Songs Lyrics and YT- Youtube Music Videos

Pusha T - Nosetalgia

Pusha T - Nosetalgia Lyrics and Youtube Music Videos

Album: My Name Is My Name
Released: 2013

Nosetalgia Lyrics

20 plus years of selling Johnson & Johnson
I started out as a baby face monster
No wonder there's diaper rash on my conscience
My teething ring was numbed by the nonsense
Gem Star razor and a dinner plate
Arm and hammer and a mason jar, that's my dinner date
Then crack the window in the kitchen, let it ventilate
Cause I let it sizzle on the stove like a minute steak
Nigga, I was crack in the school zone
Two beepers on me, Starter jacket that was two toned
Four lockers, four different bitches got their mule on
Black Ferris Bueller, cutting school with his jewels on
Couldn't do wrong with a chest full of chains and a arm full of watches
What I sell for pain in the hood, I'm a doctor
Zhivago tried to fight the urge like Ivan Drago
If he dies he dies, like Doughboy to Tre
If he rides he rides, Throwing punches in the room
If he cries he cries, we don't drink away the pain
When a nigga die we add a link to the chain
Inscribe a nigga name in your flesh
We playing on a higher game of chess
Once you delegate his bills who's gone fuck his bitch the best?
A million megapixels of the Pyrex
Started on the scale digital, my only Timex
Nigga, this is timeless, simply cause it's honest
Pure as the fumes that be fucking with my sinus
Nigga this is Simon says, Simon red
Blood on your diamonds til you dying, dead, yah!

You better change what comes out your speaker

You wanna see a dead body?
Instrumentals from my mama's Christmas party
Troubles on my mind, I still smell crime
My little brother crying
Smokers repeatedly buying my Sega Genesis
Either that or my auntie was stealing it
Hit the pipe and start feeling it
Oh wee, cut me some slack, weed never did that
This was different, geez, Louise please help me relax
Quantum physics could never show you the world I was in
When I was ten
Back when nine ounces have got you ten
And nine times out of ten niggas don't pay attention
And when there's tension in the air nines come with extensions
My daddy dumped a quarter piece to a four and a half
Took a L, started selling soap fiends bubble bath
Broke his nails misusing his pinky to treat his nose
Shirt buttoned open, taco meat land on his gold
I said "daddy, one day I'mma get you right with 36 zips
1000 grams of cocaine then your name will be rich
Now you can rock it up or sell it soft as leather interior
Drop some ice cubes in it, Deebo on perimeter"
He said "son, how come you think you be my connect?"
Said "pops, your ass is washed up with all due respect"
He said "well nigga, then show me how it all makes sense"
Go figure, motherfucker, every verse is a brick
Your son dope, nigga
Now reap what you sowed, nigga
Please reap what you sowed, nigga
I was born in '87, my grand daddy a legend
Now the same shit that y'all was smoking is my profession
Let's get it

They must be on the dick of who?

They must be on the dick of who?

Writer/s: THORNTON, TERRENCE / WEST, KANYE / HORN, TREVOR / BANKS, HOMER / LAMB, DOMINICK / DUDLEY, ANNE / LAROCK, SCOTT / MCLAREN, MALCOLM / PARKER, KRIS / HAMPTON, CARL / JACKSON, RAYMOND / KHAN, ANTHONY / DUCKWORTH, KENDRICK
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group, UNIVERSAL MUSIC PUB GROUP, DOWNTOWN MUSIC PUBLISHING LLC, WARNER CHAPPELL MUSIC INC, SONY ATV MUSIC PUB LLC
Lyrics licensed and provided by LyricFind

Nosetalgia

This song finds Pusha T and Kendrick Lamar trading bars and perspectives about the drug world to a sparse Nottz Raw soundscape. Pusha broke down the two different angles to HipHopDX.com : "We gave two perspectives [on the song]. [Kendrick Lamar] was giving more, looking from the inside of his home and how his family and his crusade through the drug epidemic affected him. I was giving you the junior high, high school start, showing you what it was and where I was at."

The Velvet Underground - Heroin

The Velvet Underground - Heroin Lyrics and Youtube Music Videos

Album: The Velvet Underground & Nico
Released: 1967

Heroin Lyrics

I don't know just where I'm going
But I'm gonna try for the kingdom, if I can
'Cause it makes me feel like I'm a man
When I put a spike into my vein
And I tell you things aren't quite the same

When I'm rushing on my run
And I feel just like Jesus' son
And I guess that I just don't know
And I guess that I just don't know

I have made big decision
I'm gonna try to nullify my life
'Cause when the blood begins to flow
When it shoots up the dropper's neck
When I'm closing in on death

You can't help me now, you guys
And all you sweet girls with all your sweet talk
You can all go take a walk
And I guess I just don't know
And I guess that I just don't know

I wish that I was born a thousand years ago
I wish that I'd sailed the darkened seas
On a great big clipper ship
Going from this land here to that
On a sailor's suit and cap

Away from the big city
Where a man cannot be free
Of all the evils of this town
And of himself and those around
Oh, and I guess that I just don't know
Oh, and I guess that I just don't know

Heroin, be the death of me
Heroin, it's my wife and it's my life
Because a mainline into my vein
Leads to a center in my head
And then I'm better off than dead

Because when the smack begins to flow
I really don't care anymore
About all the Jim-Jims in this town
And all the politicians making crazy sounds
And everybody putting everybody else down
And all the dead bodies piled up in mounds

'Cause when the smack begins to flow
And I really don't care anymore
Ah, when that heroin is in my blood
And that blood is in my head
Then thank God that I'm as good as dead
And thank your God that I'm not aware
And thank God that I just don't care
And I guess I just don't know
Oh, and I guess I just don't know

Writer/s: LEWIS ALLEN REED, LOU REED
Publisher: SONY ATV MUSIC PUB LLC
Lyrics licensed and provided by LyricFind

Heroin

While there are many alternative interpretations of this song, it seems to be the case that Lou Reed was merely describing the effects of the drug, while neither condemning it nor condoning it. It might have been done merely for shock value, or because Reed liked gritty subjects, or as a dark poem of addiction; the beauty of this song is that it works on all of these levels, and many more, at the same time. In many of his songs, we have cases where Lou Reed kept the focus on providing an objective description of the topic without taking a moral stance on the matter.
For the record, Lou Reed spoke of the meaning of some of his songs in a 1971 interview with creem magazine: "I meant those songs to sort of exorcise the darkness, or the self-destructive element in me, and hoped other people would take them the same way. But when I saw how people were responding to them, it was disturbing. Because, like, people would come up and say, 'I shot up to 'Heroin,' things like that. For a while, I was even thinking that some of my songs might have contributed formatively to the consciousness of all these addictions and things going down with the kids today. But I don't think that anymore; it's really too awful a thing to consider."

Lou Reed wrote "Heroin" while attending Syracuse University - he would have been close to the age of 18. During his attendance, he also played guitar with several bar bands and hosted his own radio show on campus, in which he featured the works of various jazz and R&B legends. According to The Velvet Underground: An Illustrated History of a Walk on the Wild Side , Reed would amuse himself by using his electric guitar to blast screeches at the marching ROTC cadets on the green outside his dorm window, an act that impressed his new friend Sterling Morrison.

Also according to the above-mentioned biography, an original acetate recording of The Velvet Underground & Nico, including this song, was discovered at a yard sale in 2006. One Warren Hill, street-shopping along Chelsea Street in New York City, spotted the find. It was later verified to be the recording made at their first session at Scepter Studios under producer Norman Dolph. Hill bought the acetate for seventy-five cents. He later sold it on eBay for $25,000.

The unique screeching, droning viola sound in this and other early Velvet Underground songs was produced by bassist John Cale, a classically trained violist, playing an electric viola with 3 guitar strings, a cello bow and plenty of feedback. This preceded The Creation, who were the first to play a guitar with a cello bow in 1966. Few other bands exploited feedback and noise to the same degree as the Velvet Underground until the noise-rock scene developed in the 1980s.

The line, "And I feel just like Jesus' son" provided the title for Denis Johnson's short story collection Jesus' Son , which was made into a movie in 1999.

The song appears in the Oliver Stone movie The Doors.

Weezer's Brian Bell and Patrick Wilson covered this when they portrayed Lou Reed and John Cale, respectively, in the Edie Sedgwick biopic Factory Girl (2006).

Tinie Tempah - Children of the Sun

Tinie Tempah - Children of the Sun Lyrics and Youtube Music Videos

Album: Demonstration
Released: 2013

Children of the Sun Lyrics

Lay down your head
You're not alone
Anywhere you go, I follow
We are the Children of the Sun
That's all you need to know

Lay down your head
You're not alone
Anywhere you go, I follow
We are the children of the sun
That's all you need to know

Bitch I'm a moon walker like Michael, sky walk all over my rivals
Both hands on that Bible, bitch I'm next in line for that title
When they got had nothing to do, what was I do, who was in the studio with Taio
We climbing high, we on the Kilimanjaro, and they're panicking
They don't really know what's happening
Never gotten clothes off a mannequin, we don't want no comparison
I overdose on extravagance, we went for gold and got platinum
I told my bro' to get an ambulance 'cause I caught a cold and went spazz on them
How can home be where the heart is,
When your shadow even fucking leaves you when you are in darkness
Still get stopped by Sergeant Pepper, looking for that ziggy stardust
After a lifetime of regret, I'm just looking for some answers

Lay down your head
You're not alone
Anywhere you go, I follow
We are the children of the sun
That's all you need to know

Lay down your head
You're not alone
Anywhere you go, I follow
We are the children of the sun
That's all you need to know

I had opportunity in my window, wise words in my kindle
Disturbing London, we here to ball, your team stuck in limbo
Like Freddie, Bruno and Ringo, I saw the signs and symbols
With that top down on my yellow ride, let bitches hate on my bimbo
I'm yards away from that milestone, international dial tone
Put me through amaro when you Instagram with your iPhone
From yellow bricks to them brown stones, I ring bells, I'm household
Look at all the rappers we outsold so keep your mouth closed, yeah
How did I become so jaded, maybe all these insecurities are making me feel naked
Feel like Harry did in Vegas, had my privacy invaded
That's a liberty a pity, the epitome of what fame is
Priest up in my parish, keep on putting me in their prayers
Swear I'd never sell my soul, my pride and dignity is too major, yeah
We rarely ever get those second chances, after a lifetime of regret
I'm just looking for some answers, yeah

Lay down your head
You're not alone
Anywhere you go, I follow
We are the children of the sun
That's all you need to know

Lay down your head
You're not alone
Anywhere you go, I follow
We are the children of the sun
That's all you need to know

Looking for a light that can outshine the sun
I know one day our time will come
Bought a camera to capture these cinematic nights
Still don't satisfy my appetite for this lavish life
Tell me, doctor, am I fit for all these flashing lights?
Like Michael said, it doesn't matter if you're black or white
We got the colors of the sun to descend above us
All we have is each other in case you happen to wonder, let's go

Lay down your head
You're not alone
Anywhere you go, I follow
We are the children of the sun
That's all you need to know

Lay down your head
You're not alone
Anywhere you go, I follow
We are the children of the sun
That's all you need to know

Writer/s: MUGHAL, ESHRAQUE / OKOGWU, PATRICK / BERNARDO, CHARLIE / MARTIN, JOHN / VREDENBERG, MANS / ZITRON, MICHEL
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Children of the Sun

The second single from English rapper Tinie Tempah's sophomore album Demonstration is a stadium-rousing grime ballad that features John Martin. The Swedish singer-songwriter also contributed vocals to Swedish House Mafia's hit tunes "Save The World" and "Don't You Worry Child" as well as SHM member Sebastian Ingrosso's solo track, "Reload."

The song was premiered on BBC Radio 1's Zane Lowe Show on September 12, 2013 and released on October 28, 2013.

The hands-in-the-air anthem sees Tinie reuniting with "Written In The Stars" producer Eshraque "iSHi" Mughal. The Swedish knob twiddler has also worked with such artists as Usher, Ne-Yo, Shakira, Lupe Fiasco, Cheryl Cole, Avicii, Example and Emeli Sandé.

The Clash - The Guns Of Brixton

The Clash - The Guns Of Brixton Lyrics and Youtube Music Videos

Album: London Calling
Released: 1979

The Guns Of Brixton Lyrics

When they kick at your front door
How you gonna come?
With your hands on your head
Or on the trigger of your gun

When the law break in
How you gonna go?
Shot down on the pavement
Or waiting on death row

You can crush us
You can bruise us
But you'll have to answer to
Oh, The Guns Of Brixton

The money feels good
And your life you like it well
But surely your time will come
As in heaven, as in hell

You see, he feels like Ivan
Born under the Brixton sun
His game is called survivin'
At the end of the harder they come

You know it means no mercy
They caught him with a gun
No need for the Black Maria
Goodbye to the Brixton sun

You can crush us
You can bruise us
Yes, even shoot us
But oh-the guns of Brixton

When they kick at your front door
How you gonna come?
With your hands on your head
Or on the trigger of your gun

You can crush us
You can bruise us
Yes, even shoot us
But oh-the guns of Brixton

Shot down on the pavement
Waiting in death row
His game is called survivin'
As in heaven as in hell

You can crush us
You can bruise us
But you'll have to answer to
Oh, the guns of Brixton

Writer/s: SIMONON, PAUL
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Guns Of Brixton

This song was written by bass player Paul Simonon, but only because he was envious of the royalties main songwriters Joe Strummer and Mick Jones were getting. He decided to get in on the songwriting himself, and this became one of the Clash's best known songs and a staple of their live set until their demise in the mid-'80s. Simonon takes lead vocal duties on the song, which is about gangsters in his home town Brixton, which is in South London.

Interestingly, he was reticent about singing lead vocals initially, but Strummer noted that "they're your lyrics, you sing them" and the rest of the band agreed. Simonon notes: "The vocal mike was right up against the glass panel of the control room and sitting two feet behind the glass was some American CBS bloke. That's probably why the vocals came out the way they did."

Brixton was the site of race riots in 1981 and again in 1985. This song captures the alienation many citizens of Brixton felt leading up to the riots.

The central plot has Ivan, the anti-hero character from the popular film The Harder They Come (the soundtrack of which contained many of The Clash's favorite Reggae songs, including the title track) in urban South London ("You see, he feels like Ivan, born under the Brixton sun, his game is called survivin', at the end of the harder they come") and on the wrong side of the law ("When the law break in, how you gonna go? Shot down on the pavement, or waiting on death row").

In 1990 the bassline to "The Guns of Brixton" was sampled in the Beats International (AKA Norman Cook, AKA Fatboy Slim) hit single "Dub Be Good To Me," and became a UK hit single, meaning Simonon received a credit of the royalties for his bassline. Interviewed by Scott Rowley on October 1999 for Bassist magazine, Simonon said that he "was surprised that it became number one, that was quite shocking. And the fact that it was my performance that they had lifted. The smart thing would've been to copy it and change it slightly, but they just lifted it straight off. So, really, I have done Top of the Pops! I met up with Norman [Cook] and we came to an arrangement which was much needed at the time. But I thought it was a really good idea and it was quite reassuring for that to happen to my first song."

This song was not released as a single when the London Calling album first came out, however in 1990 with the re-release of London Calling on CD, a remixed version entitled "Return to Brixton," which included the original "Guns of Brixton" mix on the B-side, was released and reached #57 on the UK charts in July 1990. Interestingly, a typo on the sleeve notes of the CD release meant Paul Simonon's name was misspelled as Paul Simon; although a very successful recording artist in his own right, the actual Paul Simon (half of Simon and Garfunkel) had nothing to do with the writing of "The Guns of Brixton"!

The song was always a popular live fixture, and Simonon's moment of glory onstage as he took lead vocals. He would swap instruments with Joe Strummer, who would play bass whilst Simonon played some rhythm guitar and sang (or usually bellowed) his vocals with great gusto. An example of this is the live version of the song which appears on the From Here To Eternity live compilation CD, taken from one of their many New York shows in June 1981. The song was first played live by the band at a September 1979 show in Chicago and at almost every show after that.

The Clash - Jail Guitar Doors

The Clash - Jail Guitar Doors Lyrics and Youtube Music Videos

Album: The Clash US
Released: 1978

Jail Guitar Doors Lyrics

Let me tell you 'bout Wayne and his deals of cocaine
A little more every day
Holding for a friend till the band do well
Then the D.E.A. locked him away

Clang clang, go the Jail Guitar Doors
Bang bang, go the boots on the floor
Cry cry, for your lonely mother's son
Clang clang, go the jail guitar doors

An' I'll tell you 'bout Pete, didn't want no fame
Gave all his money away
"Well there's something wrong, it'll be good for you, son"
And so they certified him insane

And then there's Keith, waiting for trial
Twenty-five thousand bail
If he goes down you won't hear his sound
But his friends carry on anyway
Fuck 'em!
Jail guitar doors
Fifty four/forty six was my number
Jail guitar doors
Right now someone else has that number

Writer/s: STRUMMER, JOE / JONES, MICK / SIMONON, PAUL / HEADON, TOPPER
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Jail Guitar Doors

"Jail Guitar Doors" started life as a song written by singer Joe Strummer for his previous band, the 101ers, either as presently titled or given the different title "Lonely Mother's Son" - reports vary. Strummer brought the song with him to The Clash, but wasn't comfortable with playing it in his new band as he wanted a totally clean cut from the past. It was only in late 1977 that guitarist Mick Jones revisited the song and rewrote the lyrics, eventually having the band re-record it at CBS Studios in September of that year. Roadie Johnny Green remembers the session, and stated that "that funny noise at the beginning is the hi-hat, which was bent. We amplified it right up and everyone loved it."

Musically, the song takes cues from the New York Dolls' back catalogue, as well as David Bowie's "Rebel Rebel." The closing refrain is a direct lift of Toots and the Maytals' "54-46 That's My Number."

The three verses tell the story of one guitarist who gets in trouble for drug possession, which ties together with the sadness and regret of the chorus; seeing people you look up to throw their lives away in such fashion ("Clang clang, go the jail guitar doors, bang bang, go the boots on the floor").

The first verse mentions a character called Wayne ("Let me tell you 'bout Wayne and his deals of cocaine, a little more every day"), which is likely a reference to the MC5's Wayne Kramer.

The second verse discusses the fate of a Peter ("An' I'll tell you 'bout Pete, didn't want no fame, gave all his money away"), which is more than likely Fleetwood Mac's Peter Green.

The final verse is about a Keith ("And then there's Keith, waiting for trial, twenty-five thousand bail") which is very clearly The Rolling Stones' Keith Richards.

All three men were guitar heroes of Mick Jones growing up, so it would make sense that the "what a shame" feel of the lyrics would relate to Jones' own feelings upon seeing his childhood heroes locked up. After his own drug bust in July 1978, Jones would add a fourth verse into live performances discussing his hope that he doesn't end up meeting the same fate as his heroes.

The first live performance of the song came in Zurich in October 1977, a month after it was recorded, and it remained a solid feature of The Clash's live set for the next 18 months (including with Jones' self-inflicted extra verse after July 1978). It would later be released as the B-side to the "Clash City Rockers" single in 1978, and would only appear on the US version of The Clash's self-titled first album. It would eventually get a UK release on Super Black Market Clash, and in the enormous Singles Box compilation in 2006.

A number of artists have covered this song, including the Rockabilly band The Caravans in 2003, and Guns N' Roses guitarist Gilby Clarke for his first solo album Pawnshop Guitars in 1994. This version featured other members of Guns N' Roses, as well as Pixies vocalist Frank Black and freelance guitarist Ryan Roxie.

The popular folk musician Billy Bragg used the title "Jail Guitar Doors" as the name for his independent initiative with the aim of providing musical equipment and funding recording projects in prisons and for ex-inmates to help use music as a way of rehabilitating prisoners and ex-convicts. A US version of the Jail Guitar Doors initiative was set up by Wayne Kramer (apropos considering his name-check in the original song) with much the same aim: to use music and performing to help rehabilitate prisoners and cut down on prison violence.

Rancid - Tenderloin

Rancid - Tenderloin Lyrics and Youtube Music Videos

Album: Let's Go
Released: 1994

Tenderloin Lyrics

Tenderloin

This is about a lady who is a prostitute in the Tenderloin district of San Francisco.

Fellow California punk band NOFX have been known to cover this song in their live shows.

Billy Currington - 23 Degrees And South

Billy Currington - 23 Degrees And South Lyrics and Youtube Music Videos

Album: We Are Tonight
Released: 2013

23 Degrees And South Lyrics

23 Degrees And South
Ride the river down to the mouth
This crazy life I can do without
Long as you're here with me
Catch a wave and ride the crest
Hang ten and hook it to the west
Sell it all til' there's nothing left
Long as you're here with me

Gonna play this old guitar
For beer and tips at a beachside bar
Little out of key, we'll sing it loud
Don't need a map to get us where we're going
Sail wherever the breeze is blowing
Rediscover what our love is all about
You and me and 23 degrees south

Remember me, remember you
All those crazy things we said we'd do
We got so lost and out of the blue
Dreams just slip away
But I'm still here and you're my girl
Still you and me against the world
Pack a bag and pack it light
Come on baby, we can leave tonight

Gonna play this old guitar
For beer and tips at a beachside bar
Little out of key, we'll sing it loud
Don't need a map to get us where we're going
Sail wherever the breeze is blowing
Rediscover what our love is all about
You and me and 23 degrees south

Play songs on this guitar
We'll get back to who we are
Fall like shooting stars that don't burn out
Don't need a map to get us where we're going
Sail wherever the breeze is blowing
Remember what our love is all about
You and me and 23 degrees south, mm, hmm

Well, come on baby, pack it light, mm, hmm
23 degrees south, oh yeah

Writer/s: DOUGLAS, TOM / LINDSEY, HILLARY / SAMPSON, GORDIE
Publisher: Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

23 Degrees And South

Currington said that this poetic Tom Douglas, Hillary Lindsey and Gordie Sampson penned tune sounds like a song that he could have written because it's so much about him. "It's about Key West and I go there quite often," he explained. "I've spent so many days in the sunshine down there fishing and spear fishing, paddle boarding and just being a part of Key West. Everything about '23 Degrees and South' explains my life and down there."

Counting Crows - Colorblind

Counting Crows - Colorblind Lyrics and Youtube Music Videos

Album: This Desert Life
Released: 1999

Colorblind Lyrics

I am Colorblind
Coffee black and egg white
Pull me out from inside
I am ready, I am ready, I am ready,
I am taffy stuck and tongue tied
Stutter shook and uptight
Pull me out from inside
I am ready, I am ready, I am ready,
I am fine

I am covered in skin
No one gets to come in
Pull me out from inside
I am folded and unfolded and unfolding
I am colorblind
Coffee black and egg white
Pull me out from inside
I am ready, I am ready, I am ready,
I am fine
I am fine
I am fine

Writer/s: ADAM F. DURITZ, CHARLES GILLINGHAM, DAVID BRYSON, BEN MIZE, DANIEL VICKREY, MATTHEW MALLEY
Publisher: IMAGEM U.S. LLC
Lyrics licensed and provided by LyricFind

Colorblind

This song is about the extremes that exist within us ("Coffee black and egg white"), our unwillingness to reveal them ("Taffy stuck and tongue tied, stutter shook and uptight"), the defenses we put up to keep people from seeing our true natures ("I am covered in skin, no one gets to come in"), and the terrifying bliss when we let our defenses down to someone we love ("Pull me out from inside, I am ready, I am fine"). Colorblind is the state in which we are no longer judging our inner feelings.

Billy Currington - Hard To Be A Hippie

Billy Currington - Hard To Be A Hippie Lyrics and Youtube Music Videos

Album: We Are Tonight
Released: 2013

Hard To Be A Hippie Lyrics

It used to be that
You could up and thumb a ride from Nashville to L.A.
And everyone who stopped and picked you up
Would get you high along the way

And it used to be that
You could fall in and out of love in an afternoon
And then fall again that evening
And not think that it was happening too soon

But it's Hard To Be A Hippie anymore
It hurts more now
Waking up on the floor
Oh, it's still free
But it ain't easy like before
It's hard to be a hippie anymore

Fire it up boys

It used to be just walking down the street
Would make the people stop and stare
Now all the cowboys and the preppies
And the rednecks and the yuppies have long hair

But I was always going places
In my head and seeing things that blew my mind
Now the only thing I'm trippin' on
Are my own two feet, trying to keep up with the times
Ah yeah, you know that's right

But it's hard to be a hippie anymore
It hurts more now
Waking up on the floor
Oh, it's still free
But it ain't easy like before
It's hard to be a hippie anymore

Lord, it's still free
But it ain't easy like before
It's hard to be a hippie anymore

Writer/s: SHERRILL, JOHN SCOTT / EMERICK, SCOTTY / BRYANT, DIANA
Publisher: Sony/ATV Music Publishing LLC, COPYRIGHT SOLUTIONS
Lyrics licensed and provided by LyricFind

Hard To Be A Hippie

This Deanna Bryant, Scotty Emerick , John Scott Sherrill penned fun tune finds Currington duetting with Country legend Willie Nelson. The singer first discovered the playful song when he was surfing YouTube and ran across an acoustic performance by his buddy Scotty Emerick. "I saw the great fan reaction and it's a song I couldn't get out of my head," said Currington. "I called him up and I'm like, 'Man, you've got to send me that Hippie song.'"

"My first thought when I was listening to the demo was this would be perfect to record with Willie Nelson," he continued. "I mentioned it to Scotty and he's like 'Well I know Willie pretty good' so he mentioned it to Willie and I ended up meeting Willie on his bus one afternoon. We played it for him and he was in. We went to Texas and recorded his vocal and that's how 'Hard to Be a Hippie' came about."

The Who - Trick Of The Light

The Who - Trick Of The Light Lyrics and Youtube Music Videos

Album: Who Are You?
Released: 1978

Trick Of The Light Lyrics

Trick Of The Light

Who bass player John Entwistle wrote this song about a man who believes a hooker loves him, at least until his time is up.

The guitar-like assault throughout is actually Entwistle's heavily distorted eight-string Alembic bass.

Chris Young - Text Me Texas

Chris Young - Text Me Texas Lyrics and Youtube Music Videos

Album: A.M.
Released: 2013

Text Me Texas Lyrics

Who's in Houston that's keepin' you from talkin' to me
I ain't used to layin' down without the sound of your voice
Before I drift off to sleep
Girl, you got me climbin' the walls
If you can't find the time to call

Come on and text me, Texas
Before you turn off your phone
I'm a wreck and I'm restless
Got a feelin' that you're not alone
It's breakin' my heart and I'm startin' to get the message
Come on and text me, Texas

I pray what you ain't sayin' don't mean what all my friends say it means
Maybe you can give me just a couple of lines that I can read between
You could even tell me a lie
Anything to get me by

Come on text me, Texas
Before you turn off your phone
I'm a wreck and I'm restless
Got a feelin' that you're not alone
Yeah it's breakin' my heart and I'm startin' to get the message
Come on and Text Me Texas

Whatever you can't tell me now
Baby, you could spell it out

Come on and text me, Texas
Before you turn off your phone
I'm a wreck and I'm restless
Got this feelin' that you're not alone
Yeah it's breakin' my heart and I'm startin' to get the message
Come on and text me Texas

Writer/s: Akins, Rhett / Mcanally, Shane / Osbourne, Josh
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Text Me Texas

This Rhett Akins, Shane McAnally and Josh Osborne penned song finds the narrator waiting desperately for a response from the object of his affection. Young told Pollstar that it's his favorite track on A.M. He explained: "It's just got this really cool slack-groove, and it's almost acoustically driven with a cajon feel. I just love the way it's written."

"I think it's got some of the coolest lines," Young continued. "There's a line in the second verse – and I hate when people line songs and here I am about to do a little bit of it – but it says:

"I pray what you ain't sayin' don't mean what all my friends say it means
Maybe you can give me just a couple of lines that I can read between."

"Man that's just some really cool songwriting," he concluded. "It's one of those songs where I said, 'Damn, why didn't I write that?' So we had to cut it for the record."

Billy Joel - And So It Goes

Billy Joel - And So It Goes Lyrics and Youtube Music Videos

Album: Storm Front
Released: 1989

And So It Goes Lyrics

In every heart there is a room
A sanctuary safe and strong
To heal the wounds from lovers past
Until a new one comes along

I spoke to you in cautious tones
You answered me with no pretense
And still I feel I said too much
My silence is my self defense

And every time I've held a rose
It seems I only felt the thorns
And So It Goes, and so it goes
And so will you soon I suppose

But if my silence made you leave
Then that would be my worst mistake
So I will share this room with you
And you can have this heart to break

And this is why my eyes are closed
It's just as well for all I've seen
And so it goes, and so it goes
And you're the only one who knows

So I would choose to be with you
That's if the choice were mine to make
But you can make decisions too
And you can have this heart to break

And so it goes, and so it goes
And you're the only one who knows.

Writer/s: JOEL, BILLY
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

And So It Goes

Joel started writing this song in the early 1980s about a relationship he was having with supermodel Elle MacPherson. Their backgrounds (and heights) were so different that he knew the relationship would fail, which it did. He predicted the end of the affair with the line, "And you can have this heart to break."

The title comes from television journalist Linda Ellerbee's signature line and best-selling book title.

When Joel appeared on The Howard Stern Show in 2010, he said that this was his least-appreciated song - the best one that casual fans aren't aware of.