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Kiss - God Gave Rock And Roll To You II
Kiss - God Gave Rock And Roll To You II


Kiss - God Gave Rock And Roll To You II Lyrics and Youtube Music Videos

Album: Revenge
Released: 1992

God Gave Rock And Roll To You II Lyrics


God gave rock and roll to you, gave rock and roll to you
Put it in the soul of everyone
Do you know what you want? You don't know for sure
You don't feel right, you can't find a cure
And you're gettin' less than what you're lookin' for

You don't have money or a fancy car
And you're tired of wishin' on a falling star
You gotta put your faith in a loud guitar

God gave rock and roll to you, gave rock and roll to you
Gave rock and roll to everyone (oh yeah)
God gave rock and roll to you, gave rock and roll to you
Put it in the soul of everyone

Now listen
If you wanna be a singer, or play guitar
Man, you gotta sweat or you won't get far
Cause it's never too late to work nine-to-five

You can take a stand, or you can compromise
You can work real hard or just fantasize
But you don't start livin' 'till you realize
I gotta tell ya
God gave rock and roll to you, gave rock and roll to you
Gave rock and roll to everyone
God gave rock and roll to you, gave rock and roll to you
Put it in the soul

God gave rock and roll to you (to everyone he gave the song to be sung)
Gave rock and roll to you, gave rock and roll to everyone

God gave rock and roll to you (to everyone he gave the song to be sung)
Gave rock and roll to you, saved rock and roll for everyone
Saved rock and roll

God gave rock and roll to you, gave rock and roll to you
Gave rock and roll to everyone
God gave rock and roll to you, gave rock and roll to you
Put it in the soul of everyone

God gave rock and roll to you, gave rock and roll to you
Gave rock and roll to everyone
God gave rock and roll to you, gave rock and roll to you put it in the soul
I know life sometimes can get tough and I know life sometimes can be a drag
But people, we have been given a gift, we have been given a road
And that road's name is rock and roll
Gave rock and roll to everyone
God gave rock and roll to you, gave rock and roll to you
Put it in the soul of everyone
God gave rock and roll to you, gave rock and roll to you
Gave rock and roll to everyone
God gave rock and roll to you, gave rock and roll to you

Writer/s: RUSS BALLARD, GENE SIMMONS, PAUL STANEY, BOB EZRIN
Publisher: MARQUIS SONGS USA
Lyrics licensed and provided by LyricFind

God Gave Rock And Roll To You II
  • This is a reworking of a 1973 song by the band Argent titled "God Gave Rock 'n' Roll to You." Kiss' version adds lyrics dedicated to Eric Carr, who lost his battle with carcinoma in 1991.

    The Argent song was written by their lead singer Russ Ballard, who got a songwriting credit on the Kiss song along with Paul Stanley, Gene Simmons , and their producer Bob Ezrin.
  • This was the last Kiss song that Eric Carr appeared on. Carr was their drummer since 1982, and died of cancer in 1991 at age 42.

    Carr also appeared in the video, which was shot while he was being treated for the disease. Bruce Kulick, who was the Kiss guitarist at the time, recalled in the book Tales From The Stage : "He played his heart out. He had more energy than I did. I couldn’t believe it, but it meant a lot to him. You can see in his face in the video and photos that it’s kind of drawn. You can tell that he wasn’t healthy and fighting a disease, but I must say that he was very brave."
  • In an interview with VH1, Gene Simmons said: "It's not just a cover song for a soundtrack, but a testament to Eric Carr, and I think a lot of people don't realize that."
  • Gene Simmons and Paul Stanley share lead vocals on this song, which they hadn't done since "Shout It Out Loud."

  • Pearl Jam - Aliv
    Pearl Jam - Alive


    Pearl Jam - Alive Youtube Music Videos and Lyrics

    Album: Ten
    Released: 1991

    Alive Lyrics


    Son she said
    Have I got a little story for you
    What you thought was your daddy
    Was nothin' but a fool

    While you were sittin'
    Home alone at age thirteen
    Your real father was dyin'
    Sorry you didn't see him
    But I'm glad we talked,

    Oh I, oh, I'm still Alive
    Hey, hey, I, oh, I'm still alive
    Hey I, oh, I'm still alive

    Oh she walks slowly
    Across a young man's room
    She said I'm ready, for you
    I can't remember anything
    To this very day
    'Cept the look, yeah the look
    Oh, you know where

    Now I can't see, I just stare
    I, I, I'm still alive
    Yeah, yeah I, oh, I'm still alive
    Yeah, yeah I, oh, I'm still alive
    Yeah, yeah I, oh, I'm still alive

    I'm still alive
    Yeah, yeah, yeah
    Oh, oh yeah

    Is something wrong
    She said
    Of course there is
    You're still alive
    She said
    Oh do I deserve to be?
    And is that the question? Oh
    And if so, if so
    Who answers?
    Who answers?

    I, I, I'm still alive
    Yeah, yeah I, oh, I'm still alive
    I'm still alive

    Yeah, yeah, yeah, yeah

    Writer/s: Matkosky, Dennis Joseph / Cates, Jess Clayton / Benward, Aaron Jeoffrey
    Publisher: Kobalt Music Publishing Ltd., Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Alive Song Chart
  • The music for this song was written by guitarist Stone Gossard before the band had a lead singer. It was part of a three song instrumental demo they made while looking for a vocalist and drummer. Jack Irons, a friend of Gossard's who played drums in The Red Hot Chili Peppers, was approached about joining the band, but he had another commitment. He thought Eddie Vedder might be a good fit as the singer, so he gave Eddie the demo tape. At home in San Diego, Vedder wrote lyrics and added his vocals to the song using his four-track recorder. The band liked what they heard and made him lead singer.
  • The instrumental demo of this song was titled "Dollar Short." Vedder's lyrics went in a direction the band didn't expect, but they loved what they heard and quickly agreed that he should be their lead singer - only one other guy had been tried. Reflecting on how everything came together so quickly, the band credit timing and fate for Vedder's arrival. Eddie says that it took him 12 hours to write and record the songs for the demo, and he could have easily blown it off.
  • Vedder's lyrics are about a boy who finds out his father is actually his stepfather, and that his real father is dead. Vedder later revealed that the song was "a work of fiction based on reality," and the chorus of "I'm still alive" was what he considered his curse, as he struggled to deal with the strained relationship with his stepfather and the fact that his real father was dead. In an episode of VH1's Storytellers, Vedder explained that the interpretation of the song had changed, as fans would react to the chorus by jumping around and celebrating - they heard "I'm still alive" as a positive thing, an affirmation of life. Said Vedder: "When they changed the meaning of those words, they lifted the curse."
  • Eddie's mother divorced his father when he was one year old, and he was raised by his stepfather without knowing it; he even met his true father without even realizing they were related. Vedder's real father, Edward Severson III, died of multiple sclerosis in 1981, before Eddie could see him again. This is the autobiographical part of the song that shows up in the opening lyrics. Eddie didn't get along with his stepfather, and took out his lyrical wrath on him in the song "Better Man." Until he dropped out of high school, Eddie was known as Eddie Mueller, but he took his mother's maiden name after finding out the truth about his real father. When Vedder became a father, he said that he would do everything he could to break the cycle of family dysfunction.
  • The other two songs on the demo Vedder worked on follow the story in this song. After Vedder put lyrics to them, the songs became "Once," where the boy goes nuts and starts killing people, and "Footsteps," where the boy is sentenced to death and blames his mother. Vedder called this the "Momma-Son" trilogy.
  • The black and white video for this song was made on the cheap - less than $20,000. It was filmed at a Pearl Jam concert at the club RKCNDY in Seattle on August 3, 1991. The band was still broke, and they thought blowing a lot of money on a video would be stupid, since burning through a lot of cash early on could get you dropped by a record label if you didn't sell. Even then, Pearl Jam had a disdain for traditional, lip-synched videos, so for this one they went against convention and used the live audio from the concert in the clip, capturing the energy of the show, which included crowd surfing, stage diving, and Vedder hanging from a lighting rig.
  • In the US, this was the first song Pearl Jam released as a single.
  • The drummer in the video is Matt Chamberlain. He took over after Pearl Jam's first album, but left soon after to join the Saturday Night Live band.
  • Pearl Jam guitarist Mike McCready based his guitar solo on the one Ace Frehley played on the Kiss song "She." In an issue of Guitar Player magazine, Frehley said that his solo in "She" came from Robby Krieger's guitar work on The Doors' "Five To One." (thanks, Ken - LaSalle, Canada)
  • In 2000, the band was playing the Roskilde Festival in Denmark when 9 fans were crushed to death in the mosh pit. They were about to play this, but stopped the show when they saw people being pulled out of the crowd in real bad shape. Some of the 40,000 people in the crowd began singing "I'm still alive," unaware that the event had turned tragic. Pearl Jam left the stage and the next band, The Cure, refused to go on out of respect for the dead.

  • Traditional - The Star-Spangled Banne
    Traditional - The Star-Spangled Banner


    Traditional - The Star-Spangled Banner Youtube Music Videos and Lyrics

    Album: Celebrate America
    Released: 1814

    The Star-Spangled Banner Lyrics


    The Star-Spangled Banner
  • This song is the national anthem of the United States. The poem that formed the basis of the lyrics was penned in 1814 by Francis Scott Key, a 35-year-old lawyer who was sent to negotiate with the British in an attempt to gain the release of an American prisoner they were holding. On September 7, Key reached the British fleet and after a few days of negotiations, secured the release of the prisoner. However, the British planned to attack Baltimore and would not release the Americans until after the battle. On September 13, the British launched a fierce bombardment of Fort McHenry in Baltimore that lasted throughout the night, an event Key witnessed from the deck of a US truce ship. The next morning (in the "dawn's early light") Key saw the Americans take down the battle-torn US flag at the fort and replace it with a larger one. This inspired him to write down notes for his famous poem, which he finished upon his return to Baltimore the evening of the 16th. Key later described the event: "Through the clouds of the warthe stars of that banner still shone in my view, and I saw the discomfited host of its assailants driven back in ignominy to their ships. Then, in he hour of deliverance, and joyful triumph, my heart spoke; and 'Does not such a country and such defenders of their country deserve a song?' was its question." (Thanks to the folks at the Fort McHenry national monument for providing this information. Check out the Fort in Song Images.)
  • Key's poem was published on September 17, 1814, the day after he returned to Baltimore. The poem was sung to the music of a popular British drinking song called "To Anacreon in Heaven" (also known as "The Anacreontic Song"), which has been attributed to John Stafford Smith.
  • Before 1931, the US National Anthem was "My Country 'Tis Of Thee."

    "The Star Spangled Banner" was recognized for official use by the United States Navy in 1889 and the White House in 1916. It got more attention when it was played during the seventh-inning stretch at Game 1 of the 1918 World Series between the Boston Red Sox and Chicago Cubs. World War I was raging on, and when the band at the ballpark played the song, the players faced the flag and stood at attention. The fans did likewise, and this ritual was repeated for the rest of the Series. In ensuing years, the song was often played at baseball games as a show of patriotism. The song gained supporters, and on March 3, 1931 it was made the US National Anthem by a Congressional resolution.
  • The flag that was raised over Fort McKenry on September 16, 1814 is considered the Star Spangled Banner. It measures 42 by 30 feet and was made by Mary Pickersgill. The American officers wanted a huge flag so that the British would have no trouble seeing it in the distance and know that the Americans were not defeated. The flag is displayed in the Smithsonian Institution's Museum of American History in Washington, DC.
  • The song is hard for amateurs to sing, because of its extended vocal-range requirements. And among the professional singers who have the vocal finesse and range to "nail" all of the high notes, many often forget or stumble over the lyrics - one reason why the song is frequently prerecorded and lip-synched for public performances.
  • The song consists of four verses, but it is very rare to hear any but the first performed. One poll showed that 61% of Americans don't know all of the words to the song. Of those who claim to know all the words, only 39 percent know what comes after "Whose broad stripes and bright stars."
  • Like the British national anthem "God Save The Queen," the song is one of the few national anthems of the world without a country's name mentioned in the lyrics.
  • In the US, this is played before most professional sporting events. Many famous and not-so-famous musicians have performed it before football, basketball, hockey and baseball games. Sometimes kids sing it, and celebrities are occasionally asked to sing it with disastrous results. Sprinter Carl Lewis did a painfully bad version, but perhaps no version of the song has generated more ill-will than comedian Roseanne Barr's version sung at a San Diego Padres-Cincinnati Reds doubleheader in July of 1990. It launched more than patriotic fireworks... it generated a veritable firestorm of truculent criticism. Barr's version was called "disgraceful" by then-President George Bush and dubbed "The Barr-Strangled Banner" by the press. More than 25,000 fans heard her attempted belt out of the song transformed into a screeching, horrible performance. When they booed and jeered, Roseanne added insult to comedic injury by grabbing her crotch and spitting onto the field in a misguided attempt to imitate what ballplayers do. The fans didn't think it was funny at all. The San Diego Padres switchboard lit up with more than 1,000 angry calls, and Roseanne reportedly received multiple death threats owing to her disastrous rendition.
  • At the original Woodstock in 1969, Jimi Hendrix did a famous performance of this song. He was the last act of the festival and was scheduled to close the show on Sunday night, but he didn't take the stage until 8 am Monday morning. Of about 500,000 people who were there over the weekend, only about 30,000 were left, and many of them remember waking up to this song. Jimi did an extended version on his guitar which was very unorthodox and caused some controversy among people who felt he was desecrating the song. He had been playing this version for about a year, beginning as part of a guitar solo he played during "Purple Haze." When he played southern states in the US, he was often warned not to play it because the locals made threats against him, but Jimi always played it anyway. He tried to record his version for an album, but was never happy with the results in the studio. After he died, engineer Eddie Kramer mixed a version from Jimi's studio takes which was released on the album Rainbow Bridge, but his Woodstock performance is by far his most famous version of the song.
  • Hendrix' version can be seen as an anti-war song about the situation in Vietnam. Halfway through the song, Hendrix imitates the sounds of bombs dropping, machine gun fire and people singing. His version was the first song played when a propaganda radio station called "Radio Hanoi" went on the air broadcasting to American troops serving in Vietnam in an effort to destroy their morale and convince them to desert. (thanks, Euan - Lanark, Scotland)
  • A controversial Spanish-language version, "Nuestro Himno," was released on 28 April 2006, just days before nationwide immigration-law reform demonstrations on May 1, 2006. Public reaction was divided. "I think people who want to be a citizen of this country ought to learn English and they ought to learn to sing the national anthem in English," said President George W. Bush.
  • "Nuestro Himno" is not the first Spanish-language version of the The Star-Spangled Banner to have been published. The United States Department of State's website shows other Spanish-language versions of it, including "Himno nacional - La Bandera de Estrellas," copyrighted in 1919. Another multilingual version was released on May 16, 2006: performing as Voices United for America, 10 singers performed the song in Italian, Spanish, Swedish, Bulgarian, German, Arabic, Japanese, Tagalog, Korean, and English. The song was recorded to raise awareness of House Resolution 793, which states that the National Anthem should be sung only in English.
  • Other notable moments in Star Spangled Banner history:

    Jose Feliciano sings a slow, Jazzy version at Tiger Stadium before Game 5 of the 1968 World Series. It was the first time artistic liberties were taken with the song preceding a major sporting event, and it created a huge controversy. Many Americans felt he defiled the song, and by extension, America, but Feliciano - a native of Puerto Rico - explained that he was simply expressing his love for the United States with feeling. His performance was released as a single and reached #50.

    Marvin Gaye's soulful rendition at the 1983 NBA All-Star game the year before his death. Back in 1968, Gaye sang the National Anthem at Game 4 of the World Series - the game before Feliciano. Gaye was asked to keep the "Motown Influence" to a minimum, and sang that one straight, but at the All-Star Game, held at the Los Angeles Forum (where the Lakers played), Gaye walked out to a beat - a major departure from tradition. Gaye put the arrangement together with his musical director Gordon Banks that weekend, and showed up at the Forum shortly before the performance. Lakers management feared for the backlash, but the fans in attendance cheered wildly. This version was the first song played on VH1 when the network went on the air on January 1, 1985.

    Whitney Houston's performance at the 1991 Super Bowl when the US was battling the first Gulf War. Her performance was lip-synched, but was released as a single and sold about 750,000 copies.

    Steven Tyler changes the words from "Home of the brave" to "Home of the Indianapolis 500" at the 2001 race. The ad-lib didn't go over well and Tyler apologized.
  • In the Disney/Pixar movie Cars, a funny scene recurs when an an army jeep raises a flag in the morning to this tune, while next door a hippy micro-bus plays the Jimi Hendrix version. (thanks, Mike - Mountlake Terrace, WA)
  • A 2008 Harris Interactive survey revealed that 67% of Americans know all the words to this song, up from 61% in 2004. Folks in the Midwest and Northeast were more likely to know the words. (thanks, Bertrand - Paris, France)
  • The song has charted three times, all from performances at sporting events. Jose Feliciano's version checked in at #50 in 1968, Whitney Houston's made #20 in 1991, and Jennifer Hudson's performance at the Super Bowl in 2009 nicked the charts at #98. (thanks, Bertrand - Paris, France)
  • Billy Joel sang this at the 1989 Super Bowl, and when asked about the experience in a 1998 interview with Uncut, he said: "It was OK. Between you and me, it's not a very good song, nobody can hit the high notes. They asked me to do it, and I thought it was a good way of getting Super Bowl tickets."

    Surprisingly, Joel sang it again for the 2007 game.

  • Soundgarden - Jesus Christ Pos
    Soundgarden - Jesus Christ Pose


    Soundgarden - Jesus Christ Pose Youtube Music Videos and Lyrics

    Album: Badmotorfinger
    Released: 1991

    Jesus Christ Pose Lyrics


    And you stare at me
    In your Jesus Christ Pose
    Arms held out
    Like you've been carrying a load
    And you swear to me
    You don't want to be my slave

    But you're staring at me
    Like I need to be saved
    In your Jesus Christ pose
    Arms held out
    In your Jesus Christ pose
    Thorns and shroud
    Like it's the coming of the Lord
    And I swear to you
    That I would never feed you pain

    But your staring at me
    Like I'm driving the nails
    In your Jesus Christ pose
    And you stare at me
    In your Jesus Christ pose
    Arms held out like it's
    The coming of the Lord

    And would it pay you more to walk on water
    Then to wear a crown of thorns
    It wouldn't pain me more to bury you rich
    Then to bury you poor
    In your Jesus Christ pose

    Writer/s: KIM THAYIL, HUNTER SHEPHERD, MATTHEW CAMERON, CHRIS CORNELL
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Jesus Christ Pose Song Chart
  • This is not a religious song, but it expresses irritation at celebrities who abuse and exploit the image of Jesus Christ on the cross, known as the Jesus Christ Pose (outstretched arms, head back).

    The pose can be seen in any number of Creed videos featuring a wind-swept Scott Stapp , but for Soundgarden lead singer Chris Cornell, it was Jane's Addiction lead singer Perry Farrell, whose antics and onstage demeanor he always found to be pretentious, who inspired this song.

    It wasn't just Farrell, though. Flipping through magazines, Cornell would see models striking the pose, sometimes complete with a crown of thorns. These folks likening themselves and their troubles to those of Jesus was too much for Cornell, and he let them have it here.

    Cornell attended Catholic school until seventh grade, when his free thinking, rebellious personality became too much of a problem and his mom pulled him out (along with his sister). His inquisitive nature served him well as a lyricist; songs like this one show his disdain for ignorance and a false sense of persecution.
  • This is one of the few Soundgarden songs with writing credits going to all four band members. Their guitarist Kim Thayil told us that whoever brings in the main riff typically gets a credit along with the lyricist (usually Cornell), but they have no set system for distributing the credits.
  • Directed by Eric Zimmerman, the band made a controversial video for this song where the band demonstrated the "Jesus Christ Pose," intercut with shots of a girl on a cross. MTV didn't play it during their regular programming, but they did air it on both their Metal show Headbanger's Ball and their Alternative music showcase 120 Minutes. This crossover showed that the band had wide appeal over the various rock formats that were burgeoning, and they soon caught on in the Grunge genre as well. The band set out to reach a wide audience, and this song proved that they were on their way to achieving that goal.
  • At the 4:46 point, you can hear a particularly potent scream from Chris Cornell. Reminiscent of Roger Daltrey's primal wail in "Won't Get Fooled Again," it's a great demonstration of the singer's vocal control, something he worked hard to achieve.
  • After serving as the opening act for Guns N' Roses and then Skid Row, Soundgarden became headliners in the spring of 1992 when they set out on a UK tour. This song, which was their first British hit, was typically the last song in their encore. On later tours, they would sometimes open with this song.

  • Chicago - Saturday In The Par
    Chicago - Saturday In The Park


    Chicago - Saturday In The Park Lyrics and Youtube Music Videos

    Album: Chicago 5
    Released: 1972

    Saturday In The Park Lyrics


    Saturday In The Park, I think it was the Fourth of July
    Saturday in the park, I think it was the Fourth of July
    People dancing, people laughing, a man selling ice cream (sellin' ice cream)
    Can you dig it (yes, I can) And I've been waiting such a long time
    For Saturday

    Saturday in the park
    You'd think it was the Fourth of July
    Saturday in the park
    You'd think it was the Fourth of July
    People talking, really smiling
    A man playing guitar
    Singing for us all
    Will you help him change the world
    Can you dig it (yes, I can)
    And I've been waiting such a long time
    For today

    Slow motion riders fly the colors of the day
    A bronze man still can tell stories his own way
    Listen children all is not lost, all is not lost, oh no, no,

    Funny days in the park, every day's the Fourth of July
    Funny days in the park, every day's the Fourth of July
    People reaching, people touching, A real celebration
    Waiting for us all, If we want it, really want it
    Can you dig it (yes, I can), And I've been waiting such a long time
    For the day

    Writer/s: LAMM, ROBERT
    Publisher: Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC, SPIRIT MUSIC GROUP
    Lyrics licensed and provided by LyricFind

    Saturday In The Park
  • Chicago's main songwriter, Robert Lamm, wrote this after a particularly exhilarating 4th of July spent in New York's Central Park, where there were steel drum players, singers, dancers and jugglers. Lamm and Peter Cetera sang lead on the track.
  • Robert Lamm based the melody of this song on "You Won't See Me" by The Beatles, something he openly admitted.
  • like most Chicago singles, this didn't chart in the UK. In America, however, it was their biggest chart hit to that point and also their first gold single, which at the time meant selling more than a million copies ("25 Or 6 To 4" somehow was never certified gold).
  • This song contains some of the most famous nonsense singing in rock: after Robert Lamm sings the line, "Singing Italian songs," he sings some made up words approximating the Italian language.
  • In the 2000 Adam Sandler film Little Nicky, this song was used for comedic effect when it was played backwards to show that it contains satanic messages.

    Other movies to use the song include The Spirit of '76 (1990) and My Girl (1991). TV series to feature the song include The Sopranos (2002), My Name Is Earl (2005) and Fringe (2011).
  • Chicago and Robin Thicke performed part of this song at the 2014 Grammy Awards in a medley of Chicago's hits leading into Thicke's song "Blurred Lines." The occasion: Chicago's first album entering the Grammy Hall of Fame.

  • The Psychedelic Furs - Heartbreak Beat
    The Psychedelic Furs - Heartbreak Beat


    The Psychedelic Furs - Heartbreak Beat Lyrics and Youtube Music Videos

    Album: Midnight to Midnight
    Released: 1986

    Heartbreak Beat Lyrics


    I'm a Heartbreak Beat, yea, all night long
    And nobody don't dance on the edge of the dark
    We've got the radio on
    And it feels like love,
    But it don't mean a lot
    And it feels like love
    And it's all that we

    [Chorus:]
    There's a heartbreak beat, playing all night long
    Down on my street
    And it feels like love, got the radio on
    And it's all that we need
    There's a heartbreak beat, and it feels like love
    There's a heartbreak beat, and it feels like love

    Well, the feet don't stop, the way you talk so tough
    And there's a perfect kiss, somewhere out in the dark
    But a kiss ain't enough
    And the world don't stop, every time that you call
    And the world don't stop, every time that you call

    [Chorus]

    I'm a heartbreak beat, yea, all night long
    And nobody don't dance on the edge of the dark
    We've got the radio on
    And it feels like love,
    But it don't mean a lot
    And it feels like love
    And it's all that we

    [Chorus]

    There's a heartbreak beat
    There's a heartbreak beat

    Writer/s: BUTLER, RICHARD/BUTLER, TIMOTHY/ASHTON, JOHN /
    Publisher: EMI Music Publishing, Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Heartbreak Beat
  • Although he was born in the UK, the Furs' frontman Richard Butler considers himself a bona-fide New Yorker and often finds inspiration from the Big Apple. With the Midnight to Midnight album, he hoped to capture the "very urban, very nighttime" feeling of the city after dark. He told Winner magazine in 1986: "It's my interpretation of being in a place. There's a song called 'Heartbreak Beat,' and it's about that feeling when you walk through Washington Square Park and you've got all the boxes going and it sounds like this huge phase-shifter. New York has definitely affected the feel of the songs. I very much pick up on what's around me, steal things, phrases, the feeling of being out at night in New York."

    Butler's co-writers on the song were the group's guitarist John Ashton and bass player Tim Butler (Richard's brother).
  • This was the biggest US hit for The Psychedelic Furs, and their only Top 40 entry in that country. Early in 1986, their song "Pretty In Pink" was revived when it was used in the movie of the same name starring Molly Ringwald (the film was titled after the song), giving them a big bump in America.

    Looking to expand their fanbase, the group created more accessible songs for their next album, Midnight to Midnight. "Heartbreak Beat," deemed the most radio-friendly track, was released as a single in the UK in October 1986, but wasn't issued in America until March 1987. It peaked at #26 in May, and in July the band started their tour of the US. "Heartbreak Beat" ended up being their last Hot 100 entry, although dedicated fans stuck with them for two more albums, Book of Days (1989) and World Outside (1991).
  • A heartbreak beat is an emotional condition, not a medical one, but Richard Butler suffered from something similar after the band set out on tour to promote the Midnight to Midnight album. Butler wasn't pleased with the album ("there's nothing lyrically I'm proud of on it at all," he declared), and hated performing songs from it. As the tour progressed, the band found themselves dropping new material and inserting older songs in their place. It all was very stressful for Butler, who at one point had an EKG heart scan to find out if there was something wrong. He underwent a program to manage his stress, but had to be talked into staying with the band, since he was so disillusioned.

    He agreed to make another album, but insisted on returning to their early form. The resulting Book Of Days had little commercial appeal, but Butler was proud of it.
  • Glee made the most out of the lyrics "But a kiss ain't enough, and the world don't stop" when the song was used as a soundtrack to Rachel and Finn's kiss on the season one episode "The Rhodes Not Taken."

  • R.E.M. - Country Feedback
    R.E.M. - Country Feedback


    R.E.M. - Country Feedback Lyrics and Youtube Music Videos

    Album: Out Of Time
    Released: 1991

    Country Feedback Lyrics


    Country Feedback
  • If you listen closely to the lyrics at the end: "It's crazy what you could've had," it can sound like "It's crazy what you couldn't have." (Apparently Michael Stipe sometimes simply makes up or distorts lyrics, which he does to great effect here). The feeling of these final lyrics gives some indication of the sense of desolation that pervades this song in almost every lyric and chord. It's about repetition in life and love, about failed relationships: "We've been through fake breakdown, self hurt, self help." It's on a continuous "maddening" loop, "feedback," and no matter how much you analyze a bad relationship with the aim to improving things, you just repeat the same things endlessly. "Junk Garage" is imagery of something discarded and worthless. "This flower is scorched" is an image of love (flower, a traditional symbol of love) which has been sullied. There is also some sexual imagery of "Honey Pot" which is an alluring, sexual attraction but ultimately unwanted. The "Paper Weight" is holding down something flimsy, again emphasizing the lack of substance to the relationship. "Plastic" emphasizes the artificiality of the relationship. (thanks, Gus - London, England)
  • Michael Stipe told Q magazine in 1992: "It's a love song, but it's certainly from the uglier side. It's pretty much about having given up on a relationship."
  • Peter Buck recalled to the recording of this track in a 2008 Rolling Stone interview: "'Country Feedback' - I thought that was a demo. Michael (Stipe) just sang it once. It was a letter he wrote to someone but didn't send. He just sang it."
  • On R.E.M.'s 2001 Perfect Square concert DVD, Michael Stipe says, "this is my favorite song of all time." (thanks, Mike - Hamilton, ON)
  • In an interview with the August 2010 edition of Uncut magazine, Kurt Cobain widow and Hole vocalist Courtney Love claimed this is one of two songs that Stipe wrote about her. She said: "I know 'Country Feedback' and 'Crush With Eyeliner' are about me. The line from Country Feedback: 'We've been through fake-a-breakdown/ Self Hurt/Plastics, collections/ Self Help, self pain/ EST, psychics, f--k all,' Michael (Stipe) talked me through that."
  • In the liner notes for Part Lies, Part Heart, Part Truth, Part Garbage, Bill Berry also calls this one of his favorite R.E.M. songs, adding "I think it wonderfully peculiar that this, somewhat gloomy dirge surfaced in a body of work that also included 'Shiny Happy People.'"
  • This was featured in the 1996 romantic drama Unhook the Stars, starring Marisa Tomei and Gena Rowlands.

  • Michael Jackson - Be
    Michael Jackson - Ben


    Michael Jackson - Ben Youtube Music Videos and Lyrics

    Album: Ben
    Released: 1972

    Ben Lyrics


    Ben, the two of us need look no more,
    We both found what we were looking for.
    With a friend to call my own,
    I'll never be alone, and you, my friend, will see,
    You've got a friend in me.
    Ben, you're always running here and there,
    You feel you're not wanted anywhere.
    If you ever look behind and don't like what you find
    There's something you should know, you've got a place to go.
    I used to say I and me, now it's us, now it's we.
    I used to say I and me, now it's us, now it's we.
    Ben most people would turn you away;
    I don't listen to a word they say.
    They don't see you as I do;
    I wish they would try to'
    I'm sure they'd think again if they had a friend like Ben,
    A friend like Ben
    (Like Ben)
    Like Ben

    Writer/s: Scharf, Walter / Black, Don
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Ben Song Chart
  • Don Black and Walter Scharf wrote this for the 1972 movie of the same name. It was the sequel to a movie called Willard, which was remade in 2003 starring Crispin Glover. Ben is a pet rat. In the movie, a young boy befriends the rat, but the rat turns evil and recruits other rats to attack humans. In the remake of Willard, Ben becomes an enormous super-rat.

    Despite being about a rat, the lyrics are touching and sentimental, and make no reference to rodents. A lot of people were very moved by the song.
  • According to the book Jacksons Number Ones , this was intended for Donny Osmond, but Don Black suggested Jackson, who got the song instead.

    Donny Osmond told The Huffington Post that he didn't record the song when it was offered to him as he was on tour and they had to finish the movie. He added: "Michael and I would talk about this all the time. It's funny, because we eventually ended up laughing at this one. I will never forget, we stayed up to like two in the morning, laughing about the fact that I had a hit about a puppy and he had a hit about a rat. (Laughs)"
  • The song's co-writer Don Black has written many movie themes, including the hits "Diamonds Are Forever" (for the James Bond movie) and "Born Free." At his 2007 induction in the Songwriters Hall Of Fame, he said of "Ben," "When it came to writing about a rat, I said, 'You can't write about a rat.' I mean, I'm not going to use words like 'cheese.' I thought the best thing to do is write about friendship."
  • This song is one of Michael Jackson's favorites, and it was his first #1 hit as a solo artist. Motown recorded him as a solo artist when The Jackson 5 stopped selling well.
  • Jackson was 14 when he recorded this. He became the youngest artist to top the US charts both as a solo artist and as a member of a group (The Jackson 5).
  • This was nominated for an Oscar for Best Original Song. Jackson sang it at the ceremony in 1973.
  • Part of this song was used in a 1991 episode of The Simpsons, where Jackson guest stars as an overweight, white mental patient who sings it to Homer. While Michael Jackson voiced all the talking parts for the character, the singing voice was someone else, which caught the rest of the cast by surprise. Harry Shearer , who does several voices on the show, told us: "Michael did all the vocal parts when we read it again at the stage. The character in the show sang special lyrics to 'Ben,' and when it came time to sing, Michael sat back, nodded, and a guy that we'd not noticed before, a white guy sitting across from him at the table, started singing in a ridiculously accurate Michael Jackson voice. And I thought about it for a minute, and then I realized, I guess we paid enough for the talking Michael Jackson, but not enough for the singing Michael Jackson.

    The guy who did the singing was Kipp Lennon, who often did singing parts for the show.
  • Pearl Jam has a song called "Rats," which is a reference to this. It's on their 1993 release Vs..
  • At Michael Jackson's 2001 tribute special, young Country singer Billy Gilman performed this with Marc Anthony.
  • This song was used in an episode of Queer as Folk where Michael Novotny is trying to win back lover Ben Bruckner. (thanks, Allison - Portales, NM)
  • After Jackson's death, his family sued the promotion company that planned his comeback tour. In testimony, his mother, Katherine, revealed that Michael did enjoy the company of certain rodents: he once smuggled a mouse into a Beverly Hills restaurant.

  • Anita Ward - Ring My Bell
    Anita Ward - Ring My Bell


    Anita Ward - Ring My Bell Lyrics and Youtube Music Videos

    Album: Songs Of Love
    Released: 1979

    Ring My Bell Lyrics


    I'm glad you're home
    Now did you really miss me?
    I guess you did by the look in your eye
    (Look in your eye, look in your eye)
    Well lay back and relax
    While I put away the dishes (put away the dishes)
    Then you and me can rock a bell

    You can Ring My Bell, ring my bell
    You can ring my bell, ring my bell
    You can ring my bell, ring my bell
    You can ring my bell, ring my bell

    The night is young
    And full of possibilities
    Well, come on and let yourself be free, yeah
    My love for you (love for you, love for you)
    So long I've been savin'
    Tonight was made for me and you

    You can ring my bell, ring my bell
    (Ring my bell, ding-dong-ding)
    You can ring my bell, ring my bell
    (Ring my bell, ring-a-ring-a-ring)
    You can ring my bell, ring my bell
    (Ring my bell, ding-dong-ding)
    You can ring my bell, ring my bell
    (Ring my bell, ring-a-ring-a-ring)

    You can ring my bell
    You can ring my bell
    (Ding, dong, ding, ah-ah, ring it)
    You can ring my bell, anytime, anywhere
    (Ring it, ring it, ring it, ring it, ow)

    You can ring my bell, you can ring my bell
    (Ding, dong, ding, ah-ah, ring it)
    You can ring my bell, anytime, anywhere
    (Ring it, ring it, ring it, ring it, ow)

    Bell, ring my bell
    (Ring my bell, ding-dong-ding)
    You can ring my bell, ring my bell
    (Ring my bell, ring-a-ring-a-ring)
    You can ring my bell, ring my bell
    (Ring my bell, ding-dong-ding)
    You can ring my bell, ring my bell

    Writer/s: FREDERICK DOUGLAS KNIGHT
    Publisher: Peermusic Publishing, Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Ring My Bell
  • This was one of first hit songs to feature a synthesized drum. The hook was the synthesized drum of Carl Marsh, which produced a sound that became copied by many other disco records.
  • This was written by Ward's producer Frederick Knight, who is known for his 1972 hit "I've Been Lonely For So Long." He originally intended it for 11-year-old Stacy Lattishaw, but when she signed with a different label, Ward was asked to sing it instead. She disliked the song and only recorded it as Frederick Knight insisted they needed another dance number on the album.
  • Ward started out as a Memphis gospel singer. This was her only hit.
  • This song required three studios, four engineers, two remixers and a 'midnight mix by Richie Rivera' as well as the production of Frederick Knight to produce its innovative sound. Knight also provided backing vocals.
  • DJ Jazzy Jeff And The Fresh Prince (Will Smith) recorded a rap version in 1991 that made #20 US.
  • Rapper Snoop Dogg disclosed to Clash magazine that this was the first record that he ever bought.

  • Bad English - When I See You Smile
    Bad English - When I See You Smile


    Bad English - When I See You Smile Lyrics and Youtube Music Videos

    Album: Bad English
    Released: 1989

    When I See You Smile Lyrics


    Sometimes I wonder
    If I'd ever make it through
    Through this world
    without having in you
    I just wouldn't have a clue
    Cause sometimes it seems
    Like this world's closing in on me
    And there's no way of breaking free
    And then I see you reach for me
    Sometimes I want to give up
    want to give in
    I want to quit the fight
    And then I see you baby
    And everything's alright
    Everything's alright
    When I See You Smile
    I can face the world
    Oh you know I can do anything
    When I see you smile
    I see a ray of light
    Oh I see it shining
    right through the rain
    When I see you smile
    Baby when I see you smile at me
    Oh yeah
    Baby there's nothing in this world that could ever do
    What the touch of your hand can do
    It's like nothing that I ever knew
    Hey
    And when the rain is falling
    I don't feel it
    Cause you're here with me now
    I want to ask you baby
    It's all I'll ever need
    All I'll ever need
    When I see you smile
    I can face the world
    Oh you know I can do anything
    When I see you smile
    I see a ray of light
    Oh I see it shining
    right through the rain
    When I see you smile baby
    Baby when I see you smile at me
    Sometimes I want to give up
    I want to give in
    I want to quit the fight
    Then one look at you baby
    And everything's alright
    Hey everything's alright
    It's alright
    When I see you smile
    I can face the world
    Oh you know I can do anything
    When I see you smile
    I see a ray of light
    Oh I see it shining
    right through the rain
    Yeah
    When I see you smile
    Yeah I can face the world
    Oh you know I can do anything now
    When I see you smile
    Oh yeah
    Baby when I see you smile
    Smile at me

    Writer/s: BILLY SMITH
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    When I See You Smile
  • Bad English was a supergroup comprised of lead singer John Waite, keyboard player Jonathan Cain, bass player Ricky Phillips, guitarist Neal Schon and drummer Deen Castronovo. Waite, Cain and Phillips had been in a popular British band called the Babys, while Schon, Castronovo and Cain were in Journey (Cain was in both groups). It was quite an assemblage of musical talent, and between them they wrote 11 of the 13 songs on their self-titled debut album. "When I See You Smile" wasn't one of them.

    The song was written by Diane Warren, who had a knack for supplying popular Rock musicians with Pop hits: she wrote "Nothing's Gonna Stop Us Now" for Starship, "Who Will You Run To" for Heart, and "I Don't Want To Miss A Thing" for Aerosmith. She had also written the song "Don't Lose Any Sleep," which appeared on Waite's 1987 solo album Rover's Return.

    The band was signed to Epic Records, whose A&R man Don Grierson implored them to record a hit. They liked him, so when he suggested "When I See You Smile," the band agreed to record it, since they knew it would supply Grierson with his hit.
  • This is by far the biggest hit for Bad English, but it's not their only one. Their first single was "Forget Me Not," which made #45 in the US. "When I See You Smile" was their next release, and "Price of Love" came next, charting at #5. They released one more album (Backlash, 1991) before terminating the project. In our John Waite interview , he explained: "It was fun for a year. And then people reverted to type. I think the Journey guys wanted to be back in Journey and I wanted to be back solo. We had a very valiant attempt at making a second record, but we weren't given enough time to write it. We tried, and we almost made it."

  • The Brothers Johnson - Strawberry Letter 2
    The Brothers Johnson - Strawberry Letter 23


    The Brothers Johnson - Strawberry Letter 23 Youtube Music Videos and Lyrics

    Album: Right On Time
    Released: 1977

    Strawberry Letter 23 Lyrics


    Hello my love, I heard a kiss from you
    Red magic satin playing near, too
    All through the morning rain I gaze, the sun doesn't shine
    Rainbows and waterfalls run through my mind

    In the garden, I see
    West purple shower bells and tea
    Orange birds and river cousins
    Dressed in green

    Pretty music, I hear
    So happy and loud
    Blue flowers echo
    From a cherry cloud

    Feel sunshine sparkle pink and blue
    Playgrounds will laugh
    If you try to ask
    "Is it cool?"

    If you arrive and don't see me
    I'm going to be with my baby
    I am free, flying in her arms
    Over the sea

    Stained window, yellow candy screen
    See speakers of kite
    With velvet roses diggin'
    Freedom flight

    A present from you
    Strawberry letter 22
    The music plays
    I sit in for a few

    Ooh, ooh, ooh, ooh, ooh
    Ooh, ooh, ooh, ooh, ooh
    Ooh, ooh, ooh, ooh, ooh
    Ooh, ooh, ooh, ooh, ooh

    A present from you
    Strawberry letter 22
    The music plays
    I sit in for a few

    Ooh, ooh, ooh, ooh, ooh
    Ooh, ooh, ooh, ooh, ooh
    Ooh, ooh, ooh, ooh, ooh
    Ooh, ooh, ooh, ooh, ooh

    Ooh, ooh, ooh, ooh, ooh
    Ooh, ooh, ooh, ooh, ooh
    Ooh, ooh, ooh, ooh, ooh
    Ooh, ooh, ooh, ooh, ooh

    Writer/s: SHUGGIE OTIS
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Strawberry Letter 23
  • Guitar prodigy Shuggie Otis (real name: Johnny Otis Jr.) wrote this at the age of 17. Otis wrote it for his girlfriend describing the feelings evoked by "Strawberry Letter 22," the title indicating the hopes of another letter.

    It is commonly believed that she wrote to him on strawberry-scented paper but Otis told Spinner in a 2013 interview that the song has nothing to do with the smell of strawberries. "What I pictured when I was writing that song, was a girl handing a guy a pink envelope," he explained. "A love letter. The guy and the girl had written each other 22 letters so far. And the 23rd one he writes is a song. But no scents."

    He added: "The Brothers Johnson put out a single [of the song] and it was colored red and smelled like strawberries. Did you know that? It had a scent to it. I think that's how the whole thing got started."
  • Otis originally recorded this on his 1971 album Freedom Flight. It was added to the 2001 re-release of his 1974 album Inspiration Information.
  • Quincy Jones produced the album. The Johnson brothers first teamed up with Jones to perform on Quincy's 1975 album Mellow Madness.
  • This hit #1 on the R&B charts, selling over a million copies and helping the album go Platinum.
  • In 2002, this was used in a commercial for Kellogg's Special K Red Berries. The version in the commercial is a remixed version performed by local artists. If you re-record a song, you don't have to pay performance rights to the original artist, which is why most songs used in commercials are sound-alikes.
  • This appears on the soundtrack for Quentin Tarantino's 1997 movie Jackie Brown.
  • Tevin Campbell recorded a version of this in 1991 on his album Tevin, which was also produced by Quincy Jones. He was 13 at the time and had a hit called "Round And Round."
  • Senegalese-American artist Akon covered the song for the Quincy Jones tribute album, Q: Soul Bossa Nostra. Jones told MTV News: "Timbaland brought the idea. Three or four years ago, we talked about [it]. Then he said everybody should be involved in this. And one by one, in various ways, it started to be what God wanted it to be. I ran into this brother [Akon] and he picked the song I wanted him to do anyway."
    Akon told MTV News regarding his cover: "The song, it's more about feeling to me 'Cause as far as the lyrical content, that's way beyond my generation. I'm still trying to understand everything it meant."
    Jones agreed: "It is [opaque]. Its imagery - abstract imagery. It was abstract back then."

  • Arthur Alexander Songs - Anna (Go to Him)
    Arthur Alexander - Anna (Go to Him)


    Arthur Alexander - Anna (Go to Him) Youtube Music Videos and Lyrics
    Album: released as a single
    Released: 1962

    Anna (Go to Him) Lyrics


    Anna,
    You come and ask me, girl,
    To set you free, girl,
    You say he loves you more than me,
    So I will set you free,
    Go with him.
    Go with him.
    Anna,
    Girl, before you go now,
    I want you to know, now,
    That I still love you so,
    But if he loves you mo',
    Go with him.
    All of my life,
    I've been searchin' for a girl
    To love me like I love you.
    Oh, now… But every girl I've ever had,
    Breaks my heart and leaves my sad.
    What am I, what am I supposed to do.
    Anna,
    Just one more thing, girl.
    You give back your ring to me, and I will set you free,
    Go with him

    Writer/s: ARTHUR ALEXANDER
    Publisher: SHAPIRO BERNSTEIN & CO. INC.
    Lyrics licensed and provided by LyricFind

    Anna (Go to Him) Song Chart
  • Arthur Alexander wrote this song, making it one of the world's great trivia questions: Alexander is the only person to write songs that were recorded by Bob Dylan ("Sally Sue Brown"), The Rolling Stones ("You Better Move On") and The Beatles, who included this song on their debut album, Please Please Me, in 1963.
  • This was released as a single by Dot Records in 1962, peaking at a modest #68. Not many remember the Dot Records label, which was rebranded in the late '60s and folded by 1977. But some of Arthur Alexander's fellow Dot Records colleagues include Pat Boone, Lawrence Welk, Liberace, and... Leonard Nimoy, whose singing career included the album Mr. Spock's Music from Outer Space and the unforgettable "The Ballad of Bilbo Baggins."
  • John Lennon loved this song, which is why The Beatles recorded it and added the song to their early stage catalog. According to Beatles historian Mark Lewisohn, John Lennon had a terrible cold during the recordings, thus leading to his strange vocals in the song. (thanks, Airk - Skagway, AK)
  • The subtitle (Go to Him) is a little confusing, as in both Alexander and The Beatles versions of the song, they sing "Go with him."
  • The Beatles' recording was distributed to US disc jockeys in 1963 on a single with "Ask Me Why." The promotional disc is a rare collectors item.
  • The Beatles performed this in 1963 when they appeared on the BBC TV special Pop Go The Beatles.
  • This song featured as a minor plot point in a 1991 episode of the TV sitcom Married With Children, in which Ed O'Neill has "Anna (Go To Him)" stuck in his head for half the episode while being unable to remember the title or words. The song comes on a jukebox in one scene and then he yells it out.
  • Nirvana Songs - Smells Like Teen Spirit
    Nirvana - Smells Like Teen Spirit


    Nirvana - Smells Like Teen Spirit Lyrics and Youtube Music Videos

    Album: Nevermind
    Released: 1991

    Smells Like Teen Spirit Lyrics


    Load up on guns, bring your friends
    It's fun to lose and to pretend
    She's over-bored and self-assured
    Oh no, I know a dirty word

    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello

    With the lights out, it's less dangerous
    Here we are now, entertain us
    I feel stupid and contagious
    Here we are now, entertain us
    A mulatto, an albino, a mosquito, my libido
    Yeah, hey

    I'm worse at what I do best
    And for this gift I feel blessed
    Our little group has always been
    And always will until the end

    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello

    With the lights out, it's less dangerous
    Here we are now, entertain us
    I feel stupid and contagious
    Here we are now, entertain us
    A mulatto, an albino, a mosquito, my libido
    Yeah, hey

    And I forget just why I taste
    Oh yeah, I guess it makes me smile
    I found it hard, it's hard to find
    Oh well, whatever, never mind

    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello, how low
    Hello, hello, hello

    With the lights out, it's less dangerous
    Here we are now, entertain us
    I feel stupid and contagious
    Here we are now, entertain us
    A mulatto, an albino, a mosquito, my libido
    A denial, a denial, a denial, a denial, a denial
    A denial, a denial, a denial, a denial

    Writer/s: KURT COBAIN, KRIST NOVOSELIC, DAVID GROHL
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Smells Like Teen Spirit Song Chart
  • Kurt Cobain wrote this song for Nirvana; it came together in a jam session when he played it for the band. He said: "I was trying to write the ultimate pop song. I was basically trying to rip off The Pixies."
  • Kathleen Hanna, the lead singer of the group Bikini Kill, gave Cobain the idea for the title when she spray painted "Kurt Smells Like Teen Spirit" on his bedroom wall after a night of drinking and spraying graffiti around the Seattle area. In his pre-Courtney Love days, Cobain went out with Bikini Kill lead singer Tobi Vail, but she dumped him. Vail wore Teen Spirit deodorant, and Hanna was implying that Cobain was marked with her scent.

    Hanna explained that early in the night, she was Cobain's lookout as he spray pained "God Is Gay" on the wall of a religious center that they believed was posing as an abortion clinic and telling women they would go to hell if they aborted their child. They got quite inebriated that night, and Hanna said, "We ended up in Kurt's apartment and I smashed up a bunch of s--t. I took out a Sharpie marker and I wrote all over his bedroom wall - it was a rental so it was really kind of lame that I did that. I passed out with the marker in my hand, and woke up hung over." Six months later she got a call from Cobain, asking her if he could use what she wrote on the wall for a lyric. Said Hanna, "I thought, how is he going to use 'Kurt Smells Like Teen Spirit as a lyric?"
  • Cobain didn't know it when he wrote the song, but Teen Spirit is a brand of deodorant marketed to young girls. Kurt thought Hanna was complimenting him on his rebellious spirit, as someone who could inspire youth. Sales of Teen Spirit deodorant shot up when this became a hit, even though it is never mentioned in the lyrics.
  • This was the first "Alternative" song to become a huge hit, and in many ways it redefined the term, as "alternative" implies lack of popularity and the song was embraced by the mainstream. In an effort to save the label for acts like Porno For Pyros and Catherine Wheel, some industry folk referred to the genre as "Modern Rock," which became a common radio format. "Alternative" became more of a catchall for music played by white people that didn't fit the pop or country formats, and Nirvana quickly became a "Classic Alternative" band.
  • With this track, Nirvana helped ignite the "grunge" craze, which was characterized by loud guitars, angst-ridden lyrics, and flannel. Grunge was a look and sound that was distorted and emotive, led by bands coming out of the Northwest. Pearl Jam and Soundgarden were other top grunge bands of the era. Cobain would often dismiss the term as a meaningless label when asked about it in early interviews, but their bass player Krist Novoselic explained that it was a growling, organic guitar sound that defined it.
  • Cobain said he wrote this song because he was feeling "disgusted with my generation's apathy, and with my own apathy and spinelessness." This feeling of detachment is what led to lyrics like "Oh well, whatever, nevermind." Krist Novoselic added: "Kurt really despised the mainstream. That's what 'Smells Like Teen Spirit' was all about: The mass mentality of conformity."
  • The video was a huge hit on MTV. The concept was "Pep Rally from Hell," and it was shot at Culver City Studios in California on August 17, 1991, directed by Samuel Bayer, who was a 1987 graduate of the New York City School of Visual Arts. The kids were recruited at a show the band played two days earlier at The Roxy Theater in Los Angeles, where flyers were handed out saying, "Nirvana needs you to appear in their upcoming music video. You should be 18-25 year old and adopt a high school persona, i.e. preppy, punk, nerd, jock. Be prepared to stay for several hours. Come support Nirvana and have a great time."

    The shoot took more like 12 hours, with the extras ordered to sit in the bleachers and look bored while the song played over and over. Said Bayer: "Nobody wanted to be there for more than a half hour, and I needed them for 12 hours. By the 11th hour when the band had had it with me and the kids were so angry with me, they said, 'Can we destroy the set?'" Bayer let the kids come down and form a mosh pit, and with all that pent-up energy they proceeded to smash up the set. This impromptu and genuine destruction provided a nice finale for the clip.
  • The video was inspired by the movie and song Rock And Roll High School by the Ramones, and was also influenced by a 1979 movie called Over the Edge, which was a favorite of Cobain and showed rebellious kids destroying a high school.

    According to Bayer, Cobain was getting very frustrated with the shoot, but Bayer needed another take. Cobain channeled his frustration into the performance that you see near the end of the video, where he is screaming and mashing his face near the camera. It was great acting trigger by his real anger.

    Bayer did the first edit of the video , which Cobain didn't like - he used a principal character in a lot of shots and cut it too literal, with the music synching up to the playing. Cobain worked with him to recut the video and make it much more surreal, inserting his crazy look as the second to last shot, and making sure that for his guitar solo, his hands were in the wrong place on the guitar.
  • The girls who played the cheerleaders in the video were originally supposed to be very fat and unattractive (Cobain's idea). The Director Samuel Bayer did not like this idea, but still allowed the cheerleaders to have "sleeve" tattoos and the symbol for anarchy on their shirts. He says he recruited them from a local strip club, which helps explain their unorthodox cheers. (thanks, Chris - Louisville, KY)
  • Weird Al Yankovic did a parody of this called "Smells Like Nirvana." He shot his video in the same gym with the same janitor, but in his video, the janitor was wearing a tutu. Cobain said he was flattered by the parody: "I loved, it, it was really amusing." (thanks, Peter - Montreal, Canada)
  • The distinctive bridge was originally at the end of the song. Producer Butch Vig had them move it to the middle.
  • A lot was made of Cobain being a spokesperson for Generation X when this song became a hit. Cobain responded by saying, "I don't have the answers for anything. I don't want to be a f--king spokesperson."

    Producer Butch Vig explained, "That ambiguity or confusion, that's the whole thing. What the kids are attracted to in the music is that he's not necessarily a spokesman for a generation. He doesn't necessarily know what he wants but he's pissed. It's all these things working at different levels at once. I don't exactly know what 'Teen Spirit' means, but you know it means something and it's intense as hell."
  • The line "Here we are now, entertain us" was something Cobain used to say when he entered a party.
  • In a sign of the cultural apocalypse, the February 20, 1992 issue of Rolling Stone magazine featured the cast of the TV show Beverly Hills 90210 with the tag line "Smells Like Teen Spirit," turning Kurt Cobain's diatribe against the culture of conformity into a convenient headline for a story about a TV series about rich kids. Here's the cover.
  • For a while, MTV refused to air the video. When they finally did, it was on their alternative show 120 Minutes. When the song became a hit, the video went into hot rotation.
  • The album cover shows a baby swimming toward a dollar bill. Cobain and Nirvana bass player Krist Novoselic had seen a documentary on underwater birth and wanted to use that image on the cover. Pictures of babies being born underwater were too gross, so they hired a photographer to take some underwater shots during a water babies class. The baby they chose was Spencer Elden, who was 4 months old at the time.
  • At many of their later shows, Nirvana did not play this song, helping root out the people coming just to hear a hit.
  • Courtney Love deliberated a long time before allowing this to be used in the 2001 movie Moulin Rouge. Dave Grohl and Krist Novoselic, who along with Love control the Nirvana catalog, claimed Love was trying to get the title role in the movie, which went to Nicole Kidman.

    The song was later used in the 2011 movie The Muppets (where it is performed to a captive Jack Black by The Muppet Barbershop Quartet), and in the 2015 film Pan, where it is sung by a large group of rebellious child slaves. It's use in this last film was, er... panned by Entertainment Weekly, which wrote, "The song's satirical lyrics make an already gauche movie even dorkier."
  • The opening guitar part is a small variation on the main riff of Boston's "More Than A Feeling." This was noted by a Rolling Stone magazine writer years later, but not as an accusation of plagiarism. Influences and similarities like this are everywhere in rock music. (thanks, Redstar - Redding, CT)
  • The Nevermind album title is taken from the song's lyric: "And I forget just why I taste / Oh yeah, I guess it makes me smile / I found it hard, it's hard to find / Oh well, whatever, never mind."
  • Dave Grohl recalled to Mojo magazine March 2011: "Teen Spirit definitely established that quiet/loud dynamic thing that we fell back on a lot of the time. It did become that one song that personifies the band. But the video was probably the key element in that song becoming a hit. People heard the song on the radio and they thought, 'This is great,' but when kids saw the video on MTV they thought, 'This is cool. These guys are kinda ugly and they're tearing up their f--king high school.' So I think that had a lot to do with what happened with the song.

    But do I think it's the greatest single of all time? Of course not! I don't even think it's the greatest Nirvana single. And compared to Revolution by The Beatles or God Only Knows by The Beach Boys?! Give me a break! Smells like Teen Spirit was a great moment in time… but there's better."
  • A version by Miley Cyrus performed by the pop singer on her Gypsy Heart tour topped Rolling Stone's 2011 reader list of the top 10 Worst Cover Songs of All Time. It was so bad that it even outranked Britney's much-maligned version of "I Love Rock and Roll!"
  • Tori Amos did a popular cover of this song in 1992 that Nirvana sometimes played as their introduction music when they took the stage.

    Amos was on tour when Cobain died in 1994 and performed her version two days later at a show in Dublin. Patti Smith also recorded the song for her covers album Twelve.
  • The song was re-released as a limited edition 7-inch vinyl single in December 2011 for an online campaign to get it to the Christmas number one in the UK Singles Chart. However, the track only reached #11 - four places lower than the peak originally scaled by the song 20 years previously.
  • The band's producer, Butch Vig, heard this song for the first time on a low quality cassette recording the band made. He couldn't make out much of the song because it was so distorted. When the band started rehearsing it in the studio, however, Vig heard the potential in the song. He made sure it was the first track on the album, since it made a statement. Vig told NPR: "Even though we're not really sure what Kurt is singing about, there's something in there that you understand; the sense of frustration and alienation. To me, 'Smells Like Teen Spirit' reminds me a little bit of how Bob Dylan's songs affected people in the '60s. In a way, I feel the song affected a generation of kids in the '90s. They could relate to it."
  • The lines, "And we all just. Entertainers. And we're stupid. And contagious," were interpolated by Jay-Z on his 2013 song "Holy Grail." Hova's track debuted at #8 on the Hot 100 resulting in Kurt Cobain receiving his first Top 10 writing credit since this song charted.
  • When Nirvana was inducted into the Rock and Roll Hall of Fame in 2014, the surviving members performed a selection of songs with various female singers. For this song, Joan Jett joined them. The following year, Jett was inducted into the Rock Hall.

  • Traditional - Happy Birthda
    Traditional - Happy Birthday


    Traditional - Happy Birthday Lyrics and Youtube Music Videos

    Album: Happy Birthday
    Released: 1893

    Happy Birthday Lyrics


    Happy Birthday
  • This song was written by two sisters from Kentucky: Mildred Hill and Patty Hill. They both taught nursery school and/or kindergarten. Patty invented the "Patty Hill blocks" used in schools nationwide, and served on the faculty of the Columbia University Teachers College for thirty years. Mildred, who was the older sister, studied music and became an expert on Negro spirituals. In 1893, while Mildred was teaching at the Louisville Experimental Kindergarten School where her sister served as principal, she came up with the melody to this song. Patty added some lyrics and it became a song called "Good Morning to All," which was a way for teachers to greet students.

    Here are the original lyrics:

    Good morning to you
    Good morning to you
    Good morning, dear children
    Good morning to all


    Later in 1893, the song was published in the songbook Song Stories For The Kindergarten, and other schools started singing it. After a while, it became more popular for kids to sing it to teachers, and the song became commonly known as "Good Morning To You," since the third line could be changed to fit the subject.
  • It's unclear who wrote the words "Happy Birthday To You," but the lyrics first appeared in a songbook in 1922 as the optional third verse of "Good Morning to You" (listed as "Good Morning and Birthday Song") with the lyrics to "Happy Birthday" as the optional third verse, and instructions on how to insert the birthday child's name.

    Various movies and radio shows started using the song as a birthday greeting, and "Good Morning To You" morphed into "Happy Birthday To You." It was used in the 1931 Broadway musical The Band Wagon and was part of Western Union's first "singing telegram" in 1933. It was also used in the Irving Berlin musical As Thousands Cheer. The Hill sisters were not compensated for use of "Happy Birthday To You," so their other sister Jessica filed suit to prove that "Happy Birthday To You" was their song with different lyrics. The court agreed and gave the Hill sisters the copyright to "Happy Birthday To You" in 1934, which meant that anytime it was used in a movie, radio program, or other performance, the Mildred and Patty Hill were compensated. (In the case of Mildred, her estate was compensated, since she died in 1916.)
  • The Clayton F. Summy Company, working with Jessica Hill, published and copyrighted "Happy Birthday" in 1935. Under the laws in effect at the time, the Hills' copyright would have expired after one 28-year term and a renewal of similar length, falling into public domain by 1991. However, the Copyright Act of 1976 extended the term of copyright protection to 75 years from date of publication, and the Copyright Term Extension Act of 1998 added another 20 years, bringing copyright protection to "Happy Birthday" until at least 2030. Challenges to the copyright itself (see below) nullified this copyright in 2015.
  • Warner Chappell, the largest music publishing company in the world, got the rights to this song when they bought what was The Clayton F. Summy Company in 1998 for a reported price of $25 million. They spun off the company as Summy-Birchard Music, which became a part of Time Warner.

    The song brought in about $2 million in royalties every year, with the proceeds split between Summy-Birchard and the Hill Foundation. Both Hill sisters died unmarried and childless, so their share of the royalties presumably went to charity or to nephew Archibald Hill ever since Patty Hill passed away in 1946.
  • When this song was under copyright (1949-2015), you could sing it at a birthday party without paying royalties, but anytime it was performed in public in front of a large gathering of people (like at a concert) or broadcast, a performance license was required. This is normally issued in the US by three companies: ASCAP, BMI and SESAC - The Hill Foundation is a member of ASCAP.

    Companies that are required by law to have performance licenses operate radio stations, TV stations, concert venues, and restaurants and other retail outlets over a certain size where music is played. A blanket deal with ASCAP means these venues could sing "Happy Birthday" as much as they'd like, but many outlets didn't have such a deal, which is where it got tricky.

    Some TV networks, for instance, clear songs on an individual basis, so if a host decided to serenade an audience member with "Happy Birthday," the station was on the hook, and ASCAP would send them a bill for pretty much any amount they deemed reasonable. Broadcasters in these situations were under strict orders NOT to sing it. Many restaurants created their own birthday songs in large part to avoid legal trouble.
  • On September 22, 2015, a judge ruled that the copyright to "Happy Birthday to You" was invalid, putting the song in the public domain.

    The lawsuit was filed in 2013 by Jennifer Nelson, a filmmaker working on a documentary about the song. After researching the song, she decided that it should be free to the public, and she objected to the $1,500 payment Warner Music asked for its use in her film, prompting the legal action.

    As evidence in the case, Nelson presented the 1922 songbook where the song's lyrics first appeared. Since the Copyright Term Extension Act of 1998 states that any work created before 1923 is public domain (keeping Mickey Mouse and other Disney copyrights valid), "Happy Birthday" would thus be free.

    The case had an impact not just on those hoping to use the song gratis, but on those who had already paid royalties for its use, since those could possibly be recouped. In December 2105, a settlement was reached with Warner Music agreeing to pay $14 million to thousands of people and entities in a class action who had paid to license the song. Months later, the same law firm was employed in effort to bring the song "We Shall Overcome" into the public domain.
  • It was rumored that Paul McCartney owned the rights to this song. McCartney bought the publishing rights to a lot of songs (including most of Buddy Holly's), but he does not own this one.
  • One of the most famous performances of this song was Marilyn Monroe's rendition to US President John F. Kennedy in May 1962 at Madison Square Garden. Monroe was accompanied on the piano by jazz pianist Hank Jones who recalled in a 2005 interview on National Public Radio: "She did 16 bars: eight bars of 'Happy Birthday to You' and eight bars of 'Thanks for the Memories. So in 16 bars, we rehearsed eight hours. She was very nervous and upset. She wasn't used to that kind of thing. And, I guess, who wouldn't be nervous singing 'Happy Birthday' to the president?"
  • In our interview with Tom Gabel of Against Me!, he told us: "If I could have written any song in the world it would have been 'Happy Birthday.' It's the only song that groups of people annually sing specifically for someone specifically in an attempt to make them feel special. It's a completely unique song and it's ubiquitous." (Gabel would later identify as female and take the name Laura Jane Grace.)
  • This was named the highest-earning song of all time in the documentary The Richest Songs In The World, which aired on BBC Four on December 28, 2012. Runner-up was Irving Berlin's "White Christmas."
  • This was the first song to be performed in outer space. On March 8, 1969, the astronauts on Apollo IX sang it to celebrate the birthday of Christopher Kraft, who at that time was director of NASA space operations.
  • In a 1989 Time Magazine article, this was one of the three most popular songs in the English language, along with "Auld Lang Syne" and "For He's A Jolly Good Fellow." (thanks, Jimmy - Bronxville, NY)

  • Lyrics

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