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Casting Crowns - Voice of Truth

Casting Crowns - Voice of Truth Lyrics and Youtube Music Videos

Album: Casting Crowns
Released: 2003

Voice of Truth Lyrics

Oh what I would do to have
The kind of faith it takes
To climb out of this boat I'm in
Onto the crashing waves

To step out of my comfort zone
Into the realm of the unknown where Jesus is
And He's holding out His hand

But the waves are calling out my name
And they laugh at me
Reminding me of all the times
I've tried before and failed
The waves they keep on telling me
Time and time again. "Boy, you'll never win!"
"You'll never win!"

[Chorus]
But the Voice of Truth tells me a different story
The voice of truth says, "Do not be afraid!"
The voice of truth says, "This is for My glory"
Out of all the voices calling out to me
I will choose to listen and believe the voice of truth

Oh what I would do to have
The kind of strength it takes to stand before a giant
With just a sling and a stone
Surrounded by the sound of a thousand warriors
Shaking in their armor
Wishing they'd have had the strength to stand

But the giant's calling out my name
And he laughs at me
Reminding me of all the times
I've tried before and failed
The giant keeps on telling me
Time and time again. "Boy you'll never win!"
"You'll never win!"

But the stone was just the right size
To put the giant on the ground
And the waves they don't seem so high
From on top of them lookin' down
I will soar with the wings of eagles
When I stop and listen to the sound of Jesus
Singing over me

I will choose to listen and believe the voice of truth

Writer/s: HALL, JOHN MARK / CHAPMAN, STEVEN CURTIS
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Voice of Truth Song Chart

Casting Crowns frontman Mark Hall was diagnosed with dyslexia as a child. He wrote this song with Steven Curtis Chapman around his struggles with learning issues at school. Hall recalled: "The beginnings of this song came from the first song I ever wrote, called 'Fear.' Growing up with dyslexia and some learning challenges, Satan used that in my life to keep me very small and very afraid to ever try anything, to ever leap out of my boat and do something that I knew I couldn't do. I'm learning that God often puts us in the position to do the unthinkable knowing we're not able to. God's not intimidated by what intimidates me and if I can just understand that all He wants me to do is obey Him and that the things that scare me, don't scare Him."

"This was the first song Steven [Curtis Chapman] and I wrote on together, and he pulled out that chorus of 'voice of truth.'"

Released as Casting Crown's third single, this spent fourteen consecutive weeks at #1 on Billboard's Hot Christian Songs chart.

This featured in the trailer and the ending of the 2006 movie Facing the Giants.

The song won a Dove Award for Inspirational Recorded Song of the Year at the 2005 GMA Dove Awards.

Stevie Ray Vaughan - Crossfire

Stevie Ray Vaughan - Crossfire Lyrics and Youtube Music Videos

Album: In Step
Released: 1989

Crossfire Lyrics

Day by day,night after night
Blinded by the neon lights
Hurry here, hustlin' there
No one's got the time to spare
Money's tight, nothin' free
Won't somebody come and rescue me?
I am stranded, caught in the Crossfire
Stranded, caught in the crossfire

Tooth for tooth, eye for an eye
Sell your soul just to buy, buy, buy
Beggin' a dollar, stealin' a dime
Come on can't you see that I
I am stranded ,caught in the crossfire
I am stranded, caught in the crossfire

I need some kind of kindness, some kind of sympathy oh, no
We're stranded, caught in the crossfire

Save the strong lose the weak
Never turning the other cheek
Trust nobody don't be no fool
Whatever happened to the golden rule?
We got stranded, caught in the crossfire
We got stranded, caught in the crossfire
We got stranded, caught in the crossfire
Stranded, caught in the crossfire
Help me

Writer/s: THOMAS SMEDLEY, REESE WYNANS, BILL CARTER, RUTH ELLSWORTH, CHRIS LAYTON
Publisher: BMG RIGHTS MANAGEMENT US, LLC, LITTLE BROTHER MUSIC INC.
Lyrics licensed and provided by LyricFind

Crossfire Song Chart

In Step was Stevie's first album after he stopped drinking, and is dedicated to sobriety. The album title is a reference to the 12 step program for alcoholics. The songs on the album refer to the pressures of life that lead to alcohol abuse, but show how you can still rock out even when you are sober.

This was written by the Austin-based songwriter Bill Carter and his wife/songwriting partner Ruth Ellsworth. The pair also wrote "Willie The Wimp" for Vaughan and Why Get Up?, which was recorded by The Fabulous Thunderbirds. Carter was in a band with Johnny Depp called P! in the mid-'90s.

Tommy Shannon, Chris Layton and Reese Wynans, all of whom were members of Vaughan's band Double Trouble, also got a songwriting credit on this track.

Stevie was tragically killed in a helicopter crash on Aug 27 1990, moments after sharing the stage (and guitar jam) with Eric Clapton, Robert Cray and brother Jimmy Vaughan. (thanks, Brad - Brisbane, Australia)

Herbie Hancock - Chameleon

Herbie Hancock - Chameleon Lyrics and Youtube Music Videos

Album: Head Hunters
Released: 1973

Chameleon Lyrics

Chameleon Song Chart

This instrumental was composed by Herbie Hancock in collaboration with saxophonist Bennie Maupin, bass guitarist Paul Jackson and drummer Harvey Mason. All four songwriters played on the original version on Head Hunters, which features solos by Hancock and Maupin.

The song has a characteristic jazz bass line and is set to a funk beat. "I knew that I had never heard any jazz players really play funk like the funk I had been listening to," said Hancock. "Instead of getting jazz cats who knew how to play funk. I got funk cats who knew how to play jazz."

The song is one of the most widely recognized jazz standards, and has become standard repertoire in most small jazz ensembles. The Head Hunters album is a defining moment in the genre of jazz funk, and in 2003, it was ranked at #411 on Rolling Stone's "The 500 Greatest Albums of All Time" list.

Head Hunters was a crossover hit thanks to its marriage of traditional jazz and the funk sounds of James Brown, and Sly Stone. Uncut magazine asked Herbie Hancock what inspired Head Hunters' mix of the two genres? He replied; "Two things. One was my own background living in Chicago, which is a blues town. When I was a kid, even though my parents would play classical music on the radio, they also played jazz records, and of course I heard R&B records, which were a part of my generation at that time growing up in the '40s. So that was my roots."

"But also there was Sly Stone with 'Thank You (Falettinme Be Mice Elf Agin)' and James Brown that I was listening to in the early '70s. At a certain point I felt the need to play music that was more tethered, something that was more earthy. It was certainly a new approach for me and I didn't realise  that I was carving out new territory."

On the album, this runs a hearty 15:41. A version running just 2:50 was released as a single.

There are about 160 species of chameleon living in Africa, Madagascar, Spain and Portugal, and across south Asia as far as Sri Lanka. Some species of chameleons can change the color of their skins for camouflage, or to signal mood to other chameleons. This is caused by stress and changes in the intensity of light and temperature, which alter the dispersal of pigment granules in the layers of cells beneath the outer skin.

The word is used figuratively to describe a fickle person who shifts according to the opinions of others just as a chameleon can change its color to blend with its background.

Fun Fact: Chameleons have the most distinctive eyes of any reptile. They can rotate and focus separately to observe two different objects simultaneously. This gives them a full 360-degree arc of vision around their bodies (Source The Encyclopedia of Trivia )

The Rolling Stones - Cherry Oh Baby

The Rolling Stones - Cherry Oh Baby Lyrics and Youtube Music Videos

Album: Black And Blue
Released: 1976

Cherry Oh Baby Lyrics

[Chorus:]
Oh, Cherry, oh Cherry, oh baby
Don't ya know I in need of thee
You don't believe it true
Why don't you love me, too
Its so long I've been waiting
For you to come right in
Now that we are together
Is make my joy run over

Yeah [Repeat: x7]

{Chorus]
Oh Cherry, oh Cherry, oh baby
Don't ya know I in love with you
You don't believe I know
So why don't you try me
I'm never gonna let you down
Never make you wear no frown
You say you love me madly
Then why do you treat me badly

Yeah [Repeat: x7]

[Chorus]
Oh Cherry, oh Cherry, oh baby
Don't ya know I in love with you
You don't believe I know
So why don't you try me (try me)
I'm never gonna let you down no
Never make you wear no frown
You say you love me madly
Then why do you treat me badly

Yeah [Repeat: x3]

Writer/s: DONALDSON, ERIC
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Cherry Oh Baby Song Chart

This is cover of Eric Donaldson's 1971 reggae song. The Stones recorded Goats Head Soup three years earlier in Jamaica, but this is the most they got into reggae.

This was the first time Ron Wood appeared on a Stones album. They were auditioning lead guitarists during Black And Blue, and while Wood only played on this and "Hey Negrita," he was named to the band before it was released and appeared on the cover.

The Reggae group from England UB40 also covered this. It's on their 1983 album Labour Of Love. (thanks, Christopher - Greenfield Center, NY)

Charlie Watts (from According to the Rolling Stones ): "The reggae influence on the songs on Black And Blue came primarily from Keith... Mick was certainly into reggae. I had all those (reggae) records in France with me when we moved there and when we were recording tracks for Exile on Main St. at Keith's house. Mick used to have them as well. I'd play him 'Cherry Oh Baby' or he'd play one to me. And The Harder They Come was an album Keith listened to a lot." (thanks, Bertrand - Paris, France)

Leonard Cohen - Anthem

Leonard Cohen - Anthem Lyrics and Youtube Music Videos

Album: The Future
Released: 1992

Anthem Lyrics

The birds they sang
At the break of day
Start again
I heard them say
Don't dwell on what
Has passed away
Or what is yet to be
Yeah the wars they will
Be fought again
The holy dove
She will be caught again
Bought and sold
And bought again
The dove is never free

Ring the bells (ring the bells) that still can ring
Forget your perfect offering
There is a crack in everything (there is a crack in everything)
That's how the light gets in

We asked for signs
The signs were sent
The birth betrayed
The marriage spent
Yeah the widowhood
Of every government
Signs for all to see

I can't run no more
With that lawless crowd
While the killers in high places
Say their prayers out loud
But they've summoned, they've summoned up
A thundercloud
And they're going to hear from me

(Ring, ring, ring, ring)
Ring the bells that still can ring

Forget your perfect offering
There is a crack, a crack in everything (there is a crack in everything)
That's how the light gets in

You can add up the parts
You won't have the sum
You can strike up the march
There is no drum
Every heart, every heart to love will come
But like a refugee

(Ring, ring, ring, ring)
Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything (there is a crack in everything)
That's how the light gets in
Ring the bells that still can ring (ring the bells that still can ring)
Forget your perfect offering
There is a crack, a crack in everything (there is a crack in everything)
That's how the light gets in
That's how the light gets in
That's how the light gets in

Writer/s: COHEN, LEONARD
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Anthem Song Chart

The actress Rebecca De Mornay dated Cohen in the early 1990s. She recalled to Uncut in 2014 how she ended up producing this track. "Leonard was at my house, and I had a synthesizer," she said. "He was off in a room, playing a song that I'd heard him play over and over for a couple of years, that he just wasn't sure what to do with. I went in and said, 'That's it! Exactly like that!' I think he'd moved the lyrics around, because they'd never had that effect on me before. I said, 'It's universal, I'm telling you, like "Silent Night," or "Auld Lang Syne," so why don't we bring in a gospel choir?' And he turned and looked at me very strangely. And he said, 'I want you to produce this song."

De Mornay explained what the song means to her. "To me, 'Anthem' was the pinnacle of his deep understanding of human defeat. 'I can't run no more with that lawless crowd, while the killers say their prayers out loud... And they've summoned up a thundercloud, and they're going to hear from me,'" she said. "That 'I' – that's the soul of Leonard Cohen. He doesn't suffer fools. He's deeply kind and generous-spirited, but he's not a sweet little monk."

This was prominently used on the soundtrack for Oliver Stone's 1994 film Natural Born Killers along with two other Leonard Cohen songs "Waiting for the Miracle" and "The Future."

The Rolling Stones - Hot Stuff

The Rolling Stones - Hot Stuff Lyrics and Youtube Music Videos

Album: Black And Blue
Released: 1976

Hot Stuff Lyrics

Hot Stuff, can't get enough
Hot stuff, hot stuff, can't get enough
The music is mighty, mighty fine
Hot stuff, hot stuff can't get enough
Hot stuff, can't get enough
Hot stuff, can't get enough
Hot stuff, can't get enough

Music is mighty fine
Hot stuff

Hot stuff, I can't get enough
I can't get enough
The music is what I want
My body always moving, ah, stick it
Hot stuff

Everyday I get another dose
I can't stand it when the music stops
Hot stuff

All the people in New York City
I know you're all going broke, but you're tough
Yeah, hot stuff, hot stuff

To everybody in Jamaica
That's working in the sun
Your hot, your hot stuff
Shake it up, hot stuff

Hot stuff
Hot stuff
Hot stuff

Writer/s: JAGGER, MICK / RICHARDS, KEITH
Publisher: Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC, SONY ATV MUSIC PUB LLC
Lyrics licensed and provided by LyricFind

Hot Stuff Song Chart

With Mick Taylor gone, The Stones were auditioning lead guitarists while recording Black And Blue. Harvey Mandel from Canned Heat played on this, but Ron Wood got the job.

This was dangerously close to Disco - Donna Summer had a Disco hit 3 years later with the same title.

Billy Preston played the piano, Ollie E. Brown was on percussion.

"Hot Stuff" was the working title for the album until they decided on Black And Blue.

Pretenders - Stop Your Sobbing

Pretenders - Stop Your Sobbing Lyrics and Youtube Music Videos

Album: The Pretenders
Released: 1979

Stop Your Sobbing Lyrics

It is time for you to stop all of your sobbing
Yes it's time for you to stop all of your sobbing oh oh oh
There's one thing you gotta do
To make me still want you
Gotta stop sobbing now
Yeah yeah stop it stop it

It is time for you to laugh instead of crying
Yes it's time for you to laugh so keep on trying oh oh oh
There's one thing you gotta do
To make me still want you
Gotta stop sobbing now
Yeah yeah stop it stop it

Each little tear that falls from your eyes
Makes, makes me want
To take you in my arms and tell you
To stop all your sobbing

There's one thing you gotta do
To make me still want you
And there's one thing you gotta know
To make me want you so
Gotta stop sobbing now
Yeah yeah stop, stop, stop, stop
Gotta stop sobbing at all
Stop, stop, stop, stop
Gotta stop sobbing at all
Stop, stop, stop, stop
Gotta stop sobbing at all
Stop, stop, stop, stop
Stop, stop, stop sobbing
Stop, stop, stop, stop
Gotta stop sobbing
Stop, stop, stop, stop
Gotta stop sobbing at all
Stop, stop, stop, stop
Gotta stop sobbing at all

Writer/s: DAVIES, RAY
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Stop Your Sobbing Song Chart

Written by Ray Davies and recorded for The Kinks' 1964 self-titled debut album, this was later covered by The Pretenders as their first single. The Pretenders' recording of the song led to the relationship between Davies and the band's frontwoman Chrissie Hynde, which eventually resulted in the birth of a child.

In order to convince guitarist James Honeyman-Scott to join the Pretenders, Chrissie Hynde hired one of his favorite recording artists, Nick Lowe, to produce this song.

In his autobiography, Ray Davies writes of a girlfriend who may have been the subject of this song: "Her sobbing was making me feel guilty and I told her to stop... there was something so desperately lonely about her."

The Pretenders covered another Ray Davies penned track a couple of years later, "I Go To Sleep," for another single release.

Elvis Presley - Jailhouse Rock

Elvis Presley - Jailhouse Rock Lyrics and Youtube Music Videos

Album: Elvis' 30 #1 Hits
Released: 1957

Jailhouse Rock Lyrics

The warden threw a party in the county jail
The prison band was there and they began to wail
The band was jumpin' and the joint began to swing
You should've heard them knocked-out jailbirds sing

Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock

Spider Murphy played the tenor saxophone
Little Joe was blowin' on the slide trombone
The drummer boy from Illinois went crash, boom, bang
The whole rhythm section was the Purple Gang

Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock

Number forty-seven said to number three
"You're the cutest jailbird I ever did see
I sure would be delighted with your company
Come on and do the Jailhouse Rock with me"

Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock

Sad sack was sittin' on a block of stone
Way over in the corner weepin' all alone
The warden said, "Hey, buddy, don't you be no square
If you can't find a partner, use a wooden chair"

Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock

Shifty Henry said to Bugs, "For Heaven's sake
No one's lookin'; now's our chance to make a break"
Bugsy turned to Shifty and he said, "Nix, nix
I want to stick around a while and get my kicks"

Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock

Dancin' to the Jailhouse Rock
Dancin' to the Jailhouse Rock
Dancin' to the Jailhouse Rock
Dancin' to the Jailhouse Rock
Dancin' to the Jailhouse Rock

Writer/s: LEIBER, JERRY / STOLLER, MIKE
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Jailhouse Rock Song Chart

This was written by Jerry Leiber and Mike Stoller, who also wrote "Hound Dog," which became a huge hit when Elvis recorded it. Leiber and Stoller excelled at writing catchy Pop songs with elements of Blues music. Their songs could be very funny and clever, and often take place in unusual situations. Some of their other hits include "Love Potion #9" and "On Broadway." Mike Stoller played piano on this track.

This was featured in the Elvis movie of the same name, where Elvis plays a wrongly accused convict who becomes a star when he gets out. The film, which is considered one of the best of his 31 movies, is famous for the scene where Elvis performs this song in an elaborate dance number taking place in prison.
The movie score was the first one that Leiber and Stoller wrote. Stoller recalled to Mojo magazine April 2009: "We flew in to New York from LA, where were living at that time, and we had a hotel suite. We had a piano put in, in case the muse struck us, and Jean Aberbach - he and his brother (Julian) owned Hill & Range Songs and they had to deal with Colonel Parker but created Gladys Music and Elvis Presley Music-handed us a script for a movie. We threw it in the corner with the tourist magazines that you get in hotels. We were having a ball in New York, going to the theatre, going to jazz clubs to hear Miles Davis and Thelonious Monk, doing a lot of drinking. On a Saturday morning- we'd been there about a week - Jean knocked on the door and said, in a very Viennese accent, 'Vell boys, you vill haf my songs for the movie.' Jerry said, 'Don't worry Jean, you'll have them' Jean said, 'I know.' And he pushed a big chair in front of the door and sat down and said, ' I'm going to take a nap and I'm not leaving until you have my songs.' So we wrote four songs (including this one) in about five hours and then were free to go out."

The line, "Number 47 said to number 3, You're the cutest jailbird I ever did see," is a sly reference to prison sex but was not offensive enough to create any controversy over the song.

This was a massive hit. It was #1 on the US pop charts for seven weeks, and also reached #1 on the country and R&B charts. In the UK, it entered the charts at #1, becoming the first song to do so. (thanks, Bertrand - Paris, France)

Elvis was so big in 1957 that this smash wasn't even his biggest hit that year: according to Billboard, that honor went to "All Shook Up." The Top 5 that year illuminated the cultural divide between young Elvis fans and their parents, who were looking for something more subdued:

1) "All Shook Up" - Elvis
2) "Love Letters In The Sand" - Pat Boone
3) "Jailhouse Rock" - Elvis
4) "(Let Me Be Your) Teddy Bear" - Elvis
5) "April Love" - Pat Boone

"Jailhouse Rock" has one of the most memorable intros in rock history: two guitar chords with snare drum hits. The intro last just six seconds, but the pattern repeats throughout the verses, establishing a firm musical hook that remains the envy of songwriters.

ABC television ran a series of educational cartoons called "Schoolhouse Rock" in the '70s. Millions of kids learned about grammar, history, and astronomy from them. The title was a play on this song.

Ozzy Osbourne played a Heavy Metal version of this in 1987 when he did a tour of prisons.

Sha-Na-Na played this at Woodstock in 1969. Very few of the attendees saw their performance, as they didn't go on until Monday morning (the event was scheduled to end at midnight on Sunday, but ran long). Jimi Hendrix followed Sha-Na-Na to close out the festival.

January 2005 marked what would have been Elvis Presley's 70th birthday. In commemoration, Elvis' record label re-released this in the UK where it went straight to #1, making it the oldest recording ever to top the UK charts. It also became the third single to hit #1 twice in the UK, following "Bohemian Rhapsody" and "My Sweet Lord," both of which were also posthumous re-releases.

In 2007, Chris Rock performed this on the Movies Rock TV special, where modern pop artists performed classic movie songs. Brown re-created Elvis' scene from the movie.

The Cramps recorded a version of this on the CD The Last Temptation of Elvis. All profits went to a music therapy charity. (thanks, Richard - London, England)

On November 4, 1957, this topped both the pop and R&B charts. In an odd twist, the next five positions on both charts were also the same songs: "Wake Up Little Susie" by the Everly Brothers, "You Send Me" by Sam Cooke, "Silhouettes" by the Rays, "Be-Bop Baby" by Ricky Nelson, and "Honeycomb" by Jimmie Rodgers. (thanks, Bertrand - Paris, France)

This song was covered by the Blues Brothers, and featured at the end of the movie of the same name. The brothers and the band are seen playing this song to their fellow inmates.

Traditional - Home on the Range

Traditional - Home on the Range Lyrics and Youtube Music Videos

Album: Songs of the Old West
Released: 1873

Home on the Range Lyrics

Home on the Range Song Chart

This classic ode to frontier life was written by Kansas homesteader Brewster M. Higley VI as the poem "My Western Home" and first appeared in the Smith County Pioneer in 1873. Higley's friend Daniel Kelley, a Civil War veteran who lived in the Sunflower State for a time, wrote the music.

Both Higley and Kelley moved on to greener pastures after writing it. Higley eventually landed in Oklahoma, while Kelley made Iowa his home.

The original version of this song did not contain the phrase "on the range."

Kansas made this its official state anthem on June 30, 1947.

When Higley was penning his poem, it was a promising time for pioneers who could understand the sentiment "give me a home where the buffalo roam." The 1862 Homestead Act allowed farmers and ranchers to earn the title to 160 acres of land as long as they worked it for five years. The legislation came on the heels of decades-long turmoil in Kansas - white settlers forced Native Americans off of the plains to take control of the land, and then battled each other over the right to own slaves in the territory (before the Civil War).

John Lomax, a professor and collector of folk songs, captured the earliest known recording of the tune when he heard a cattle driver-turned-saloonkeeper singing it in 1908.

In 1910, Lomax did his own rendition, which includes a reference to the Native Americans' plight:

The red man was pressed from this part of the West
He's likely no more to return,
To the banks of Red River where seldom if ever
Their flickering camp-fires burn

"Red man" or "Red skin" were commonly used terms to describe Native Americans by white settlers.

Texan David Guion is credited for first publishing the sheet music in 1925 under the new title "Home on the Range."

Though this has been covered numerous times throughout the years, from Roy Rogers and Dale Evans to Frank Sinatra, Bing Crosby, and Porky Pig, the song has never hit the charts.

Neil Young sang this for the opening credits of the 1980 film Where the Buffalo Roam, starring Bill Murray and Peter Boyle.

Willie Nelson sang this over the closing credits of the 2009 war drama The Messenger, starring Ben Foster and Woody Harrelson.

Genesis - Land of Confusion

Genesis - Land of Confusion Lyrics and Youtube Music Videos

Album: Invisible Touch
Released: 1986

Land of Confusion Lyrics

I must've dreamed a thousand dreams
Been haunted by a million screams
I can hear the marching feet
They're moving into the street.

Now did you read the news today
They say the danger's gone away
But I can see the fire's still alight
Burning into the night.

Too many men
Too many people
Making too many problems
And not much love to go round
Can't you see
This is a Land of Confusion.

This is the world we live in
And these are the hands we're given
Use them and let's start trying
To make it a place worth living in.

Superman where are you now
Everything's gone wrong somehow
The men of steel, men of power
Are losing control by the hour.

This is the time
This is the place
So we look for the future
But there's not much love to go round
Tell me why, this is a land of confusion.

This is the world we live in
And these are the hands we're given
Use them and let's start trying
To make it a place worth living in.

I remember long ago
When the sun was shining
The stars were bright
All through the night
And the sound of your laughter
As I held you tight
So long ago

I won't be coming home tonight
My generation will put it right
We're not just making promises
That we know, we'll never keep.

Too many men
Too many people
Making too many problems
And not much love to go round
Can't you see
This is a land of confusion.

This is the world we live in
And these are the hands we're given
Use them and let's start trying
To make it a place worth fighting for.

This is the world we live in
And these are the names we're given
Stand up and let's start showing
Just where our lives are going to.

Writer/s: RUTHERFORD, MICHAEL/COLLINS, PHIL/BANKS, TONY
Publisher: EMI Music Publishing
Lyrics licensed and provided by LyricFind

Land of Confusion Song Chart

A rare political song for Genesis, this questions the wisdom of world leaders at a time when the US and Russia were enemies and there was a threat of nuclear war. Phil Collins called it, "A political song about the mess we have landed in."

The very popular video was made using puppets created by Peter Fluck and Roger Law, who had a British TV series called The Spitting Image. The show would often make fun of Genesis, and by hiring their tormentors, the band proved that they could take a joke.

Genesis puppets had been used on the show before, but they made new ones for the video - not very flattering ones either. It was a way for the band to lighten their image from their days as earnest prog rockers. The video could go in the Cold War cultural time capsule: at the end, the Ronald Reagan puppet accidentally launches a nuclear missile.

Mike Rutherford called this "a kind of '80s protest song," adding: "It's about how we live in a very nice world, and what a mess we're making of it. How it should all be so easy and it's all so difficult."

The video won the 1987 Grammy for Best Concept Music Video - it was the only Grammy Genesis ever won, and they weren't even in the clip. At the MTV Video Music Awards, the video was nominated in six categories, but lost them all to Peter Gabriel's "Sledgehammer."

The video was produced by Paul Flattery and directed by Jim Yukich, who teamed up on most of the Genesis and Phil Collins videos of the time.

Yukich, an American, would watch The Spitting Image on his trips to England and loved the show. He got the idea to use the puppets in this video when he saw a Phil Collins parody on the show that made fun of his angst-ridden solo work.

Typical of Genesis during this era, the entire band - Tony Banks , Phil Collins and Mike Rutherford - are the credited songwriters. Rutherford wrote the lyrics.

An inside joke in the video is Tony Banks playing a cash register - that was because he was always complaining about how expensive the videos were to make. And "Land Of Confusion" was very expensive - each puppet cost about $10,000.

This song is mentioned in the movie American Psycho. The lead character, Patrick Bateman, played by Christian Bale, calls this album their "Undisputed masterpiece," and praises this for "Questioning authoritative control." He then kills his coworker.

The hard rock group Disturbed covered this in 2006. (thanks, Brandon - Peoria, IL)

Wu-Tang Clan - Wu-Tang Clan Ain't

Wu-Tang Clan - Wu-Tang Clan Ain't Lyrics and Youtube Music Videos

Album: Enter the Wu-Tang (36 Chambers)
Released: 1993

Wu-Tang Clan Ain't Lyrics

Tiger style, tiger style, yo, huh, huh

Wu-Tang Clan Ain't nuthing ta fuck wit
Wu-Tang Clan ain't nuthing ta fuck wit
Wu-Tang Clan ain't nuthing ta fuck wit

There's noplace to hide once I step inside the room
Dr.Doom, prepare for the boom, bam
Aw, man, I slam jam, now scream like Tarzan

I be tossing, enforcing my style is awesome
I'm causing more Family Feud's than Richard Dawson
And the survey said, ya dead
Fatal Flying Guillotine, chops off your fuckin' head

MZA who was that? Aiyyo, the Wu is back
Making niggaz go, bo, bo, like on Super Cat
Me fear no one, oh no, here come
The Wu-Tang shogun killer to the eardrum

Put the needle to the groove, I gets rude and I'm forced to fuck it up
My style carries like a pickup truck
Across the clear blue yonder seek the China Sea
I slam tracks like quarterbacks sacks from L.T.

Now why try and test the Rebel INS
Blessed since the birth I earth slam your best
'Cause I bake the cake then take the cake
And eat it too with my crew while we head state to state

And if you want beef then bring the ruckus
Wu-Tang Clan ain't nuthing ta fuck wit
Straight from the motherfucking slums that's busted
Wu-Tang Clan ain't nuthing ta fuck wit

Hyah, steppin' on, step up boy, represent, chop his head off kid

The Meth will come out tomorrow
Styles is wild, berserk, bizarro
Flow with more afro than Rollo
Coming to a fork in the road which way to go just follow

Method the Legend, niggaz is Sleepy Hollow
In fact I'm a hard act to follow
I dealt for dolo, Bogart coming on through
Niggaz is like, oh, my God not you

Yes, I come to get a slice of the punk and the pie
Rather do than die check my flava
Coming from the RZA which is short for the razor
Who make me reminisce true like Deja Vu

I'm rubber, niggaz is like glue
Whatever you say rubs off me sticks to you

Tiger style, tiger style

Wu-Tang Clan ain't nuthing ta fuck wit
Wu-Tang Clan ain't nuthing ta fuck wit
Wu-Tang Clan ain't nuthing ta fuck wit
Wu-Tang Clan ain't nuthing ta fuck wit

Ahh, hah, yeah, representing Brooklyn Queens
Long Island, Manhattan Bronx, the Rugged Lands of Shaolin
Niggaz, from Virginia, Atlanta our boys in Ohio
Coming through with the crazy, why, oh, why, oh, yo

Niggaz, from the Source my man Kelly Moon from the Gavin
Rod Strickland, Jason stay in, yeah, true, true
My nigga, it's going Down boy we ain't nuthing to fuck wit
The whole Texas mob, the Chicago mob
Niggaz, from Detroit fucking California squadron

Coming through knahmsayin'
The whole fucking West coast to the whole East
Niggaz, from D.C. down in Maryland
All the way over there in Morgan State
Wu-Tang Clan ain't nuthing ta fuck wit

All over the whole fucking globe coming through boy
Peace to the fucking Zulu Nation
Peace to all the Gods and the Earths, word is born
Wu-Tang Clan chopping heads boy it ain't safe no more, Peace

Tiger style, tiger style
Tiger style, tiger style
Tiger style, tiger style
Tiger style, tiger style

Writer/s: COLES, DENNIS DAVID / DIGGS, ROBERT F. / GRICE, GARY E. / HAWKINS, LAMONT / HUNTER, JASON / JONES, RUSSELL T. / SMITH, CLIFFORD / WOODS, COREY
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Wu-Tang Clan Ain't Song Chart

A track from Wu-Tang Clan's first album, this song finds the rappers flexing their lyrical muscles and putting other rappers on notice. Wu-Tang leader RZA explained: "The most important thing that people need to know about us? That Wu-Tang Clan ain't nuthin' to f--k wit. Lyrically, no-one can f--k with us. It's gonna take another generation to match our rhymes."

The "Tiger Style" sample comes from a 1977 kung fu movie called Executioners from Shaolin, in which a man trained in the tiger style of kung fu is killed, but avenged by his son, who learns that style to defeat the killer.

The group makes many references to martial arts in their songs; they are named for a 1983 movie called Shaolin and Wu Tang, and often refer to their hometown of Staten Island as "Shaolin Island."

Method Man co-produced this track with RZA, who takes the first verse. The second verse is rapped by Inspectah Deck, and Method Man comes on for the third.

The Rolling Stones - Time Waits For No One

The Rolling Stones - Time Waits For No One Lyrics and Youtube Music Videos

Album: It's Only Rock 'N' Roll
Released: 1974

Time Waits For No One Lyrics

Yes, star crossed in pleasure the stream flows on by
Yes, as we're sated in leisure, we watch it fly
And Time Waits For No One, and it won't wait for me
And time waits for no one, and it won't wait for me
Time can tear down a building or destroy a woman's face
Hours are like diamonds, don't let them waste
Time waits for no one, no favours has he
Time waits for no one, and he won't wait for me
Men, they build towers to their passing yes, to their fame everlasting
Here he comes chopping and reaping, hear him laugh at their cheating
And time waits for no man, and it won't wait for me
Yes, time waits for no one, and it won't wait for me
Drink in your summer, gather your corn
The dreams of the night time will vanish by dawn
And time waits for no one, and it won't wait for me
And time waits for no one, and it won't wait for me
No no no, not for me....
Writer/s: JAGGER, MICK/RICHARDS, KEITH
Publisher: Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC, SONY ATV MUSIC PUB LLC
Lyrics licensed and provided by LyricFind

Time Waits For No One Song Chart

This was one of guitarist Mick Taylor's last appearances with The Stones. He left after It's Only Rock 'n' Roll because of differences with Keith Richards and frustration over not getting writing credits on this and other songs he helped compose. The only song he was credited on was "Ventilator Blues."

The lyrics are a commentary on the value of time. Mick Jagger turned 30 the year this was released.

Jagger brought in Ray Cooper for percussion. Cooper did a lot of work with Elton John.

This wasn't released as a single, but it was recognized years later on The Rolling Stones "best of" compilation Sucking In The Seventies.

The Stones started working on this in 1971 during the Sticky Fingers sessions at Stargroves, their mobile studio. It was the first song they recorded for It's Only Rock 'N' Roll.

Before getting together to record the album, the band members had some time off and went their separate ways. Mick Taylor went to Brazil, which he credits for the Latin influence in the song. (thanks, Edward Pearce - Ashford, Kent, England)

On the It's Only Rock 'N' Roll album, the "Glimmer Twins" get a production credit. This is a name for Mick Jagger and Keith Richards. The origin of the pseudonym: Jagger and Richards took a cruise in 1969 and found themselves at a table with an older English couple who vaguely recognized them. Jagger and Richards played coy, and the couple asked for a "glimmer," as in a little hint as to who they were.

Mick Taylor, 2012: "My favorite [Stones song] in terms of my own guitar playing is 'Time Waits for No One.' I love that solo. I think it's probably the best thing I did with the Stones. It's not one of their hits; it was an album track. But it's quite lyrical and it's a bit different from a lot of other Stones songs. I'd done something that I'd never done. Because of the structure of the song. It pushed my guitar playing in a slightly different direction. It's more - I don't like to use the term Carlos Santana-esque because it sounds too pretentious, but I kind of played in a different mode. I was playing over a C maj 7 to an F maj 7, which aren't chords the Stones used that much. You know, they had their rock and roll songs and they had their ballads as well, and they were very different. And mostly the ballads were usually written by me." (thanks, Bertrand - Paris, France, for above 2)