Songs Lyrics and YT- Youtube Music Videos

Alice Cooper - The Black Widow

Alice Cooper - The Black Widow Lyrics and Youtube Music Videos

Album: Welcome To My Nightmare
Released: 1975

The Black Widow Lyrics

These words he speaks are true, we're all humanary stew if,
We don't pledge allegiance to The Black Widow.
The horror that he brings, the horror of his sting,
The unholiest of kings, the Black Widow.
Our minds will be his toy,
And every girl and boy will learn to be employed by the Black Widow.

Love him, yes, we love him, love him, yes, we love him.

He sits upon his throne and picks at all the bones of his,
Husbands and his wives he's devoured.
He stares with a gleam, with a laugh so obscene,
At the virgins and the children he's deflowered.

Love him, yes, we love him, love him, yes, we love him.

Our thoughts are hot and crazed, our brains are webbed in haze,
Of mindless senseless daze, the Black Widow.
These words he speaks are true, we're all humanary stew,
If we don't pledge allegiance to the Black Widow.

Writer/s: COOPER, ALICE / EZRIN, BOB / WAGNER, DICK
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group, UNIVERSAL MUSIC PUB GROUP, SONY ATV MUSIC PUB LLC, SPIRIT MUSIC GROUP
Lyrics licensed and provided by LyricFind

The Black Widow

Eight years before the Thriller video, Alice Cooper created the original spooky mini-movie to a song narrated by Vincent Price. Alice Cooper: Welcome to My Nightmare was a film based on Cooper's stage show. Price, who was a famous horror actor, portrayed "The Spirit of the Nightmare," in which Cooper was trapped. "The Black Widow" is a lynchpin of the production, and the track that got Price involved in the project.

After coming up with the arachnid theme of this song, Cooper and his producer Bob Ezrin wrote a mordant introduction that they hired Price to narrate. This introduction sets the tone, as Price takes Cooper through his lair, refusing to release him from his nightmare. Price details the deadly proclivities of the black widow spider, which Cooper then sings about as he plays out his fears.

When Welcome To My Nightmare went on the road as a concert tour, this song got a lavish production, with a giant web and humanoid spiders. For the movie, many of these set pieces were used, along with a performance by Price. When done live, Cooper's guitarists Dick Wagner and Steve Hunter dueled on guitar for about 5 minutes while the stage morphed into a spider's lair. Price's recorded voice would then play, before Cooper would finally take the stage. His vocals are just a small part of the number, as most of it is dominated by guitar solos and spider battles.

Cooper wrote this song with his producer Bob Ezrin and his guitarist Dick Wagner. In our interview with Dick Wagner , he told us the story:

"I remember standing in the studio with Bob and Alice, and Bob said to me, 'Can you come up with some kind of mid-tempo heavy rock thing?' And I said, 'Let me give it a try.' I plugged my guitar in and just messed around and came up with that. It immediately fit, and Alice started singing 'Black Widow.' And later on he had the idea to bring in Vincent Price to do that talk, which Alice and Bob wrote - they wrote that speech for Vincent Price.

But that initial record, writing the chord changes and stuff, I remember just doing it on the spot; just a momentary inspiration. I wasn't sitting somewhere trying to write a song, it was just spontaneous combustion on the guitar."

Unlike most black widows of song and screen, this one is male, as Cooper sings about the spider (or its metaphoric equivalent) sitting on "his throne." This indicates that Vincent Price's character is, in fact, the black widow.

The Replacements - The Ledge

The Replacements - The Ledge Lyrics and Youtube Music Videos

Album: Pleased To Meet Me
Released: 1987

The Ledge Lyrics

All eyes look up to me
High above the filthy streets
Heed no bullhorn when it calls
Watch me fly and die, watch me fall

I'm the boy they can't ignore,
For the first time in my life, I'm sure
All the love sent up high to pledge
Won't reach The Ledge

Wind blows cold from the west
I smell coffee, I smell doughnuts for the press (on their breath?)
A girl that I knew once years ago
Is tryin' to be reached on the phone

I'm the boy she can't ignore,
For the first time in my life, I'm sure
All the love sent up high to pledge...

(Repeat)

Priest kneels silent, all is still
Policeman reaches from the sill
Watch him, watch him try his best
There'll be no medal pinned to his chest

I'm the boy they couldn't ignore,
For the first time in my life, I'm sure

(Repeat)

I'm the boy for the last time in my life

All the love that they pledge
For the last time will not reach the ledge...

Writer/s: WESTERBERG, PAUL
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

The Ledge

This is yet another song Paul Westerberg wrote about suicide. The band received a lot of flak because the song's release was around the same time a group of new Jersey teens took part in a suicide pact. Westerberg angrily defended the song, stating that it wasn't some cynical attempt to cash in on a tragedy, but more of an expression of empathy for the type of person that would consider such a desperate act. Suicide is one of his most frequent subjects and he has been treated for chronic depression in the past.

The fading scream heard at the end of the song is one of the most chilling rock moments ever, as the listener realizes the subject of the song carried out his intentions.

The Village People - San Francisco (You've Got Me)

The Village People - San Francisco (You've Got Me) Lyrics and Youtube Music Videos

Album: Village People
Released: 1977

San Francisco (You've Got Me) Lyrics

(Folsom), Folsom Street, on the way to (Polk and Castro)
(You don't find them finer)
(Freedom), freedom is in the air, yeah
(Searching for what we all treasure: pleasure)
(Cycles), cycles in the night shining bright
(Brightly on nights tell a glory story)
(Leather), leather, leather, leather baby
(Levi's and T's are the best now all right)

Dress the way you please and put your mind at ease
It's a city known for its freedom, (freedom)
Cycles shining bright break the silence of the night
Inhibitions, no, you don't need them, (no),no,(no)

(San Francisco), San Francisco
(San Francisco), City by the Bay yeah
(San Francisco), he he he he hey
(You've got me)

(San Francisco), San Francisco
(San Francisco), take me to the water
(San Francisco), he he he he hey
(You've got me), 'got me got me, baby

(Folsom), Folsom Street on the way to (Polk and Castro)
(You don't find them finer)
(Freedom), Freedom, freedom, freedom
(Searching for what we all treasure: pleasure)
(Cycles), cycles shining bright
(Brightly on nights tell a glory story)
(Disco), Disco, disco party baby
(Music that sets you on fire, higher)

Say what's on your mind and spend a little time
Every gesture there has a meaning, (meaning)
Party 'till the night before the morning light
You may feel your whole body screaming

(San Francisco), San Francisco
(San Francisco), City by the Bay yeah
(San Francisco), he he he he hey
(You've got me) Oh you got me

(San Francisco), San Francisco
(San Francisco), take me to the water
(San Francisco), he he he he hey
(You've got me), got me, got me, got me baby

Got me, got me, got me baby
Say you got me, love ya love you so, well
Here's what I want you to do,
(Take me), take me, take me baby,
(Show me the way) show me the way
(Take me), take me, take me baby,
Hey, Lead me to the water...
(Take me), well well it's you and me yeah
(Show me the way), why don't you show me the way, show me the way, hey
Come on baby, let's get it down, down

Ain't nobody between you and me
Baby baby feel fast and free

Baby baby let's do hot night
Come on baby let's you and me swing

Love the way I please, don't put no chains on me
If you got the time, you can do it,
What I need is love, that's all I'm thinking of
Take me to the Bay, lead me to it, (now) now (now)

(San Francisco), San Francisco
(San Francisco), oh I love ya yeah...
(San Francisco), he he he he hey
(You've got me) Aau Aau

(San Francisco), San Francisco
(San Francisco), City by the Bay y'all
(San Francisco), he he he he hey
(You've got me), got me, got me, got me baby

You've got me, got me, got me, baby
Got me, baby
Here's what I want you to do
Show me, show me the way

Writer/s: JENKINS, BARRIE ERNEST / MCCULLOCH, DANNY / BURDON, ERIC VICTOR / WEIDER, JOHNNY / BRIGGS, VIC
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

San Francisco (You've Got Me)

This was the first single for the Village People; with its big group chorus, it formed a template for their later hits "Macho Man" and "Y.M.C.A."

The group was created by the French producers Jacques Morali and Henri Belolo, who developed the concept after coming to America and producing the Philadelphia act The Ritchie Family, who had a hit in 1976 with "The Best Disco In Town." The Village People were conceived as a gay Disco group that would dress in outlandish costumes and sing tunes with gay interest by mainstream appeal. Looking for such a song, Morali and Belolo ordered up a song called "San Francisco," which is a very popular city in the gay community. Their associate Peter Whitehead wrote the lyrics, but they were too gay, so they asked Phil Hurtt, who worked with them on The Ritchie Family project, to clean them up. "They were full of sexual innuendo and a gay concept," Hurtt says about the original lyric. After coming up with something less offensive and more ambiguous, Hurtt turned the new lyric over to Morali and Belolo, who put the track together.

The group did not exist when this song was recorded. This was not uncommon: producers would put songs together using studio musicians, then figure it out later if they needed a group to perform the songs. Casting for the lead singer was basically done at this session, and the job was offered to Phil Hurtt, who co-wrote the song and sang backup. In our interview with Hurtt , he told us the story:

"When I got there, there was myself and three other background singers. I had put down my own vocal as a lead to put the background parts on, so my own reference vocal was on. I got on the microphone with the background guys and I taught them the background parts, taught them the song, gave them the harmony parts - the whole thing, the arrangement.

When the tracks were all done, Jacques (Morali) says to me, 'Okay, darling, you're the singer for the Village People.' I said, 'No, I'm not.' There was no group, by the way. There was no group at all.

I had some other engagements and was on my way out of town, but he says, 'Well, I need you to do that.' I said, 'I can't do that, but there's a guy in the background who has a heavier voice, like a husky voice.' I said, 'He probably could do it for you.' I'm trying to get out of there.

He says, 'Okay, I'm going to lunch. You try him and let me hear what he sounds like.' So I took this kid in the other studio in New York, and taught him the song 'San Francisco,' and wrote 'Hollywood' while I was in the studio. Taught it to him. Brought him back out, put him on the microphone. And when they came back and heard him, they said, 'Oh, he sounds fine.' That was Victor Willis."

The musicians on this track were a group called Gypsy Lane, who also backed The Ritchie Family when The Village People's producers had worked with them.

Rage Against the Machine - Tire Me

Rage Against the Machine - Tire Me Lyrics and Youtube Music Videos

Album: Evil Empire
Released: 1996

Tire Me Lyrics

Yeah ya tryin' ta Tire Me, tire me
I can see you in front of me, front of me
Ya tryin' ta tire me, tire me
Why don't you get from in front of me?
Oh she's got everyone's eyes
Yeah!
In every home there's a sickening distress
Yeah!
Of roll that film she's a precious, a precious one
But we're all gonna, nah we're already dead!
We're already dead!

And those colorful words for tha Laos frontiers-man
Who passed away with the truth
Amidst the eulogies of bliss
Who will know now what I know about you?
Now that history's a flowery cancerous mess
Yeah ya tryin' ta tire me
A mess!
Overbearing yes ya tryin' ta tire me
A mess!
Yeah ya tryin' ta tire me, tire me
So get the fuck from in front of me
Nah let's see it broken, bloody and undressed!
We're already dead!

In a violent time

I want to be Jackie Onassis
I want to wear a pair of dark sunglasses
I want to be Jackie O
Oh oh oh oh please don't die!
Yeah ya tryin' ta tire me, tire me
I can see you in front of me, front of me
Ya tryin' ta tire me, tire me
Why don't you get from in front of me?
Ruh!
We're already dead!
We're already dead!
We're already dead!

Writer/s: WILK/MORELLO/COMMERFORD/DE LA ROCHA
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Tire Me

Lead singer Zack de La Rocha has said that this song was written to celebrate the death of former US president Richard Nixon.

In the movie Higher Learning, there is a remixed version of this song.

Despite never being released as a single, nor ever having a music video, this song won a Grammy for Best Metal Performance.

Celine Dion - Incredible

Celine Dion - Incredible Lyrics and Youtube Music Videos

Album: Loved Me Back To Life
Released: 2013

Incredible Lyrics

Whole world is watching us now
It's a little intimidating
But since there's no way to calm down
Let's give them some amazing

Let's make them remember
Using one word
Incredible (oh, oh, oh, oh)
Incredible (oh, oh, oh, oh)

Let's make them remember
We were incredible
Simply incredible

We even counted us all
We were real sure we'd make it
But, we learned no matter what they dish out
It's nothing we can take it

We'll go down in history
They'll describe our love as
Incredible (oh, oh, oh, oh)
Oh, incredible (oh, oh, oh, oh)

Let's make them remember
We were incredible
Simply incredible

Everybody say oh
Say oh
Say no
Say oh

Let's make them remember
They'll describe our love as
Incredible (oh, oh, oh, oh)
Oh, incredible (oh, oh, oh, oh)

Let's make them remember
We were incredible
Simply incredible

Simply incredible

Let's give them some amazing
Let's give them some amazing

Writer/s: GOLDSTEIN, ANDREW MAXWELL / SMITH, SHAFFER / KIRIAKOU, EMANUEL STEVE
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Incredible

This song about an unbelievable love affair is a duet with Ne-Yo. The duo first worked together on Dion's 2007 Taking Chances album, with the R&B singer-songwriter co-writing and co-producing "I Got Nothin' Left." Ne-Yo told Digital Spy : "The first time I worked for her I wrote a song for her, which in itself was surreal… This time around I actually did a duet with her - it's her and me on one song, which was a challenge to say the least! I was trying to figure what I was even doing there - why would they need my voice when they have hers?"

He added, "She wanted to do the song as a duet and I was flattered, but it definitely made me question my vocal ability."

Ne-Yo described the experience of working with the Canadian singer to Access Hollywood as "an honor and pleasure." "Working with Celine Dion is kind of like [being] a kid in a candy store because [I had] that huge and incredible voice for me to do basically whatever I want to do with it," he explained. "[I was] like a kid with a brand new toy."

He continued: "It's an honor and pleasure to sing with Celine Dion, but it's not an easy thing. It's the most irrelevant I've ever felt - the size of her voice. [They didn't even] need me there, she could do the whole song herself. I honestly feel like she was just being nice to me letting me sing on the song!"

Rage Against the Machine - People Of The Sun

Rage Against the Machine - People Of The Sun Lyrics and Youtube Music Videos

Album: Evil Empire
Released: 1996

People Of The Sun Lyrics

Check it, since fifteen hundred and sixteen, minds attacked and overseen
Now crawl amidst the ruins of this empty dream
With their borders and boots, on top of us
Pullin' knobs on the floor, of their toxic metropolis
But how you gonna get what you need to get?
The gut eaters, blood drenched get offensive like Tet
The fifth sun sets get back reclaim
The spirit of Cuauhtémoc, alive and untamed
Now face the funk now blastin' out your speaker
On the one, Maya, Mexica
That vulture came to try and steal your name but now you got a gun
Yeah, this is for the People Of The Sun!

It's comin back around again! This is for the people of the sun!
It's comin back around again! Uh
It's comin back around again! This is for the people of the sun!
It's comin back around again! Uh

Yeah, never forget that the whip snapped ya back
Your spine cracked for tobaco, I'm the Marlboro Man, uh
Our past blastin' on through the verses
Brigades of taxi cabs rollin' Broadway like hearses
Troops strippin' zoots, shots of red mist
Sailors blood on the deck, come sister resist
From the era of terror, check this photo lens
Now the City of Angels does the ethnic cleanse, uh
Heads bobbin' to the funk out your speaker
On the one, Maya, Mexica
That vulture came to try and steal your name but now you found a gun
You're history! This is for the people of the sun

It's comin back around again! This is for the people of the sun!
It's comin back around again! Yeah
It's comin back around again! This is for the people of the sun!
It's comin back around again!

It's comin back around again! This is for the people of the sun!!
It's comin back around again!
It's comin back around again! This is for the people of the sun!!
It's comin back around!
Of the sun

Writer/s: DE LA ROCHA/COMMERFORD/MORELLO/WILK
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

People Of The Sun

This song was first written about the original California Chicano natives. As it developed, the lyrics changed to focus on the Zapatista Movement in southern Mexico. The Zapatistas, an army of indigenous farmers in Chiapas, Mexico, launched an armed uprising on January 1, 1994.

At a 2010 concert in Brazil, Zack de la Rocha dedicated the song to the MST (Landless Rural Workers of Brazil Movement), a "mass social movement, formed by rural workers and by all those who want to fight for land reform and against injustice and social inequality in rural areas."

Enrique Iglesias - Heart Attack

Enrique Iglesias - Heart Attack Lyrics and Youtube Music Videos

Album: Sex + Love
Released: 2013

Heart Attack Lyrics

Loving you was easy
Thought you'd never leave me yeah, yeah
Wrapped around my finger
See ya when I see you yeah, yeah

Now I'm hearing around
That you been running around
I didn't think I'd miss you
Now I'm feeling like a fool
Ooh, ooh

It hit me like a Heart Attack
When you finally left me girl
I thought I'd never want you back
But I don't wanna live in a world without you
I don't wanna live in a world without you
I don't wanna live in a world without you

Never really noticed
All the little things you did, you did
Never bought you roses
Always was around my friends, my friends

And now I'm hearing around
That you been running around
I didn't think I'd miss you
Now I'm feeling like a fool
Ooh, ooh

It hit me like a heart attack
When you finally left me girl
I thought I'd never want you back
But I don't wanna live in a world without you
I don't wanna live in a world without you
I don't wanna live in a world without you

Never should've let you slip away
Living in a world that's turned to grey
Little did I know it hurts so bad

'Cause it hit me like a heart attack
When you finally left me girl
I thought I'd never want you back
But I don't wanna live in a world without you
I don't wanna live in a world without you
I don't wanna live in a world without you, no oh
I don't wanna live in a world without you, no oh
I don't wanna live in a world without you

And now I'm hearing around
That you been running around
I didn't think I'd miss you
Now I'm feeling like a fool
Ooh ooh

Writer/s: IGLESIAS, ENRIQUE / RAMIREZ, ROMAN / HOLLOWELL-DHAR, NILES / GARTON JR., MARTY
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Heart Attack

The second single from Enrique Iglesias' second bilingual album was penned by the Spanish singer with:

Lead singer of the San Francisco-based alternative Hip-Hop group One Block Radius, Marty James.

Rome Ramirez of the American ska punk group Sublime with Rome.

Niles Dhar under his production moniker of The Cateracs. The latter also manned the boards for both this track, and Iglesias' previous single, "Turn The Night Up."

Igleasias told Ryan Seacrest that he can identify with the song's meaning: "I don't know why we do that. I think both girls and guys, we do that to ourselves," he said. "But it's happened to all of us and it's a story we can all relate to... and you think you've learned your lesson and it can happen over and over and over again."

"The way I look at music and write songs," Iglesis added, "it's like when you go to the movies, and some songs are more real and some songs are more fantasy."

The Colin Tilley directed video tells the story of what led to a couple's break up. Iglesias co-stars in the clip with When a Stranger Calls actress Camilla Belle.

Kate Bush - Moving

Kate Bush - Moving Lyrics and Youtube Music Videos

Album: The Kick Inside
Released: 1978

Moving Lyrics

Moving stranger does it really matter?
As long as you're not afraid to feel
Touch me, hold me, how my open arms ache
Try to fall for me

How I'm moved, how you move me
With your beauty's potency
You give me life, please don't let me go
You crush the lily in my soul

Moving liquid, yes, you are just as water
You flow around all that comes in your way
Don't think it over, it always takes you over
And sets your spirit dancing

How I'm moved, how you move me
With your beauty's potency
You give me life, please don't let me go (please don't let me go)
You give me life, please don't let me go (please don't let me go)
Oh, you give me life, please don't let me go
You crush the lily in my soul
Soul

Writer/s: BUSH, KATE
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Moving

Bush wrote this song for her dance teacher Lindsay Kemp. It's about how a person discovers free expression.

The inspiration for this song came also from whales. Kate thought that they were graceful and sang beautifully. Whale song is heard at the opening of the track.

While "Wuthering Heights" was the first single from Bush's debut album in the UK and most of the world, this song was the first released in Japan and reached #1 in that country. Oddly enough,it did not chart anywhere else.

Justin Bieber - Recovery

Justin Bieber - Recovery Lyrics and Youtube Music Videos

Album: Journals
Released: 2013

Recovery Lyrics

Recovery

This somber acoustic R&B tune finds Justin crooning about wanting to make up with a girl who holds a special place in his heart. The song was released as the fourth promotional single from the Canadian star's #MusicMondays series, a 10-week drive in which he unveiled a new tune every Sunday at midnight. "It's here. One of the most important songs to me I've ever written. #Recovery. Hope it helps you! (sic)" Justin tweeted after dropping the cut.

The acoustic-backed instrumental samples Craig David's 2000 hit "Fill Me In." The British singer was pleased that Justin had sampled one of his old tunes. "So many great memories flood back when hearing this guitar riff," he tweeted. "Well done @justinbieber sounding great."

The song specifically details the dissolution of a relationship, and in a tweet explaining its meaning Justin hinted that his ex-girlfriend, Selena Gomez, was the inspiration behind the tune. "Recovery is an acknowledgement that in life you can't just fall down and not get over things. You have to step up and recover," he tweeted.

"At the time, I was going through a very hard break up and when you're going through stuff like that you think that the world is just gonna end. Then you wake up the next day and realize that life has to go on."

He added: "Recovery is that feeling you get when you start to move on and make things better for yourself because yesterday is gone and tomorrow is here."

Kate Bush - The Dreaming

Kate Bush - The Dreaming Lyrics and Youtube Music Videos

Album: The Dreaming
Released: 1982

The Dreaming Lyrics

'Bang!' goes another kanga
On the bonnet of the van.
"See the light ram through the gaps in the land."
Many an Aborigine's mistaken for a tree
'Til you near him on the motorway
And the tree begin to breathe.
"See the light ram through the gaps in the land."

("Ha-ha-ha-ha-ha-ha")

Coming in with the golden light
In the morning.
Coming in with the golden light
Is the New Man.
Coming in with the golden light
Is my dented van.

Woomera.

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me-me-me,"

"Dree-ee-ee-ee-ee-"
Woomera.
"A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me-me-me.

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-"

The civilized keep alive
The territorial war.
"See the light ram through the gaps in the land."
Erase the race that claim the place
And say we dig for ore,
Or dangle devils in a bottle
And push them from the Pull of the Bush.
"See the light ram through the gaps in the land."
You find them in the road.
"See the light bounce off the rocks to the sand."
In the road.

Coming in with the golden light
In the morning.
Coming in with the golden light
With no warning.
Coming in with the golden light
We bring in the rigging.
Dig, dig, dig, dig away.

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me-me-me,"

"Dree-ee-ee-ee-ee-"
Woomera.
"A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me,"

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-"
Woomera.
"Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me-me-me,"

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-"
Woomera.
"Me-me-me-me-me."

Ma-ma-many an Aborigine's mistaken for a tree
("La, la, oo-ooh!")
"See the light ram through the gaps in the land."
You near him on the motorway
And the tree begin to breathe.
Erase the race that claim the place
And say we dig for ore.
"See the light ram through the gaps in the land."
Dangle devils in a bottle
And push them from the Pull of the Bush.
"See the sun set in the hand of the man."

"Bang!" goes another kanga
On the bonnet of the van.
"See the light bounce off the rocks to the sand."
You find them in the road.
"See the light ram through the gaps in the land."
In the road.
"See the light."
("Push 'em from the")
Pull of the Bush.
"See the light bounce off the rocks to the sand."
("Push 'em from the")
Pull of the Bush.
"See the sun set in the hand of the man."

("Oh, re mikayina!")
Writer/s: BUSH, KATE
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Dreaming

Bush wrote this about the situation between the white Australians and the aborigines who were being wiped out by man's greed for uranium. White men were digging up aboriginal sacred grounds to get to the plutonium needed to build weapons that could one day destroy everything.

The title comes from a religious period of time in the aboriginal culture known as Dreamtime, a time when animals and humans take the same form. Dreamtime is also known as The Dreaming.

Traditional aboriginal instruments were used on this song.

The Dreaming was Bush's first completely solo produced album.

One Direction - Story of My Life

One Direction - Story of My Life Lyrics and Youtube Music Videos

Album: Midnight Memories
Released: 2013

Story of My Life Lyrics

Written in these walls are the stories that I can't explain
I leave my heart open but it stays right here empty for days

She told me in the morning
She don't feel the same about us in her bones
It seems to me that when I die
These words will be written on my stone

And I'll be gone, gone tonight
The ground beneath my feet is open wide
The way that I've been holdin' on too tight
With nothing in between

The Story of My Life, I take her home
I drive all night to keep her warm and time
Is frozen (the story of, the story of)
The story of my life, I give her hope
I spend her love until she's broke, inside
The story of my life (the story of, the story of)

Written on these walls are
The colors that I can't change
Leave my heart open
But it stays right here in its cage

I know that in the morning now
I see ascending light upon a hill
Although I am broken, my heart is untamed, still

And I'll be gone, gone tonight
The fire beneath my feet is burning bright
The way that I've been holdin' on so tight
With nothing in between

The story of my life, I take her home
I drive all night to keep her warm and time
Is frozen (the story of, the story of)
The story of my life, I give her hope
I spend her love until she's broke, inside
The story of my life (the story of, the story of)

And I've been waiting for this time to come around
But baby running after you is like chasing the clouds

The story of my life
I take her home
I drive all night
To keep her warm and time
Is frozen

The story of my life I give her hope (give her hope)
I spend her love until she's broke (until she's broke inside)
The story of my life (the story of, the story of)

The story of my life
The story of my life (the story of, the story of)
The story of my life

Writer/s: RYAN, JOHN / STYLES, HARRY / PAYNE, LIAM / TOMLINSON, LOUIS / MALIK, ZAIN / HORAN, NIALL / SCOTT, JAMIE / BUNETTA, JULIAN
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC, DOWNTOWN MUSIC PUBLISHING LLC
Lyrics licensed and provided by LyricFind

Story of My Life

This guitar-led ballad finds One Direction singing of a girl who broke their hearts. It was co-written by Jamie Scott, who also co-penned the Up All Night tracks, "More Than This" and "Stole My Heart" as well as the Take Me Home tunes "C'mon C'mon" and "She's Not Afraid." The British singer-songwriter's other credits include Enrique Iglesias' "Heartbeat", Michael Kiwanuka's "Home Again" and Matt Cardle's "Loving You."

Niall Horan recalled the first time Scott played them the song during an interview with UK radio station Capital FM. "We were in Nottingham on tour when we were touring the UK back in February and March," he recalled, "and we just came into a room one day and he was like, 'I've got this song that I've written and I want to play [it for] you.' And we just fell in love with it the second we heard it."

The One Direction guys contributed to the lyrics whilst "Best Song Ever" collaborators John Ryan and Julian Bunetta produced the tune. Scott recalled to MTV News that as soon as 1D heard his demo, "they freaked out and finished the song with us. It's always good to have their kind of input on lyrics and stuff just to make sure they're really singing what they're singing about."

The song is more folk-orientated than most of One Direction's previous offerings, but Scott told MTV News the quintet have the talent to pull it off. "It's not that hard a thing to do because the boys have really good voices, they've all got very different voices. Harry [Styles'] rasp is something that you can always lean towards... All the boys have such a great sound themselves," he said. "For instance the demo that we played the boys sounds a lot more folky than it does now. That's what amazing about their voices [when they record it] straight away it sounds like them."

With five vocalists, One Direction was well-suited for the huge chorus in this song, which is the focal point. The song opens with a guitar figure that continues under the first verse. There is a big change in intensity going from the verse to the chorus, and a cymbal swell acts as a transition.

After the first chorus, the drumbeat continues through the second verse. After the second chorus, the song breaks down with just acoustic guitar and vocal ("And I'll be waiting for this time..."), which serves as the bridge. After the third chorus, the song resolves with the music coming out, leaving the last line - the title of the song - bare.

The music video was directed by Ben Winston, who also helmed the clip for One Direction's previous single "Best Song Ever." The visual features the guys gazing at old family photographs and literally re-living the memories hey contain. We get to see: Zayn's sister, Niall's brother, Liam's parents and sisters Harry's mother and Louis' grandparents. The latter is an especially poignant scene as two of the folks in the picture are no longer with us, and in a moving moment, they fade and disappear before the recreation takes place.

This is the only track on Midnight Memories to be co-written by all five One Directioners, however all but two songs on the album bears the name of at least a single band member in the credits.

Shakira - Octavo Dia

Shakira - Octavo Dia Lyrics and Youtube Music Videos

Album: Donde Estan Los Ladrones
Released: 1998

Octavo Dia Lyrics

El octavo día Dios después de tanto trabajar
Para liberar tensiones luego ya de revisar
Dijo todo esta muy bien es hora de descansar
Y se fue a dar un paseo por el espacio sideral

Quien se iba a imaginar que el mismo Dios al regresar
Iba a encontrarlo todo en un desorden infernal
Que se iba a convertir en un desempleado mas
De la tasa que anualmente esta creciendo sin parar

Desde ese entonces hay quienes lo han visto
Solo en las calles transitar
Anda esperando paciente por alguien
Con quien al menos tranquilo
Pueda conversar

Mientras tanto este mundo gira y gira sin poderlo detener
Y aquí abajo unos cuantos nos manejan
Como fichas de ajedrez
No soy la clase de idiota
Que se deja convencer
Pero digo la verdad
Y hasta un ciego lo puede ver

Si a falta de ocupación
O de excesiva soledad
Dios no resistiera mas
Y se marchara a otro lugar
Seria nuestra perdición
No habría otro remedio mas
Que adorar a Michael Jackson
A Bill Clinton o a Tarzan

Es mas dificil ser rey sin corona
Que una persona mas normal
Pobre de Dios que no sale en revistas
Que no es modelo ni artista o de familia real

Mientras tanto este mundo gira y gira
Sin poderlo detener
Y aqui abajo unos cuantos nos manejan
Como fichas de ajedrez
No soy la clase de idiota
Que se deja convencer
Pero digo la verdad
Y hasta un ciego lo puede ver

Mientras tanto este mundo gira y gira
Sin poderlo detener
Y aqui abajo unos cuantos nos manejan
Como fichas de ajedrez
No soy la clase de idiota
Que se deja convencer
Pero digo la verdad
Y hasta un ciego lo puede ver

Writer/s: MENDEZ, LESTER A. / MEBARAK, SHAKIRA ISABEL
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Octavo Dia

This is a satire on life and how materialistic humanity has become. In the song (translated as "Eighth Day"), God takes a break from creating the Earth and when He comes back, he is surprised at how people forgot Him all of a sudden.