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Black Sabbath - Age Of Reason

Black Sabbath - Age Of Reason Lyrics and Youtube Music Videos

Album: 13
Released: 2013

Age Of Reason Lyrics

Do you hear the thunder
Raging in the sky?
Premonition of a
Shattered world that's gonna die

In the Age Of Reason
how do we survive?
The protocols of evil
Ravaging so many lives?
So many lives
So many lives

Mystifying silence
Talking Peace on Earth
We should judge each other
For ourselves not what we're worth

Sustainable extinction
A fractured human race
A jaded revolution
Disappears without a trace
without a trace
without a trace
Alrigth yeah

Always felt that there'd be trouble
Mass distraction hides the truth
Prozac days and sleepless hours
Seeds of change that don't bear fruit

oh yeah,
these time are heavy
And you're all alone
The battle's over
But the war goes on

Politics, religion
Love of money too
It's what the world was built for
But not for me and you, oh yeah

Writer/s: TERRENCE BUTLER, TONY IOMMI, JOHN OSBOURNE
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Age Of Reason

This song is a journey through several movements of various tempos and riffs. Its raw sound has been compared by some critics to that of Jimi Hendrix, which guitarist Tony Iommi told SF Weekly was because producer Rick Rubin wanted him to play his solos live. "I haven't done so for years," he said. "I've normally put the backing track down, then go in and put solos down. And I'm going, 'Well, I don't really know what I'm going to play yet.' And he'd go, 'Well, just try something.' He encouraged me to try different things, and that's what happened on 'Age of Reason' and 'Damaged Soul.'"

The Darkness - One Way Ticket To Hell And Back

The Darkness - One Way Ticket To Hell And Back Lyrics and Youtube Music Videos

Album: One Way Ticket To Hell And Back
Released: 2005

One Way Ticket To Hell And Back Lyrics

One Way Ticket To Hell And Back

This is about being addicted to cocaine and going through rehab to becoming not addicted anymore. Hell represents being addicted to cocaine.

The video is a concept video, taken place in snowy scenery and then the band members are sucked up through a straw by a devilish character.

One Way Ticket To Hell And Back was The Darkness' second and last album, as lead singer Justin Hawkins developed a crushing cocaine habit and had to enter rehab in 2006. Speaking with Rolling Stone in 2010, Hawkins explained that the band lived the life they portrayed: "It may have seemed like we were posturing," said the singer. "But we sold millions of records and did loads of drugs."

Cassadee Pope - 11

Cassadee Pope - 11 Lyrics and Youtube Music Videos

Album: Frame By Frame
Released: 2013

11 Lyrics

Seven years old, everything was right
A table for four on a Friday night
Didn't see any signs of a dead end road
By the time I was ten everything was changing
Fell asleep every night praying
Didn't know which way to go

Momma did her best to hide her anger
And I did my best to try and save her

I was a little too young and a little too dumb to ever think the day would come
When dad would drive away and take his love with him
So I grew up fast in a whole new world
Waved goodbye to that little girl
I can see her now, innocent and seven
I wish I had never turned eleven

We moved into a smaller house
How mama did it, oh I don't know how
Never went to bed without eating
At thirteen I finally realized what it means to get on with your life
Well daddy sure did and he made it look easy

Mama did her best to hide the struggle
And I did my best to stay out of trouble

I was a little too young and a little too dumb to ever think the day would come
When dad would drive away and take his love with him
So I grew up fast in a whole new world
Waved goodbye to that little girl
I can see her now, innocent and seven
I wish I had never turned eleven

I wish that I could turn back time and tell myself it'll be alright, you're never gonna lose the light in your eyes.

I was a little too young and a little too dumb to ever think the day would come
So I grew up fast in a whole new world
Waved goodbye to that little girl
I can see her now, innocent and seven
I wish I had never turned eleven

I wish I had never turned eleven.

Writer/s: CASSADEE BLAKE POPE, NATHAN PAUL CHAPMAN
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

11

Cassadee Pope penned this autobiographical banjo and acoustic tune with Nathan Chapman, who is Taylor Swift's regular producer. It tells the story of her parents' divorce.

"I was a little too young and a little too dumb
To ever think the day would come
When Dad would drive away and take his love with him
So I grew up fast in a whole new world
Waved goodbye to that little girl I can see her now
Innocent and seven I wish I had never turned 11."

Pope explained: "As a kid, when you go through something like your parents' divorce, weird things go through your mind and you have no control."

The Who - Pure And Easy

The Who - Pure And Easy Lyrics and Youtube Music Videos

Album: Who's Next
Released: 1971

Pure And Easy Lyrics

There once was a note, Pure And Easy,
Playing so free, like a breath rippling by
The note is eternal, I hear it, it sees me,
Forever we blend it, forever we die

I listened and I heard music in a word,
And words when you played your guitar,
The noise that I was hearing was a million people cheering,
And a child flew past me riding in a star

As people assemble,
Civilization is trying to find a new way to die,
But killing is really merely scene changer,
All men are bored with other men's lies

I listened and I heard music in a word,
And words when you played your guitar,
The noise that I was hearing was a million people cheering,
And a child flew past me riding in a star

Gas on the hillside, oil in the teacup,
Watch all the chords of life lose their joy,
Distortion becomes somehow pure in it's wildness,
The note that began all can also destroy

We all know success when we all find our own dreams,
And our love is enough to knock down any walls,
And the future's been seen as men try to realize,
The simple secret of the note in us all, in us all

I listened and I heard music in a word,
And words when you played your guitar,
The noise that I was hearing was a million people cheering,
And a child flew past me riding in a star

There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen
There once was a note, listen

Writer/s: PETER DENNIS BLANDFOR TOWNSHEND
Publisher: EMI Music Publishing, Warner/Chappell Music, Inc., Spirit Music Group
Lyrics licensed and provided by LyricFind

Pure And Easy

At the end of this song, Pete Townshend says, "Put away the girly magazine!"

Eminem - Berzerk

Eminem - Berzerk Lyrics and Youtube Music Videos

Album: The Marshall Mathers LP 2
Released: 2013

Berzerk Lyrics

Now this shit's about to kick off, this party looks wack
Let's take it back to straight hip-hop and start it from scratch
I'm 'bout to bloody this track up, everybody get back
That's why my pen needs a pad cause my rhymes on the ra-hag
Just like I did with addiction I'm 'bout to kick it
Like a magician, critics I turn to crickets
Got 'em still on the fence ready to pick it
But quick get impaled when I tell 'em stick it
So sick I'm looking pale, well that's my pigment
'Bout to go ham, ya bish, shout out to Kendrick
Let's bring it back to that vintage Slim, bitch!
The art of the MCing mixed with da Vinci and MC Ren
And I don't mean Stimpy's friend, bitch
Been public enemy since you thought PE was gym, bitch

Take your shoes off, let your hair down and (go Berzerk) all night long
Grow your beard out, just weird out and (go berzerk) all night long

We're gonna rock this house until we knock it down
So turn the volume loud, cause it's mayhem 'til the a.m.
So baby make just like K-Fed and let yourself go, let yourself go
Say fuck it before we kick the bucket
Life's too short to not go for broke
So everybody, everybody (go berzerk) shake your body

Guess it's just the way that I'm dressed, ain't it?
Khakis pressed, Nike shoes crispy and fresh laced
So I guess it ain't
That aftershave or cologne that made them just faint
Plus I just showed up with a coat fresher than wet paint
So if love is a chess game, check mate
But girl your body's banging, jump me in, gang bang bang
Yessiree Bob I was thinking the same thing
So come get on this Kid’s rock, baw-wit-da-baw dang-dang
P-p-p pow-pow chicka-chicka wow-wow
Catch a cab, I wanna go down b-b-bow, bow
Slow it down, throw in the towel, t-t-towel tow
Dumb it down, I don’t know how (huh-huh) how-how
At least I know that I don't know
Question is are you bozos smart enough to feel stupid
Hope so, now ho

Take your shoes off, let your hair down and (go berserk) all night long
Grow your beard out, just weird out and (go berserk) all night long

We're gonna rock this house until we knock it down
So turn the volume loud, cause it's mayhem 'til the a.m.
So crank the bass up like crazy and let yourself go, let yourself go
Say fuck it before we kick the bucket
Life's too short to not go for broke
So everybody, everybody (go berzerk) get your vials

They say that love is powerful as cough syrup and Styrofoam
All I know is I fell asleep and woke up in that Monte Carlo
With the ugly Kardashian
Lamar, oh sorry yo, we done both set the bar low
Bars hard, drugs hard thought that's the past
But I done did enough codeine to knock Future into tomorrow
And girl I ain't got no money to borrow
But I am tryin' to find a way to get you alone, car note!
Oh, Marshall Mathers shouldn’t everybody know
Get the bar soap lathered, kangols and Carhartt, these Cargos
Girl you’re fixin' to get your heart broke, don’t be absurd man
You bird brained baby I ain’t called anybody baby since Birdman
Unless you’re a swallow
Word, w-word man you heard, but don’t be discouraged girl
This is your jam, unless you got toe jam

Take your shoes off, let your hair down and (go berzerk) all night long
Grow your beard out, just weird out and (go berzerk) all night long

We're gonna rock this house until we knock it down
So turn the volume loud, cause it's mayhem 'til the a.m.
So baby make just like K-Fed and let yourself go, let yourself go
Say fuck it before we kick the bucket
Life's too short to not go for broke
So everybody, everybody (go berzerk) get your vials

We're gonna rock this house until we knock it down
So turn the volume loud, cause it's mayhem 'til the a.m.
So crank the bass up like crazy and let yourself go, let yourself go
Say fuck it before we kick the bucket
Life's too short to not go for broke
So everybody, everybody (go berzerk) get your vials

Writer/s: LEO NOCENTELLI, GEORGE PORTER, JOSEPH MODELISTE, CYRIL NEVILLE, ARTHUR L NEVILLE, KEIR GIST, ANTHONY SHAWN CRISS, VINCENT E. BROWN, RICK RUBIN, ADAM YAUCH, ADAM HOROWITZ, MARSHALL MATHERS, BILLY SQUIER
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group, Spirit Music Group, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Berzerk

This was released as the first single from Eminem's eighth album, The Marshall Mathers LP 2. The record is a follow-up to Eminem's Marshall Mathers LP, which was released in 2000. The Punk-Rap throwback was premiered on August 26, 2013 on Eminem's Sirius/XM radio station Shade 45.

The fiery Rick Rubin-produced track pays homage to old-school Hip-Hop and samples the guitar riff and vocal from Billy Squier's 1981 hit "The Stroke." Squier was previously flipped by Rubin when he borrowed the arena rocker's "The Big Beat" for Jay-Z's "99 Problems."

The song also samples the "kick it" hook from the Beastie Boys' Licensed to Ill track, "The New Style." That tune was also produced by Rubin.

The song harkens back to the rapper's early tongue-in-cheek Slim Shady tunes, throwing in celebrity references along the way. Lyrical grenades are thrown at Khloe Kardashian and her husband, NBA star Lamar Odom ("ugly Kardashian/Lamar), and Britney Spears' ex with an increasingly large waistline, Kevin Federline ("So baby just make like K-Fed and let yourself go, let yourself go,"), whilst fellow rappers such as Kendrick Lamar, Birdman, MC Ren of N.W.A. and Public Enemy are all name-checked.

Eminem rap-sings on the bridge:

"Take your shoes off
Let your hair down and go berzerk all night long
Grow your beard out, just weird out and go berzerk all night long."

The word 'bezerk' is used to describe a person who is acting in a wild rage or in an uncontrolled and irrational manner. It derives from the Old Norse word berserkr meaning "bear shirt" and was used for Germanic warriors who had the reputed habit of wearing a kind of shirt made from the pelt of a bear during battle. According to Old Norse literature these bezerkers were fierce warriors, who fought in a nearly uncontrollable, trance-like fury.

The song's music video features cameo appearances from Rick Rubin, all four members of Slaughterhouse, Kendrick Lamar and Slim Shady's fellow Detroit native Kid Rock. The latter jumps in just before the line referencing his hit "Bawitdaba" ("So come get on this Kid's rock, baw-with-da-baw dang-dang") The clip also features old footage of Billy Squier performing "The Stroke."

Eminem's teenage home at 19946 Dresden Street in Detroit's Greenbrier neighborhood is featured on the cover of The Marshall Mathers LP and in a more boarded up state on Marshall Mathers LP 2. The property was bought by Eminem's mother, Deborah Mathers, in 1987, with a $3,000 down payment and a $220 monthly cost. The home was demolished shortly after the release of MMLP2 as a result of a fire that broke out on the second floor of the home. The house was owned at the tine by the Michigan Land Bank, a government program that manages empty properties across the state.

Eminem was already heading back to old-school Hip-Hop when his manager, Paul Rosenberg, hooked him up with Rick Rubin. "Getting with him was like, 'Holy s--t!'" the rapper told Rolling Stone. "As many genres of music that he is able to f--k with, he's like Yoda. I couldn't do it. You sit me there with a rock group, I don't know the first fu--ing thing about banging on the drums."

Eminem rapped this song along with "Survival" on the November 2, 2013 edition of Saturday Night Live. The main talking point from the Detroit MC's performance was his apparent lip-syncing. According to TMZ , "Eminem didn't really try to hide it… pulling the mic away from his mouth several times while his 'vocals' continued at full volume."

A rep for Slim Shady told E! News that the rapper wasn't lip-syncing, explaining that Em "doubles his vocals live. Rhymes over a vocal track." The rep added: "He only does it sporadically through the songs. They're accent tracks."

We also saw the somewhat reclusive Rick Rubin play DJ and serve up the Billy Squier sample on his turntables.

A fan asked Eminem during a Facebook Q&A session whether he ever stroked Rick Rubin's beard in the studio to get ideas? The rapper replied, "no, we only sampled 'The Stroke.'"

The Marshall Mathers LP 2 was Eminem's seventh consecutive #1 album, making him the first American to ever achieve seven back-to-back UK chart-toppers. Only Led Zeppelin and Abba had ever achieved more, the two acts having each clocked up 8 peak position LPs in a row.

Gary Allan - Best I Ever Had

Gary Allan - Best I Ever Had Lyrics and Youtube Music Videos

Album: Tough All Over
Released: 2005

Best I Ever Had Lyrics

So you sailed away
Into a grey sky morning
Now I'm here to stay
Love can be so boring

Nothing's quite the same now
I just say your name now

But it's not so bad
You're only the Best I Ever Had
You don't want me back
You're just the best I ever had

So you stole my world
Now I'm just a phony
Remembering the girl
Leaves me down and lonely

Send it in a letter
Make yourself feel better

But it's not so bad
You're only the best I ever had
You don't want me back
You're just the best I ever had

And it may take some time to
Patch me up inside
But I can't take it so I
Run away and hide
And I may find in time that
You were always right
You're always right

So you sailed away
Into a grey sky morning
Now I'm here to stay
Love can be so boring

Was it what you wanted
Could it be I'm haunted

But it's not so bad
You're only the best I ever had
You don't want me back
You're just the best I ever had
The best I ever had
The best I ever

Writer/s: MATT SCANNELL, MATTHEW B. SCANNELL
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Best I Ever Had

Allen remade this song after his wife committed suicide. The original was done by Vertical Horizon in 1999.

Florida Georgia Line - Tell Me How You Like It

Florida Georgia Line - Tell Me How You Like It Lyrics and Youtube Music Videos

Album: Here's To The Good Times
Released: 2012

Tell Me How You Like It Lyrics

Do you like it when the meter's jumpin'?
You like the sound of them horses runnin'?
Do you like it when the tweeter's tweetin'?
Do you like it when the back seat's bumpin'?

Do you like a little kick in your coke
Do you like it goin' up in smoke
Do you like it on a gravel road
We can keep it on the down low

Tell Me How You Like It (tell me how you like it)
You know I wanna try it (know I wanna try it)
Baby if you don't mind it (if you don't mind it)
We can kick it down in four and you can drive
Pretty girl you can ride it
We can all night it (we can all night it)
You don't have to hide it (you don't have to hide it)
Just tell me how
Tell me how you like it

Do you like it on a riverbank
Do you like it when the sun done sank
Do you like it when the full moon's high
And it's shinin' down into your drink

Do you like it when the tailgate's down
Do you like it when we take it to the ground
Tell me baby, how does that sound
Either way, you know it's goin' down

Tell me how you like it (tell me how you like it)
You know I wanna try it (know I wanna try it)
Baby if you don't mind it (if you don't mind it)
We can kick it down in four and you can drive
Pretty girl you can ride it
We can all night it (we can all night it)
You don't have to hide it (you don't have to hide it)
Just tell me how
Tell me how you like it

Baby why you gotta look so pretty
With your hair so soft and long
You're damn sure turnin' me on
Tonight, we gettin' out of the city
Leave it all behind, get a little lost
Baby you make the call

Tell me how you like it (tell me how you like it)
You know I wanna try it (know I wanna try it)
Baby if you don't mind it (if you don't mind it)
We can kick it down in four and you can drive
Pretty girl you can ride it
We can all night it (we can all night it)
You don't have to hide it (you don't have to hide it)
Just tell me how
Tell me how you like it

Do you like it in the shotgun seat
With the highway flyin' right under your feet (tell me)
Do you like it with the radio on (just tell me how)
Tell me how you like it
Do you like it by the bonfire heat
If it gets too hot we can take it to the creek (I need to know)
Let's make it last all night long (just tell me how)
Tell me how you like it

Writer/s: BRIAN KELLEY, CHRIS TOMPKINS, TYLER REED HUBBARD
Publisher: ROUND HILL SONGS
Lyrics licensed and provided by LyricFind

Tell Me How You Like It

This song represents a slight change of pace for the FGL duo of Tyler Hubbard and Brian Kelley. They penned the cut with Nashville songwriter Chris Tompkins; the same trio also wrote the hit single "Get Your Shine On" with Rodney Clawson. Tyler Hubbard told Artist Direct : "It's a song we wrote back. We fell in love with it. It's got a sexy, different vibe, and we wanted to cut it for sure. It came from a different place. It's something you'd want to sing to girls on stage, and it's a fun make-you-want-to-dance song."

Queens of the Stone Age - Monsters In The Parasol

Queens of the Stone Age - Monsters In The Parasol Lyrics and Youtube Music Videos

Album: Rated R
Released: 2000

Monsters In The Parasol Lyrics

The walls are closing in again, oh well
The walls are closing in again, oh well
I seen some thing I thought I never saw
Covered in hair
Paul's dad is warped and bubbling, oh well
Paul's dad is warped and bubbling, oh well
And my mind is out here on another wave
Covered in hair

She won't grow

[Chorus]
You've got a monster (distress) in your parasol (body out??)
You've got a monster (dwarfs, doors?) in your parasol (of course)
You've got a monster (displeasure) in your parasol (I told you??)
You've got a monster ? in your parasol (x-nay?)
Paul's sister is an alien, oh well

Paul's sister is an alien, oh well
I seen some things I thought I never saw
Covered in hair

She won't grow

You've got a monster (distress, my pest?) in your parasol
You've got a monster (dwarfs) in your parasol (war horse)
You've got a monster (displeasure) in your parasol ?
You've got a hole in you I never saw ?
In your parasol, in your parasol

Writer/s: JOSH HOMME, MARIO LALLI
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Monsters In The Parasol

According to Josh Homme, this song is about LSD. He said so at a concert in Madison, Wisconsin in October 2005, something to the effect of "since this is a college-town, here's a song about LSD."

Josh Homme told Mojo magazine September 2010 about the lyrical content of Rated R: "People used to ask me what the lyrics were about and I got scared and said, 'They're about something for me but I need them to be about you. They're about nothing'. I was always really sad that I said that, because it's always been the opposite. I always wanted the right sounds to cradle the right lyrics. Rated R was the first time I allowed myself, psychologically, to wear a feather boa out."

Mario - Fatal Distraction

Mario - Fatal Distraction Lyrics and Youtube Music Videos

Album: Restoration
Released: 2013

Fatal Distraction Lyrics

Fatal Distraction

This yearning ballad was released as the second single from Mario's Restoration album. It finds Mario attracted to his best friend's girlfriend, who is proving to be a fatal distraction.

"I'm telling you how bad I want you
I'm telling you the bad I won't do
It's bad that I don't have you, like I want to."

The song was inspired by a real life situation in which Mario was dating his manager's ex-girlfriend. He explained to Baltimore's 92Q Jams: "It just talks about the distractions and temptations and the infatuation that can have on a man when it comes to a woman."

Leroy Anderson - Sleigh Ride

Leroy Anderson - Sleigh Ride Lyrics and Youtube Music Videos

Album: Greatest Hits
Released: 1948

Sleigh Ride Lyrics

Just hear those sleigh bells jingle-ing, ring-ting tingle-ing, too,
Come on, it's lovely weather for a Sleigh Ride together with you.

Outside the snow is falling and friends are calling "Yoo hoo"
Come on, it's lovely weather for a sleigh ride together with you.

Giddy yap, giddy yap, giddy yap, let's go,
Let's look at the show.
We're riding in a wonderland of snow.

Giddy yap, giddy yap, giddy yap, it's grand
Just holding your hand.
We're gliding along with a song of a wintery fairy land.

Our cheeks are nice and rosy and comfy cozy are we,
We're snuggled up together like two birds of a feather would be.
Let's take that road before us and sing a chorus or two
Come on it's lovely weather for a sleigh ride together with you.

Writer/s: LEROY ANDERSON
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Sleigh Ride

Leroy Anderson wrote the music for this song during a heatwave in July of 1946, at his summer home in Woodbury, Connecticut where he was vacationing with his family. Anderson was an orchestral composer who lived in the Boston area and moved to Woodbury permanently in 1948, where he lived until his 1975 death at age 66. He had a big hit in 1952 with the song "Blue Tango."

Arthur Fiedler premiered the song with the Boston Pops, who Leroy was an arranger for earlier in his career. Words for "Sleigh Ride" were added in 1950 by Mitchell Parish, and the song has since become a Christmas classic.

Like "Winter Wonderland," this song does not make any specific reference to Christmas, but the seasonal imagery has made it very much associated with the holiday. It's hard to think of a sleigh in winter without thinking of Santa.

The lyrics, "Like a picture print by Currier and Ives" refer to a printmaking firm that produced some of the most iconic and popular American artwork of the 19th century. The company specialized in publishing hand-colored lithographs that were sold inexpensively to the American middle class. A sample can be seen here .

The Ventures did an instrumental version that is based on their hit "Walk - Don't Run." Another unusual take on the song comes courtesy of The Ronettes, who recorded it under the direction of producer Phil Spector. This version has the famous "Ring-a-ling-a-ling Ding-dong-ding" backup vocals, and has become one of the more popular recordings of the song. It was included on the 1963 album A Christmas Gift for You from Phil Spector, which had the misfortune of being released the same day US president John F. Kennedy was assassinated: November 22, 1963.

Other artists to record this song include Neil Diamond, Ella Fitzgerald, Amy Grant , Harry Connick, Jr., Herb Alpert, the Spice Girls, TLC, Kenny G, KT Tunstall, Air Supply, the Carpenters, the Mormon Tabernacle Choir, The Hampton String Quartet, Hilary Duff, Squirrel Nut Zippers, Vera Lynn, Natalie Cole, and She & Him, and fun. A version by Bela Fleck got a Grammy nomination in 2009 for Best Country Instrumental Performance.

According to ASCAP, this was the most-played holiday song on American radio from 2009-2012, beating out "Winter Wonderland," "The Christmas Song" and "Let It Snow! Let It Snow! Let It Snow!."

Pet Shop Boys - Rent

Pet Shop Boys - Rent Lyrics and Youtube Music Videos

Album: Actually
Released: 1987

Rent Lyrics

You dress me up, I'm your puppet
You buy me things, I love it
You bring me food, I need it
You give me love, I feed it

And look at the two of us in sympathy
With everything we see
I never want anything, it's easy
You buy whatever I need

But look at my hopes, look at my dreams
The currency we've spent
I love you, you pay my Rent
I love you, you pay my rent

You phone me in the evening on hearsay
And bought me caviar
You took me to a restaurant off Broadway
To tell me who you are

We never-ever argue, we never calculate
The currency we've spent
I love you, you pay my rent
I love you, you pay my rent
I love you, you pay my rent

I'm your puppet
I love it

And look at the two of us in sympathy
And sometimes ecstasy
Words mean so little, and money less
When you're lying next to me

But look at my hopes, look at my dreams
The currency we've spent
I love you, you pay my rent
I love you, you pay my rent
I love you, you pay my rent

Look at my hopes, look at my dreams
The currency we've spent
I love you, you pay my rent
I love you, you pay my rent

Look at my hopes, look at my dreams
The currency we've spent
I love you, you pay my rent
I love you, you pay my rent
I love you, you pay my rent (It's easy, it's so easy)
You pay my rent (It's easy, it's so easy)
You pay my rent (It's easy, it's so easy)
I love you (It's easy, it's so easy)
(It's easy, it's so easy)
(It's easy, it's so easy)
(It's easy, it's so easy)
(It's easy, it's so easy)
(It's easy, it's so easy)
(It's easy, it's so easy)
Writer/s: CHRISTOPHER LOWE, NEIL TENNANT
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Rent

This ballad deals with a financially one-sided relationship sung from the perspective of a kept woman. Vocalist Neil Tennant told Mojo magazine August 2013: "I come from an era when people didn't talk about sex at home, where a lot of things were unsaid. So you sort of had to read between the lines, to the extent that one could even, oneself, not know what the songs were about. 'Rent's' funny - I was imagining a woman who was being kept by a politician, but when people would ask, what is the missing word between 'I love you' and 'you pay my rent?', I'd say 'I don't know, really.' The title came about because we used to like the idea of provocative titles. That was a punk thing."

The Pet Shop Boys dismissed this at the time as a "mercenary love song."

The video for the song was directed by Derek Jarman. It features two intercut storylines - one filmed in black and white and the other in color. The color part features Liverpool actress Margi Clarke (Letter to Brezhnev) as the partner of a wealthy man, who is played by Alexander Thynn, 7th Marquess of Bath. Neil Tennant is their chauffeur.

The title implies the lot of a rent boy (a male prostitute), and despite Liza Minelli covering it in 1989, it wasn't until the sleeve notes to the reissue of Actually that Neil Tennant confirmed that this song was written from a female perspective.

The Smiths - The Queen Is Dead

The Smiths - The Queen Is Dead Lyrics and Youtube Music Videos

Album: The Queen Is Dead
Released: 1986

The Queen Is Dead Lyrics

Oh! Take me back to dear old Blighty,
Put me on the train for London Town,
Take me anywhere,
Drop me anywhere,
Liverpool, Leeds or Birmingham
But I don't care,
I should like to see my...

I don't bless them
Farewell to this land's cheerless marshes
Hemmed in like a boar between arches
Her very Lowness with a head in a sling
I'm truly sorry - but it sounds like a wonderful thing

I said Charles, don't you ever crave
To appear on the front of the Daily Mail
Dressed in your Mother's bridal veil?
Oh...
And so, I checked all the registered historical facts
And I was shocked into shame to discover
How I'm the eighteenth pale descendant
Of some old queen or other

Oh, has the world changed, or have I changed?
Oh has the world changed, or have I changed?

Some nine year old tough who peddles drugs
I swear to God
I swear : I never even knew what drugs were
Oh...
So, I broke into the palace
With a sponge and a rusty spanner
She said : "Eh, I know you, and you cannot sing"
I said : "That's nothing - you should hear me play piano"

We can go for a walk where it's quiet and dry
And talk about precious things
But when you're tied to your Mother's apron
No-one talks about castration
Oh...

We can go for a walk where it's quiet and dry
And talk about precious things
Like love and law and poverty
Oh, these are the things that kill me

We can go for a walk where it's quiet and dry
And talk about precious things
But the rain that flattens my hair...
Oh, these are the things that kill me

All their lies about make-up and long hair, are still there

Past the pub who saps your body
And the church who'll snatch your money
The Queen Is Dead, boys
And it's so lonely on a limb
Past the pub that wrecks your body
And the church - all they want is your money
The Queen is dead, boys
And it's so lonely on a limb

Life is very long, when you're lonely
Life is very long, when you're lonely
Life is very long, when you're lonely
Life is very long, when you're lonely

Writer/s: STEVEN MORRISSEY, JOHNNY MARR
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Queen Is Dead

This song shows Morrissey's unhappiness with the British monarchy. He makes reference to the Queen with her head in a sling. It's not quite as vengeful as "God Save The Queen," but still a scathing attack on the royals.

Morrissey explained to NME in 1986: "I didn't want to attack the monarchy in a sort of beer monster way but I find as time goes by this happiness we had slowly slips away and is replaced by something that is wholly grey and wholly saddening. The very idea of the monarchy and the Queen of England is being reinforced and made to seem more useful than it really is. The whole things seems like a joke. A hideous joke."

In the line "So I checked in the historical facts, and I was shocked into discover, I was the 18th pale decedent of some old queen or other," Queen is also an old English word for homosexual.

The album's cover image was designed by Morrissey himself and features French actor Alain Delon from the 1964 film L'Insoumis.

The music for this song emerged from a pounding 13-minute jam session with Marr capturing accidental feedback from his wah-wah pedal. "I held my breath for 10 minutes while I was doing it," he recalled to NMEJune 18, 2011. "Conceptually I was trying to do that Detroit thing, the MC5 and garage rock and I just got it wrong - but if you're lucky that stuff comes out sounding like yourself anyway."

The sample that opens the song features music hall veteran Cicely Courtneidge singing the World War I standard "Take Me Back To Dear Old Blighty," in Bryan Forbes' 1962 British film The L-Shaped Room.

The album title was taken from a section of American author Hubert Selby's 1964 novel, Last Exit To Brooklyn, which caused much controversy due to its frank portrayals of rape, drug use, homosexuality, transvestism and domestic violence.

At one point Morrissey sings, "That's nothing - you should hear me play piano." We got that chance on The Smiths next album Strangeways, Here We Come when Morrissey played piano on the song "Death of a Disco Dancer."

This song, "Panic" and "There Is A Light That Never Goes Out" formed part of a 13-minute short film, directed by the avant-garde filmmaker, Derek Jarman, in 1986. The Queen Is Dead, which compromises of evocative, nightmarish and fast-paced collages of urban decay, is available to view on YouTube .

Bassist Andy Rourke recalled the recording of the song to Mojo magazine: "When it started it was a schizophrenic kind of funky, punky instrumental that didn't really go anywhere. I think on the day we recorded it, Johnny had just got a new wah wah pedal so he was kind of putting it through its paces and we went back to this old rift with a different approach. Mike struck up this great drum beat and... it just kind of happened. Johnny's said it one of the best bass lines ever, and it is pretty good. I was dictating, in my most polite way, the groove."