Songs Lyrics and YT- Youtube Music Videos

Latest Post

John Lennon - Cold Turke
John Lennon - Cold Turkey


John Lennon - Cold Turkey Lyrics and Youtube Music Videos

Album: Lennon Boxed Set
Released: 1969

Cold Turkey Lyrics


Temperature's rising
Fever is high
Can't see no future
Can't see no sky

My feet are so heavy
So is my head
I wish I was a baby
I wish I was dead

Cold Turkey has got me on the run
My body is aching
Goose-pimple bone
Can't see no body
Leave me alone

My eyes are wide open
Can't get to sleep
One thing I'm sure of
I'm at the deep freeze

Cold turkey has got me on the run
Cold turkey has got me on the run

Thirty-six hours
Rolling in pain
Praying to someone
Free me again

Oh I'll be a good boy
Please make me well
I promise you anything
Get me out of this hell

Cold turkey has got me on the run

Writer/s: LENNON, JOHN
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Cold Turkey Song Chart
  • This song is about drug withdrawal. Quitting "Cold Turkey" means abruptly stopping drug use, and wreaks havoc on the body because it has to suddenly adjust to not getting drugs. John Lennon quit cold turkey because he wanted to get off drugs and start a family with Yoko (who also quit with him). He wrote this song about that experience.
  • Lennon wanted to record this with The Beatles for their Abbey Road album, but the other Beatles rejected it. Lennon recorded it with a group of musicians he called The Plastic Ono Band and released it as a single. It was not available on an album.
  • Lennon's second single away from The Beatles. "Give Peace A Chance" was released a few months earlier.
  • Lennon performed this in September, 1969 at "The Toronto Rock and Revival Show," featuring Eric Clapton on guitar, Klaus Voorman on bass, and Alan White on drums. The set was released as a live album.
  • Eric Clapton played some of the guitar on this. Lennon asked Clapton to join The Plastic Ono Band, but Eric declined.
  • Lennon wrote and recorded this song before attending Arthur Janov's Primal Scream therapy workshop, which played a part in his song "Mother." The screams he used in "Cold Turkey," he was actually emulating Yoko singing.
  • Lennon discussed this song in an interview with BBC Radio 1 DJ Andy Peebles on December 6, 1980, four days before his death. He recalled: "Cold Turkey was banned. They thought it was a pro-drugs song. But I've always expressed what I've been feeling or thinking at the time. So I was just writing the experience I'd had of withdrawing from heroin. To some it was a rock 'n' roll version of The Man With The Golden Arm because it showed Frank Sinatra suffering from drug withdrawal." (Source Q magazine November 2010)
  • When John Lennon decided to return his MBE (Member of the British Empire) award on November 25, 1969, he sent it to Queen Elizabeth II with a note explaining, "I am returning this MBE in protest against Britain's involvement in the Nigeria-Biafra thing, against our support of America in Vietnam and against 'Cold Turkey' slipping down the charts."

  • Hep Stars - Rented Tuxed
    Hep Stars - Rented Tuxedo


    Hep Stars - Rented Tuxedo Lyrics and Youtube Music Videos

    Album: single release only
    Released: 1965

    Rented Tuxedo Lyrics


    Rented Tuxedo Song Chart
  • Credited to Rogers, Tansey & Singleton, she left him with a broken heart, a ring and a rented tuxedo. Not a particularly inspiring song, but it was the B-side of the Hep Stars release "No Response," which was the first song ever written by Benny Andersson. (thanks, Alexander Baron - London, England)

  • John Lennon - Go
    John Lennon - God


    John Lennon - God Lyrics and Youtube Music Videos

    Album: John Lennon: Plastic Ono Band
    Released: 1970

    God Lyrics


    God is a concept
    By which we measure
    Our pain
    I'll say it again
    God is a concept
    By which we measure
    Our pain

    I don't believe in magic
    I don't believe in I-Ching
    I don't believe in Bible
    I don't believe in tarot
    I don't believe in Hitler
    I don't believe in Jesus
    I don't believe in Kennedy
    I don't believe in Buddha
    I don't believe in mantra
    I don't believe in Gita
    I don't believe in yoga
    I don't believe in kings
    I don't believe in Elvis
    I don't believe in Zimmerman
    I don't believe in Beatles
    I just believe in me
    Yoko and me
    And that's reality

    The dream is over
    What can I say?
    The dream is over
    Yesterday
    I was the dream weaver
    But now I'm reborn
    I was the Walrus
    But now I'm John
    And so dear friends
    You just have to carry on
    The dream is over

    Writer/s: LENNON
    Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    God Song Chart
  • Lennon wrote this about the worship of false idols. He felt organized religion did more harm than good. In "Imagine," he sang about a better world where there was "no religion."
  • Lennon was not an atheist, but believed that god was something different to everyone. He also believed that people focus too much on the teacher (God) rather than what is supposed to be taught. In songs like this and "Imagine," Lennon's was trying to send the message that we should not let religion and other things get in the way of how we think life should be lived. In "Imagine," "Living for today" means to live as if there is no afterlife or god and to do the best you can. In this song, "I just believe in me" states his belief in his life regardless of anything else. (thanks, Justin - washington, DC)
  • Before recording this album, John and Yoko began "Primal Scream therapy," which was a very emotional time for them. Lennon was dealing with the breakup of The Beatles and the death of his mother.
  • At the time, Lennon had some hard feelings toward The Beatles, especially Paul McCartney. He made a statement that he was moving on with the line, "I don't believe in Beatles."
  • Billy Preston played piano. He played on some of The Beatles songs, including "Get Back."
  • Ringo Starr played drums. He and Lennon had a good relationship even after The Beatles broke up.
  • This contains the classic line, "The Dream Is Over." This summed up the feelings of many who felt their idealistic goals of the '60s were not going to come true.
  • In the January 1971 edition of Rolling Stone, Lennon said that this, "was put together from three songs almost." He went on to the explain that the words for this "just came out of me mouth." The former Beatle continued: "I had the idea that 'God is the concept by which we measure pain,' so that when you have a word like that, you just sit down and sing the first tune that comes into your head and the tune is simple, because I like that kind of music and then I just rolled into it. It was just going on in my head and I got by the first three or four, the rest just came out. Whatever came out."
  • Among the list of idols in this song, which Lennon said he didn't believe in was The Beatles. Lennon explained why to Rolling Stone: "I was going to leave a gap, and just fill in your own words: whoever you don't believe in. It had just got out of hand, and Beatles was the final thing because I no longer believe in myth, and Beatles is another myth. I don't believe in it. The dream is over. I'm not just talking about the Beatles, I'm talking about the generation thing. It's over, and we gotta - I have to personally - get down to so-called reality."
  • Lennon starts this song with the line, "God is a concept by which we measure our pain." He explained to Rolling Stone that, "pain is the pain we go through all the time," Then added: "You're born in pain. Pain is what we are in most of the time, and I think that the bigger the pain, the more God you look for."
  • When Lennon was recording this stark denunciation of Christianity at Abbey Road studios, George Harrison was next door completing work on All Things Must Pass. "I was in one room singing 'My Sweet Lord'," said Harrison, "and John was in another room singing 'I don't believe in Jesus, I don't believe in nothing'."

  • Superfood - Like A Dais
    Superfood - Like A Daisy


    Superfood - Like A Daisy Lyrics and Youtube Music Videos

    Album: Don't Say That
    Released: 2014

    Like A Daisy Lyrics


    Like A Daisy Song Chart
  • This song is about a friend of frontman Dom Ganderton. He told NME: "At uni, he got into the routine of waking up at 5 p.m. and smoking, then staying up until 4 a.m. and doing the same thing over and over. It's saying, 'Get your s--t together and do something.' He has now: he's moved to Prague to work."

  • The Band - The Night They Drove Old Dixie Dow
    The Band - The Night They Drove Old Dixie Down


    The Band - The Night They Drove Old Dixie Down Lyrics and Youtube Music Videos

    Album: The Band
    Released: 1969

    The Night They Drove Old Dixie Down Lyrics


    Virgil Caine is the name, and I served on the Danville train,
    Til Stoneman's cavalry came and tore up the tracks again.
    In the winter of '65, we were hungry, just barely alive.
    By May the tenth, Richmond had fell, it's a time I remember, oh so well,

    [Chorus]
    The Night They Drove Old Dixie Down, and the bells were ringing,
    The night they drove old Dixie down, and the people were singin'. they went
    La, la, la, la, la, la, la, la, la, la, la, la, la, la,

    Back with my wife in Tennessee, when one day she called to me,
    "Virgil, quick, come see, there goes Robert E. Lee!"
    Now I don't mind choppin' wood, and I don't care if the money's no good.
    Ya take what ya need and ya leave the rest,
    But they should never have taken the very best.

    The night they drove old Dixie down, and the bells were ringing,
    The night they drove old Dixie down, and the people were singin'. they went
    La, la, la, la, la, la, la, la, la, la, la, la, la, la,

    Like my father before me, I will work the land,
    Like my brother above me, who took a rebel stand.
    He was just eighteen, proud and brave, but a Yankee laid him in his grave,
    I swear by the mud below my feet,
    You can't raise a Caine back up when he's in defeat.

    The night they drove old Dixie down, and the bells were ringing,
    The night they drove old Dixie down, and all the people were singin', they went
    Na, la, na, la, na, na, na, na, na, na, na, na, na, na,

    The night they drove old Dixie down, and all the bells were ringing,
    The night they drove old Dixie down, and the people were singin', they went
    Na, la, na, la, na, na, na, na, na, na, na, na, na, na

    Writer/s: ROBERTSON, ROBBIE
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    The Night They Drove Old Dixie Down Song Chart
  • Robbie Robertson wrote this song, which is about the American Civil War - "Dixie" is a term indicating the old American South, which was defeated by the Union army. The song is not related to his heritage, as Robertson is half-Mohawk Indian, half-Jewish Canadian.
  • Robertson came up with the music for this song, and then got the idea for the lyrics when he thought about the saying "The South will rise again," which he heard the first time he visited the American South. This led him to research the Civil War. (thanks, Edna - Madrid, Spain, for above 2)
  • This was recorded in Sammy Davis Jr.'s house in Los Angeles. The Band rented it and converted a poolhouse into a studio to record their second album.
  • The vocals featured the 3-part harmonies of Levon Helm, Richard Manuel, and Rick Danko.
  • Joan Baez covered this in 1971. It was her biggest hit, reaching US #3 and UK #6.

    Her version was recorded at Quad Studios in Nashville with producer Norman Putnam, who gathered about 20 people from around the studio to sing on the chorus. One of those voices belongs to Jimmy Buffett, who Putnam would later work with on his album Changes in Latitudes, Changes in Attitudes.
  • Baez changed some of the lyrics on her version. For example, she sings, "Virgil Cain is my name and I drove on the Danville train. 'Til so much cavalry came and tore up the tracks again." The original lyrics are, "Virgil Cain is THE name and I SERVED on the Danville train. 'Til STONEMAN'S cavalry came and tore up the tracks again" referring to George Stoneman, who was a general in the Union army). There are several other inconsistencies between her version and The Band's original, including changing the line, "There goes Robert E. Lee" to "There goes THE Robert E. Lee" (which is a boat). (thanks, Geoffrey - Fort Collins, CO)
  • This was used as the B-side to "Up On Cripple Creek."

  • Superfood - Pallasade
    Superfood - Pallasades


    Superfood - Pallasades Lyrics and Youtube Music Videos

    Album: Don't Say That
    Released: 2014

    Pallasades Lyrics


    Pallasades Song Chart
  • Frontman Dom Ganderton told NME: "It's about seeing a friend f--k a girl over. The first is about him being a complete d--k and not being able to say anything. Then the chorus talks about people who are trying to be in love but are fed up, so it's hard for them to love someone."

  • Blur - Song
    Blur - Song 2


    Blur - Song 2 Lyrics and Youtube Music Videos

    Album: Blur
    Released: 1997

    Song 2 Lyrics


    Woo-hoo
    Woo-hoo
    Woo-hoo
    Woo-hoo

    I got my head checked
    By a jumbo jet
    It wasn't easy
    But nothing is
    No

    Woo-hoo
    When I feel heavy-metal
    And I'm pins and I'm needles
    Well, I lie and I'm easy
    All the time but I'm never sure
    Why I need you
    Pleased to meet you

    I got my head down
    When I was young
    It's not my problem
    It's not my problem

    Woo-hoo
    When I feel heavy-metal
    And I'm pins and I'm needles
    Well, I lie and I'm easy
    All the time but I am never sure
    Why I need you
    Pleased to meet you

    Yeah yeah
    Yeah yeah
    Yeah yeah
    Oh yeah

    Writer/s: JAMES, STEVEN / ROWNTREE, DAVID / ALBARN, DAMON / COXON, GRAHAM
    Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Song 2 Song Chart
  • This is also known as "Whoo-Hooo," which is the chorus. The title is not in the lyrics, as the name "Song 2" was originally just a working title, with Blur introducing it that way during live performances. Fans soon identified the song as "Song 2" and the title stuck. (thanks, Kyle - Newborough, MT)
  • With loud guitars and cryptic lyrics, the band wrote this to make fun of Grunge music that was big in America at the time. It ended up being Blur's biggest hit in the US. They are huge in England, but never caught on in the States.
  • Blur's bassist Alex James told Q Magazine's 1001 Best Songs Ever: "I remember having a really bad sweaty hangover that day. And it was very sunny. We were at Mayfair Studios, Primrose Hill, and I'd been trying to think of a title for a TV show a friend was doing about Rock Wives. Then it came to me: 'Hits and Mrs!' So I thought that was my work for the day over. It sums up Song 2 really. We didn't think about it at all. Graham (Coxon) set up two kits, Dave (Rowntree) and Graham started playing drums at the same time, this real "aggro" beat. Then the chorus is two distorted basses and Damon's guide vocal. It was kind of a throwback. We'd always done brainless rocking out, though maybe it's not what we're known for." (thanks, Edward Pearce - Ashford, Kent, England)
  • This is the second track on the CD, the second single from the album, it hit #2 in the UK, and it is 2 minutes long.
  • At the 1997 MTV Video Music Awards, This was nominated for Best Group Video.
  • This was used in commercials by 2 different auto makers: Mercedes-Benz used it to promote its S-class cars, Nissan used it for The Sentra. It was also used in ads for video game FIFA '98 and for Pentium II processors.
  • This was used in an episode of The Simpsons in a scene where Homer and the guys go to the Super Bowl. It also appeared on the South Park episode "Stanley's Cup."
  • This was also featured in many trailers for the movie Starship Troopers. As is becoming common, the song did not appear in the film itself. (thanks, Kei - Salem, OR)
  • At one point, Blur weren't sure if this was even a contender to be included on the album, thinking it too short. However, their US record company loved it. It is probably their most popular song, certainly their most well known.
  • The band tried to add more production to the recorded version and finish it off, but without success. They saw this as a learning experience. Bass player Alex James says it was "The realization you don't have to polish everything. Sometimes the thing you do first of all is when you mean it." (thanks, Adam - Dewsbury, England)
  • Producer Stephen Street told Q magazine March 2009 that "Damon's guide vocal was pure babbling but it worked so well I suggested we went with it. He just needed reassurance that what he'd done was good."
  • According to Q magazine, the heavy noise on the song is Alex James' bass played twice. Alex didn't know this until Stephen Street told him, years later. He couldn't remember doing it.
  • Damon Albarn's original version was a third slower – it was guitarist Graham Cozon who sped the tune up. Said Albarn in Isle of Noises by Daniel Rachel: "It's definitely better the way it ended up. As soon as I hear myself doing anything I've done before I just do something else. I go the other way or I just go below or above. I can't bear repeating myself. As soon as I've finished something I think, 'That's terrible. Right, I better start again."
  • This was released as a B-side of "Tender" in 1999. This was because "Swamp Song", originally a B-side, was included on 13. (thanks, Ben - Mount Laurel, NJ)
  • This was used on Alias (2004) in the season three episode "Blowback," during a car chase scene. It was also used in the first season of Nikita (2010) in the episode "Rough Trade," during a flashback of the title character's fight training.

  • Taylor Swift - All You Had To Do Was Sta
    Taylor Swift - All You Had To Do Was Stay


    Taylor Swift - All You Had To Do Was Stay Lyrics and Youtube Music Videos

    Album: 1989
    Released: 2014

    All You Had To Do Was Stay Lyrics


    (Hey hey hey)
    (Hey hey hey)
    (Hey hey hey)
    (Hey hey hey)
    People like you always want back the love they gave away
    And people like me wanna believe you when you say you've changed
    The more I think about it now the less I know
    All I know is that you drove us off the road

    Stay, hey, All You Had To Do Was Stay
    Had me in the palm of your hand
    Then, why'd you had to go and lock me out when I let you in
    Stay, hey, now you say you want it
    Back now that it's just too late
    Well could've been easy
    All you had to do was stay

    All you had to do was stay
    All you had to do was stay
    All you had to do was stay
    All you had to do was stay

    Here you are now, calling me up, but I don't know what to say
    I've been picking up the pieces of the mess you made
    People like you always want back the love they pushed aside
    But people like me are gone forever when you say goodbye

    Stay, hey, all you had to do was stay
    Had me in the palm of your hand
    Then, why'd you had to go and lock me out when I let you in
    Stay, hey, now you say you want it
    Back now that it's just too late
    Well could've been easy
    All you had to do was stay

    All you had to do was stay
    All you had to do was stay
    All you had to do was stay (Stay, stay, stay)

    Let me remind you this was what you wanted (Oh oh oh)
    You ended it
    You were all I wanted (Oh oh oh)
    But not like this
    Not like this
    Not like this
    Oh, all you had to do was stay

    Hey, all you had to do was stay
    Had me in the palm of your hand
    Then, why'd you had to go and lock me out when I let you in
    Stay, hey, now you say you want it
    Back now that it's just too late
    Well could've been easy
    All you had to do was stay

    Hey, all you had to do was stay
    Had me in the palm of your hand
    Then, why'd you had to go and lock me out when I let you in
    Stay, hey, now you say you want it
    Back now that it's just too late
    Well could've been easy (All you had to do was stay)
    All you had to do was stay

    All you had to do was stay (Oh)
    All you had to do was stay
    All you had to do was stay
    All you had to do was stay (Ooh)

    Writer/s: SWIFT, TAYLOR / MARTIN, MAX
    Publisher: Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
    Lyrics licensed and provided by LyricFind

    All You Had To Do Was Stay Song Chart
  • This end-of-relationship lament about a commitment-phobic lover is one of several songs on 1989 that are thought to be inspired by a certain One-Direction ex (for those of you that have been vacationing on a remote desert island over the last couple of years that's Harry Styles we're talking about). Her liner note message is: "They Paid The Price."
  • This is one of nine tracks on 1989 that Max Martin contributed towards, He also served as executive producer of the album. The Swedish hitmaker had co-penned three tracks on 2012's Red, but he played a much bigger role this time around. "I used to talk about Max Martin like he was this sorcerer who lived in a castle on a hill," Taylor told Rolling Stone. "And then one time Scott [Borchetta, the head of her label] said to me, 'You know... you can work with him if you want to.' I was like, What?!"
  • The use of Max Martin, the man behind the hit tunes from such pop stars as Backstreet Boys, Britney Spears and Katy Perry, was significant in Taylor shedding every last country gene she had for 1989. Asked by Billboard magazine why she went pop, the former country princess replied: "I think what made me decide to do that was that, looking back on my last album, Red, when people would ask me, 'What's your favorite song?' I would always say, without hesitation, 'I Knew You Were Trouble.' So when I went in the studio to start this album, I wanted to make sure that this album was different than anything I'd done before, and I was naturally gravitating toward those pop sensibilities and expanding that way."

    "But it wasn't until about a year in that I admitted to myself and my team that this is a pop album," Taylor continued. "We can't call it country; that would be the most disingenuous thing we can do, and out of respect for a [genre] and a music town that I adore, I have to be honest. I think being upfront with people that you care about is the most honest way of going about your life and your decisions."
  • The song was in part inspired by a dream Taylor had about an ex. "I was having this dream, that was actually one of those embarrassing dreams, where you're mortified in the dream, you're like humiliated," she told Time. "In the dream, my ex had come to the door to beg for me to talk to him or whatever, and I opened up the door and I went to go say, 'Hi,' or 'What are you doing here?' or something - something normal - but all that came out was this high-pitched singing that said, 'Stay!' It was almost operatic."

    "So I wrote this song, and I used that sound in the song. Weird, right?" Taylor continued. "I woke up from the dream, saying the weird part into my phone, figuring I had to include it in something because it was just too strange not to. In pop, it's fun to play around with little weird noises like that."

  • Lenny Kravitz - American Woma
    Lenny Kravitz - American Woman


    Lenny Kravitz - American Woman Lyrics and Youtube Music Videos

    Album: Austin Powers 2, The Spy Who Shagged Me
    Released: 1998

    American Woman Lyrics


    American Woman, stay away from me
    American woman, mama let me be
    Don't come hanging around my door
    I don't want to see your face no more

    I got more important things to do
    Than spend my time growin' old with you
    Now woman, stay away
    American woman, listen what I say

    American woman, get away from me
    American woman, mama let me be
    Don't come knocking around my door
    I don't want to see your shadow no more

    Colored lights can hypnotize
    Sparkle someone else's eyes
    Now woman, get away
    American woman, listen what I say

    American woman, I said get way
    American woman, listen what I say
    Don't come hanging around my door
    Don't want to see your face no more

    I don't need your war machines
    I don't need your ghetto scenes
    Colored lights can hypnotize
    Sparkle someone else's eyes

    Now woman, get away
    American woman, listen what I say
    American woman, stay away from me
    American woman, mama let me be

    I gotta go
    I gotta getta away
    Think I gotta go
    I want to fly away

    I'm gonna leave you woman
    I'm gonna leave you woman
    I'm gonna leave you woman
    I'm gonna leave you woman

    Bye bye, bye bye
    Bye bye, bye bye
    American woman
    You're no good for me

    I'm no good for you
    Looking at you right in the eye
    Tell you what I'm gonna do
    I'm gonna leave you woman

    You know I gotta go
    I'm gonna leave you woman
    I gotta go
    I gotta go

    I gotta go
    American woman
    Yeah

    Writer/s: RANDY BACHMAN, BURTON CUMMINGS, GARY PETERSON, MICHAEL KALE
    Publisher: BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    American Woman Song Chart
  • This was originally recorded by Canadian group The Guess Who in 1970. A largely misinterpreted song, it is actually a tribute to Canadian women.
  • This was used in the movie Austin Powers 2, The Spy Who Shagged Me. The video featured Heather Graham, who was in the movie, as the American Woman.
  • Just after the movie soundtrack was released, Virgin Records re-released Kravitz' album 5 with this added.
  • This won a Grammy in 1999 for Best Male Rock Vocal Performance. Kravitz won the same award the year before for "Fly Away" and the year after for "Again."
  • Asked during a Reddit AMA how his cover came about, Kravitz replied: "I was called by the people making Austin Powers and they simple asked me to cover 'American Woman,' which I thought was odd but I accepted thinking it was an interesting challenge and did my best to change it as much as possible while still respecting the original. I was pleased when Burton Cummings called me to tell me how much he loved it."

  • Taylor Swift - I Know Place
    Taylor Swift - I Know Places


    Taylor Swift - I Know Places Lyrics and Youtube Music Videos

    Album: 1989
    Released: 2014

    I Know Places Lyrics


    I I I I, I I I I
    I I I I, I I I I
    I I I I, I I I I, I I

    You stand with a hand on my waist line (I I I I, I I I I)
    Good to see that we're out in blank side (I I I I, I I I I)
    I can hear them whisper as we pass by (I I I I, I I I I)
    It's a bad sign, bad sign (I I)
    Something happens when everybody finds out (I I I I, I I I I)
    See the vulture circling in dark cloud (I I I I, I I I I)
    Love's a fragile little flame, it could burn out (I I I I, I I I I)
    It could burn out (I I)
    'Cause they got the cages, they got the boxes (I I I I, I I I I)
    And guns, they are the hunters, we are the foxes (I I I I, I I I I)
    And we run

    Baby I Know Places we won't be found and they'll be
    Chasing their tails tryin' to track us down
    'Cause I, I know places we can hide, I know places
    I know places

    Lights flash on the run for the fences (I I I I, I I I I)
    Let them say what they want, we won't hear it (I I I I, I I I I)
    Lose sleep, swing ship, all the damn time, not this time (I I I I, I I I I, I I)
    Just grab my hand and don't ever drop it (I I I I, I I I I)
    My love, they are the hunters, we are the foxes (I I I I, I I I I, I I)
    And we run

    Baby I know places we won't be found and they'll be
    Chasing their tails tryin' to track us down
    'Cause I, I know places we can hide, I know places
    They are the hunters, we are the foxes
    And we run
    Just grab my hand and don't ever drop it
    My love

    Baby I know places we won't be found and they'll be
    Chasing their tails tryin' to track us down
    'Cause I, I know places we can hide, I know places

    (I) They take their shots, we're bulletproof
    I know places
    (I) And you know for me it's always you
    I know places
    (I) In the dead of night, you act so great
    I know places
    (I) And I know for you it's always me
    I know places

    (I I I I, I I I I)
    (I I I I, I I I I)

    Writer/s: SWIFT, TAYLOR / TEDDER, RYAN
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    I Know Places Song Chart
  • This song finds Taylor describing the difficulties in carrying on a relationship when the paparazzi ("the vultures") start follow them around. However, in her next relationship, the songstress states that she intends to spend romantic time with her man outside of the view of the photographers as she knows "places we won't be found." Taylor's liner note message for this song is "And Everyone Was Watching."
  • Taylor wrote the song with Ryan Tedder. The One Republic frontman is the guy behind such pop hits as "Apologize" "Bleeding Love," "Halo" and "Counting Stars." Swift's partnership with Tedder, (they also worked together on "Welcome to New York") was significant in her musical departure on 1989 from the country pop styles of her earlier work. However, according to an interview with UK newspaper The Sun she faced an uphill battle making the switch to pop music. "The decision came directly from me. I had to plead my case with everyone and certain people at the record label. I had to really campaign and get everyone on my side," she said.

    "I had to convince my Nashville record label president it was right for me," Taylor continued. "I presented the album to him and he said, 'It's great, it's the best thing you've ever done but can you put two country songs on it?'"

    Taylor refused and her persistence paid off, with the all-pop 1989 producing huge sales.
  • There are three bonus tracks on the deluxe edition of 1989 that are actually voice memos recorded to Taylor's phone that were later turned into songs. (This cut, "I Wish You Would" and "Blank Space").

    Taylor explained: "I sent this voice memo to Ryan Tedder because I'd always wanted to work with him, and finally we scheduled some studio time. So I always wanna be prepared. I wanted to send him the idea that I was working on before we went into the studio just in case he wrote back and said 'I can't stand that, I wanna work on something else, think of something else.'"

    "So I just sat down with the piano, put my phone on top of the piano and just kind of explained to him where I wanted to go with the song, how I saw the melody sitting in and we ended up recording the song the next day and it ended up being on the record called 'I Know Places'. So this was the voice memo I sent to him the night before we ended up finishing the song."
  • Taylor Swift detailed her writing process for this song during an interview with Grammy Pro . "I had this idea of like, you know, when you're in love - along the lines of 'Out Of The Woods' - it's very precious, it's fragile," she said. "As soon as the world gets ahold of it, whether it's your friends or people around town hear about it … it's kind of like the first thing people want to do when they hear that people are in love is just kind of try to ruin it, if they're not the greatest human beings."

    "I kind of was in a place where I was like, 'No one is gonna sign up for this. There are just too many cameras pointed at me. There are too many ridiculous elaborations on my life. It's just not ever gonna work,'" Swift continued. "But I decided to write a love song, just kind of like, 'What would I say if I met someone really awesome and they were like, hey, I'm worried about all this attention you get?' So I wrote this song called 'I Know Places' about, like, 'Hey, I know places we can hide. We could outrun them.'"

    "I'm so happy that it sounds like the urgency that it sings about," she concluded.

  • Steve Miller Band - Jet Airline
    Steve Miller Band - Jet Airliner


    Steve Miller Band - Jet Airliner Lyrics and Youtube Music Videos

    Album: Book Of Dreams
    Released: 1977

    Jet Airliner Lyrics


    Jet Airliner Song Chart
  • This was written by Paul Pena, a blind folk singer from Cape Cod. Pena played the Newport Folk Festival in 1969, but was unable to launch a successful career.
  • For much of his life, Pena's royalties from writing this were his only income.
  • The radio version substitutes the line "Funky kicks going down in the city" for "Funky sh-t going down in the city."

  • Taylor Swift - New Romantic
    Taylor Swift - New Romantics


    Taylor Swift - New Romantics Lyrics and Youtube Music Videos

    Album: 1989
    Released: 2014

    New Romantics Lyrics


    We're all bored
    We're all so tired of everything
    We wait for
    Trains that just aren't coming
    We show off
    Our different scarlet letters
    Trust me, mine is better

    We're so young
    But we're on the road to ruin
    We play dumb
    But we know exactly what we're doing
    We cry tears
    Of mascara in the bathroom
    Honey, life is just a classroom

    'Cause, baby, I could build a castle
    Out of all the bricks they threw at me
    And every day is like a battle
    But every night with us is like a dream

    Baby, we're the New Romantics
    Come on, come along with me
    Heart break is the national anthem
    We sing it proudly
    We are too busy dancing
    So get knocked off our feet
    Baby, we're the new romantics
    The best people in life are free

    We're all here
    the lights and boys are blinding
    We hang back
    It's all in the timing
    It's poker
    He can't see it in my face
    But I'm about to play my Ace

    We need love
    But all we want is danger
    We team up
    Then switch sides like a record changer
    The rumors
    Are terrible and cruel
    But, honey most of them are true

    'Cause, baby, I could build a castle
    Out of all the bricks they threw at me
    And every day is like a battle
    But every night with us is like a dream

    Baby, we're the new romantics
    Come on, come along with me
    Heart break is the national anthem
    We sing it proudly
    We are too busy dancing
    To get knocked off our feet
    Baby, we're the new romantics
    The best people in life are free

    So come on, come along with me
    The best people in life are free

    Please take my hand and
    Please take me dancing and
    Please leave me stranded, it's so romantic (it's so romantic)

    'Cause, baby, I could build a castle
    Out of all the bricks they threw at me
    And every day is like a battle
    But every night with us is like a dream

    'Cause, baby, I could build a castle
    Out of all the bricks they threw at me
    And every day is like a battle
    But every night with us is like a dream

    Baby, we're the new romantics
    Come on, come along with me
    Heart break is the national anthem
    We sing it proudly
    We are too busy dancing
    To get knocked off our feet
    Baby, we're the new romantics
    The best people in life are free

    Writer/s: SWIFT, TAYLOR / MARTIN, MAX / SHELLBACK, JOHAN
    Publisher: Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
    Lyrics licensed and provided by LyricFind

    New Romantics Song Chart
  • 1989 marks Taylor adopting a more mature mindset and approach towards love as she moves from the fairy tale romanticism of her first four albums to a more carefree outlook on matters of the heart. "We are too busy dancing to get knocked off our feet," she sings here: "Baby we're the new romantics. The best people in life are free."
  • Taylor explained her attitude towards dating and relationships during an interview with Cosmopolitan. "People will say, let me set you up with someone, and I'm just sitting there saying, 'That's not what I'm doing. I'm not lonely; I'm not looking,'" she said. "They just don't get it. I've learnt that just because someone is cute and wants to date you, that's not a reason to sacrifice your independence and allow everyone to say whatever they want about you. I'm not doing that anymore."

    "It'd take someone really special for me to undergo the circumstances I have to go through to experience a date," Taylor added. "I don't know how I would ever have another person in my world trying to have a relationship with me, or a family.
  • New Romanticism was a pop culture movement in the United Kingdom during the early '80s in which both men and women wore make-up and dressed in flamboyant clothes. Boy George, the androgynous frontman of Culture Club was typical of the genre. This song's sound resembles the new wave music that the New Romantic acts performed.

    Taylor told Rolling Stone that she set out to make "blatant Pop music" for 1989 that was heavily influenced by the '80s. "It was a very experimental time in Pop music," Taylor said of the decade. "People realized songs didn't have to be this standard drums-guitar-bass-whatever. We can make a song with synths and a drum pad. We can do group vocals the entire song. We can do so many different things. And I think what you saw happening with music was also happening in our culture, where people were just wearing whatever crazy colors they wanted to, because why not? There just seemed to be this energy about endless opportunities, endless possibilities, endless ways you could live your life. And so with this record, I thought, 'There are no rules to this. I don't need to use the same musicians I've used, or the same band, or the same producers, or the same formula. I can make whatever record I want.'"
  • The final song on the deluxe edition of 1989, this carries on Taylor's habit of ending an album on a high note. Closing tracks "Our Song," "Change," "Long Live" and "Begin Again" are all positive tunes.

  • Lyrics

    Contact Form

    Name

    Email *

    Message *

    Powered by Blogger.
    Javascript DisablePlease Enable Javascript To See All Widget