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Rod Stewart - Maggie May

Rod Stewart - Maggie May Youtube Music Videos and Lyrics

Album: Every Picture Tells A Story
Released: 1971

Maggie May Lyrics

Wake up, Maggie I think I got something to say to you
It's late September and I really should be back at school
I know I keep you amused, but I feel I'm being used
Oh, Maggie, I couldn't have tried any more
You led me away from home
Just to save you from being alone
You stole my heart, and that's what really hurts

The morning sun, when it's in your face really shows your age
But that don't worry me none in my eyes, you're everything

I laughed at all of your jokes
My love you didn't need to coax
Oh, Maggie, I couldn't have tried any more

You led me away from home
Just to save you from being alone
You stole my soul, and that's a pain I can do without.

All I needed was a friend to lend a guiding hand
But you turned into a lover, and, mother, what a lover you wore me out
All you did was wreck my bed
And, in the morning, kick me in the head
Oh, Maggie, I couldn't have tried any more
You led me away from home
'Cause you didn't want to be alone
You stole my heart, I couldn't leave you if I tried

I suppose I could collect my books and get on back to school
Or steal my daddy's cue and make a living out of playing pool
Or find myself a rock 'n' roll band
That needs a helping hand
Oh, Maggie, I wish I'd never seen your face
You made a first-class fool out of me
But I'm as blind as a fool can be
You stole my heart, but I love you anyway

Maggie I wish that I'd never seen your face
I'll get a ride home one of these days

Writer/s: QUITTENTON, MARTIN / STEWART, ROD
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Maggie May Song Chart

This song is about the woman who deflowered Stewart when he was 16. In the January 2007 issue of Q magazine, Stewart said: "Maggie May was more or less a true story, about the first woman I had sex with, at the Beaulieu Jazz Festival. It nearly got left off because the label said it didn't have a melody. I said, 'Well, we've run out of time now, these are all the tracks we've recorded. They said, Alright, then, bring it on."

The name "Maggie May" does not occur in the song; Rod borrowed the title from a Liverpool folk song about a Lime Street prostitute.

Stewart liked the play on words the title created, sometimes introducing the song by saying, "This is 'Maggie May' - sometimes she did, sometimes she didn't."

In his memoir Rod: The Autobiography, Stewart provided details of the experience that led to this song. Wrote Stewart: "At 16, I went to the Beaulieu Jazz Festival in the New Forest. I'd snuck in with some mates via an overflow sewage pipe. And there on a secluded patch of grass, I lost my not-remotely-prized virginity with an older (and larger) woman who'd come on to me very strongly in the beer tent. How much older, I can't tell you - but old enough to be highly disappointed by the brevity of the experience."

Remarkably, there is video of Stewart at the festival .

Stewart's record company didn't think this was a hit, so they released it as the B-side of "Reason To Believe." Disc jockeys liked "Maggie" better, so they played it as the single instead. The first station to flip the single and play it as the A-side was WOKY in Milwaukee.

Every Picture Tells A Story was Stewart's third solo album, and the one that made him a superstar. It was recorded at Morgan Sound Studios in Willesden with drummer Mickey Waller, guitarist Martin Quittenton, and Stewart's Faces mate Ronnie Wood among the musicians.

Stewart got the idea for the song during a US tour with the Faces. He completed the song with Quittenton, who came up with the intro and wrote the chords. The song came together quickly in the studio, helped along by the Ray Jackson mandolin contribution - Jackson had been hired to perform on the song "Mandolin Wind," which is why he was available. Stewart asked Jackson to play something they might use to end the song, which he improvised on the spot.

Quittenton, who is listed as the song's co-writter along with Stewart, told the Daily Mail: "We didn’t think it was very good. Never in anyone’s wildest dreams was it a Pop standard."

Quittenton said that when the song became a hit, he was working in a record shop for £7 a week. His royalties for the song would eventually amount to about £25,000 a year. He declined Stewart's offer to join the Faces, and left the music business a short time later after suffering a nervous breakdown. Quittenton also co-wrote Stewart's hit "You Wear It Well."

This became a huge hit in England and America, topping both the UK and US charts at the same time. Every Picture Tells A Story was also the #1 album on both sides of the Atlantic, making him the first artist to have the #1 song and album in both the US and UK simultaneously. Stewart's success in the UK was expected, as he had a following there as a member of The Faces, but he was little known in America before "Maggie May" took off.

Stewart was the lead singer of The Faces when this was released. He put out solo albums while he was with the band because of contract obligations. When this became a hit, Faces shows were billed as "The Faces with Rod Stewart." He became the focus of the group.

Ray Jackson, a British musician who played in the band Lindisfarne, played the mandolin on this song and a few others for Stewart. In 2003, Jackson threatened legal action against Stewart, claiming he deserved a writing credit for his contribution. Jackson, who says he made just the standard £15 session fee for his work, stated: "I am convinced that my contribution to Maggie May, which occurred in the early stages of my career when I was just becoming famous for my work with Lindisfarne, was essential to the success of the record."

Stewart employed Jackson on subsequent recordings, but didn't hear about his beef with the composer credit until the '80s. Stewart's retort (through a spokesman): "As is always the case in the studio, any musical contributions he may have made were fully paid for at the time as 'work-for-hire.'"

Adding insult is Jackson's credit on the album notes, which reads: "The mandolin was played by the mandolin player in Lindisfarne. The name slips my mind."

Jackson never brought the case to court, but his threat did illuminate his contribution and help publicize his artistic endeavors.

In October 1971 Stewart became the first artist in history to hold all four #1 positions in the British and American singles and albums charts. While "Maggie May" topped the singles tally in both territories, Every Picture Tells A Story achieved the same feat on the album charts.

Stewart moved to America a few years after this came out. He was doing very well there, but also wanted to avoid the huge taxes England levied on high-income entertainers. This was around the same time The Rolling Stones left England for tax reasons. Their album Exile on Main St. is a reference to their "tax exile" status.

Yellowcard - My Mountain

Yellowcard - My Mountain Youtube Music Videos and Lyrics

Album: Lift a Sail
Released: 2014

My Mountain Lyrics

I am on My Mountain
I am there with her
I can see it all so clear
I am young again up here

I can't come back from where I've gone, but I'll be close
I've left myself in every song and every note
And if you need me, I will never be too far
I'm always with you, like the child in your heart
Yeah!

I have found my mountain
I can be with her
When I finally came across,
I recovered all I lost

I can't come back from where I've gone, but I'll be close
I've left myself in every song and every note
And if you need me, I will never be too far
I'm always with you, like the child in your heart
Yeah!

I can't come back from where I've gone, but I'll be close
I've left myself in every song and every note
And if you need me, I will never be too far
I'm always with you like the child in your heart

I am on my mountain
I am there with her
I have found my mountain
I can be with her
Be with her

Writer/s: RYAN MENDEZ, SEAN MACKIN, RYAN KEY
Publisher: RAZOR & TIE DIRECT LLC
Lyrics licensed and provided by LyricFind

My Mountain Song Chart

Yellowcard frontman Ryan Key wrote this about his grandfather, a poet who passed away in 2014. His dying wish was to have his ashes scattered on a family property in the Blue Ridge Mountains of North Carolina, next to one of his daughters. Key's lyrics imagine his grandfather looking out from his final resting place, "As my grandfather was passing, in hospice, he kept asking my mom if he was on the mountain yet," recalled the singer. "And my mom kept saying, 'You'll be there soon.'"

Yellowcard fans will know Key's grandfather as the voice reading a love letter to his wife on "Dear Bobbie" from 2007's Paper Walls.

Ozzy Osbourne - Crazy Train

Ozzy Osbourne - Crazy Train Youtube Music Videos and Lyrics

Album: Blizzard of Ozz
Released: 1980

Crazy Train Lyrics

All aboard! ha ha ha ha ha ha ha!

Ay, ay, ay, ay, ay, ay, ay

Crazy, but that's how it goes
Millions of people living as foes
Maybe it's not too late
To learn how to love
And forget how to hate

Mental wounds not healing
Life's a bitter shame
I'm going off the rails on a Crazy Train
I'm going off the rails on a crazy train

Let's go!
I've listened to preachers
I've listened to fools
I've watched all the dropouts
Who make their own rules
One person conditioned to rule and control
The media sells it and you live the role

Mental wounds still screaming
Driving me insane
I'm going off the rails on a crazy train
I'm going off the rails on a crazy train

I know that things are going wrong for me
You gotta listen to my words
Yeah

Heirs of a cold war
That's what we've become
Inheriting troubles I'm mentally numb
Crazy, I just cannot bear
I'm living with something' that just isn't fair

Mental wounds not healing
Who and what's to blame
I'm going off the rails on a crazy train
I'm going off the rails on a crazy train

Writer/s: O. OSBOURNE, R. DAISLEY, R. RHODES
Publisher: NEWMAN & COMPANY CHARTERED ACCOUNTANTS
Lyrics licensed and provided by LyricFind

Crazy Train Song Chart

In this song, Ozzy asks when we can all learn to love in a world gone mad. Ozzy wrote the song with guitarist Randy Rhoads and bass player Bob Daisley. In our interview with Daisley , he explained how it came together:

"Randy had the basic riff, the signature riff. Then we worked on music together. He needed something to solo on so I came up with a chord pattern and the section for him to solo over.

Before it was called 'Crazy Train,' before we even had a title, Randy and I were working on the music. He had his effects pedals, and coming through his amp was a weird kind of chugging sound. It was a phase-y kind of psychedelic effect, this chugging sound that was coming through his amp from his effects pedal.

Randy was into trains - he used to collect model trains and so did I. I've always been a train buff and so was Randy. So I said, 'Randy, that sounds like a train. But it sounds nuts.' And I said, 'A crazy train.'

Well, that's when the title first was born. And then Ozzy was singing melodies and he was phrasing exactly how it ended up. And I started writing lyrics to it."

While many believe that this is yet another Ozzy song about insanity, it's actually about the Cold War. Evidence in the lyrics: "Millions of people living as foes," "One person conditioned to rule and control; The media sells it and you live the role," "Heirs of a cold war, that's what we've become. Inheriting troubles I'm mentally numb." The relevant acronym was "M.A.D." (Mutually Assured Destruction), a doctrine which basically amounts to "if they shoot their nukes at us, we'll shoot ours right back, and that would be the end of the world that nobody wants, so it won't happen... as long as we keep pointing nukes at each other." Hence, "crazy" is another word for "mad."

The M.A.D. logic actually extends from "Nash equilibrium", a concept of zero-sum strategy first theorized by game theory mathematician John Nash. You'll remember him as a character from the 2001 film A Beautiful Mind. The acronym M.A.D. was formulated by computer science pioneer John von Neumann, who had a taste for satirical humor. In fact, this concept, and the "Doomsday Device" idea behind it (coined by war strategist Herman Kahn), forms the entire basis for Stanley Kubrick's 1964 film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. The real-life version of the device is the "Dead Hand" control system deployed by the Soviets. Cold-War paranoia extended from the 1950s until the famous end to it in 1991. By the way, the actual term "Cold War" was coined by one George Orwell, in his essay "You and the Atomic Bomb."

Randy Rhoads was Ozzy's guitarist on this song - he was in Quiet Riot before joining Osbourne. Like most of the guitar solos he recorded with Ozzy, Rhoads had to "double" all his guitar parts. This means he had to play every note of this very difficult solo exactly the same way, twice. This is one reason why the solo on the recording sounds so unique. Rhoads was a very proficient and influential guitar player. (thanks, Dave - Marieta, GA)

This was the first single Ozzy Osbourne released after leaving Black Sabbath in 1978. He left the band after a particularly heated dispute with guitarist Tony Iommi, at which time Ozzy was painted as a substance-abusing layabout by his former bandmates. "Crazy Train" was a triumph for Ozzy in that he proved that he could succeed outside of the Sabbath shelter, albeit with lots of help.

Osbourne got his riffs from Randy Rhoads and his lyrics from Bob Daisley on Blizzard of Ozz, which was formed as a band, not a solo effort. The trio wrote the songs together, later adding drummer Lee Kerslake to complete the band. Their label, Jet Records (owned by Don Arden, Ozzy's future father-in-law), made the project look like a solo effort by putting Ozzy alone on the album cover and his name in big letters on top of the words "Blizzard of Ozz." The "Crazy Train" single had the band name in large print with Ozzy's name above it. This was as close as they would get to being billed as a band on their releases, even though promotional photos and reviews from the time show that Blizzard of Ozz was supposed to be the band name.

This appropriation was a sticking point for Rhoads, Daisley and Kerslake, but they stayed with Ozzy for his next album, Diary of a Madman, which when issued in 1981 was not just listed as an Ozzy solo album, but listed Rudy Sarzo and Tommy Aldridge on bass and drums instead of Daisley and Kerslake. Legal entanglement followed, and Rhoads died in 1982. In the end, Osbourne's post-Sabbath output was disproportionately attributed to Ozzy, and "Crazy Train" is generally considered his first solo single.

The 1987 live double-album Tribute contains a version of this which is a tribute to Randy Rhoads. Rhoads played on Ozzy's first two solo albums before he died in a plane crash while the band was touring in Florida in 1982. He was 25.

The sound at the end is a studio engineer saying "An Egg" through an oscillator. Ozzy had asked him what he had for breakfast that morning.

In America, "Crazy Train" bubbled under on the Hot 100, spending one week at #106. It's influence is far greater than its chart showing, as it became one of Ozzy's signature songs and helped the Blizzard of Ozz album sell over one million copies in the US over the next two years. It eventually would sell over 3 million in the US and launch Ozzy toward media domination in America, where with the help of his wife, Sharon, he would start a successful festival (Ozzfest) and get his own reality show on MTV. Not bad for a British Heavy Metal singer.

In 1999, this was used in Mitsubishi car commercials.

This was covered by Pat Boone, former gospel singer and Ozzy's old neighbor, for the album In a Metal Mood. His cover used a whistle and backup singers cooing "Choo, choo" as he sang it in a lazy, Las Vegas style. It gained popularity when it was used as the theme song for MTV's smash hit The Osbournes, and it was included on The Osbourne Family Album with a recording of Jack describing what a great neighbor Pat was. According to Jack, he dealt with everything you see on the show and more - logs flying through the window, constant yelling from the next house, etc.- and never complained once. Pictures exist showing Ozzy at Pat's house, in his garden, by his pool, etc. (thanks, Brett - Edmonton, Canada)

The instrumental of this song provided the beat to the Trick Daddy w/ Twista & Lil Jon track "Let's Go," which made #7 US in 2004. It was also interpolated on the Hollywood Undead song "Undead," which made #104 in 2009.

Smokey Robinson - Love Bath

Smokey Robinson - Love Bath Youtube Music Videos and Lyrics

Album: Time Flies When You're Having Fun
Released: 2009

Love Bath Lyrics

Love Bath Song Chart

Black Sabbath - Sweet Leaf

Black Sabbath - Sweet Leaf Youtube Music Videos and Lyrics

Album: Master Of Reality
Released: 1971

Sweet Leaf Lyrics

Alright now.
Won't you listen?

When I first met you, didn't realize
I can't forget you, for your surprise
You introduced me, to my mind
And left me wanting, you and your kind

I love you, oh you know it

My life was empty, forever on a down
Until you took me, showed me around
My life is free now, my life is clear
I love you Sweet Leaf, though you can't hear

Come on now, try it out

Straight people don't know, what you're about
They put you down and shut you out
You gave to me a new belief
And soon the world will love you sweet leaf

Writer/s: FRANK IOMMI, WILLIAM WARD, TERENCE BUTLER, JOHN OSBOURNE
Publisher: T.R.O. INC.
Lyrics licensed and provided by LyricFind

Sweet Leaf Song Chart

This song is about marijuana, and makes little attempt to disguise it. The band did a lot of marijuana and many other drugs around this time.

This was the song that coined the phrase "Sweet Leaf" as slang for marijuana. They got the name from a pack of Irish Cigarettes that said "It's the sweet leaf." They thought that Sweet Leaf was a great description of marijuana, and the entire band wrote the song together. (thanks, Brett - Edmonton, Canada)

The sound at the beginning is Tony Iommi coughing after inhaling marijuana smoke from a bong.

Godsmack covered this on the 2000 Black Sabbath tribute album Nativity In Black II.

The guitar riff was taken from Frank Zappa & The Mothers of Invention's "Hungry Freaks, Daddy." This riff can also be heard at the end of the Red Hot Chili Peppers song "Give It Away" and is the basis for the song "Rhymin' and Stealin'" by The Beastie Boys. (thanks, mike - Asheville, NC)

A Sabbath tribute band from Denmark is named Sweet Leaf.

This has been covered by Next Step Up, Stock Mojo, Garbage, Ancient, Ugly Kid Joe, Butthole Surfers, Mogwai, Stereolab, Agent Steel, Pimpadelic, Cadaver, and Widespread Panic. (thanks, Brett - Edmonton, Canada)

O.A.R. - I Will Find You

O.A.R. - I Will Find You Youtube Music Videos and Lyrics

Album: The Rockville LP
Released: 2014

I Will Find You Lyrics

I Will Find You Song Chart

O.A.R. frontman Marc Roberge wrote this song with the band's drummer Chris Culos and a singer/songwriter from Chicago named Danny Chaimson. The last track on the album, the song is 9-minutes long.

As Marc Roberge explained in our 2014 interview , it took him about a year to come up with his lyric for this song. He had lots of notes and ideas, but nothing came together until he just scrapped everything he had and started singing. He recorded this spur-of-the-moment vocal in his home studio, and that ended up being used on the recording.

Black Sabbath - Fairies Wear Boots

Black Sabbath - Fairies Wear Boots Youtube Music Videos and Lyrics

Album: Paranoid
Released: 1970

Fairies Wear Boots Lyrics

Goin' home, late last night
Suddenly I got a fright
Yeah I looked through a window and surprised what I saw
A fairy with boots and dancin' with a dwarf,
All right now!

Yeah, Fairies Wear Boots and you gotta believe me
Yeah I saw it, I saw it, I tell you no lies
Yeah Fairies wear boots and you gotta believe me
I saw it, I saw it with my own two eyes,
Oh all right now!

Yeah, fairies wear boots and you gotta believe me
Yeah I saw it, I saw it, I tell you no lies
Yeah fairies wear boots and you gotta believe me
I saw it, I saw it with my own two eyes,
All right now!

So I went to the doctor
See what he could give me
He said Son, son, you've gone too far.
'Cause smokin' and trippin' is all that you do.

Writer/s: F. IOMMI, W. WARD, T. BUTLER, J. OSBOURNE
Publisher: T.R.O. INC.
Lyrics licensed and provided by LyricFind

Fairies Wear Boots Song Chart

This song is about Skinheads. At the time in England, Skinheads were not racists, but punks and anarchists. They usually wore boots, which is how Sabbath got the title. Regarding the rest of the words, guitarist Tony Iommi said, "We smoked a lot of dope, so that might be why some of the lyrics are a bit unusual."

The lyrics were inspired by an incident after a Sabbath concert in 1970. The band was attacked by a bunch of Skinheads after the show, injuring Tony Iommi and forcing them to cancel their next performance.

The intro is called "Jack The Stripper." It is listed as its own song on US versions of the album.

Floatsam and Jetsam, Phantom Blue, and Toilet Boys all covered this. (thanks, Brett - Edmonton, Canada)

Black Sabbath - Fairies Wear Boots

Black Sabbath - Fairies Wear Boots Youtube Music Videos and Lyrics

Album: Paranoid
Released: 1970

Fairies Wear Boots Lyrics

Goin' home, late last night
Suddenly I got a fright
Yeah I looked through a window and surprised what I saw
A fairy with boots and dancin' with a dwarf,
All right now!

Yeah, Fairies Wear Boots and you gotta believe me
Yeah I saw it, I saw it, I tell you no lies
Yeah Fairies wear boots and you gotta believe me
I saw it, I saw it with my own two eyes,
Oh all right now!

Yeah, fairies wear boots and you gotta believe me
Yeah I saw it, I saw it, I tell you no lies
Yeah fairies wear boots and you gotta believe me
I saw it, I saw it with my own two eyes,
All right now!

So I went to the doctor
See what he could give me
He said Son, son, you've gone too far.
'Cause smokin' and trippin' is all that you do.

Writer/s: F. IOMMI, W. WARD, T. BUTLER, J. OSBOURNE
Publisher: T.R.O. INC.
Lyrics licensed and provided by LyricFind

Fairies Wear Boots Song Chart

This song is about Skinheads. At the time in England, Skinheads were not racists, but punks and anarchists. They usually wore boots, which is how Sabbath got the title. Regarding the rest of the words, guitarist Tony Iommi said, "We smoked a lot of dope, so that might be why some of the lyrics are a bit unusual."

The lyrics were inspired by an incident after a Sabbath concert in 1970. The band was attacked by a bunch of Skinheads after the show, injuring Tony Iommi and forcing them to cancel their next performance.

The intro is called "Jack The Stripper." It is listed as its own song on US versions of the album.

Floatsam and Jetsam, Phantom Blue, and Toilet Boys all covered this. (thanks, Brett - Edmonton, Canada)

Betty Who - Just Like Me

Betty Who - Just Like Me Youtube Music Videos and Lyrics

Album: Take Me When You Go
Released: 2014

Just Like Me Lyrics

I heard she's beautiful
A twenty out of ten
That doesn't keep me from
Wondering how you've been
Left me for dead when we were
I'm holding flooding fast
I held my breathe and prayed that
The rain would soon have passed

So if you think you're falling apart
And I'm the only one you'll call
If you keep reaching for me in the dark
And can't stand it anymore

Then you just call my name
I will do the same
You can look into my eyes and see
If you've got a broken heart
Then you're Just Like Me

Why don't you come around
Now wouldn't that be nice
Another moment to remember why we felt so right
I know you kiss me
And in some fucked up way that's fine
I know well only end in another sad goodbye

So if you think you're falling apart
And I'm the only one you'll call
If you keep reaching for me in the dark
And can't stand it anymore

Then you just call my name
I will do the same
You can look into my eyes and see
If you've got a broken heart
Then you're just like me

Just like just like me
Just like just like me
Just like just like me
Just like just like me
Just like just like me
Just like just like me

So if you think you're falling apart
And I'm the only one you'll call
If you keep reaching for me in the dark
And can't stand it anymore

Then you just call my name
I will do the same
You can look into my eyes and see
If you've got a broken heart
Then you're just like me

Just like just like me
Just like just like me
Just like just like me

Writer/s: NEWHAM, JESSICA / WALSH, PETER THOMAS / MAG,
Publisher: Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Lyrics licensed and provided by LyricFind

Just Like Me Song Chart

Betty Who penned this song after talking with her producer Peter Thomas about his ex-girlfriend and her ex-boyfriend. She told Billboard magazine "When you're in a room with somebody that you've been with before, sexually, like been with before, you don't really know how to be around them and not do that. It's a very difficult thing to do and I haven't lost that for sure. I'm young, but most of the time if I'm around someone that I've slept with, I'm like, 'Get me out of here. I cannot stay here because I'm going to freak out.'"

"And so that song is basically about that feeling of, 'I miss you every day and I wish I could tell you that.' But if I do, you'll be like, 'I miss you too' in this dark raspy tone of voice," she continued. "So I'll feel like, 'OK, this got very weird and I was just trying to catch up with you and tell you that I really miss you but I don't want to be with you.'"

Aerosmith - Dream On

Aerosmith - Dream On Youtube Music Videos and Lyrics

Album: Aerosmith
Released: 1973

Dream On Lyrics

Every time when I look in the mirror
All these lines on my face getting clearer
The past is gone
It went by, like dusk to dawn
Isn't that the way
Everybody's got the dues in life to pay

I know nobody knows
Where it comes and where it goes
I know it's everybody sin
You got to lose to know how to win

Half my life
Is books, written pages
Live and learn from fools and
From sages
You know it's true, oh
All these feelings come back to you

Sing with me, sing for the years
Sing for the laughter, sing for the tears
Sing with me, just for today
Maybe tomorrow, the good Lord will take you away

Yeah, sing with me, sing for the year
Sing for the laughter, sing for the tear
Sing with me, just for today
Maybe tomorrow, the good Lord will take you away

Dream On
Dream on
Dream on
Dream until your dreams come true
Dream on
Dream on
Dream on
Dream until your dreams come true
Dream on
Dream on
Dream on
Dream on
Dream on
Dream on
Dream on

Sing with me, sing for the year
Sing for the laughter, sing for the tear
Sing with me, just for today
Maybe tomorrow, the good Lord will take you away
Sing with me, sing for the year
Sing for the laughter, sing for the tear
Sing with me, just for today
Maybe tomorrow, the good Lord will take you away

Writer/s: STEVEN TYLER
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Dream On Song Chart

Colbie Caillat - In Love Again

Colbie Caillat - In Love Again Youtube Music Videos and Lyrics

Album: The Best of Me
Released: 2014

In Love Again Lyrics

Remember the day our lips touched in the rain
Fireworks in my veins into my heart
Remember the night’s dancing under the sky
I got lost in the moonlight
Found in your dark eyes

Oh I wanna fall In Love Again but this time
But this time with no regrets
I wanna give it all again but this time
But this time with no secrets
I don’t want just anyone. Not anyone new
I wanna fall in love again with you
With you. With you
I wanna fall in love again with you
With you.

Can we forget all the lies that we’ve laid
Take us so far away from the truth
Can we erase all the tears and regrets
Fear hidden in the pain
The shadow of yesterday

Oh I wanna fall in love again but this time
But this time with no regrets
I wanna give it all again but this time
But this time with no secrets
I don’t want just anyone. Not anyone new
I wanna fall in love again with you
With you, with you

We can take a blank white page
And fill it with the dreams we made
And let this goes slowly fade away

I wanna fall in love again but this time
with no regrets
I wanna give it all again but this time
But this time with no secrets
I don’t want just anyone.
Not anyone new

Whoa oh I don’t want just anyone
Not anyone new
I wanna fall in love again with you
With you. With you
I wanna be in love again with you
With you.

I wanna be in love again

Writer/s: REEVES, JASON / CAILLAT, COLBIE / DIAGUARDI, KARA
Publisher: Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

In Love Again Song Chart

Colbie Caillat explained the song's meaning: "It's about wanting to re-fall in love with the same person after going through a breakup and after having time apart and wanting to fix the things that were wrong with the relationship and make it better, and not wanting to find someone else," she said, "not wanting to fall in love with someone else, but fall in love again with that person that you loved for so long."

The song featured on the soundtrack of the Nicholas Sparks film, The Best of Me. Caillat said: "I've always been a fan of Nicholas Sparks, his writing and the way his writing gets turned into beautiful films. And for me as a songwriter, it's always so incredible to be able to write a song that is something that I wrote from my personal life, and it can fit so beautifully in a film during a scene and actually just capture the moment completely, and it really just adds emotion to the movie and to the song."

"When I got to write a song for Nicholas' last movie, which was Safe Haven, Gavin DeGraw and I wrote a song called 'We Both Know' for the film, and that opportunity was so amazing," she continued. "And now this time around with The Best of Me, I was honored that they were looking for a song that was fitting the movie, and I already had written one about two years ago, and it's called 'In Love Again,' and this song completely fits the mood and the setting of this film."

Aerosmith - I Don't Want To Miss A Thing

Aerosmith - I Don't Want To Miss A Thing Youtube Music Videos and Lyrics

Album: Armageddon Soundtrack
Released: 1998

I Don't Want To Miss A Thing Lyrics

I could stay awake just to hear you breathing
Watch you smile while you are sleeping
While you're far away dreaming
I could spend my life in this sweet surrender
I could stay lost in this moment forever
Every moment spent with you is a moment I treasure

Don't want to close my eyes
I don't want to fall asleep
'Cause I'd miss you baby
And I Don't Want To Miss A Thing
'Cause even when I dream of you
The sweetest dream will never do
I'd still miss you baby
And I don't want to miss a thing

Lying close to you feeling your heart beating
And I'm wondering what you're dreaming
Wondering if it's me you're seeing
Then I kiss your eyes
And thank God we're together
I just want to stay with you in this moment forever
Forever and ever

Don't want to close my eyes
I don't want to fall asleep
'Cause I'd miss you baby
And I don't want to miss a thing
'Cause even when I dream of you
The sweetest dream will never do
I'd still miss you baby
And I don't want to miss a thing

I don't want to miss one smile
I don't want to miss one kiss
I just want to be with you
Right here with you, just like this
I just want to hold you close
Feel your heart so close to mine
And just stay here in this moment
For all the rest of time

Don't want to close my eyes
I don't want to fall asleep
'Cause I'd miss you baby
And I don't want to miss a thing
'Cause even when I dream of you
The sweetest dream will never do
I'd still miss you baby
And I don't want to miss a thing

Don't want to close my eyes
I don't want to fall asleep
I don't want to miss a thing

Writer/s: WARREN, DIANE
Publisher: Realsongs
Lyrics licensed and provided by LyricFind

I Don't Want To Miss A Thing Song Chart

This was featured in the movie Armageddon, which starred Steven Tyler's daughter, Liv Tyler. U2 were originally asked to perform this song for the movie - the idea for Aerosmith performing it only came after Liv was cast. (thanks, Bertrand - Paris, France)

A grand production featuring a 52-piece orchestra, this was by far Aerosmith's biggest hit on the US Hot 100, and their only chart-topper. It was #1 US for four weeks in September 1998, becoming one of the most popular songs of the year.

The song got a huge bump from its placing in Armageddon, which was the top-grossing film of 1998.

Diane Warren wrote this song, which is about treasuring every moment spent with another person. Some other hit songs Warren wrote include "Nothing's Gonna Stop Us Now" by Starship, "If I Could Turn Back Time" by Cher, "When I See You Smile" by Bad English, and "I'd Lie For You (And That's The Truth)" by Meat Loaf.

This song extended Aerosmith's reign as the hottest rock band of the '90s. Their 1993 album Get a Grip contained four hit singles which also did very well on MTV. With a new generation of fans discovering the group's back catalogue, they were as popular as ever, selling out shows worldwide. Their follow-up album, Nine Lives, was a struggle to make and wasn't released until 1997. It was far less popular, with none of its singles cracking the Top 25. Aerosmith could still fill stadiums, but had to come off the road in April 1998 when Steven Tyler tore his ACL in a microphone stand mishap during a show in Anchorage.

The band was on the wane and facing the possibility of empty seats when they resumed their tour at the end of the summer, but this song revived their fortunes. The tour resumed on September 9, when "I Don't Want To Miss A Thing" was the #1 song in America. The album title proved prescient, as once again they became the most popular rockers in the land, still cranking out hits while their contemporaries like The Rolling Stones were forced to lean on their legacies to sell tickets.

The Armageddon soundtrack, bolstered by this song, went to #1 in the US. It contained three other Aerosmith songs: "Sweet Emotion," their cover of "Come Together," and a new song called "What Kind of Love Are You On," which they had recorded for their Nine Lives album but didn't make the cut.

You'll notice that Steven Tyler is surprisingly stationary in the video. That's because it was shot after his knee injury, and he was wearing an awkward brace that restricted his movement. The video's director Francis Lawrence used a lot of close-up shots to compensate.

Giving his thoughts on having a cover song become Aerosmith's biggest hit, guitarist Joe Perry explained to Classic Rock magazine in 2002: "At the time, we just didn't have the time to settle down and do it. We were out on the road, so they brought us in to see the movie and said 'here's the song, this is where it fits into the movie, you can do it if you want.' So we were in the studio within the next three days cutting it. And yeah, we do wish that we'd had a little more time, so that we could have had a shot at writing it, but it was perfect timing. The song was great, people loved it, and I don't think people care that much who wrote it."

Diane Warren stated in her compilation album Diane Warren Presents Love Songs that she originally wrote this for Celine Dion.

Aerosmith performed a snippet of this at the halftime show of the 2001 Super Bowl, before going into "Walk This Way" along with N'Sync, Britney Spears, Mary J. Blige, and Nelly.

This won the 1999 Nickelodeon Teen Choice Award for Love Song of the Year.

In a 2008 survey conducted by the cable music channel Magic TV, this was voted by its UK viewers as the nation's favorite love song.

British heavyweight boxer Tyson Fury celebrated his upset victory on November 28, 2015 over Ukraine's Wladimir Klitschko in Dusseldorf, Germany with some in-ring karaoke. "I promised everybody I'd sing a song after this fight," Fury said. "So this is to my UK fans, my Irish fans, my American fans and my new German fans; and most of all, this is a dedication to me wife." The newly crowned heavyweight champion then proceeded to belt out this song .

Considering he just went 12 rounds, it wasn't a bad rendition. Joe Perry was impressed. "I thought it was great!," he told Vanyaland . "To belt it out like that… talk about being in shape. My hat's off to him; and to sing to his wife… he's a class act!"