Songs Lyrics and YT- Youtube Music Videos

Pink Floyd - Any Colour You Like

Pink Floyd - Any Colour You Like Lyrics and Youtube Music Videos

Album: The Dark Side of the Moon
Released: 1973

Any Colour You Like Lyrics

Any Colour You Like

The title is often attributed to something Henry Ford said about the Model T automobile: "You can have it any color you like... as long as it's black!" According to The Pink Floyd Encyclopedia , however, the song title is from a catch phrase used by former Pink Floyd road manager Chris Adamson. When asked for a guitar, Adamson would respond, "Any colour you like, they're all blue." He may have picked this up from local street traders in Cambridge.

This is an instrumental that is musically similar to "Breathe," and is unofficially called "Breathe (2nd reprise)."

The song used advanced effects for the time both in the keyboard and the guitar. The VCS 3 synthesizer was fed through a long tape loop to create the rising and falling keyboard solo. David Gilmour used 2 guitars with the UniVibe guitar effect to create the harmonizing guitar solo for the rest of the song.

Roger Waters, in an interview with the author Phil Rose, stated: "In Cambridge where I lived, people would come from London in a van - a truck - open the back and stand on the tailboard of the truck, and the truck's full of stuff that they're trying to sell. And they have a very quick and slick patter, and they're selling things like crockery, china, sets of knives and forks. All kinds of different things, and they sell it very cheap with a patter. They tell you what it is, and they say 'It's ten plates, lady, and it's this, that, and the other, and eight cups and saucers, and for the lot I'm asking NOT ten pounds, NOT five pounds, NOT three pounds... fifty bob to you!,' and they get rid of this stuff like this. If they had sets of china, and they were all the same colour, they would say, 'You can 'ave 'em, ten bob to you, love. Any colour you like, they're all blue.' And that was just part of that patter. So, metaphorically, 'Any Colour You Like' is interesting, in that sense, because it denotes offering a choice where there is none. And it's also interesting that in the phrase, 'Any colour you like, they're all blue,' I don't know why, but in my mind it's always 'they're all blue', which, if you think about it, relates very much to the light and dark, sun and moon, good and evil. You make your choice but it's always blue."

Wishbone Ash - Doctor

Wishbone Ash - Doctor Lyrics and Youtube Music Videos

Album: Wishbone 4
Released: 1973

Doctor Lyrics

Doctor can you help me please
I'm laying on the floor
I need a glass of something
Like you gave me once before
I'll send my little messenger
He'll bring the money to you
He'll slowly make his way back home
There'll be no horror show today my friends
And me well be up and get away
CHORUS:
If I fill your every need
You won't feel so empty
In my web I'll bet your life
You're dead before you're thirty
Doctor can you help me please
I trust you like my mum
I know that you won't stop me turning
All the whole world on
You know that I'll always come to you
When everything goes wrong
You pick me up, don't let me go down
To the horror show today my friend
And me well be up and get away
Writer/s: SAMANTHA JANE POWELL, GINO BARLETTA, GUY BARUCH, SEAN DANIEL VAN DER WILT, JAIME PATRICIO VELEZ JR.
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Doctor

This song was inspired by someone Martin Turner and his brother Glen knew from Torquay, where they grew up. According to bass player and vocalist Martin Turner in the band's official biography: "The first time I saw her she really looked like a witch". She was a heroin addict and "used to send someone round to the doctor to plead for an extra prescription because she was lying on the floor with withdrawal symptoms" - which wasn't true. When she got the drug she used to share it with her junkie friends.

In October 2008, he expanded on this in his on-line question and answer forum:
"Doctor", he said, "was from an idea I had back in the 60s before WA. Musically a bit Who-ish again. The lyric was about my brothers girlfriend circa 67/68 whom I have to confess to having spent a crazy night or two with. She was a state registered heroin addict being treated with Methedrine or Methadone as it its called now. Beautiful girl, a successful model at only 16, but boy was she heavy duty. Had a bunch of young lads staying in her flat all of whom had run away from home, Mark Emery (Hobbit) would remember her. She blazed a trail and made it to her 30s but has been gone a long time now. Thanks for the song babe."

Wishbone Ash - Blowin' Free

Wishbone Ash - Blowin' Free Lyrics and Youtube Music Videos

Album: Wishbone Four
Released: 1973

Blowin' Free Lyrics

I thought I had a girl
And all because I seen her.
I thought I had a girl
And all because I seen her.
Her hair was golden brown (yes it was)
Blowin' Free like a cornfield.

She was far away
I found it hard to reach her.
She told me you can try
But it's impossible to find her.

In my dreams everything was all right
In your schemes you can only try.

Writer/s: ANDREW POWELL, DAVID TURNER, MARTIN TURNER, STEVE UPTON
Publisher: EMI Music Publishing, Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Blowin' Free

This song is about Annalena Nordstrom, the Swedish girlfriend of bass player Martin Turner from his days with Empty Vessels, an Ash precursor. They were playing at Torquay when there were about 200 Swedish girls on holiday. When he met her again in London a few years later, "She hadn't changed a bit."

In an in-depth interview with Lawrence Pugliese at the Moonshine Theatre, Scranton, during the 2005 Ashfest, Andy Powell was asked about "Blowin' Free." He said it was one of the very first songs they ever wrote, about 1971. Although he didn't comment on its inspiration, he remembered where it was written, at the Whisky A Go-Go on Sunset Boulevard.

By "they" he meant himself and Wishbone Ash as it was then, because by the time of this interview, he was the only remaining original member, having clocked up over 35 years with the band, (although the original bass player and vocalist Martin Turner was still performing as Martin Turner's Wishbone Ash).

In our 2013 interview with Andy Powell , he talked about coming up with the guitar riff on this song: "We were on tour with the Who, and I liked some of the chord progressions that Pete Townsend was doing, so all I did was take some of those ideas that he was coming up with and sped them up."

Maria Muldaur - Midnight at the Oasis

Maria Muldaur - Midnight at the Oasis Lyrics and Youtube Music Videos

Album: Maria Muldaur
Released: 1973

Midnight at the Oasis Lyrics

Midnight at the Oasis
Send your camel to bed
Shadows painting our faces
Traces of romance in our heads
Heaven's holding a half-moon
Shining just for us
Let's slip off to a sand dune, real soon
And kick up a little dust
Come on, Cactus is our friend
He'll point out the way
Come on, till the evening ends
Till the evening ends
You don't have to answer
There's no need to speak
I'll be your belly dancer, prancer
And you can be my sheik

I know your Daddy's a sultan
A nomad known to all
With fifty girls to attend him, they all send him
Jump at his beck and call
But you won't need no harem, honey
When I'm by your side
And you won't need no camel, no no
When I take you for a ride
Come on, Cactus is our friend
He'll point out the way
Come on, till the evening ends
Till the evening ends
Midnight at the oasis
Send your camel to bed
Got shadows painting our faces
And traces of romance in our heads

Writer/s: DAVID NICHTERN
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Midnight at the Oasis

This song was written by David Nichtern , a composer who also became a renown teacher of Shambhala Buddhism. He told us the story of this song, which is one of the more sensual tunes you will come across. Said Nichtern: "I wrote the song before I started working with Maria... the details are a little bit intimate, but let's just say there was a girl, a waterbed, feta cheese and grape leaves, and a Martin 000-18 near by.

I actually produced the demo (in Woodstock) that got Maria her Warner Bros individual artist deal, so I was on the map already with them to that extent. On that demo was a song I wrote called 'I Never Did Sing You a Lovesong' which made it onto the album but was re-recorded. Also we demoed a track that Wendy Waldman wrote called 'Mad Mad Me (I Love You)' which made it onto the album as it was so I got producer credit for that track.

My memory is that I came out to LA and got to play rhythm guitar on several tracks. From there I got more and more involved with the record. At a rehearsal, I played 'Midnight at the Oasis' for Lenny Waronker and he liked it and wanted to include it on the record.

We recorded it with some great musicians - Jim Gordon on drums (who later went crazy and killed his own mother and went to prison for life I think). Freebo played bass, Mark Jordan on piano and me on acoustic guitar. Later, Famous Amos Garrett added that amazing electric guitar part and solo, which in some circles is as famous as the song itself.

Warner's released the album and then Midnight as the first single... they hung in there with it for something like nine months until it took off.... that might not happen today... the rest is herstory as they say..."

Maria Muldaur is an Italian singer who was born Maria D'Amato. Muldaur is to white female pop singers what Anita O'Day is to white female jazz singers: way hipper than the herd. She recorded in the '60s with the Even Dozen and Jim Kweskin jug bands and with her then-husband, Geoff Muldaur, before going out on her own with this 1973 recording.

Sidemen include Jim Dickinson, Spooner Oldham, Jim Keltner, Mac Rebennack, Ray Brown, and Dave Holland. Among the tunes on her self-titled album are Jimmie Rodgers' "Any Old Time," Dolly Parton's "My Tennessee Mountain Home," and the album's hit, "Midnight At The Oasis."

In our Maria Muldaur interview , she explained: I was making my first solo album for Warner Brothers in 1973, and I had just recently separated from my then-husband, Geoff Muldaur, who not only was my partner, but also my musical partner, and sort of the mastermind of, musically, whatever we did together. So being a solo artist was completely strange and alien and rather scary territory for me.

And so I was out in California finding myself in the studio with all the top guns: Dr. John , Ry Cooder, David Lindley; I mean, all the fabulous guys that played on my first album. And I had been working with a young guitarist named David Nichtern when I first separated from Geoffrey. He was very encouraging and told me, 'You can do this.' I was just sobbing and I was a mess. We had a little talk and he would say, 'Look, people still know you from the Jug Band, and if I can get work in these little coffee houses, you can, too.' And so we put together a few tunes, and he got us some gigs. This was real low-profile stuff. I'd be crying all the way up to the gig, and he'd say, 'Okay, dry your eyes and wash your face. We're on in half an hour.' And he was just a very supportive little brother to me.

And so when I found myself out in California doing this solo album, I was going to do one of his songs. He's a very lovely songwriter and he'd written this beautiful song called 'I Never Did Sing You a Lovesong.' Very lyrical little waltz-y, kind of a country waltz kind of thing. And he knew I had all these really fabulous musicians at the studio. But he came out on his own dime, because he just felt, well, maybe they'll let him play rhythm guitar on his own tune or something. So he came on out in his little VW bug and slept on a mattress on my living room floor in the Hollywood Hills and came to the studio, was observing everything, and did get to play on his own song.

And then we were almost finished recording, the producer came in the studio and said, 'You know, I've been listening to the rough mixes, and I think we're in pretty good shape.' He said, 'You know, we've got some up tempo stuff and we've got some nice ballads. I think if we had one more medium tempo song, then the album would be nicely balanced out, we'd be in good shape. Does anything come to mind?'

So David was standing right there, and just off the top of my head, kind of as a gesture of gratitude to him because he had been so supportive to me, kind of holding my hand through all of this, which was very overwhelming, you know, I'd never been in that position before of being a solo artist and trying to make my way through an album that was all about me. And I said, 'Well, David has this song. It's a funny little song, really, but it is medium tempo.' I said, 'David, play them 'Midnight at the Oasis' and see what you think.' Which I'd heard before and I thought it was just a goofy little song; I didn't think much of it one way or the other. So he whipped out his guitar and started to play it on the guitar, and I sang it. And the producer cocked his head, he said, 'Oh, that's cute, okay, wanna do that one?' So as a gesture to David, I said, 'Yeah, let's do that one. I have no other bright ideas.' And we called in some great studio players and we cut it. And the rest is history."

A hit song can become a burden to a singer if she is sick of the song yet still expected to perform it night after night. So how does Muldaur feel about constantly performing this song? She told us: "I still do enjoy singing it. And you know why? Because number one, it was a very hip-ly written song. A lot of the jazz artists have covered it because it's very well constructed. Imagine my plight if my big hit had been 'Wild Thing' by the Troggs, a really dumb three-chord song. But it's a song that's so well constructed that an artist can improvise on it night after night. So that's reason number one, it's a cool song.

Reason number two is I love the look of the faces of the audience when the band strikes that number up, when the band goes into the intro of that number. Because apparently, from all the stories that have been told to me when I meet my fans after the show to sign my CD, that song was the soundtrack to many a love-and-lust affair, and if I had been writing down all the stories of what people tell me they were doing or were inspired to do because of that song, or as that song was playing, I could have written quite the little x-rated book. So when I start that song, people's faces light up and I see very happy, maybe slightly x-rated memories flitting across their faces. And so that's worth more than any Grammy nomination or award - to hear first hand from your fans, from hundreds and hundreds of fans, how a piece of music I didn't even write, but that I selected and recorded and just put out there in the airwaves, just had such a happy impact on people's lives. What a gift is that?"

In 1994, a version by Brand New Heavies featuring N'Dea Davenport went to #13 in the UK.

Cozy Powell - Dance With The Devil

Cozy Powell - Dance With The Devil Lyrics and Youtube Music Videos

Album: Top of the Pops: Seventies
Released: 1973

Dance With The Devil Lyrics

Dance With The Devil

Not to be confused with any song of the same name, this Cozy Powell drum solo is said to be based loosely on the Hendrix track "Third Stone From The Sun", in spite of the obvious tempo difference. Co-written in 4/4 time by Michael Hayes and keyboard player/arranger Phil Dennys, it was produced by Mickie Most, and released on the RAK and Eletrola labels in 1973 backed by "And Then There Was Skin."

Running to 3 minutes 37 seconds, this was issued in both 7 inch and 12 inch formats, and was one of the few instrumentals to make the UK top ten.

New Riders of the Purple Sage - Panama Red

New Riders of the Purple Sage - Panama Red Lyrics and Youtube Music Videos

Album: The Adventures Of Panama Red
Released: 1973

Panama Red Lyrics

Panama Red

New Riders of the Purple Sage performed with the Grateful Dead in the beginning of their career, and Jerry Garcia playing pedal steel guitar early on in the band. Originally this was played by Jerry Garcia with Peter Rowan in Old And In The Way in 1973. After Jerry Garcia stopped performing with New Riders of the Purple Sage, they recorded and premiered it on The Adventures Of Panama Red.

As much as this song is commonly mistaken to be about a disease, it is actually about a type of marijuana during the '70s. The song mentions the story of "Panama Red" who comes into town and starts to make people act crazy. Panama Red is the marijuana.

Paul McCartney & Wings - Let Me Roll It

Paul McCartney & Wings - Let Me Roll It Lyrics and Youtube Music Videos

Album: Band On The Run
Released: 1973

Let Me Roll It Lyrics

You gave me something
I understand
You gave me loving in the palm of my hand

I can't tell you how I feel
My heart is like a wheel
Let Me Roll It
Let me roll it to you
Let me roll it
Let me roll it to you

I want to tell you
And now's the time
I want to tell you that
You're going to be mine

I can't tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

I can't tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

You gave me something
I understand
You gave me loving in the palm of my hand

I can't tell you how I feel
My heart is like a wheel
Let me roll it
Let me roll it to you
Let me roll it
Let me roll it to you

Writer/s: LINDA MCCARTNEY, PAUL MCCARTNEY
Publisher: Kobalt Music Publishing Ltd.
Lyrics licensed and provided by LyricFind

Let Me Roll It

Many have interpreted this song as an olive branch offering to John Lennon after all the bitterness arising from his Beatles breakup song, "How Do You Sleep?." However, in an interview with Clash magazine in 2010 McCartney explained this was more of a drugs song. Said Macca: "'Let Me Roll It' wasn't to John, it was just in the style that we did with The Beatles that John was particularly known for. It was really actually the use of the echo. It was one of those: 'You're not going to use echo just cos John used it?' I don't think so. To tell you the truth, that was more [about] rolling a joint. That was the double meaning there: 'let me roll it to you.' That was more at the back of mind than anything else. 'Dear Friend,' that was very much 'let's be friends' to John."

Willie Nelson - Shotgun Willie

Willie Nelson - Shotgun Willie Lyrics and Youtube Music Videos

Album: Shotgun Willie
Released: 1973

Shotgun Willie Lyrics

Shotgun Willie sits around in his underwear
Bitin' on a bullet and pullin' out all of his hair
Shotgun Willie's got all his family there

Well you can't make a record if you ain't got nothing to say
You can't make a record if you ain't got nothing to say
You can't play music if you don't know nothing to play
Shotgun Willie sits around in his underwear
Bitin' on a bullet and pullin' out all of his hair
Shotgun Willie's got all his family there

Now John T. Floores was working for the Ku Klux Klan
The six foot five John T. was a hell of a man
Made a lotta money selling sheets on the family plan
Shotgun Willie sits around in his underwear
Bitin' on a bullet and pullin' out all of his hair
Shotgun Willie's got all his family there

Writer/s: WILLIE NELSON
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Shotgun Willie

The tale behind the title of Willie Nelson's Shotgun Willie album is an interesting one. The story goes that Nelson's daughter, Susie, told him that her sister Lana was being abused by her husband, Paul Warren. Nelson drove to Lana's house, where he fought with Warren, and threatened to kill him if he ever hit his daughter again. Soon after Nelson arrived home, Warren arrived in his truck with his brothers and they started to shoot at his house. Nelson and his drummer, Paul English, retaliated with their own rifles, causing the aggressors to surrender and earning Nelson the nickname of 'Shotgun Willie.'

Nelson wrote the lyrics for the song that would become the title track whilst sat on the toilet in the bathroom of the hotel that he was staying at whilst recording the album. He scribbled them on the empty packaging of a sanitary napkin.

Jim Croce - I Got A Name

Jim Croce - I Got A Name Lyrics and Youtube Music Videos

Album: I Got A Name
Released: 1973

I Got A Name Lyrics

Like the pine trees lining the winding road
I Got A Name, I got a name
Like the singing bird and the croaking toad
I got a name, I got a name
And I carry it with me like my daddy did
But I'm living the dream that he kept hid

Moving me down the highway, rolling me down the highway
Moving ahead so life won't pass me by

Like the north wind whistlin' down the sky
I got a song, I got a song
Like the whippoorwill and the baby's cry
I got a song, I got a song
And I carry it with me and I sing it loud
If it gets me nowhere, I'll go there proud

Moving me down the highway, rolling me down the highway
Moving ahead so life won't pass me by

And I'm gonna go there free

Like the fool I am and I'll always be
I got a dream, I got a dream
They can change their minds but they can't change me
I got a dream, I got a dream
Oh, I know I could share it if you'd want me to
If you're goin' my way, I'll go with you

Movin' me down the highway, rollin' me down the highway
Movin' ahead so life won't pass me by
Movin' me down the highway, rollin' me down the highway
Movin' ahead so life won't pass me by

Writer/s: FOX, CHARLES/GIMBEL, NORMAN
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

I Got A Name

This was the theme song for the 1973 movie The Last American Hero starring Jeff Bridges as a stock car racer. The movie is based on the true story of the stock car driver Junior Johnson.

This is a rare song that Croce recorded but did not write. Ingrid Croce, who was married to Jim from 1966 until his death in 1973, told us: "It was written by Norman Gimbel and Charles Fox. And they were wonderful guys, really nice people. Jim had been selected to sing this song for this particular movie. He really enjoyed this opportunity, because he went into the recording studio and it was a little awkward for him not to hold his guitar - his guitar is kind of like a bar for the bartender, having that prop between him and the audience was just a real security, it made him feel very comfortable. So putting down the guitar to sing, just to sing the song in the studio, was a very unusual thing for Jim, and he thoroughly enjoyed it. It was a brand new start for him in some ways, to use his vocals in a different way. I think it's one of the most powerful songs he does on that album for sure. I loved it."

Explaining how this song was a good fit for her husband, Ingrid says: "More people think he wrote that song. His voice was so unique... the timbre in his tone and his warmth and his generosity, everything came through that voice. So when he took a song, he'd make it his own, and I think he did a great job with 'I've Got A Name.' So many people like to think of Jim with that song that I hate to tell them it isn't his." (Read more in Ingrid Croce's Songfacts interview, and at Croces.com .)

The album was produced by Terry Cashman and Tommy West, who had a hit as Cashman & West with "American City Suite." Says Cashman: "We recorded it because Jim was going to get a lot of money to record the song, and if it was released as a single, it would be the main title of a movie called The Last American Hero. So it wasn't a song that Jim wrote on the guitar with Maury [Muehleisen]. Tommy and Jimmy and Maury and myself came up with the arrangement together. It was a different kind of animal. We did that song with just the tracks for us, and then recorded Jim's voice over it, which is the way most people did records in those days. But most people think that Jim wrote that song because it sounds like the other songs, and then the production of course is a little bit more elaborate. It was different in that way, but Maury has a big guitar part and it certainly sounded like one of his records. And it became one of his most popular records. You know, a lot of people have covered that song, and it's been used in a number of other movies." (from our interview with Terry Cashman)

This was the last song Croce played before his death. He performed it as an encore at show in Natchitoches, Louisiana at Northwestern College. The crowd was small, as many folks stayed home to watch the Billie Jean King vs. Bobby Riggs "Battle of the Sexes" tennis match that night. Croce's plane, taking off in the dark after the concert, clipped a tree and crashed, killing all six people on board.

Quentin Tarantino used this song in his 2012 film Django Unchained. The film is set in 1858, but features some modern music, including cuts by Rick Ross and John Legend. The song was used in a scene were Django (Jamie Foxx) has been freed.

Other films that have used the song include The Ice Storm (1997) and Invincible (2006).

Lena Horne sang this in 1976 on the first season of The Muppet Show. Horne's appearance earned the show a great deal of credibility, making it easier for the show's producers to find guests willing to perform with puppets.

Sister Sledge - Mama Never Told Me

Sister Sledge - Mama Never Told Me Lyrics and Youtube Music Videos

Album: The Very Best of Sister Sledge
Released: 1973

Mama Never Told Me Lyrics

Mama Never Told Me

The third single from Sister Sledge, this funky little number is a delicious piece of Philadelphia Soul written and produced by Phil Hurtt ("I'll Be Around
") and Tony Bell ("I'm Stone In Love With You"). Hurtt and Bell got the group a deal with Atlantic Records after they signed to the label's publishing division in the early '70s. In our interview with Phil Hurtt , he told us how this song came together:

"Thommy Bell had a hit on the Spinners called 'One of a Kind.' Tony [Thommy's brother] was playing guitar. He started playing the riff that reminded me of that: 'One of a kind...' I started humming the melody to it, and I started thinking about a story. The mom is Flo with these five daughters [one daughter did not perform with the group]. And there had to be some instruction to her daughters, had to be some communication about life. I started thinking about that, and 'Mama Never Told Me' popped off. So basically it was just imagining a mother's conversation to her daughter, then I had to flip the script, because her mama couldn't tell her too much, because she fell for the same thing: a quiet man."

This was recorded at Sigma Sound Studios in Philadelphia, with members of the studio house band (known as MFSB) providing the instrumentation.

The "Shooby dooby dooby doo bop bop" vocal was a playful touch that songwriter Phil Hurtt worked into the song, as he thought it would get people singing along to the song. It was also a cute and appropriate bit for Kathy Sledge to sing, as she was just 14 years old at the time.

Pink Floyd - Eclipse

Pink Floyd - Eclipse Lyrics and Youtube Music Videos

Album: The Dark Side of the Moon
Released: 1973

Eclipse Lyrics

All that you touch
All that you see
All that you taste
All you feel
All that you love
All that you hate
All you distrust
All you save
All that you give
All that you deal
All that you buy
Beg, borrow or steal
All you create
All you destroy
All that you do
All that you say
All that you eat
And everyone you meet
All that you slight
And everyone you fight
All that is now
All that is gone
All that's to come
And everything under the sun is in tune
But the sun is Eclipsed by the moon

Writer/s: WATERS
Publisher: T.R.O. INC.
Lyrics licensed and provided by LyricFind

Eclipse

The closing track on Pink Floyd's famous Dark Side of the Moon album, this seamlessly follows "Brain Damage" to close it out - radio stations almost always played the songs together. The album was well into production but didn't have an ending until Roger Waters came up with the song. It reprises some lyrics to the opening track "Breathe" ("All that you touch, all that you see") before closing out the album with the words, "There is no dark side of the moon really. Matter of fact it's all dark."

This closing statement is the voice of Gerry O'Driscoll (often misspelled "Jerry Driscoll"), who was the doorman at Abby Road studios, where the album was recorded. His is one of many random voices that show up throughout the album; Waters recorded people around the studios, looking for spontaneous thoughts, and Driscoll, with his sincere delivery and Irish accent, made the finished piece. He can also be heard on the track "The Great Gig In The Sky" (the line that begins, "I am not frightened of dying...").

Dave Gilmour recalled to Rolling Stone in 2011: "I remember working hard on making it build and adding harmonies that join in as you go through the song. Because there's nothing to it - there's no chorus, there's no middle eight, there's just a straight list. So, every four lines we'll do something different."

The working title for the Dark Side of the Moon album was "Eclipse: A Piece For Assorted Lunatics." They began working on it during rehearsals for their concerts, and performed early versions live during shows in 1972. This was an era when bands could spend a year refining songs by playing them at concerts before heading into the studio. These days, any such performance would be quickly recorded and distributed.

If you put on your headphones, turn down the bass and listen carefully to the right channel at the end of this song, you can hear what sounds like "Ticket to Ride" by The Beatles in a Muzak-style while you are still hearing the beating of the heart. No one in the Pink Floyd camp has talked about this as far as we can tell, which gave the many owners of the album yet another talking point.

Dave Gilmour told Guitar World February 1993 about Chris Thomas' role on the album: "Chris Thomas came in for the mixes, and his role was essentially to stop the arguments between me and Roger about how it should be mixed. I wanted Dark Side to be big and swampy and wet, with reverbs and things like that. And Roger was very keen on it being a very dry album. I think he was influenced a lot by John Lennon's first solo album [Plastic Ono Band], which was very dry. We argued so much that it was suggested we get a third opinion. We were going to leave Chris to mix it on his own, with Alan Parsons engineering. And of course on the first day I found out that Roger sneaked in there. So the second day I sneaked in there. And from then on, we both sat right at Chris's shoulder, interfering. But luckily, Chris was more sympathetic to my point of view than he was to Roger's."

The heartbeat on this song brings Dark Side of the Moon full circle, closing the album the same way it opens: with the heartbeat heard on the opening track "Speak To Me." The heartbeat is actually a kick drum processed to sound like a pulse.

Al Stewart - Old Admirals

Al Stewart - Old Admirals Lyrics and Youtube Music Videos

Album: Past, Present And Future
Released: 1973

Old Admirals Lyrics

I can well recall the first time I ever put to sea
It was on the old 'Calcutta' in 1853
I was just a lad of fourteen years, a midshipman to be
To make my way in sailing ships of the Royal Navy

By the time that I was twenty-one I'd sailed the world around
Weathered storms in the China seas with the hatches battened down
And made my way by starlight off the coast of Newfoundland
And dined on beer and herrings while the waves blew all around

I live in retirement now
And through my window comes the sound of seagulls
And sets my mind remembering
The evening stars like memories sail far beyond the distant trees
Way out across the open seas
I hear them sing

Oh the wooden ships they turned to iron and the iron ships to steel
And shed their sails like autumn leaves with the turning of the wheel
And I was given captain's rank and soon took under me
The proudest ship that ever sailed for queen and country

Ah, the old queen she passed away with the new born century
And I received my calling up to the admiralty
The sands ran through the hourglass each day more rapidly
As we watched the growing of the fleets of high Germany

So at last the Great War blazed
I waited with the passing days
The call to arms that never came
Writing letters

I may be old now in your eyes
But all my years have made me wise
You don't see where the danger lies
Oh call me back, call me back

But the war it ran its course, they could find no use for me
And I live in the country now, grandchildren on my knee
And sometimes think in all this world the saddest thing to be
Old Admirals who feel the wind, and never put to sea

Now just like you I've sailed my dreams like ships across the sea
And some of them they've come on rocks, and some faced mutiny
And when they're sunken one by one I'll join that company
Old admirals who feel the wind, and never put to sea

Writer/s: STEWART, ALISTAIR IAN
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Old Admirals

Stewart wrote this after reading a biography of Admiral Lord Fisher, who resigned as First Sea Lord in 1915 after a dispute with Winston Churchill.

Fisher (1841-1920) is regarded by some as second only to Lord Nelson in British naval history. He was born in what was then Ceylon, the son of a British Army officer, enlisted in the Royal Navy aged just thirteen and rose to the position of First Sea Lord, retiring on his 70th birthday. Fisher was recalled after Prince Louis Battenberg (another of Stewart's heroes) was forced to resign at the outbreak of war in Europe on account of his German ancestry. Both these men appear in "Manuscript," the song which can be said to have started historical folk-rock.

The album version of "Old Admirals" runs to 5 minutes 54 seconds; it is also included on the 1996 unofficial fan club release Oceans Of Delphi, in which Stewart tells his audience this was the most uncommercial song possible being about the rise of British sea power immediately prior to the First World War. Fisher, he added, was utterly devoted to the British Empire, and was cast aside and forgotten at the end of his life; the song was an extended metaphor for growing old and unwanted.
Although the first part of this statement is undoubtedly true, Fisher was anything but forgotten in old age. He resigned in May 1915 after a dispute with Churchill, but soon found another post, and on his death he was given an illustrious funeral at Westminster Abbey.
Stewart said on this live recording that "Old Admirals" was probably his personal favorite of the songs he had ever written (up until that time), but he has said the same thing about "Manuscript," the first song he wrote in this new genré, and which bears an even stronger metaphor.

See Admiral Lord Fisher in Song Images.

Elton John - Sweet Painted Lady

Elton John - Sweet Painted Lady Lyrics and Youtube Music Videos

Album: Goodbye Yellow Brick Road
Released: 1973

Sweet Painted Lady Lyrics

I'm back on dry land once again
Opportunity awaits me like a rat in the drain
We're all hunting honey with money to burn
Just a short time to show you the tricks that we've learned

If the boys all behave themselves here
Well, there's pretty young ladies and beer in the rear
You won't need a gutter to sleep in tonight
Oh, the prices I charge here will see you alright

So, she lays down beside me again
My Sweet Painted Lady, the one with no name
Many have used her and many still do
There's a place in the world for a woman like you

Oh, sweet painted lady
Seems it's always been the same
Getting paid for being laid
Guess that's the name of the game

Oh, sweet painted lady
Seems it's always been the same
Getting paid for being laid
Guess that's the name of the game, oh

Forget us we'll have gone very soon
Just forget we ever slept in your rooms
And we'll leave the smell of the sea in your beds
Where love's just a job and nothing is said

So she lays down beside me again
My sweet painted lady, the one with no name
Many have used her and many still do
There's a place in the world for a woman like you

Oh, sweet painted lady
Seems it's always been the same
Getting paid for being laid
Guess that's the name of the game

Oh, sweet painted lady
Seems it's always been the same
Getting paid for being laid
Guess that's the name of the game, oh

Writer/s: JOHN, ELTON / TAUPIN, BERNIE
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Sweet Painted Lady

This is about sailors back from the sea and the "sweet painted ladies" - prostitutes - waiting for them at harbor brothels.

Genesis - I Know What I Like (In Your Wardrobe)

Genesis - I Know What I Like (In Your Wardrobe) Lyrics and Youtube Music Videos

Album: Selling England By The Pound
Released: 1973

I Know What I Like (In Your Wardrobe) Lyrics

It's one o'clock and time for lunch,
When the sun beats down and I lie on the bench,
I can always hear them talk.

There's always been Ethel:
"Jacob, wake up! You've got to tidy your room now."
And then Mister Lewis:
"Isn't it time that he was out on his own?"
Over the garden wall, two little lovebirds - cuckoo to you!
Keep them moving blades sharp...

I know what I like, and I like what I know;
Getting better in your wardrobe, stepping one beyond your show.

Sunday night, Mr Farmer called, said:
"Listen son, you're wasting your time; there's a future for you
In the fire escape trade. Come up to town!"
But I remembered a voice from the past;
"Gambling only plays when you're winning"
I had to thank old Miss Mort for schooling a failure.
Keep them moving blades sharp.

I know what I like, and I like what I know;
Getting better in your wardrobe, stepping one beyond your show.

When the sun beats down and I lie on the bench,
I can always hear them talk.
Me, I'm just a lawnmower you can tell me by the way I walk.

Writer/s: RUTHERFORD, MICHAEL/GABRIEL, PETER/COLLINS, PHIL
Publisher: EMI Music Publishing, Sony/ATV Music Publishing LLC, IMAGEM U.S. LLC
Lyrics licensed and provided by LyricFind

I Know What I Like (In Your Wardrobe)

This was written for Genesis' roadie from 1971-1973. His name was Jacob Finster, and he could never hold jobs - he was a lawn mower, a pawn store clerk and a cashier. By the time he died, he worked in a doughnut shop where he overdosed on heroin. This song struck a chord with adolescents struggling with their future and living in the middle of doubt.

The Who - The Real Me

The Who - The Real Me Lyrics and Youtube Music Videos

Album: Quadrophenia
Released: 1973

The Real Me Lyrics

Can you see The Real Me?
Can ya?
Can ya?

I went back to the doctor
To get another shrink
I sit and tell him bout my weekend
But he never betrays what he thinks

Can you see the real me, Doctor?
Doctor?
Can you see the real me, Doctor?
Woah, Doctor!

I went back to my mother
I said "I'm crazy ma, help me"
She said "I know how it feels son
Cause it runs in the family"

Can you see the real me, Mama?
Mama?
Can you see the real me, Mama?
Woah, Mama!

Can you see
Can you see
Can you see the real me?
Can you see
Can you see the real me
The real me
The real me

The cracks between the paving stones
Look like rivers of flowing veins
Strange people who know me
Peeping from behind every window pane
The girl I used to love
Lives in this yellow house
Yesterday she passed me by
She doesn't want to know me now

Can you see the real me?
Can ya?
Can ya?
Can you see the real me?
Can ya?
Woah, yeah!

I ended up with a preacher
Full of lies and hate
I seemed to scare him a little
So he showed me to the golden gate

Can you see the real me, preacher?
Preacher?
Can you see the real me, preacher?
Preacher?

Can you see
Can you see
Can you see
Woah

Can you see the real me, Doctor?

Can you see the real me, Ma?

Can you see the real me?

Writer/s: PETER TOWNSHEND
Publisher: ABKCO MUSIC INC PETE TOWNSHEND CATALOG, FABULOUS MUSIC LTD, SPIRIT MUSIC GROUP
Lyrics licensed and provided by LyricFind

The Real Me

This is about how a Mod can't see who he really is. "Mods" were British youth who kept up with the latest music and fashion trends. Pete Townshend was a champion of Mod culture, and the rock opera Quadrophenia told the story of a Mod named Jimmy.

John Entwistle gave what many consider one of his greatest bass performances on this song. In a 1996 interview with Goldmine magazine, Entwistle explained that he recorded it in one take. He was just "joking around" when he played it, but the band thought it was great and used it in the final version.

Lynyrd Skynyrd - Things Goin' On

Lynyrd Skynyrd - Things Goin' On Lyrics and Youtube Music Videos

Album: Pronounced Leh-nerd Skin-nerd
Released: 1973

Things Goin' On Lyrics

Well, have you ever lived down in the ghetto?
Have you ever felt the cold wind blow?
Well, if you don't know what I mean
Won't you stand up and scream?
'Cause there's Things Goin' On that you don't know

Too many lives they've spent across the ocean
Too much money been spent upon the moon
Well, until they make it right
I hope they never sleep at night
They better make some changes
And do it soon

Well, they're goin ruin the air we breathe
Lord have mercy
They're gonna ruin us all, by and by
I'm telling all you beware
I don't think they really care
I think they just sit up there
And just get high

Well, have you ever lived down in the ghetto?
Have you ever felt the cold wind blow?
Well, if you don't know what I mean
Won't you stand up and scream?
'Cause there's things goin' on that you don't know

Well, if you don't know what I mean
Won't you stand up and scream?
'Cause there's things goin' on that you don't know

Thing goin' on

Writer/s: VAN ZANT, RONNIE / ROSSINGTON, GARY ROBERT
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Things Goin' On

This is Ronnie Van Zant's protest song. Instead of writing from the perspective of the war, it is written from the perspective of the government.

An acoustic version of this song is featured on the album Endangered Species sung by Johnny Van Zant.

This song, track one, side two, of their debut album (pronounced 'l?h-'nérd 'skin-'nérd), was part of Lynyrd Skynyrd's initial audition tapes. Then-producer Al Kooper brought them all into the studio to record every original song they knew to live-to-two-track, so he could then pick and choose from that to make the first album. However, it turned out that all 14 songs were top-notch, so Kooper used everything that didn't go on the first album for either B-sides for single's releases or on later albums.
Kooper's initial work with the band was sometimes a power struggle. In his memoir, Backstage Passes and Backstabbing Bastards , Kooper mentions how they broke in Billy Powell, a keyboardist with training in classical music. While the classical music training gave him a rich, textured sound, he tended to play too much with his left hand, drowning out the guitars. Kooper got so frustrated trying to break him of this habit that he took to tying Powell's left hand to the piano bench during takes!

The Staple Singers - If You're Ready (Come Go With Me)

The Staple Singers - If You're Ready (Come Go With Me) Lyrics and Youtube Music Videos

Album: Be Altitude: Respect Yourself
Released: 1973

If You're Ready (Come Go With Me) Lyrics

If you're ready come go with me
No hatred
Will be tolerated
Peace love all between the races
Love is the only transportation
To where there;s communications
If you're ready come go with me
The boat is after
The ever here to there
No wars will ever be declared
No economical exploitation
No political domination
Take your evil
Come go with me
Genocide
Get ready
Troublemaker
You better get ready now
Liars
I'm waiting on ya

Writer/s: BANKS, HOMER / HAMPTON, CARL MITCHELL / JACKSON, RAYMOND E.
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

If You're Ready (Come Go With Me)

This was written by Raymond Jackson, Carl Hampton and Homer Banks, who were songwriters for Stax Records in Memphis, where many Soul artists like Otis Redding recorded. They were about to go to their favorite lunch spot, the Four Way Grill, when Jackson called out, "If you're ready, come go with me." They started working on a song based on that phrase, and had it finished by lunch time the next day.

Lynyrd Skynyrd - Simple Man

Lynyrd Skynyrd - Simple Man Lyrics and Youtube Music Videos

Album: Pronounced Leh-nerd Skin-nerd
Released: 1973

Simple Man Lyrics

Mama told me when I was young
"Come sit beside me, my only son
And listen closely to what I say
And if you do this it'll help you some sunny day"

"Oh, take your time, don't live too fast
Troubles will come and they will pass
You'll find a woman and you'll find love
And don't forget, son, there is someone up above"

"And be a simple kind of man
Oh, be something you love and understand
Baby be a simple kind of man
Oh, won't you do this for me, son, if you can"

"Forget your lust for the rich man's gold
All that you need is in your soul
And you can do this, oh baby, if you try
All that I want for you, my son, is to be satisfied"

"And be a simple kind of man
Oh, be something you love and understand
Baby be a simple kind of man
Oh, won't you do this for me, son, if you can"

Oh yes, I will

"Boy, don't you worry, you'll find yourself
Follow your heart and nothing else
And you can do this, oh baby, if you try
All that I want for you, my son, is to be satisfied"

"And be a simple kind of man
Oh, be something you love and understand
Baby be a simple kind of man
Oh, won't you do this for me, son, if you can"

Baby, be a simple, really Simple Man
Oh, be something you love and understand

Writer/s: VAN ZANT, RONNIE / ROSSINGTON, GARY ROBERT
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Simple Man

Shortly after Ronnie Van Zant's grandmother and Gary Rossington's mother died, they got together in Van Zant's apartment and started telling stories about them. Rossington came up with a chord progression, and Van Zant wrote the lyrics based on advice the women had given them over the years. They wrote it in about an hour.

Even though the lyrics state, "Sit beside me, my only son," Ronnie was not the only son. He had 2 younger brothers along with one older sister and one younger sister.

This appears on the soundtrack to the movie Almost Famous.

Skynyrd producer Al Kooper didn't like the way this was coming out, so the band recorded it without him and had him add his organ part later. He didn't think they should release it, but realized he was wrong when it went over so well with their fans.

When Skynyrd toured in 1987, they dedicated this to Van Zant.

The studio and live versions of this song are tuned to different keys. The studio is in Ab while the live is the key of A.

The Heavy Metal band Shinedown recorded an acoustic version. The Deftones also covered it on their B-Sides And Rarities CD.

Frontman Johnny Van Zant discussed this song in a track-by-track commentary to promote the band's 2010 CD/DVD Live From Freedom Hall. He said: "Well that's a great song and something that I think we all live by. I think anybody out there needs to respect their mother, and the words of their mother. It's mama talking to you in that song and I think it's probably one of my favorite's if not my favorite to do live. It's just a great song and that one stays in the set and the crowd always goes crazy on that one."

The song charted in the Hot 100 for the first time in May 2015. A version by Sawyer Fredericks, performed on the April 27, 2015 episode of The Voice, debuted at #71 the following week.

The Marshall Tucker Band - Can't You See

The Marshall Tucker Band - Can't You See Lyrics and Youtube Music Videos

Album: The Marshall Tucker Band
Released: 1973

Can't You See Lyrics

I'm gonna take a freight train, down at the station
I don't care where it goes
Gonna climb me a mountain, the highest mountain, Lord,
Gonna jump off, nobody gonna know

Can't You See, can't you see, what that woman, she been doin' to me
Can't you see, can't you see, what that woman been doin' to me

I'm gonna find me a hole in the wall, gonna crawl inside and die
That lady, mean ol' woman Lord, never told me goodbye

Can't you see, can't you see, what that woman she been doin' to me
Can't you see, can't you see, what that woman been doin' to me

Gonna buy me a ticket now, as far as I can, ain't never comin' back
Take me Southbound, all the way to Georgia now, till the train run out of track

Can't you see, can't you see, what that woman, she been doin' to me
Can't you see, can't you see, what that woman been doin' to me

Writer/s: TOY TALMADGE CALDWELL
Publisher: SPIRIT MUSIC GROUP
Lyrics licensed and provided by LyricFind

Can't You See

This became the anthem song for The Marshall Tucker Band, similar to "Free Bird" for Lynyrd Skynyrd. It was never a Top 40 hit, but was very popular on Album Oriented Radio (AOR) and continues to get a lot of airplay on Classic Rock stations.

The open in unusual - it starts with the picking of a guitar and the playing of a flute. Jerry Eubanks of the Marshall Tucker Band played the flute, giving the song a very distinctive sound - it's not a common instrument in the world of Southern Rock.

This was featured in the soundtrack for the movie Blow.

There is no Marshall Tucker in The Marshall Tucker Band. They saw the name on a key ring where they used to rehearse and decided it would make a good name for their band.

The song was named the #1 greatest Southern Rock song ever recorded by Ultimate Classic Rock with Sweet Home Alabama as runner-up.

Said the site, "Next time you hear this song in public, take notice and you'll make the strangest observation, especially if there is booze involved. There seems to be something about this particular song that makes the majority (very ironically) close their eyes and sway their head from left to right while singing the song's famous 'Can't you see' line. That universal connection earns this song the top spot on our southern rock songs list.†

Gladys Knight & the Pips - Best Thing That Ever Happened To Me

Gladys Knight & the Pips - Best Thing That Ever Happened To Me Lyrics and Youtube Music Videos

Album: Imagination
Released: 1973

Best Thing That Ever Happened To Me Lyrics

I've had my share of life's ups and downs
But fate's been kind, the downs have been few
I guess you could say that I've been lucky
Well, I guess you could say that it's all because of you

[Chorus]
If anyone should ever write my life story
For whatever reason there might be
Oh, you'll be there between each line of pain and glory
Cause you're the Best Thing That Ever Happened To Me
Ah, you're the best thing that ever happened to me

Oh, there have been times when times were hard
But always somehow I made it, I made it through
Cause for every moment that I've spent hurting
There was a moment that I spent, ah, just loving you

[Chorus]

I know, you're the best thing, oh, that ever happened to me

Writer/s: WEATHERLY, JAMES D.
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Best Thing That Ever Happened To Me

Singer/songwriter Jim Weatherly wrote this. He also wrote "Midnight Train to Georgia," and "Neither One of Us (Wants to Be the First to Say Goodbye)," which were also million-selling hits for Gladys Knight & The Pips. Weatherly had his own solo #11 US hit the same year with "The Need to Be." He was an All-American quarterback before choosing songwriting as a career.

Country singer Ray Price was the first to have a hit with this - his version went to #1 on the Country charts. Producers Kenny Kerner and Richie Wise heard Price's version and brought it to Gladys Knight And The Pips. They produced Knight's previous hit, "I've Got to Use My Imagination," and used the same rhythm section on this.