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Peter Gabriel Songs - Secret World
Peter Gabriel - Secret World


Peter Gabriel - Secret World Lyrics and Youtube Music Videos

Album: Us
Released: 1992

Secret World Lyrics


I stood in this sun sheltered place
'Til I could see the face behind the face
All that had gone before had left no trace

Down by the railway siding
In our Secret World, we were colliding
All the places we were hiding love
What was it we were thinking of?

So I watch you wash your hair
Underwater, unaware
And the plane flies through the air
Did you think you didn't have to choose it
That I alone could win or lose it
In all the places we were hiding love
What was it we were thinking of?

In this house of make believe
Divided in two, like Adam and Eve
You put out and I receive

[Chorus]
Down by the railway siding
In our secret world, we were colliding
In all the places we were hiding love
What was it we were thinking of?

Oh the wheel is turning spinning round and round
And the house is crumbling but the stairways stand

With no guilt and no shame, no sorrow or blame
Whatever it is, we are all the same

Making it up in our secret world [x3]
Shaking it up
Breaking it up
Making it up in our secret world

Seeing things that were not there
On a wing on a prayer
In this state of disrepair

[Chorus]

Shh, listen

Writer/s: GABRIEL, PETER
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Secret World Song Chart
  • Gabriel: "About the private world that 2 people occupy and the private worlds that they occupy as individuals within that space, and the overlap of their dreams and desires."
  • When Gabriel wrote this, he had divorced his wife Jill, and ended a turbulent relationship with actress Rosanna Arquette.
  • Gabriel used this as the title of his 1994 live album.

  • K. Michelle Songs - Maybe I Should Call
    K. Michelle - Maybe I Should Call


    K. Michelle - Maybe I Should Call Lyrics and Youtube Music Videos

    Album: Anybody Wanna Buy a Heart?
    Released: 2014

    Maybe I Should Call Lyrics


    Long distance in the way of what could be
    Even when you're here, you're not with me
    She's having the child I should've carried
    I'll be damned if y'all get married
    How's the baby? How you adjusting?
    Ain't gon work, you got problems trusting
    Let me stop, I'm supposed to be focused
    But these nights are the coldest

    Will you ever let her go? I don't know
    Will I ever be first? I hope
    But I ain't just sitting around, can't wait for someone to sing my worth
    Damn I can't compete with a baby
    Is there any room left in your heart for me

    I love him, I love him, I love him, I love him, I love him
    Maybe I Should Call,
    Maybe I should call
    I love him, I love him, I love him, I love him, I love him
    But I never call
    Maybe that's my flaw

    Maybe that's why I ain't got a man
    'Cause I be doing too much thinking
    Tryna compensate for your absence
    But no drug can take me where you can
    No I just want you where I am
    1,000 of them, just want one him
    Drowning in all of my excuses
    Heart is feeling useless
    Probably should've used it less

    Will you ever let her go? I don't know
    Will I ever be first? I hope
    But I ain't just sitting around, can't wait for someone to sing my worth
    Damn I can't compete with a baby
    Is there any room left in your heart for me

    I love him, I love him, I love him, I love him, I love him
    Maybe I should call,
    Maybe I should call
    I love him, I love him, I love him, I love him, I love him
    But I never call
    Maybe that's my flaw

    After the last time we talked
    Oh, I was a mess
    You had me stressed
    Oh no no no no no
    I wrote the text, I didn't send it
    Dialed your number, but said forget it
    Oh, what would it change
    She's still in the way
    But I

    I love him, I love him, I love him, I love him, I love him
    Maybe I should call,
    Maybe I should call
    I love him, I love him, I love him, I love him, I love him
    But I never call
    Maybe that's my flaw

    Writer/s: BANKS, GUORDAN / CLIFTON, ANDREW / ATTERBERRY, BIANCA / HUDSON, ERIC / PATE, KIMBERLY
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Maybe I Should Call Song Chart
  • This piano-based song finds a vulnerable K. Michelle grappling over a long-distance affair in which there are communication issues:

    I love him, but I never call
    Maybe that's my flaw
    Maybe that's why I ain't got a man 'cause I be doing too much thinking


    The tender lyrics are inspired by an actual relationship. Michelle explained to Billboard magazine: "I was dating someone for eight months and that was his situation. He was long distance, he had a child on the way and I was led to believe that after this child was born that we would have a chance to fully be together. And as a woman, I preach to women about, 'You can't be second and you better tell the man what you think" and all of that, and it's amazing how you can look up and you're one of those women."

    "I built my career on being honest with my fans," Michelle added. "So if I ever find myself in a situation that I'm not proud of, I don't plan on lying about it. I don't plan on hiding it. So that was actually the first record I wrote for this album and I was so f---ed up mentally. That song was my way of saying 'we need to stop talking.' I was being so stubborn like, I'm not going to do this because it's real life what I'm going through."
  • The whole of the Anybody Wanna Buy a Heart? album is about one person. Michelle told The Boombox regarding the mystery man. "I sent all these songs to him. He said, 'This is sad it has come to this.'"

  • Peter Gabriel Songs - That Voice Again
    Peter Gabriel - That Voice Again


    Peter Gabriel - That Voice Again Lyrics and Youtube Music Videos

    Album: So
    Released: 1986

    That Voice Again Lyrics


    I want to be with you
    I want to be clear
    But each time I try
    It's the voice I hear
    I hear That Voice Again

    I'm listening to the conversation:
    Judge and jury in my head
    It's coloring everything
    All we did and said
    And still I head that sharp tongue talking
    Talking tangled words
    I can sense the danger
    Just listen to the wind

    I want you close I want you near
    I can't help but listen
    But I don't want to hear
    Hear that voice again

    I want to be with you
    I want to be clear
    But each time I try
    It's the voice I hear
    I hear that voice again

    I'm hearing right and wrong so clearly
    There must be more than this
    It's only in uncertainty
    That we're naked and alive
    I hear it through the rattle of a streetcar
    Hear it through the things you said
    I can get so scared
    Listen to the wind

    I want you close I want you near
    I can't help but listen
    But I don't want to hear
    Hear that voice again

    What I carry in my heart
    Brings us so close or so far apart
    Only love can make love

    I want you close I want you near
    I can't help but listen
    But I don't want to hear
    I hear that voice again

    I want to be with you
    I want to be clear
    But each time I try
    It's the voice I hear
    I hear that voice again

    Writer/s: GABRIEL, PETER / RHODES, DAVID
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    That Voice Again Song Chart
  • Gabriel: "About judgmental attitudes being a barrier between people."
  • The "voice" represents judgment.
  • Original title was "First Stone." Gabriel changed it so it would be more personal and less biblical.
  • Gabriel wrote 3 sets of lyrics before guitarist David Rhodes helped him write the ones he would use.
  • The last song about Mozo, a mercurial stranger Gabriel created who would come and go, changing people's lives. He appeared in "On The Air," "Exposure", "Here Comes The Flood," "Red Rain," and "Down The Dolce Vita," but the Mozo story as a stage production or movie never developed.

  • Kodaline Songs - Honest
    Kodaline - Honest


    Kodaline - Honest Lyrics and Youtube Music Videos

    Album: Coming Up For Air
    Released: 2015

    Honest Lyrics


    We don’t communicate can you not say what’s on your mind?
    And I see it every day you hide the truth behind your eyes.
    Honestly, there’s no need for you to hide.
    Talk to me, can’t you see? I’m on your side.

    Honest, honest.
    Say what it is you’re trying to say,
    But if you lie to me again.
    I'll be the one that walks away.
    Is it in you to be honest? Honest.
    Is it in you to be honest?

    I still remember the day we met I was hanging on your every word.
    I didn't think I would ever let somebody see into my world.
    Honestly, can’t you see? I’m on your side.

    Say what it is you’re trying to say,
    But if you lie to me again.
    I'll be the one that's walking away.
    Is it in you to be honest? Honest.
    Is it in you to be honest?

    Is it all in my head or was it something I said?
    Because I’m trying to forgive, and now I’m trying to forget,
    You’re telling me all of this, no more hearing of it,
    It was all just a lie, was it all just a lie?
    Now I’m walking away cause everything that you say
    All that you ever tell to me is lies, lies.

    Honest, honest. Is it in you to be honest?
    Say what it is you’re trying to say,
    But if you lie to me again.
    I'll be the one that walks away.
    Is it in you to be honest?
    Honest. Is it in you to be honest?
    Is it in you to be honest?

    Writer/s: Garrigan, Stephen Joseph / Prendergast, Mark Daniel / May, Vincent Thomas / Boland, Jason Matthew / Lee, Garret
    Publisher: Kobalt Music Publishing Ltd.
    Lyrics licensed and provided by LyricFind

    Honest Song Chart
  • The first single from Kodaline's second album, shows the band developing the trademark sound of their 2013 debut A Perfect World. They attributed the harder edge to producer Garret "Jacknife" Lee, who has worked with a variety of rock artists, including U2, R.E.M., Bloc Party, Snow Patrol and Weezer. "Jacknife opened our eyes to different ways of working," explained bassist Jason Boland. "He gave us a lesson in experimentation. The way he records is amazing. He has everything in the studio turned on, synths all over the place, instruments everywhere. If you want to play something, you pick it up."
  • Asked by Digital Spy about the reasoning behind the Coming Up For Air album title, Jason Boland replied: "It kind of crept up on us, the whole album. We finished it almost before we had the pressure to start doing it, really. It was our first moment of actually taking a breath and stopping as a band for nearly two years since we started touring, so it's kind of symbolic. It fits with where we were with the album."
  • The band wrote this epic ballad about a once close friend with whom they they all fell out. Vocalist Stephen Garrigan told The Sun: "It's about losing your trust in someone."

  • Peter Gabriel Songs - Milgram's 37 (we do what we're told)
    Peter Gabriel - Milgram's 37 (we do what we're told)


    Peter Gabriel - Milgram's 37 (we do what we're told) Lyrics and Youtube Music Videos

    Album: So
    Released: 1986

    Milgram's 37 (we do what we're told) Lyrics


    Milgram's 37

    We do what we're told
    We do what we're told
    We do what we're told
    Told to do

    We do what we're told
    We do what we're told
    We do what we're told
    Told to do

    One doubt
    One voice
    One war
    One truth
    One dream

    Writer/s: GABRIEL, PETER
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Milgram's 37 (we do what we're told) Song Chart
  • This is about the social experiments of Stanley Milgram, a Yale professor who had subjects administer electric shocks to a person if they answered a question wrong. The person being shocked was an actor who writhed in pain as the shocks got larger. Milgram wanted to see if the subjects would administer the shocks when the experimenter told them to, even though they were causing apparent pain in the person. Almost all subjects administered the highest level of shock despite the actor pounding the wall in apparent agony.
  • "37" came from the number of subjects who administered the maximum shock in one of the experiments.
  • Gabriel summarized the results of these experiments with the phrase "We do what we're told." The subjects did not want to administer the shocks, but did so because the experimenter told them to.
  • Gabriel sung versions of this in concerts long before it was released. They can be found on some bootlegs.
  • When he performed this in concert, Gabriel got the crowd chanting "We do what we're told." Since the song was not yet released and the crowd did not know its meaning, they were ironically aping the results of the experiment by doing just as Gabriel told them.
  • Gabriel asked Milgram for permission to use video of his experiments for stage displays and music videos, but Milgram refused, not wanting his work used for entertainment.
  • This song was featured on the episode of Miami Vice "Forgive Us Our Debts," December 12, 1986. (thanks, Pablo - Miami, FL)

  • Lana Del Rey Songs - I Can Fly
    Lana Del Rey - I Can Fly


    Lana Del Rey - I Can Fly Lyrics and Youtube Music Videos

    Album: Big Eyes
    Released: 2014

    I Can Fly Lyrics


    I, can fly
    You had me caged up like a bird in mid-summer
    You saw me waiting, I was crazy, on fire, waiting to fly
    I, can fly

    I had bright wishes in the summer, I was bathing in sunlight
    Painting in the garden like a ghost in Mid-July
    Running fast from something with my eyes wide like
    Saucers spinning in the sun

    I had a dream that I was fine
    I wasn't crazy, I was divine

    I, can fly
    You had me caged up like a bird in mid-summer
    You saw me waiting, I was crazy, on fire, waiting to fly
    I, can fly

    Your lies were hard kisses in the summer
    I was dreaming of a lake
    Dreaming of the water where I'd rise like a phoenix
    Or an iron from the fire
    I've got things to tell you like I know that you're a liar

    I had a dream that I was fine
    I wasn't crazy, I was divine

    I, can fly
    You had me caged up like a bird in mid-summer
    You saw me waiting, I was crazy, on fire, waiting to fly
    I, can fly

    Your words cut like a knife in butter
    I was fighting for my art
    Fighting with my lover, you had me so tied up
    Thinking there's no other
    Yeah, right
    Yeah, right

    I, can fly,
    You had me caged up like a bird in mid-summer
    You saw me waiting, I was crazy, on fire, waiting to fly
    I, can fly

    Writer/s: NOWELS, RICK / GRANT, ELIZABETH
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    I Can Fly Song Chart
  • Lana Del Rey co-wrote and performs this song, which plays over the end credits of the Tim Burton movie Big Eyes. The film tells the story of Margaret Keane, the American artist whose iconic 1950s and '60s paintings of big-eyeballed children were falsely credited to her then-husband.
  • This triumphant ode is one of two songs that Lana Del Rey sings for Big Eyes. The other cut, the title track, was originally intended for the closing credits, but it was felt the tune was too downbeat to send audiences out. Del Rey came up with this more uplifting number to replace it, which finds her singing about flying like a once-caged bird.

    Del Rey recalled to Billboard magazine: "I think they felt 'Big Eyes' was a little bit somber and they were excited about wanting [a song] to share this story about how Margaret [Keane] comes out of this darkness, a redemption theme. I said, 'I have a song called "I Can Fly," but I'd like to rework the lyrics and talk more about what she was doing [in the film].'"
  • Del Rey co-wrote this with one of her frequent collaborators, Rick Nowels. Other Del Rey cuts the San Francisco songwriter has contributed towards include her hit songs "Summertime Sadness" and "Young And Beautiful." (The latter was also penned for a movie – The Great Gatsby).

  • Peter Gabriel Songs - I Don't Remember
    Peter Gabriel - I Don't Remember


    Peter Gabriel - I Don't Remember Lyrics and Youtube Music Videos

    Album: Peter Gabriel (third, melt)
    Released: 1980

    I Don't Remember Lyrics


    I got no means to show identification
    I got no papers show you what I am
    You'll have to take me just the way that you find me
    What's gone is gone and I do not give a damn

    Empty stomach, empty head
    I got empty heart and empty bed
    I Don't Remember
    I don't remember

    I don't remember, I don't recall
    I got no memory of anything at all
    I don't remember, I don't recall
    I got no memory of anything
    Anything at all

    Strange is your language and I have no decoder
    Why don't you make your intentions clear
    With eyes to the sun and your mouth to the soda
    Saying, "Tell me the truth, you got nothing to fear

    Stop staring at me like a bird of prey
    I'm all mixed up, I got nothing to say
    I don't remember
    I don't remember

    I don't remember, I don't recall
    I got no memory of anything at all
    I don't remember, I don't recall
    I got no memory of anything
    Anything at all

    I don't remember, I don't recall
    I got no memory of anything at all
    I don't remember, I don't recall
    I got no memory of anything
    Absolutely anything at all
    I don't remember

    Writer/s: GABRIEL, PETER
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    I Don't Remember Song Chart
  • This song is about a man with amnesia being asked a bunch of questions. Gabriel had an interest in psychiatry and explored the topic on this album. In a 1980 interview with Sounds, he called himself "a purveyor of amateur psychiatric cliches," adding, "The only way I can make it work is compare my own experience with the theories."
  • Robert Fripp, Dave Gregory, and David Rhodes all played guitar on this. Fripp was a member of King Crimson.
  • This song was heavily processed, especially at the end where the music is slowed down and distorted further over some barely-audible whispering by Gabriel. The bass and midrange were equalized out of Gabriel's vocals, giving him a tinny sound similar to a phone line.
  • Gabriel wrote this using a new approach. The rhythm was put in a programmable drum machine and the chords and melody built around it. Drum machines were new at the time.

  • Mary J. Blige Songs - Follow
    Mary J. Blige - Follow


    Mary J. Blige - Follow Lyrics and Youtube Music Videos

    Album: The London Sessions
    Released: 2014

    Follow Lyrics


    I don't know who you are
    But I clocked you from afar
    And the kids on the streets, said you're getting it from me

    You think you can kick the sand in my eyes
    But you should walk a little softer
    I hear you coming from a mile away
    And you don't have enough to offer
    Don't waste your time, playing with my mind
    Or you'll regret it
    I write the rules, for shame on you
    You won't forget it

    You just Follow, follow, follow
    But tomorrow, morrow, morrow
    When you're hollow, hollow, hollow
    You'll be sad and all alone
    Sad and all alone
    Follow, follow, follow
    But tomorrow, morrow, morrow
    When the thrill is all that hangs on
    You'll be sad and all alone
    Sad and all alone

    You can try to disguise
    But you know deep in your heart
    They can see in your eyes
    That you're vacant in your heart

    You think you can kick the sand in my eyes
    But you should walk a little softer
    I hear you coming from a mile away
    And you don't have enough to offer
    Don't waste your time, playing with my mind
    Or you'll regret it
    I write the rules, for shame on you
    You won't forget it

    You just follow, follow, follow
    But tomorrow, morrow, morrow
    When you're hollow, hollow, hollow
    You'll be sad and all alone
    Sad and all alone
    Follow, follow, follow
    But tomorrow, morrow, morrow
    When the thrill is all that hangs on
    You'll be sad and all alone
    Sad and all alone

    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up
    Give it all or give it nothing
    Give it love or give it up

    Writer/s: BLIGE, MARY J. / LAWRENCE, GUY WILLIAM / LAWRENCE, HOWARD JOHN / NAPIER, JAMES JOHN
    Publisher: Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC, RESERVOIR MEDIA MANAGEMENT INC
    Lyrics licensed and provided by LyricFind

    Follow Song Chart
  • This club-ready track finds Blige warning a love interest, "Don't waste your time, play with my mind or you'll regret it," lest they end up "sad and all alone." The song is one of two collaborations on The London Sessions between Mary J. Blige and the English electronic duo Disclosure. (They also worked together on the lead single "Right Now.") Disclosure first collaborated with Blige earlier in 2014 on a remix of their "F For You."
  • Blige had a lot in common musically with the Disclosure duo. "My whole reason for gravitating towards them was the fact that they had so much knowledge of the music that my generation grew up on," she told Radio.com . "The deep house - I was too young to go clubbing, but I used to hear it on the radio, and they captured it 100%."

    "Their hip-hop history and their musical history is just like [shakes her head], 'You guys are too young. What are you, like aliens or something?,'" Blige added laughing. "It's just amazing."

  • Peter Gabriel Songs - Intruder
    Peter Gabriel - Intruder


    Peter Gabriel - Intruder Lyrics and Youtube Music Videos

    Album: Peter Gabriel (third, melt)
    Released: 1980

    Intruder Lyrics


    I know something about opening windows and doors
    I know how to move quietly to creep across creaky wooden floors
    I know where to find precious things in all your cupboards and drawers

    Slipping the clippers
    Slipping the clippers through the telephone wires
    The sense of isolation, the sense of isoloation
    Inspires me

    I like to feel the suspense when I'm certain you know I am there
    I like you lying awake, your baited breath charging the air
    I like the touch and the smell of all the pretty dresses you wear

    Intruders happy in the dark
    Intruder come
    Intruder come and he leave his mark, leave his mark
    Leave his mark
    Leave his mark
    Leave his mark
    Leave his mark
    Leave his mark
    Leave his mark

    I am the intruder

    Writer/s: GABRIEL, PETER
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Intruder Song Chart
  • This song is about a burglar who breaks into a woman's house and is never caught. Gabriel wanted the listener to feel a "sense of urgency," so he made the song intentionally creepy. He says it was one he always enjoyed performing live.
  • The repeating drum pattern on this song gave it a very distinctive sound and a sinister feel. The drums were played by Phil Collins, who would later use variations of this sound on the equally eerie songs "Mama" and "In The Air Tonight."

    Putting the drums through a gate compression unit and adding reverb created this effect. Gabriel and Collins give different accounts as to where the idea came from. Collins has said that he built the drum track for a song he was working on called "Marguerita," which was never released. Gabriel credits the album's engineer Hugh Padgham and producer Steve Lillywhite for coming up with the processing to create the unusual sound.

    At the time, Collins was taking a break from Genesis after having problems with his first marriage. Gabriel, who played with Collins in Genesis, got him to help out with drums on his third album.
  • Gabriel has cited the work of the filmmakers Bernard Herrmann and Alfred Hitchcock as influences on this song.
  • Before Phil Collins played the drums on this track, Gabriel had the cymbals and hi-hats removed from the kit. This accomplished the goal of getting Collins to come up with an unusual arrangement, but it got him a little too far out of his comfort zone, as he kept trying to hit cymbals and hi-hats that weren't there. They had to put tom-tom drums where these were so he could keep a rhythm.

  • McBusted Songs - Sensitive Guy
    McBusted - Sensitive Guy


    McBusted - Sensitive Guy Lyrics and Youtube Music Videos

    Album: McBusted
    Released: 2014

    Sensitive Guy Lyrics


    Sensitive Guy Song Chart
  • Guitarist Tom Fletcher and bassist Dougie Poynter wrote this song before playing it to Mark Hoppus. The blink-182 bassist and vocalist also helped the pair pen the track "Hate Your Guts" for the McBusted album.

    Tom Fletcher recalled to Digital Spy : "That was really fun writing that song. It was one of those tracks that even though we'd finished and we'd kind of picked out the funny lyrics, all the way home we were texting each other new lines that, even though they weren't going to make the song, it was just still funny coming up with them."

  • Peter Gabriel Songs - Exposure
    Peter Gabriel - Exposure


    Peter Gabriel - Exposure Lyrics and Youtube Music Videos

    Album: Peter Gabriel (second, scratch)
    Released: 1978

    Exposure Lyrics


    Exposure
    Exposure
    Exposure
    Exposure
    Exposure
    Exposure
    Exposure

    Space is what I need it's what I feed on

    Exposure
    Exposure
    Exposure
    Exposure
    Exposure

    Out in the open

    Exposure

    Writer/s: GABRIEL, PETER / FRIPP, ROBERT
    Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Exposure Song Chart
  • This was heavily influenced by Robert Fripp, who got a composer credit. Fripp, formerly guitarist for King Crimson, produced Gabriel's second album over the objections of Atlantic Records, which thought his techniques would not be commercially successful. The album had poor sales.
  • Fripp named his 1979 solo album Exposure after this.
  • There arn't many lyrics, but they refer to the media invading Gabriel's privacy.
  • The drums were double-tracked and range across the stereo spectrum.
  • This is part of Gabriel's story of Mozo, a mercurial stranger who would come and go, changing people's lives. Mozo would appear in "On The Air," "Down The Dolce Vita," "Here Comes The Flood", "Red Rain," and "That Voice Again," but the Mozo story as a stage production or movie as Gabriel intended never developed.

  • The New Basement Tapes Songs - Stranger
    The New Basement Tapes - Stranger


    The New Basement Tapes - Stranger Lyrics and Youtube Music Videos

    Album: Lost on the River: The New Basement Tapes
    Released: 2014

    Stranger Lyrics


    Stranger Song Chart
  • Lost on the River: The New Basement Tapes is an album featuring a collective of musicians recording under the moniker The New Basement Tapes. The record consists of a series of tracks based on lyrics handwritten by Bob Dylan in 1966-67 with each artist taking the lead on adding the music and vocals for several songs each. T Bone Burnett oversaw the production.
  • This song features the voice of Marcus Mumford, who also supplied the tune for Dylan's lyrics. Mojo magazine asked Mumford what drew him to the words of Stranger? He replied: "I liked that it was a bit dirty, I liked that it was a bit gritty."

    "There's a conversation within the song, so I enjoyed singing as the object and the subject," Mumford added. "That's a style you find through reading people like T.S. Eliot who jump around in conversations all the time, and Dylan does that all the time in songs. It also has a kind of outlaw feel to it, and that was fun to play with."

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