. When this song was played at the parties, Summer said, "The audience was groaning worse than I was."

The full version of this song (found on the album) runs 16:50. The single version is cut down to 4:57. It was extended after Summer's label boss, Neil Bogart, called Giorgio Moroder up after he'd sent him a three-minute version. The Italian producer recalled to Redbull Music Academy : "He called me at 3 a.m., and asked me to extend the song. He said that he had a party at his house and he was playing the single version and that people wanted to hear it over and over again. He thought that was a great idea – and so did I. That was the key element for the song to become a hit."

Summer explained during a 1977 interview with Black Music magazine how plans for this song were laid during a 1975 meeting with Moroder. "Giorgio remarked that Jane Birkin and Serge Gainsbourg's 'Je T'Aime' had been re-released and was again doing well," she recalled. "Then he asked me what I thought of the idea of recording that sort of song. I reckoned it was worth a try so we went ahead… we had to create the atmosphere we wanted by turning the studio lights down and keeping people out."

According to Giorgio Moroder, the bass guitarist didn't do a good job on the original short version of the song. He told Redbull Music Academy: "When it came if you hear the first part of it, the bass sounds good. But if you hear it soloed, it's terrible. Absolutely terrible. Two weeks later we did the longer version and, in the meantime, the bass player learned the song better. So the bass in the second part is much better. If you hear it with all the other instruments, though, you don't notice. It's quite good."

Scarlett Johansson based her monologue on this song when she hosted Saturday Night Live on May 2, 2015. Johansson had her first child, a daughter named Rose, the previous year and was demonstrating how she sings "Love To Love You Baby" as a lullaby, apparently clueless as to the song's sexual connotation.

In a 2003 interview with NPR's Fresh Air Summer remembered coming up with the hook that inspired this song: "I had this idea at home one day, and I ran into the studio, and I said Giorgio, I have this idea. Would you - do you think you could write something to it? And I sort of sang it to him, and he kept saying it over, he says love to love you, I love to love you. He kept rubbing his chin and thinking like a little mad scientist, and then he went into the studio, and Giorgio had written this track."