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The Beatles - Revolution

The Beatles - Revolution Lyrics and Youtube Music Videos

Album: Past Masters, Vol. 2
Released: 1968

Revolution Lyrics

You say you want a Revolution
Well, you know
We all want to change the world
You tell me that it's evolution
Well, you know
We all want to change the world
But when you talk about destruction
Don't you know that you can count me out
Don't you know it's gonna be all right
All right, all right

You say you got a real solution
Well, you know
We'd all love to see the plan
You ask me for a contribution
Well, you know
We're doing what we can
But when you want money
For people with minds that hate
All I can tell is brother you have to wait
Don't you know it's gonna be all right
All right, all right
Ah

Ah, ah, ah, ah, ah...

You say you'll change the constitution
Well, you know
We all want to change your head
You tell me it's the institution
Well, you know
You better free you mind instead
But if you go carrying pictures of chairman Mao
You ain't going to make it with anyone anyhow
Don't you know it's gonna be all right
All right, all right
All right, all right, all right
All right, all right, all right

Writer/s: LENNON, JOHN / MCCARTNEY, PAUL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Revolution Song Chart

This was the first overtly political Beatles song. It was John Lennon's response to the Vietnam War.

John Lennon wrote this in India while The Beatles were at a transcendental meditation camp with The Maharishi. Lennon told Rolling Stone: "I had been thinking about it up in the hills in India. I still had this 'God will save us' feeling about it, that it's going to be all right (even now I'm saying 'Hold on, John, it's going to be all right,' otherwise, I won't hold on) but that's why I did it, I wanted to talk, I wanted to say my piece about revolution. I wanted to tell you, or whoever listens, to communicate, to say 'What do you say? This is what I say.'"

Revolutionaries take different approaches to reach their goals. In a 1998 interview with Uncut, Yoko One gave her thoughts on Lennon's approach and how he expressed it in this song: "John's idea of revolution was that he did not want to create the situation where when you destroy statues, you become a statue. And also what he means is that there's too much repercussion in the usual form of revolution. He preferred evolution. So you have to take a peaceful method to get peace rather than you don't care what method you take to get peace, and he was very, very adamant about that."

The original slow version appears on The White Album. The fast, loud version was released as a single. In the slow version, Lennon says "count me in" as well as "count me out" when referring to violence. This gives the song a dual meaning.

This was released as the B-side of "Hey Jude." Lennon wanted it to be the first A-side released on Apple Records, the label The Beatles started, but "Hey Jude" got the honor.

There are so many versions of this song because Paul McCartney didn't like it. Lennon really wanted this song to be the 'A' side of the single instead of "Hey Jude," and kept changing it around to come up with something that would make Paul see it his way. He basically wrote the song because he felt like he was being pulled in so many directions by different people, all of whom wanted his backing, politically. It was also him questioning his own belief in the revolution that was going on... whether he was "out" or "in." In truth, he was writing about a revolution of the mind rather than a physical "in the streets" revolution. He truly believed that revolution comes from inner change rather than social violence. (This is discussed in the DVD Composing the Beatles Songbook )

Nike used this for commercials in 1987. Capitol Records, who owns the performance rights, meaning The Beatles version of the song, was paid $250,000. Michael Jackson, who owns the publishing rights, meaning use of the words and music, also had to agree and was paid for the song.

The Nike commercials caused a huge backlash from Beatles fans who felt that Nike was disrespecting the legacy of John Lennon, who probably would have objected to its use. There were plans to use more Beatles songs in future ads, but they were abandoned when it became clear it was not good business practice. As years went by, it became more acceptable to use songs in commercials, but Beatles songs were still considered sacred, especially since the group did not control their rights. In 2002, "When I'm 64" was used in a commercial for Allstate insurance. Many Beatles fans were not pleased, but it didn't get nearly the reaction of the Nike commercials, partly because it was not a political song, but also because it was sung by Julian Lennon , which implied endorsement by his father.

On September 4, 1968, The Beatles made a promotional film for this song and "Hey Jude" at Twickenham Studios in London. These were directed by Michael Lindsay-Hogg, who did the previous Beatles videos: "Paperback Writer" and "Rain."

Unlike those clips, which were shot outdoors, the "Hey Jude" and "Revolution" videos were shot in a studio setting and meant to look like the band was performing it live. They both aired September 8 on Frost On Sunday, a popular UK show hosted by David Frost, who was at the Twickenham shoot to introduce the clip for the segment on his show, making it appear that the band was really there.

Another edit of the footage was later broadcast on Top Of The Pops, and yet another was shown in America on The Smothers Brothers Comedy Hour. When the Beatles compilation 1+ was released in 2015, a restored version of the video was included in the set.

Nicky Hopkins played the piano. When The Beatles needed keyboards, they usually used Hopkins, Billy Preston, or their producer, George Martin.

The dirty guitar sound was created by plugging the guitars directly into the audio board. The guitar sounded so scratchy that many who bought the 45 RPM single tried to return it, thinking it was defective. (thanks to Dwight Rounds, author of The Year The Music Died, 1964-1972 )

The word "Revolution" is mentioned just once, in the first line.

John Lennon wanted his vocals to have an unusual sound, so he recorded most of them lying on his back in the studio. The famous scream at the beginning is a double-tracked recording of Lennon. (thanks, Bertrand - Paris, France and Jonathon - Clermont, FL)

The version on the Hey Jude compilation, released in February 1970 in the US, was the B-side of the "Hey Jude" single. The Hey Jude compilation album peaked at #2 in the US and consists of a collection of singles and B-sides that had not previously appeared on US non-soundtrack album releases. The album cover was taken at the final Beatles photo session, at Lennon's (later Starr's) country estate in Ascot, England. (thanks, Bertrand - Paris, France)

Thompson Twins performed this song at the Philadelphia stage of Live Aid on July 13, 1985. The concert, which raised money for famine relief in Africa, had a global audience of at least 1.5 billion. Thompson Twins were joined on stage for the performance by Madonna (who contributed backing vocals and tambourine), Steve Stevens (best known as Billy Idol's guitarist) and Nile Rodgers, who was also on guitar.

Thompson Twins included the song on their album Here's to Future Days, which was released a few months later and produced by Rodgers.

The Stone Temple Pilots performed this at Madison Square Garden as part of the 2001 special, Come Together: A Night For John Lennon's Words And Music. Their version was released as a single, with proceeds going to charity.

Pentatonix - Daft Punk

Pentatonix - Daft Punk Lyrics and Youtube Music Videos

Album: PTX, Vols. 1 & 2
Released: 2014

Daft Punk Lyrics

Buy it, use it, break it, fix it,
Trash it, change it, mail, upgrade it,
Charge it, point it, zoom it, press it,
Snap it, work it, quick, erase it,
Write it, cut it, paste it, save it,
Load it, check it, quick, rewrite it,
Plug it, play it, burn it, rip it,
Drag and drop it, zip, unzip it,
Lock it, fill it, call it, find it,
View it, code it, jam, unlock it,
Surf it, scroll it, pause it, click it,
Cross it, crack it, switch, update it,
Name it, rate it, tune it, print it,
Scan it, send it, fax, rename it,
Touch it, bring it, pay it, watch it.
Technologic.

One more time
Ah ah ah ah ah
Ah ah ah ah
One more time
Ah ah ah ah ah
Ah ah ah ah

We're like the legend of the phoenix
Our ends with beginnings
What keep the planets spinning
The force of love beginning

We've come to far,
To give up who we are
So let's raise the bar
And our cups to the stars

We're up all night till the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky

We're all up till the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
We're up all night to get lucky
We're up all night, all night to get,
Up all night to get, get, get lucky

Last night, I had this dream about you
In this dream, I'm dancing right beside you
There's nothing wrong with just a little bit of fun
We were dancing all night long

Oh, I don't know what to do
About this dream and you
I hope this dream comes true

One more time
We're gonna celebrate
Oh yeah, all right
Don't stop the dancing
One more time
We're gonna celebrate

Work it harder, make it better
Do it faster, makes us stronger
More than ever hour after
Our work is never over

Work it harder, make it better
Do it faster, makes us stronger
More than ever hour after
Our work is never over

I'mma work it harder, make it bett-
Do it faster, makes us
More than ever hou-hour after
Ou-our work is never over

Work it harder, make it better
Do it faster, makes us stronger
More than ever hour after
Our work is never over

Television, rules the nation, oh yeah
Television, rules the nation

Music's got me feeling so free
Celebrate and dance so free
One more time
Music's got me feeling so free
We're gonna celebrate
Celebrate and dance so free (celebrate)

Tonight (We've)
Hey, just feelin' (Come to far)
Music's got me feeling the need (To give up who we are)
One more time
Music's got me feeling so free (So let's)
We're gonna celebrate (Raise the bar)
Celebrate and dance (And our cups)
To the stars

We're up all night till the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky

We're up all night till the sun
We're up all night to get some
We're up all night for good fun
We're up for

One more time
We're up all night till the sun
Celebration
Feelings so free

One more time
We're up all night till the sun
Celebration
Music's got me feeling so
Our work is never over

Writer/s: RODGERS, NILE / BANGALTER, THOMAS / WILLIAMS, PHARRELL / DE HOMEM-CHRISTO, GUY-MANUEL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Daft Punk Song Chart

This a cappella track mashes up the Daft Punk songs "Harder, Better, Faster, Stronger," "One More Time," "Get Lucky," "Digital Love" and "Television Rules The World."

The medley won the 2015 Grammy for Best Arrangement, Instrumental or A Cappella. "We recorded this in a bedroom closet, we filmed it in a kitchen, and now we're Grammy winners," the group's Scott Hoying said.

The Beatles - The Inner Light

The Beatles - The Inner Light Lyrics and Youtube Music Videos

Album: Past Masters, Vol. 2
Released: 1968

The Inner Light Lyrics

Without going out of my door,
I can know all things of earth
Without looking out of my window
I could know the ways of heaven
The farther one travels, the less one knows

The less one really knows
Without going out of your door
You can know all things on earth
Without looking out of your window
You could know the ways of heaven
The farther one travels, the less one knows

The less one really knows
Arrive without traveling, see all without looking
Do all without doing

Writer/s: HARRISON
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

The Inner Light Song Chart

George Harrison wrote this song. It was released as the B-side of "Lady Madonna" and was Harrison's first song to appear on a single.

All the music was recorded by Indian session musicians at the EMI studios in Bombay, India, while George was working on the soundtrack to the movie Wonderwall.

George Harrison had originally recorded this for the Wonderwall soundtrack in January 1968. When The Beatles got together for recording sessions shortly before their trip to India, John and Paul added harmonies to the final line, "Do all without doing." (thanks, Adrian - Wilmington, DE)

The lyrics are a translation of a section of the Tao Te Ching. Juan Mascaro, a Sanskrit teacher at Cambridge University, sent the book to George.

This was Harrison's last Indian-themed Beatles song.

The original release was in mono; a stereo version was mixed in 1970 and used on the Past Masters compilation. The mono mix features an extra Indian instrument in the intro that did not make it to the stereo version.

Jeff Lynne from Electric Light Orchestra performed this at George Harrison's 2002 memorial show The Concert For George. Lynne was good friends with Harrison and played with him in The Traveling Wilburys. (thanks, Bertrand - Paris, France, for above 2)

The Beatles - I Am The Walrus

The Beatles - I Am The Walrus Lyrics and Youtube Music Videos

Album: Magical Mystery Tour
Released: 1967

I Am The Walrus Lyrics

I am he as you are he as you are me and we are all together.
See how they run like pigs from a gun, see how they fly.
I'm crying.

Sitting on a cornflake, waiting for the van to come.
Corporation tee-shirt, stupid bloody Tuesday.
Man, you been a naughty boy, you let your face grow long.
I am the eggman, they are the eggmen.
I Am The Walrus, goo goo g'joob.

Mister City Policeman sitting
Pretty little policemen in a row.
See how they fly like Lucy in the Sky, see how they run.
I'm crying, I'm crying.
I'm crying, I'm crying.

Yellow matter custard, dripping from a dead dog's eye.
Crabalocker fishwife, pornographic priestess,
Boy, you been a naughty girl you let your knickers down.
I am the eggman, they are the eggmen.
I am the walrus, goo goo g'joob.

Sitting in an English garden waiting for the sun.
If the sun don't come, you get a tan
From standing in the English rain.
I am the eggman, they are the eggmen.
I am the walrus, goo goo g'joob g'goo goo g'joob.

Expert textpert choking smokers,
Don't you think the joker laughs at you?
See how they smile like pigs in a sty,
See how they snide.
I'm crying.

Semolina pilchard, climbing up the Eiffel Tower.
Elementary penguin singing Hari Krishna.
Man, you should have seen them kicking Edgar Allan Poe.
I am the eggman, they are the eggmen.
I am the walrus, goo goo g'joob g'goo goo g'joob.
Goo goo g'joob g'goo goo g'joob g'goo.

Writer/s: LENNON, JOHN / MCCARTNEY, PAUL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

I Am The Walrus Song Chart

John Lennon wrote this song. As stated in the DVD Composing the Beatles Songbook , John was throwing together nonsense lyrics to mess with the heads of scholars trying to dissect The Beatles songs. They also mention that it's John's answer to Bob Dylan's "getting away with murder" style of songwriting. Lennon told Playboy years later that "I can write that crap too," which is rarely mentioned in relation to this song.

Lennon explained the origins of this song in his 1980 Playboy interview: "The first line was written on one acid trip one weekend. The second line was written on the next acid trip the next weekend, and it was filled in after I met Yoko. Part of it was putting down Hare Krishna. All these people were going on about Hare Krishna, Allen Ginsberg in particular. The reference to 'Element'ry penguin' is the elementary, naive attitude of going around chanting, 'Hare Krishna,' or putting all your faith in any one idol. I was writing obscurely, a la Dylan, in those days."

Lennon got the idea for the oblique lyrics when he received a letter from a student who explained that his English teacher was having the class analyze Beatles songs. Lennon answered the letter; his reply was sold as memorabilia at a 1992 auction. (thanks, Emery - San Jose, CA)

The voices at the end of the song came from a BBC broadcast of the Shakespeare play King Lear , which John Lennon heard when he turned on the radio while they were working on the song. He decided to mix bits of the broadcast into the song, resulting in some radio static and disjointed bits of dialogue.

The section of King Lear used came from Act Four, Scene 6, with Oswald saying: "Slave, thou hast slain me. Villain, take my purse," which comes in at the 3:52 mark. After Oswald dies, we hear this dialogue:

Edgar: "I know thee well: a serviceable villain, As duteous to the vices of thy mistress As badness would desire."

Gloucester: "What, is he dead?"

Edgar: "Sit you down, father. Rest you."

The idea for the Walrus came from the poem The Walrus and The Carpenter, which is from the sequel to Alice in Wonderland called Through the Looking-Glass. In his 1980 Playboy interview, Lennon said: "It never dawned on me that Lewis Carroll was commenting on the capitalist and social system. I never went into that bit about what he really meant, like people are doing with the Beatles' work. Later, I went back and looked at it and realized that the walrus was the bad guy in the story and the carpenter was the good guy. I thought, Oh, s--t, I picked the wrong guy. I should have said, 'I am the carpenter.' But that wouldn't have been the same, would it?"

When Lennon decided to write confusing lyrics, he asked his friend Pete Shotton for a nursery rhyme they used to sing. Shotton gave them this rhyme, which Lennon incorporated into the song:
"Yellow matter custard, green slop pie, all mixed together with a dead dog's eye.
Slap it on a butty, ten foot thick, then wash it all down with a cup of cold sick."

The song's opening line, "I am he as you are he as you are me and we are all together" is based on the song "Marching To Pretoria," which contains the lyric, "I'm with you and you're with me and we are all together." (thanks, Bertrand - Paris, France, for above 3)

The choir at the end sings "Oompah, oompah, stick it in your jumper" and "Everybody's got one, everybody's got one."

This song helped fuel the rumor that Paul McCartney was dead. It's quite a stretch, but theorists found these clues in the lyrics, none of which are substantiated:

"Waiting for the van to come" means the three remaining Beatles are waiting for a police van to come. "Pretty little policemen in a row" means policemen did show up.

"Goo goo ga joob" were the final words that Humpty Dumpty said before he fell off the wall and died.

During the fade, while the choir sings, a voice says "Bury Me" which is what Paul might have said after he died.

During the fade, we hear someone reciting the death scene from Shakespeare's play "King Lear."

In addition, a rumor circulated that Walrus was Greek for "corpse" (it isn't) in Greek, so that is what people thought of Paul being the Walrus. Also, in the video, the walrus was the only dark costume.

The BBC banned this for the lines "pornographic priestess" and "let your knickers down."

This was released as the B-side to "Hello Goodbye," which Paul McCartney wrote. This angered Lennon because he felt this was much better.

In The Beatles song "Glass Onion," Lennon sang, "The Walrus was Paul." He got a kick out of how people tried to interpret his lyrics and figure out who the Walrus was.

Lennon got the line "Goo Goo Ga Joob" from the book Finnegan's Wake by James Joyce. "Semolina Pilchard" was Detective Sergeant Norman Pilcher, head of the Scotland Yard Drugs Unit. He led the arrests of both John Lennon and Brian Jones et al, before being investigated himself for blackmail and bribery in the '70s. (thanks, Matt - London, England)

Eric Burdon (of Animals and War fame) stated in his biography that he is the Egg Man. It seems he told John Lennon of a sexual experience he was involved in where an egg played a major part. After that, John called him Egg Man.

ELO's song "Hello My Old Friend" has an identical form to this - almost the same tune and orchestration but different words. No wonder Jeff Lynne is sometimes referred to as the sixth Beatle.

In the Anthology version of this song, they experiment with four octaves in the intro. Also, just before Lennon says, "Sitting in an English garden waiting for the sun," Ringo does two hits on snare and floor tom before hitting crash. (thanks, Riley - Elmhurst, IL)

In an episode of The Simpsons, "The Bart Of War," airing May 18, 2003, Bart and Milhouse break into a secret room in the Flanders' household to discover that Ned is a Beatles fanatic. Bart takes a sip from a can of 40-year-old Beatles-themed novelty soda and quotes this song: "Yellow matter custard dripping from a dead dog's eye," while Milhouse takes a trip and sees various Beatles inspired hallucinations. (thanks, Ashley - Moncton, Canada)

Styx covered this song in 2004 and made a music video for it with a cameo from Billy Bob Thornton. They performed it at Eric Clapton's Crossroads benefit that year, and incorporated it into their set lists. Their version appears on their One with Everything DVD. (thanks, Caitlyn - Farmington Hills, MI)

After John Lennon went solo, he wrote a song called "God" where he sang, "I was the walrus, but now I am John." (thanks, Webspin - Daytona, FL)

Artists to cover this song include Guided By Voices, Jackyl, Phil Lesh, Love/Hate, Men Without Hats, Oasis, Oingo Boingo, Spooky Tooth and Styx. The Dead Milkmen recorded a completely different song with the same title in 1987.

Frank Zappa and the Mothers Of Invention performed the song as part of their late '70s - early '80s live repertoire, giving it their own comic treatment. It was a favorite of the fans. (thanks, Dan - Milwaukee, WI)

See the Beatles "Sitting in an English garden" in Song Images.

Bono sings this song in the movie Across the Universe, a film centered around the music of The Beatles. In the film, he plays Dr. Robert, also a reference to another Beatles song. (thanks, Jordan - Brooklyn, NY)

This was the first song the Beatles recorded after Brian Epstein's death. Engineer Geoff Emerick recalled, "the look of emptiness on their faces when they were playing."

John Lennon's "I'm Crying..." lyric came from the Smokey Robinson & the Miracles song "Ooh Baby Baby," where Robinson sings that phrase in the refrain.

Skillet - Salvation

Skillet - Salvation Lyrics and Youtube Music Videos

Album: Rise
Released: 2013

Salvation Lyrics

All alone, lost in this abyss
Crawling in the dark
Nothing to wet my longing lips
And I wonder where you are
Are you far, will you come to my rescue
Am I left to die but I can’t give up on you

I feel you keeping me alive
You are my Salvation
Touch you, taste you, feel you here
I feel you keeping me alive
You are my salvation
Hold me, heal me, keep me near
My heart will burn for you
It’s all I can do

Salvation
Salvation (keeping me alive)
Salvation (you’re keeping me)
Salvation (you’re keeping me alive)

Been out from under who I am
And who I want to be
Held you tightly in my hands
Why are we unraveling
Was it me, will you come to my rescue
Or did I push to far when I turned my back on you

I feel you keeping me alive
You are my salvation
Touch you, taste you, feel you here
I feel you keeping me alive
You are my salvation
Hold me, heal me, keep me near
My heart will burn for you
It’s all I can do

Salvation
Salvation (keeping me alive)
Salvation

Touch you, taste you, feel you, need you
Give it all just to find you
Hold me, heal me
I will find you

Keeping me alive
You are my salvation
Touch you, taste you, feel you here
Our love will never die
You are my salvation
Hold me, heal me, keep me near
My heart will burn for you
It’s all I can do

Salvation
Salvation
Touch you, taste you, need you
Salvation

Writer/s: COOPER, JOHN / COOPER, KOREY
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Salvation Song Chart

Rise is a collection of songs loosely tracing the journey of someone finding faith in Jesus Christ. Skillet frontman John Cooper told NewReleaseTuesday : "The song 'Salvation' is about feeling all alone, with nothing to live for, but reaching out for Christ, and Christ is now my reason to live. He is my salvation, and He is everything to me. That song is the climax of the record."

The track is sung by Jen Ledger, who has been Skillet's drummer since 2008. She also provided vocals for the Awake songs "Hero" and "Awake and Alive."

The Bible reading that precedes the song is from Isaiah 53 and is narrated by Cooper's daughter, Alex.

The Beatles - Blue Jay Way

The Beatles - Blue Jay Way Lyrics and Youtube Music Videos

Album: Magical Mystery Tour
Released: 1967

Blue Jay Way Lyrics

There's a fog upon L.A.
And my friends have lost their way
We'll be over soon they said
Now they've lost themselves instead

Please don't be long
Please don't you be very long
Please don't be long
For I may be asleep

Well it only goes to show
And I told them where to go
Ask a policeman on the street
There's so many there to meet

Please don't be long
Please don't you be very long
Please don't be long
For I may be asleep

Now it's past my bed I know
And I'd really like to go
Soon will be the break of day
Sitting here in Blue Jay Way

Please don't be long
Please don't you be very long
Please don't be long
For I may be asleep

Please don't be long
Please don't you be very long
Please don't be long

Please don't be long
Please don't you be very long
Please don't be long

Please don't be long
Please don't you be very long
Please don't be long

Don't be long, don't be long, don't be long
Don't be long, don't be long, don't be long, don't be long, don't be long

Writer/s: HARRISON
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Blue Jay Way Song Chart

George Harrison wrote this in a house he rented in Los Angeles on a street named Blue Jay Way. He was waiting for his friend Derek Taylor when he came up with the song.

Brian Kehew, who wrote the book Recording The Beatles: The Studio Equipment and Techniques Used to Create Their Classic Albums , tells us that "Blue Jay Way" is the most impressive Beatles song in terms of engineering. Says Brian: "It has phasing, flanging, it has varied speed recording, it has tape echo. They put things through Leslies, they compressed and EQed things. It's really fascinating, and it has more stuff going on with it that's more detached from traditional classical recording or a Miles Davis record. It's more Beatles-y in that way. All the tricks that The Beatles had developed with compressing instruments and with EQing things in very strange ways are present on "Blue Jay Way."

My favorite part of it, which is really a fascinating concept, they took the track, specifically with the vocals, and then mixed it. That mix was played backwards and recorded back into the record on the multi-track, but they played it through a Leslie speaker that's spinning in the room. So occasionally during the song you hear some backwards Leslied tracks, especially vocals, swirling in and out. It's the actual song playing backwards against itself through a Leslie and then fading up and down, which is a really creative and very strange idea. I've never heard of anyone else doing something like that."

The line "Don't Be Long" is repeated 29 times.

This was used in the Beatles movie Magical Mystery Tour.

The vocals, organ, and drums were played on two tape machines slightly out of sync to get the phasing effect.

When the ending is reversed, it sounds suspiciously like "Paul is bloody." This added to the "Paul is Dead" hoax. (thanks, Dominic - Pittsburgh, PA)

Swim Deep - To My Brother

Swim Deep - To My Brother Lyrics and Youtube Music Videos

Album: Mothers
Released: 2015

To My Brother Lyrics

To My Brother Song Chart

Recorded at London's The Church studios under the guidance of Dreamtrak and mixed by David Wrench (Caribou, FKA Twigs, Kate Tempest), this song is a marked departure from Swim Deep's previous tunes. Vocalist Austin Williams said: "There's been inspiration from the sound and ethics of the acid house movement of the late eighties. It feels like there are a lot of parallels with what we have today, that sort of determination to dance whilst everything falls apart around you."

"We're not being revivalists though, for us every summer could be the summer of love," he added. "This track comes from pure obsession with Motown hits, a 303 machine we dusted off in the studio and a heroic breakbeat whilst lyrically it's reflecting a war with my own words, a sort of frustrated parody. Preaching to myself."

The song's kaleidoscopic music video was directed by Irrum (Cloud Control, Lonely The Brave) and features vivid imagery of an imaginary world. "The band said that they felt like they were ready to shave their heads and go to war with this new record, and they wanted a video that represented that feeling," said Irrum. "It felt like the perfect opportunity to re-imagine a completely new world, rather than a representation of psychedelia we have seen before."

"I came up a concept that solely focused on an evolution of color; a giant spinning wheel that diffused color to birds, botanics, and statues of the band themselves," he added. "It felt important that the objects populating the video were real, so however surreal it appeared it felt tangible and vivid."

Austin Williams explained the Mother album title to HMV.com : "We spent ages talking about what to call the record and one of us suggested 'To My Brother'" he said.

"I don't like the idea of calling a record after a song, so 'To My Brother' morphed into 'To My Mother' and then to 'Mothers,'" Williams added. "I think it ties the record together quite nicely, it's a good metaphor for so much of it."

The Beatles - The Fool On The Hill

The Beatles - The Fool On The Hill Lyrics and Youtube Music Videos

Album: Magical Mystery Tour
Released: 1967

The Fool On The Hill Lyrics

Day after day
Alone on a hill
The man with the foolish grin
Is keeping perfectly still
But nobody wants to know him
They can see that he's just a fool
And he never gives an answer

But The Fool On The Hill
Sees the sun going down
And the eyes in his head
See the world spinning round

Well on the way
Head in a cloud
The man of a thousand voices
Talking perfectly loud

But nobody ever hears him
Or the sound he appears to make
And he never seems to notice

But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning round

And nobody seems to like him
They can tell what he wants to do
And he never shows his feelings

But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning round, oh oh oh, round round round round

He never listens to them
He knows that they're the fools
They don't like him

The fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning round

Oh, round round round round, oh

Writer/s: LENNON, JOHN / MCCARTNEY, PAUL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

The Fool On The Hill Song Chart

Paul McCartney wrote this song. It's about a man who is considered a fool by others, but whose foolish demeanor is actually an indication of wisdom.

An event which prompted this song happened when Paul was walking his dog, Martha, on Primrose Hill one morning. As he watched the sun rise, he noticed that Martha was missing. Paul turned around to look for his dog, and there a man stood, who appeared on the hill without making a sound. The gentleman was dressed respectably, in a belted raincoat. Paul knew this man had not been there seconds earlier as he had looked in that direction for Martha. Paul and the stranger exchanged a greeting, and this man then spoke of what a beautiful view it was from the top of this hill that overlooked London. Within a few seconds, Paul looked around again, and the man was gone. He had vanished as he had appeared. A friend of McCartney's, Alistair Taylor, was present with Paul during this strange incident, and wrote of this event in his book, Yesterday.

Both Paul and Alistair could not imagine what happened to this man. He had seemed to vanish in thin air. The nearest trees for cover were too far to reach by walking or running in a few seconds, and the crest of the hill was too far as well to reach in that short time. What made the experience even more mysterious, was that just before this man first appeared, Paul and Alistair were speaking to each other of the beauty they observed of the view towards London and the existence of God. Once back home, they spent the morning discussing what had happened, trying to make some sense of it. They both agreed that this was something others were infer occurred as a result of an "acid trip," but they both swore they had not taken or used any drugs. When Paul filmed the sequence for this song in the film, it shows him on a hilltop overlooking the town of Nice. (thanks, Gavin - Hampden, MA)

Paul played this for John Lennon while they were writing "A Little Help From My Friends." John made him write down the words so he wouldn't forget.

This began as a solo composition with Paul McCartney at the piano. Flutes were added last.

This was not a hit for The Beatles, but a 1968 cover version by Sergio Mendes & Brasil '66 went to #6 in the US.

This was used in the Beatles movie Magical Mystery Tour.

The Eurythmics (Annie Lennox and Dave Stewart ) reunited to perform this song on the CBS special The Beatles: The Night That Changed America, which aired on February 9, 2014 - exactly 50 years after The Beatles first appeared on the Ed Sullivan Show.

The War on Drugs - Suffering

The War on Drugs - Suffering Lyrics and Youtube Music Videos

Album: Lost in the Dream
Released: 2014

Suffering Lyrics

Suffering Song Chart

War on Drugs mainman Adam Granduciel was not in a good place when he began writing the songs for Lost in the Dream. His previous relationship had broken down and he found himself dealing with depression, anxiety and a sense of alienation. Granduciel pulled his feelings into the songs he wrote for the record. "It was a really difficult record to make," he told The Sun. "Once I finished it, I felt nothing but relief. The recording was a manifestation of a lot of different emotions. Even with whatever success the record's had, it's not as it that time in my life is fully behind me. I'm just fortunate I have something to remind me of that time."

The Beatles - Hello Goodbye

The Beatles - Hello Goodbye Lyrics and Youtube Music Videos

Album: Magical Mystery Tour
Released: 1967

Hello Goodbye Lyrics

You say "Yes", I say "No".
You say "Stop" and I say "Go, go, go".
Oh no.
You say "Goodbye" and I say "Hello, hello, hello".
I don't know why you say "Goodbye", I say "Hello, hello, hello".
I don't know why you say goodbye, I say hello.

I say "High", you say "Low".
You say "Why?" And I say "I don't know".
Oh no.
You say "Goodbye" and I say "Hello, hello, hello".
I don't know why you say "Goodbye", I say "Hello, hello, hello".
(Hello, goodbye, hello, goodbye. Hello, goodbye.)
I don't know why you say "Goodbye", I say "Hello".

(Hello, goodbye, hello, goodbye. Hello, goodbye. Hello, goodbye.)
Why, why, why, why, why, why, do you
Say "Goodbye, goodbye, bye, bye".
Oh no.
You say "Goodbye" and I say "Hello, hello, hello".
I don't know why you say "Goodbye", I say "Hello, hello, hello".
I don't know why you say "Goodbye", I say "Hello".

You say "Yes", I say "No".
(I say "Yes", but I may mean "No").
You say "Stop", I say "Go, go, go".
(I can stay still it's time to go).
Oh, oh no.

You say "Goodbye" and I say "Hello, hello, hello".
I don't know why you say "Goodbye", I say "Hello, hello, hello".
I don't know why you say "Goodbye", I say "Hello, hello, hello".
I don't know why you say "Goodbye", I say "Hello-wow, oh. Hello".
Hela, heba, helloa. Hela, heba, helloa. Hela, heba, helloa.
Hela, heba, helloa. (Hela.) Hela, heba, helloa. Hela, heba, helloa.
Hela, heba, helloa. Hela, heba, helloa. Hela, heba, helloa.

Writer/s: O'DOWD, GEORGE/MOSS, JON/CRAIG, MICHAEL/HAY, ROY /
Publisher: EMI Music Publishing, Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Hello Goodbye Song Chart

Paul McCartney wrote this. His friend Alistair Taylor, who was visiting McCartney, asked Paul one day how he wrote his many songs, and how he came up with his ideas. Paul took him into his dining room to give him a demonstration of his hand-carved harmonium. As an experiment, Paul asked Taylor to shout out the opposite of whatever he sang, such as black and white, yes and no, hello and goodbye, etc. From this, the song was born.

John Lennon hated the song. He viewed it as an inconsequential song of McCartney's, saying it was "three minutes of contradictions and meaningless juxtapositions." What further infuriated Lennon was that his "I Am The Walrus," was issued as the B-side to McCartney's A-side "Hello Goodbye." (thanks, gavin - hampden, MA, for above 2)

This is a song about how people are always different in what they say and do. (thanks, Tom - Syracuse, NY)

The Beatles made a music video for this, but at the time they were called promotional films. It was banned by the BBC because Paul was clearly lip-synching, which was against The British Musician's Union's rules.

Shortly after this was released, McCartney explained, "The answer to everything is simple. It's a song about everything and nothing. If you have black you have to have white. That's the amazing thing about life."

The ending where all The Beatles sing, "Hela, hey, aloha," was improvised in the studio. This part plays over the end credits of the Magical Mystery Tour movie. (thanks, Bertrand - Paris, France, for above 2)

The working title was "Hello, hello."

There is a fake ending on this song that drove disk jockeys nuts, as the sound of dead air made them think the song had ended before they were ready.

Target used this in commercials with the lyrics changed to "Hello, Good Buy." The Beatles do not control the publishing rights for most of their songs and cannot keep them from being re-recorded and used in ads.
In 2008, Jonas Brothers recorded the song for a new Target commercial.

When Paul McCartney played a show in Tel Aviv, Israel on September 25, 2008, he opened with this song. It was the first time a Beatle performed in the country. Ofer Lichtman, who covered the show for The Times of Malta, wrote: There is still a debate regarding the true reason behind declining The Beatles' arrival to perform in Israel. The common story behind it was simply the lack of money and the prudence of the Israeli government. Due to Israel's poor economical situation in the 60's the organizers and promoters could not come up with the sufficient funds that were claimed and when they appealed to the Israeli Government for help, they were turned down because "The Beatles were a threat on the morality of the youth."

43 years later, earlier this year, the Israeli Government has sent its ambassador in Britain to officially apologize to Paul McCartney, Ringo Starr and to the relatives of John Lennon and George Harrison for its unfortunate decision. After weeks of nerve racking anticipations and contradicting headlines, Paul jumped on the stage in Tel Aviv in front of an audience of 50,000 people and gave us an outstanding night to remember and a story to tell our children and grandchildren. After all those years Paul has desided to come and play in Israel in spite the many life threats he got from extreme Islamic groups.

In 2009 The Performing Rights Society announced this as the most ever played Beatles song in public places in the UK. One of the reasons for this is that this was the first Beatles single release after BBC Radio 1 started broadcasting and the station played this song endlessly.

California power pop band Hellogoodbye took their name from this song.

Hall & Oates - Say It Isn't So

Hall & Oates - Say It Isn't So Lyrics and Youtube Music Videos

Album: Rock 'n Soul Part 1
Released: 1983

Say It Isn't So Lyrics

Say it
Say It Isn't So
Say it
Say it isn't so

Say it isn't so painful to tell me that you're dissatisfied
Last time I asked you I really got a lame excuse
I know that you lied
Now wicked things can happen you see 'em goin' down in war
But when you play in a quiet way that bites it even more

Say it
Tell me what you want yeah I'll do it baby I promise right now
Say it
Who propped you up when you were stopped low motivation
Had you on the ground

I know your first reaction you slide away hide away goodbye
But if there's a doubt maybe I can give out a thousand reasons why
You have to say it isn't so

(It isn't so) I say it isn't so
(It isn't so) I say it isn't so
(It isn't so) said it isn't so
(It isn't so) oh no

Say it
We like to be the strangers at the party, two rebels in a shell
Say it
You like to move with the best of them you know we move so well
Don't need someone to lean on, I know that there's an open door
But if I'm faced with being replaced I want you even more
So baby say it isn't so

(It isn't so) say it isn't so
(It isn't so) I say it isn't so
(It isn't so) said it isn't so
(It isn't so) oh no

Say it
Say it isn't so
Say it
Say it isn't so

Say it
Say it isn't so

Why you gonna go, do you have to say
Do you wanna go ooh ooh baby
Say it isn't

(Say)
Say say say it isn't so
(Say it isn't so)
(Say it isn't)
Why do you have to say it isn't
(Say it isn't)
(Say it isn't)
(Stop, say it isn't)
I know it's so hard for you
(Say it isn't)
So hard
(Say it isn't)
Don't say baby
(Stop, say it isn't)
There must be some other way
Don't have to
(Say it isn't)
Some other way
(Stop, say it isn't)
You gonna have to say
(Say it isn't)
(Say it isn't)
Don't have to say
(Stop, say it isn't)
You know I won't make you

Writer/s: HALL, DARYL
Publisher: Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC, WARNER CHAPPELL MUSIC INC
Lyrics licensed and provided by LyricFind

Say It Isn't So Song Chart

By 1983, Hall & Oates was one of the most successful acts in America; stars of radio and MTV with five #1 hits behind them. Their newfound fame, however, came with a sense of alienation as they played to the masses.

In our interview with Daryl Hall , he explained that this feeling was the impetus for the song. "The idea was that John and I were outside of things," he said. "You know, that line, "We like to be the strangers at the party, two rebels in a shell," that had a lot to do with John and I's relationship to the world. And I think that was coming out of a combination of people's perceptions of us at that time – we were getting a lot of flack from various things. And being on the road, and feeling sort of separate from the outside world – because we were sort of in this 'road bubble,' and also the bubble of our success."

Daryl Hall wrote this song on his own. Along with "Adult Education," it was one of two new songs released on their compilation album Rock 'n Soul Part 1.

Say, this song sure spent a lot of time at #2 on the Hot 100. Four weeks. The song that held it off the top spot all four weeks: "Say Say Say" by Paul McCartney & Michael Jackson. Hall & Oates had six #1 singles - this was their only #2.

The Beatles - All You Need Is Love

The Beatles - All You Need Is Love Lyrics and Youtube Music Videos

Album: Yellow Submarine
Released: 1967

All You Need Is Love Lyrics

Love, love, love, love, love, love, love, love, love.

There's nothing you can do that can't be done.
Nothing you can sing that can't be sung.
Nothing you can say, but you can learn
How to play the game
It's easy.
Nothing you can make that can't be made.
No one you can save that can't be saved.
Nothing you can do, but you can learn
How to be you in time
It's easy.

All You Need Is Love, all you need is love,
All you need is love, love. Love is all you need.
Love, love, love, love, love, love, love, love, love.
All you need is love, all you need is love,
All you need is love, love. Love is all you need.

There's nothing you can know that isn't known.
Nothing you can see that isn't shown.
There's nowhere you can be that isn't where
You're meant to be
It's easy.

All you need is love, all you need is love,
All you need is love, love. Love is all you need.
All you need is love. (All together now).
All you need is love. (Everybody).
All you need is love, love. Love is all you need.
Love is all you need.
Love is all you need

(Yesterday)
(Oh yeah)
(She love you, yeah, yeah, yeah)
(She love you, yeah, yeah, yeah)
(Oh, yesterday)

Writer/s: LENNON, JOHN / MCCARTNEY, PAUL
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

All You Need Is Love Song Chart

The Beatles played this for the first time on the "Our World" project, the first worldwide TV special. Broadcast in 24 countries on June 25, 1967, the show was 6 hours long and featured music from 6 continents, with The Beatles representing Britain. The Beatles were supposedly recording this live during the show, but they used a prerecorded backing track and John Lennon's vocal was redone a few hours later. Eric Clapton mimed guitar on this during the special.

The concept of the song was born out of a request to bring a song that was going to be understood by people of all nations. The writing began in late May of 1967, with John and Paul working on separate songs. It was decided that John's "All You Need Is Love" was the better choice because of its easy to understand message of love and peace. The song was easy to play, the words easy to remember and it encompassed the feeling of the world's youth during that period.

"All You Need Is Love" was a popular saying in the '60s anti-war movement. The song was released in the middle of the Summer of Love (1967). It was a big part of the vibe.

John Lennon wrote this as a continuation of the idea he was trying to express in his 1965 song "The Word." John was fascinated by how slogans effect the masses and was trying to capture the same essence as songs like "We Shall Overcome." He once stated, "I like slogans. I like advertising. I love the telly." In a 1971 interview about his song "Power To The People," he was asked if that song was propaganda. He said, "Sure. So was 'All You Need Is Love.' I'm a revolutionary artist. My art is dedicated to change."

Musically, this song is very unusual. The chorus is only one note, and the song is in a rare 7/4 tempo. (thanks to Dwight Rounds, author of The Year The Music Died, 1964-1972 )

It was not until 1983 and the publication of the in the book John Lennon: In My Life by Pete Shotton and Nicholas Schaffner that it was revealed that John Lennon was the primary composer of the song. It is typical of Lennon: Three long notes ("love -love -love") and the rise of excitement with at first speaking, then recital, then singing, then the climax and finally the redemption. This as opposed to McCartney's conventional verse, verse, middle part, verse or A,A,B,A. Lennon felt that a good song must have a rise of excitement, climax and redeeming. (thanks to Johan Cavalli, who is a music historian in Stockholm)

Ringo's second son, Jason, was born the day this hit #1 in the US. Jason is also a drummer.

n the orchestral ending, you can hear pieces of both "Greensleeves," a Bach two-part invention (by George Martin) and Glen Miller's "In The Mood." Royalties were paid to Miller for his contribution.

McCartney sang the chorus to The Beatles 1963 hit, "She Loves You" at the end: "She loves you yeah yeah yeah... She loves you yeah yeah yeah"

John Lennon's hand-written lyrics for this song sold for 1 Million pounds in the summer of 2005. Lennon left them in the BBC studios after The Beatles' last live TV appearance, and they were salvaged by an employee. (thanks, Ryan - Kansas City, MO)

This begins with a clip from the French national anthem, "La Marseillaise," written and composed by Claude Joseph Rouget de Lisle in Strasbourg on April 25, 1792. Its original name was "Chant de guerre de l'Armee du Rhin" ("Marching Song of the Rhine Army") and it was dedicated to Marshal Nicolas Luckner, a Bavarian-born French officer from Cham. It became the rallying call of the French Revolution and got its name because it was first sung on the streets by troops from Marseille upon their arrival in Paris. Now the national anthem of France, the song was also once the anthem of the international revolutionary movement, contrasting with the theme of The Beatles song. In the late 1970s, Serge Gainsbourg recorded a Reggae version "Aux Armes et cetera," with Robbie Shakespeare, Sly Dunbar and Rita Marley in the choir in Jamaica, which resulted in him getting death threats from veterans of the Algerian War of Independence. (thanks, Bertrand - Paris, France)

Al and Tipper Gore had this song played at their wedding. They married in 1970 and separated in 2010.

George Harrison mentioned this in his 1981 song "All Those Years Ago" with the line, "But you point the way to the truth when you say 'All you need is love.'" Harrison's song is a tribute to John Lennon, who was killed in 1980.

This was used in the climactic final episode of the UK sci-fi series The Prisoner, and was the entrance music for Queen Elizabeth II during the UK Millennial celebrations of 1999. It was also sung by choirs across the kingdom in 2002 during the Queen's Golden Jubilee celebration. (thanks, Bertrand - Paris, France)

In 2007, this was used in an advertising campaign for Luv's diapers with the lyrics changed to "All You Need Is Luv's." While Beatles songs have been used in commercials before, notably "Revolution" in spots for Nike and "Hello Goodbye" for Target, this peace anthem shilling for diapers didn't go over well with fans who thought it sullied The Beatles legacy. The publishing rights to "All You Need Is Love" and most other Beatles songs are controlled by the Sony corporation and Michael Jackson, which means The Beatles cannot prevent a company from re-recording the song and using it in a commercial.

When asked what his favorite lyric is during an interview with NME, John Lennon's son Sean replied: "My list of favorite things changes from day to day. I like when my dad said: 'There's nothing you can know that isn't known/ Nothing you can see that isn't shown/ Nowhere you can go that isn't where you're meant to be.' It seems to be a good representation of the sort of enlightenment that came out of the '60s."