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Stevie Wonder - My Cherie Amour

Stevie Wonder - My Cherie Amour Youtube Music Videos and Lyrics

Album: My Cherie Amour
Released: 1969

My Cherie Amour Lyrics

La la la la la la, la la la la la la
My Cherie Amour, lovely as a summer day
My cherie amour, distant as the milky way
My cherie amour, pretty little one that I adore
You're the only girl my heart beats for
How I wish that you were mine
In a cafe or sometimes on a crowded street
I've been near you, but you never noticed me
My cherie amour, won't you tell me how could you ignore
That behind that little smile I wore
How I wish that you were mine
La la la la la la, la la la la la la
La la la la la la, la la la la la la
Maybe someday, you'll see my face amoung the crowd
Maybe someday, I'll share your little distant cloud
Oh, cherie amour, pretty little one that I adore
You're the only girl my heart beats for
How I wish that you were mine
La la la la la la, la la la la la la
La la la la la la, la la la la la la

Writer/s: COSBY, HENRY / MOY, SYLVIA / WONDER, STEVIE
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

My Cherie Amour Song Chart

The title is French for "My Dearest Love."

Wonder wrote this song in 1967 when he was a student at Michigan School for the Blind, recording a rough version and putting into his trusty "tape box," where he kept his song ideas. He wrote the song for his girlfriend at the time, Marcia, and the song was originally titled "Oh My Marcia."

By the time he recorded the song, Marcia was out of the picture, so Wonder changed the title to "My Cherie Amour."

Motown songwriter/producers Henry Cosby and Sylvia Moy wrote this with Wonder, who was 19 at the time. Wonder was recording at age 12, and was writing songs in his teenage years. On his later hits, Wonder did almost all of the writing and production himself, but early on, he had a lot of help from the Motown staff.

This was first released as the B-side of Wonder's single "I Don't Know Why (I Love You)" in January 1969. Many disc jockeys flipped the single and played "My Cherie Amour," so Motown reissued the single with the sides reversed. In July 1969, "My Cherie Amour," reached its US peak of #4 on the Hot 100, and in August, the song was used as the title track to Wonder's album.

This song plays a part in the 2012 movie Silver Linings Playbook. Bradley Cooper's character, Pat, goes off the rails when he comes home to find his wife cheating on him while this song - their wedding song - is playing. From that point on, the song becomes a trigger for Pat, who loses his mind when he hears it.

In the book the film was adapted from, it's a different song that makes Pat go crazy: "Songbird" by Kenny G.

New Found Glory - Resurrection

New Found Glory - Resurrection Lyrics and Youtube Music Videos

Album: Resurrection
Released: 2014

Resurrection Lyrics

Resurrection Song Chart

This is the title track of New Found Glory's eighth album. Resurrection was the band's first LP recorded as a four-piece following the departure of founding guitarist-lyricist Steve Klein in late 2013.

This was the first song written for the project. Frontman Chad Gilbert explained to MTV News why they titled the record after this cut: "Through resurrection, most things come back better and stronger, and you learn a lot," he said. "Even for me, as a personal thing — I remember my dad passed away, and coming out of that at the time was such a hard moment in my life. But now I can be there for so many people since I've lived it."

"With our record, it felt kind of like the perfect thing to say 'Hey, we're the same band, but we're acknowledging there was a point in our career where there was a switch,' he continued. "But now we feel better and stronger, and so far, based on the reception of the new album and this tour, I feel like our fans are really feeling that, which is cool."

Boz Scaggs - Lowdown

Boz Scaggs - Lowdown Lyrics and Youtube Music Videos

Album: Silk Degrees
Released: 1976

Lowdown Lyrics

Baby's into running around
Hanging with the crowd
Putting your business in the street talking out loud
Saying you bought her this and that
And how much you done spent
I swear she must believe it's all heaven sent
Hey boy you better bring the chick around
To the sad truth the dirty Lowdown

(Who I wonder who) taught her how to talk like that
(Who I wonder who) gave her that big idea

Nothing you can't handle nothing you ain't got
Put the money on the table and drive it off the lot
Turn on that old love light and turn a maybe to a yes
Same old schoolboy game got you into this mess
Hey son better get back to town
Face the sad old truth the dirty lowdown

(Who I wonder who) put those ideas in your head
(Who I wonder who) yeah
Come on back down little son
Dig the low low low low lowdown

You ain't got to be so bad got to be so cold
This dog eat dog existence sure is getting old
Got to have a Jones for this Jones for that
This running with the Jones boy
Just ain't where it's at
You gonna come back around
To the sad sad truth the dirty lowdown

(Who I wonder who) got you thinking like that boy
(Who I wonder who)
(Who I wonder who said who I wonder who)
Oh look out for that lowdown
That dirty dirty dirty dirty lowdown
(Who I wonder who oh oh)
Got you thinking like that

Writer/s: DAVID PAICH, BOZ SCAGGS
Publisher: SPIRIT MUSIC GROUP
Lyrics licensed and provided by LyricFind

Lowdown Song Chart

Scaggs wrote this song with the keyboard player David Paich , who would later form the band Toto and write many of their hits. "Lowdown" was the first song that Scaggs and Paich wrote together; it was Silk Degrees producer Joe Wissert who put them together.

In our interview with Boz Scaggs , he explained: "We took off for a weekend to this getaway outside of LA where there was a piano and stayed up all night banging around ideas. We hit on 'Lowdown,' and then we brought it back to the band and recorded it. We were just thrilled with that one. That was the first song that we attempted, and it had a magic to it."

This was the second single released from Silk Degrees. The first was "It's Over," which charted at a modest #38 in May 1976. Scaggs had little name recognition at the time, and sales were stagnant for the album until an R&B radio station in Cleveland started playing "Lowdown." Other stations followed suit, and it quickly became clear that the song had crossover appeal and hit potential. Scaggs' label, CBS, released it as a single and it climbed to #3 on the Hot 100 in October, spurring sales of the album along the way.

The song is about a girl who doesn't appreciate what her man gives her. The "dirty lowdown" is the honest truth - what Scaggs is encouraging this poor sap to face.

The word "Lowdown" was popular slang meaning a summary of what's going on for real. The first Hot 100 entry with the term in the title came in 1969 with the instrumental "Lowdown Popcorn" by James Brown (#41, 1969). Next came Chicago's song "Lowdown" (#35, 1971).

Along with keyboard player David Paich, two other future Toto members also played on this track: drummer Jeff Porcaro and bass player David Hungate. The Silk Degrees marked the first time that Scaggs used these studio pros, and it was also his first album produced by Joe Wissert, who was a staff producer at Columbia Records who had previously worked with Earth, Wind & Fire.

The crew for the album found just the right sound, a Disco-blend that could play in dance clubs and pool halls. Scaggs credits Wissert for giving him and the other musicians plenty of freedom in the studio, resulting in one of the most successful albums of the '70s - Silk Degrees went on to sell over five million copies.

This won the Grammy for Best R&B Song of 1976, making Scaggs the first white artist to win the award (Leo Sayer was the second, taking the trophy the next year for "You Make Me Feel Like Dancing.")

The producers of Saturday Night Fever asked to use this in their movie, but Scaggs' manager turned them down and instead used it in the movie Looking For Mr. Goodbar. Not a good move - Saturday Night Fever became one of the best-selling soundtracks of all time.

Slipknot - Sarcastrophe

Slipknot - Sarcastrophe Lyrics and Youtube Music Videos

Album: .5: The Gray Chapter
Released: 2014

Sarcastrophe Lyrics

Wallow in the winter of it
Discover what you truly covet
Underneath and far above it
You slither in all kinds of shit
How could you forget about it?
Did you think you could minimize?
This is the age of consent
You’ll get a day in the sun before I kill your fucking lights
Burn up in your atmosphere
Burn up in your utmost fear
Desecrate your temples
Only hell and hate remain
Don’t look for crows to scatter
Prepare for judgment day

We are kill gods
The kings are falling down
Can I find a way to get there?
Bury your head in the ground
Will you falsify for your fair share?
When it’s done, it’s done
Plus negative one
It’s everybody’s guess but the apathy won
Will you come testify in the court of myopic opinion
Or will you settle for oblivion?

We are kill gods

We, we make the world worth saving
Are, are you prepared to believe?
Kill, kill everything that kills you
Gods, live long and die for me

Rape crutch and sick in the middle of an evidence bag that’ll never obey
All these years spent hiding all the bodies
I can never be sure but I remember the graves!

We are kill gods
We, we make the world worth saving
Are, are you prepared to believe?
Kill, kill everything that kills you
Gods live long and die for me

Live long and die for me
Live long and die for me

Writer/s: TAYLOR, COREY / ROOT, JAMES
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Sarcastrophe Song Chart

The song's title is a war cry. Frontman Corey Taylor explained to Kerrang!: "To me, I hear this song and I see us – and not to be weird – but charging down the hill towards the doubters, the naysayers, the people who might have thought that this band was down and out. It's us just saying, 'Nope- just when you thought you had a spirited out, we threw you for another loop, so here we come again, and you'd better prepare yourselves.'"

Taylor explained the meaning of the lyric "We are kill gods." "Basically (it) means that we destroy everything in our path that tries to bring us down," he said, "and this band is fairly notorious for rewriting its own history."

"We killed the images behind us," he added, "and recreate them going forward."

The Police - Don't Stand So Close To Me

The Police - Don't Stand So Close To Me Lyrics and Youtube Music Videos

Album: Zenyatta Mondatta
Released: 1980

Don't Stand So Close To Me Lyrics

Young teacher, the subject
Of schoolgirl fantasy
She wants him so badly
Knows what she wants to be

Inside her there's longing
This girl's an open page
Book marking, she's so close now
This girl is half his age

Don't stand, don't stand so
Don't Stand So Close To Me
Don't stand, don't stand so
Don't stand so close to me

Her friends are so jealous
You know how bad girls get
Sometimes it's not so easy
To be the teacher's pet

Temptation, frustration
So bad it makes him cry
Wet bus stop, she's waiting
His car is warm and dry

Don't stand, don't stand so
Don't stand so close to me
Don't stand, don't stand so
Don't stand so close to me

Loose talk in the classroom
To hurt they try and try
Strong words in the staffroom
The accusations fly

It's no use, he sees her
He starts to shake and cough
Just like the old man in
That book by Nabakov

Don't stand, don't stand so
Don't stand so close to me
Don't stand, don't stand so
Don't stand so close to me

Don't stand, don't stand so
Don't stand so close to me
Don't stand, don't stand so
Don't stand so close to me
Don't stand, don't stand so
Don't stand so close to me
Don't stand, don't stand so
Don't stand so close to me
Don't stand, don't stand so
Don't stand so close to me
Don't stand, don't stand so
Don't stand so close to me

Writer/s: SUMNER, GORDON
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Don't Stand So Close To Me Song Chart

This song is about a teacher who lusts after one of his students. Sting was a teacher before joining The Police. After a lot of speculation, Sting denied that this came from any personal experience on the DVD for his 2001 All This Time album. (thanks, Tiffany - Castro Valley, CA)

The line "Just like the old man in the book by Nabokov" refers to the novel Lolita by Vladimir Nabokov, which is about an older man who pursues underage girls. Sting based this song on the book. Sting mispronounces the author's name - the "bo" should be stressed. Also, in the novel Lolita, Humbert is not quite an old man. (thanks, Martin - London, United Kingdom)

The Police recorded this over a period of months. The song started as a Hammond organ-based Soul track then evolved through various complex arrangements, until it was eventually reduced to it's simplest elements.

This sold 900,000 copies and was the best selling single of 1980 in the UK.

This won the 1981 Grammy Award for Best Rock Vocal Performance by a Group.

The Police reunited in 1986 to record updated versions of some of their old songs. The reunion brought out old hostilities, and this was the only song they completed. The new version was released as a single titled "Don't Stand So Close To Me '86," and included on their greatest hits album Every Breath You Take - The Singles.

In 1985, Sting worked with Dire Straits on "Money For Nothing," which has a chorus that sounds very similar to this (compare the lines "Don't stand so close to me" with "I want my MTV"). Sting did not want a songwriting credit, but his record company thought he should get one so they could receive royalties.

This was featured on Friends in the episode "The One Where Underdog Gets Away." Joey was on a poster for Venereal Disease treatment, and the song was played when they showed all the posters all over New York City. (thanks, matt - Milton, PA)

The race horse Zenyatta is named after the album Zenyatta Mondatta. The horse is owned by Jerry Moss, who signed The Police to his label A&M Records.

This is an example of Sting's "work-backward" method. "I pluck a title from the air, just free-associating, and then try to figure out a story that it could apply to," he wrote in Lyrics By Sting. Fascinated by the dangerous obsession at the center of Nabokov's novel, he "transposed this idea to a relationship between a teacher and his pupil. Wanting by this time to identify whatever my sources were, I conspired to get the author's name into the song with one of the loosest rhymes in the history of pop. Well, I thought it was hilarious, but I caught some flak."

This was used on The Simpsons episode "On a Clear Day I Can't See My Sister" (2005), on The Office (US) episode "Casino Night" (2006), and on the Glee episode "Ballad" (2009).

Slipknot - Killpop

Slipknot - Killpop Lyrics and Youtube Music Videos

Album: .5: The Gray Chapter
Released: 2014

Killpop Lyrics

She’s sticking needles in her skin
I turn with an ugly grin
Her canvas doesn’t leave a lot to fantasy
But her peace of mind can’t stay inside the lines
It’s so confusing, the methods that she’s using
She knows she shouldn’t leave a mark that I can see
Will she ever find one million of a kind?
It’s cold and lonely, but that’s because she told me
Lost inside her dirty world,
No one hurts this pretty girl but her
Oh, she’s beautiful
A little better than a man deserves
Oh, I’m not insane
Please tell me she won’t change

Maybe I SHOULD LET HER GO
But ONLY WHEN SHE LOVES ME
How CAN I JUST LET HER GO?
Not UNTIL SHE LOVES ME

She’s drowning in herself again
My God, what a lovely sin
I guess there’s nothing left to do, but have my way

She can feel it’s right so she doesn’t close her eyes
She smiles and answers it doesn’t seem to matter
Lost inside my dirty head, something tells me I’m the one who’s kept
Oh, so volatile
A little better than a man defiled
Oh, I need the pain
Please tell me she won’t change

Maybe I SHOULD LET HER GO
But ONLY WHEN SHE LOVES ME
How CAN I JUST LET HER GO?
Not UNTIL SHE LOVES ME

We were meant to be together
Now die and fucking love me
We were meant to hurt each other
Now die and fucking love me
Die and fucking love me
Die and fucking love me
Die and fucking love me

Writer/s: TAYLOR, COREY / ROOT, JAMES
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Killpop Song Chart

This song is about the big changes that the band has seen in the six years since they released All Hope Is Gone and lost their bassist Paul Gray. Corey Taylor explained to Kerrang!: "It's basically trying to deal with this love-hate situation that we have, with not only the business side of it, but just the way that the game is played."

"We are great students of the game, but at the same time it's like there were so many people who want to take advantage of the fact that people pour into their hearts into this industry, and their love and creativity into the music, and they tried to take advantage of that," he continued. "This is us trying to make peace with the evils that can come with that. The vultures are definitely circling the meat half the time."

Speaking with the WGRD 97.9 FM radio station in Grand Rapids, Michigan, Corey Taylor expanded on the track's meaning. "The song is my reflection on my relationship with music," he said. "That's who the 'she' is. And not just music, but the music industry in general. So there's a love-hate relationship there that really kind of comes into view."

"There's the old adage, 'Be careful what you wish for,' and, 'Be careful doing what you love, because sometimes it will turn on you.' And, you know, anytime you mix something that you love and business, you're gonna find the rusty cracks in there that piss you off," Taylor continued. "So that song, really, is about how much I still love making music, but also how much I just hate the business side, the numbers side, the people in the suits who try to run stuff, and having to deal with them and having to learn how to talk to them."

"And, you know, it's frustrating sometimes, but it is what it is," he concluded. "And luckily, we got a great song out of it, and we were able to really paint something really cool with it and just be able to put it out there for people to dig."

Bob Dylan - Lay Lady Lay

Bob Dylan - Lay Lady Lay Lyrics and Youtube Music Videos

Album: Nashville Skyline
Released: 1969

Lay Lady Lay Lyrics

Lay Lady Lay
Lay across my big brass bed
Lay lady lay
Lay across my big brass bed

Whatever colors you have in your mind
I show them to you and you see them shine

Lay lady lay
Lay across my big brass bed
Stay lady stay
Stay with your man a while
Until the break of day
Let me see you make him smile

His clothes are dirty but his, his hands are clean
And you are the best thing that he's ever seen

Stay lady stay
Stay with your man a while

Why wait any longer for the world to begin
You can have your cake and eat it too
Why wait any longer for the one you love
When he's standing in front of you

Lay lady lay
Lay across my big brass bed
Stay lady stay
Stay while the night is still ahead

I long to see you in the morning light
I long to reach for you in the night

Stay lady stay
Stay while the night is still ahead

Writer/s: BOB DYLAN
Publisher: BOB DYLAN MUSIC CO
Lyrics licensed and provided by LyricFind

Lay Lady Lay Song Chart

Dylan wrote this for the 1969 movie Midnight Cowboy. Harry Nilsson's "Everybody's Talkin'," which was released the year before, was chosen for the theme song instead.

Harry Nilsson wrote "I Guess the Lord Must Be In New York City" for the same movie. The director had asked for a song that sounded like Nilsson's previous recorded cover of Fred Neil's "Everybody's Talking." The director finally decided to use the older "Everybody's Talking," and was proven right when the song won a Grammy for Best Contemporary Vocal Performance, Male. (thanks, Leo - Hilversum, Netherlands)

This was one of many Dylan songs covered by The Byrds, who also recorded "Mr. Tambourine Man," "Just Like A Woman," and "The Times They Are A-Changin'." There are two versions of the song on their 2002 Dylan cover compilation, The Byrds Play Dylan.

They Byrds version bubbled under at #132 US in 1969; other charting renditions of the song in America were by Ferrante & Teicher (#99, 1970) and the Isley Brothers (#71, 1972).

Many radio stations refused to play this simply because of the use of the word "lay" in the title, assuming it referred to sex (i.e. "get laid"). Despite the accusation of being "Sexually Titled," Dylan denied any sexual terminology.

Cassandra Wilson covered this for her album Glamoured. In 2001, shortly after the release of his Love and Theft album, Bob Dylan himself went on record as saying "I love everything she does," and said she was the only good thing on the radio (which, he mentioned, "makes hideous sounds"). (thanks, Brett - Edmonton, Canada, for above 2)

Dylan's vocals were slightly sped up, producing a higher vocal.

Grammatically, the correct title for this song would be "Lie Lady Lie," but that wouldn't sing very well. English teachers will tell you that Dylan's title is a command to place the lady on the bed, but Dylan isn't in the Rock and Roll Hall of Fame for his strict adherence to the rules of grammar. Neither is Eric Clapton, who did something similar with "Lay Down Sally."

Taylor Swift - Welcome to New York

Taylor Swift - Welcome to New York Lyrics and Youtube Music Videos

Album: 1989
Released: 2014

Welcome to New York Lyrics

Walkin' through a crowd, the village is a glow
Kaleidoscope of a loud, heart beats under coats
Everybody here wanted somethin' more
Searchin' for a sound we hadn't heard before
And it said

Welcome to New York
It's been waitin' for you
Welcome to New York, welcome to New York
Welcome to New York
It's been waitin' for you
Welcome to New York, welcome to New York

It's a new soundtrack I could dance to this beat, beat forevermore
The lights are so bright but they never blind me, me
Welcome to New York
It's been waitin' for you
Welcome to New York, welcome to New York

When we first dropped our bags on apartment floors
Took our broken hearts and put them in a drawer
Everybody here was someone else before
And you can want who you want
Boys and boys and girls and girls

Welcome to New York
It's been waitin' for you
Welcome to New York, welcome to New York
Welcome to New York
It's been waitin' for you
Welcome to New York, welcome to New York

It's a new soundtrack I could dance to this beat, beat forevermore
The lights are so bright but they never blind me, me
Welcome to New York (New York!)
It's been waitin' for you
Welcome to New York, welcome to New York

Like any great love, it keeps you guessing
Like any real love, it's ever-changing
Like any true love, it drives you crazy
But you know you wouldn't change anything, anything, anything

Welcome to New York
It's been waitin' for you
Welcome to New York, welcome to New York
Welcome to New York
It's been waitin' for you
Welcome to New York, welcome to New York

It's a new soundtrack I could dance to this beat
The lights are so bright but they never blind me
Welcome to New York
New soundtrack
It's been waitin' for you
Welcome to New York
The lights are so bright but they never blind me
Welcome to New York
So bright, they never blind me
Welcome to New York
Welcome to New York

Writer/s: SWIFT, TAYLOR / TEDDER, RYAN
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

Welcome to New York Song Chart

This is the first track on 1989, an album that finds Swift tossing away the Nashville elements of her previous three records in favor of a new city and new pop sound. "I wanted to start the album with this song because New York has been an important landscape and location for the story of my life in the past couple of years," Swift explained.

The song finds Swift singing the praises of the Big Apple. "I dreamt about moving to New York, I obsessed about moving to New York and then I did it," she said. "The inspiration I found in that city is kind of hard to describe and hard to compare it to any other force of inspiration I've ever experienced in my life. It's like an electric city."

The synth-laden track reflects the electric city. "I approached moving there with such wide eyed optimism and sort of saw it as a place of endless potential and possibilities," Swift explained, "and you can kind of hear that reflected in this music and this first song especially."

Swift wrote the song with Ryan Tedder. The OneRepublic frontman also produced the track with Noel Zancanella, who has penned hits for Ellie Goulding, Demi Lovato and Maroon 5.

Taylor Swift donated her portion of proceeds from the song's single release to New York City public schools.

Paul Simon - Kodachrome

Paul Simon - Kodachrome Lyrics and Youtube Music Videos

Album: There Goes Rhymin' Simon
Released: 1973

Kodachrome Lyrics

When I think back
On all the crap I learned in high school
It's a wonder
I can think at all
And though my lack of education
Hasn't hurt me none
I can read the writing on the wall

Kodachrome
They give us those nice bright colors
They give us the greens of summers
Makes you think all the world's a sunny day
I got a Nikon camera
I love to take a photograph
So mama don't take my Kodachrome away

If you took all the girls I knew
When I was single
And brought them all together for one night
I know they'd never match
My sweet imagination
Everything looks worse in black and white

Kodachrome
They give us those nice bright colors
They give us the greens of summers
Makes you think all the world's a sunny day
I got a Nikon camera
I love to take a photograph
So mama don't take my Kodachrome away

Mama don't take my Kodachrome away
Mama don't take my Kodachrome away
Mama don't take my Kodachrome away

Mama don't take my Kodachrome
Mama don't take my Kodachrome
Mama don't take my Kodachrome away
Mama don't take my Kodachrome
Leave your boy so far from home
Mama don't take my Kodachrome away
Mama don't take my Kodachrome
Mama don't take my Kodachrome away

Writer/s: SIMON, PAUL
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Kodachrome Song Chart

Kodachrome is a registered trademark of the Kodak company. It is a method of color transparency, but more commonly known as a type of color film the company started marketing in 1935. Paul Simon was working on a song with the title "Coming Home" when the word "Kodachrome" came to him. He had no idea what it meant, but knew it would make for a much more interesting song than "Coming Home." The song became an appreciation of the things in life that color our world.

This was not a hit in England, partly because UK radio stations rarely played it. The BBC had very strict rules about commercial endorsements, and they would not allow stations to play songs that seemed to push products. It's the same reason The Kinks had to re-record part of "Lola." The lyrics were, "We drink champagne and it tastes just like Coca-Cola," But Ray Davies had to redo them as "...Just like cherry cola" so the song could get airplay in Great Britain. (thanks - Shell, Riverdale, GA)

Paul Simon recorded this at Muscle Shoals Sound Studios in Alabama with the famous Muscle Shoals Rhythm Section. He sought out the musicians when he found out they played on "I'll Take You There" by the Staple Singers, and was surprised to learn that they were not Jamaican musicians, but four white guys from the South. Simon went to Muscle Shoals to record just one song: "Take Me To The Mardi Gras," but when they finished that one much sooner than he expected, he also recorded "Kodachrome" and "Loves Me Like A Rock." Simon was the first big rock artist to record at the studios - Bob Seger and The Rolling Stones were some of the others who recorded there in the '70s.

David Hood, the bass player in the Muscle Shoals Rhythm Section, told us this story: "When Paul Simon walked into our studio, he thought, God, what a funky place. Because it was. He was used to working at A&R and Columbia Studios in New York, and studios in England and different places. And when he came and saw our little place, he probably thought, man, this is a rat trap.

It just so happened that the roof leaked in our studio right over the recording console, and as a short term fix, we taped sanitary pads across the ceiling just to absorb the water so it wouldn't drop down on the recording console. So we had Paul Simon, who's got hit record after hit record walking in and seeing this place with Kotex on the ceiling. He must have thought, what in the world have I gotten myself into? But we cut this track for him in two takes, and I think he thought, wow, well these guys know what they're doing. It doesn't really matter." (Here's more on the history of the Muscle Shoals sound .)

Simon sometimes sings the line "Everything looks worse in black and white" as "Everything looks better in black and white." He changes it a lot, and claims he can't remember which way he wrote it.

On June 22, 2009, Kodak officially retired Kodachrome color film after 74 years. Photographers had turned to more recent Kodak products and digital technologies, which led to Kodachrome's decline.

New Order - Love Vigilantes

New Order - Love Vigilantes Lyrics and Youtube Music Videos

Album: Low-Life
Released: 1985

Love Vigilantes Lyrics

Oh I've just come
From the land of the sun
From a war that must be won
In the name of truth
With our soldiers so brave
your freedom we will save
With our rifles and grenades
And some help from God
I want to see my family
My wife and child waiting for me
I've got to go home
I've been so alone, you see

You just can't believe
The joy I did receive
When I finally got my leave
And I was going home
Oh I flew through the sky
my convictions could not lie
For my country I would die
And I will see it soon
I want to see my family
My wife and child waiting for me
I've got to go home
I've been so alone, you see

When I walked through the door
My wife she lay upon the floor
And with tears her eyes were sore
I did not know why
Then I looked into her hand
And I saw the telegram
That said that I was a brave, brave man
But that I was dead
I want to see my family
My wife and child waiting for me
I've got to go home
I've been so alone, you see

Writer/s: MORRIS, STEPHEN PAUL DAVID/HOOK, PETER/SUMNER, BERNARD (GB 2)/GILBERT, GILLIAN LESLEY
Publisher: Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Love Vigilantes Song Chart

This song is about a soldier who feels he is fighting for a noble cause, but looks forward to returning home to his family. In a twist ending, he comes home and finds his wife crying on the floor. A note in her hand reveals that the soldier has been killed, and he is home only in spirit.

New Order frontman Bernard Sumner wrote the lyric. His feelings about war are nuanced - he considered fighting for Britain in the 1982 Falklands War when Argentina invaded the British islands, but he is generally opposed to war.

In this song, he takes a stab at the kind of guy who just looks for aggression. "It's like a rebel song but it's very tongue-in-cheek," he told Melody Maker in 1986. "It's kinda laughing at rednecks. From what I said you may construe it to mean that I'm a redneck - I am not a redneck, I assure you, and 'Love Vigilantes' is like laughing at rednecks. The more ridiculous my lyrics are, the less serious the song is."

The band was in an altered state throughout recording the Low-Life album, relying on a cadre of engineers to piece together the tracks in a meticulous manner. Bernard Sumner says that the drug influence on their playing is quite evident on this track. He told Q magazine: "Listen to 'Love Vigilantes.' Listen to that chordal guitar solo. Listen to how fast it is. Impossible to recreate under normal circumstances."

Like many New Order songs, the title does not appear in the lyrics and appears to have nothing to do with the song.

Pink Floyd - Echoes

Pink Floyd - Echoes Lyrics and Youtube Music Videos

Album: Meddle
Released: 1971

Echoes Lyrics

Overhead the albatross
Hangs motionless upon the air
And deep beneath the rolling waves
In labyrinths of coral caves
An echo of a distant time
Comes willowing across the sand
And everything is green and submarine

And no one called us to the land
And no one knows the where's or why's
Something stirs and something tries
Starts to climb toward the light

Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me
And do I take you by the hand
And lead you through the land
And help me understand
The best I can

And no one called us to the land
And no one crosses there alive
No one speaks and no one tries
No one flies around the sun

Almost everyday you fall
Upon my waking eyes
Inviting and inciting me
To rise
And through the window in the wall
Come streaming in on sunlight wings
A million bright ambassadors of morning

And no one sings me lullabys
And no one makes me close my eyes
So I throw the windows wide
And call to you across the sky

Writer/s: WATERS, WRIGHT, MASON, GILMOUR
Publisher: T.R.O. INC.
Lyrics licensed and provided by LyricFind

Echoes Song Chart

This song is 23 minutes long and takes up the entire second side of the album. The song evolved out of Pink Floyd's live shows. According to Shiloh Noone's Seekers Guide To The Rhythm Of Yesteryear, Pink Floyd introduced a new piece of music at the Crystal Palace Garden party entitled "Return of the Sun of Nothing," said by the band to be a joke about comic books and Godzilla-type movie sequels, which developed into "Echoes" about 6 months later. The song was a homage to the minimalist composer Terry Riley.

In an interview with Rolling Stone Roger Waters said he was attempting to describe "The potential that human beings have for recognizing each other's humanity and responding to it, with empathy rather than antipathy."

This was originally called "Return To The Sun Of Nothing."

The band got the idea for this when Rick Wright played a single note on his keyboard, and Roger Waters got the idea to record it into a microphone attached to a Leslie speaker, which created a swirling effect.

At this stage of their career, Pink Floyd wrote most of their songs separately. This was the first one in a while that they wrote together.

If you noticed something eerily familiar while watching Phantom of the Opera, you may have picked up the vibe of this song. Roger Waters sure did. "The beginning of that bloody Phantom song is from 'Echoes,'" he told Q magazine. "It's the same time signature - it's 12/8 - and it's the same structure and it's the same notes and it's the same everything."

Rick Wright told Mojo magazine December 2008 that he wrote the music for this song. He explained: "The whole piano thing at the beginning and the chord structure is mine, so I had a large part in writing that. But it's credited to other people of course. Roger obviously wrote the lyrics."

The band allowed filmmaker George Grenough to use this in one of his surfing movies. The band used scenes from the movie when they played this on their 1987 tour.

A year or two after the release of 2001: A Space Odyssey, Pink Floyd was working on Meddle. The ending part of the movie is 23 minutes long and the song echoes is also 23 minutes long. Play the song while watching the end sequence of the movie and enjoy. (thanks, Tim - red hook, NY)

On August 24, 79 A.D., the Mt. Vesuvius volcano erupted and destroyed the city of Pompeii. Approximately 1,900 years later, Pink Floyd played "Echoes" parts I and II in the city's ancient amphitheater. No crowd was present, but the concert was recorded on film. (thanks, Joe - Piscataway, NJ)

"Echoes" was the title of Pink Floyd's 2001 "Best Of" collection.

Wright revealed to Mojo that the wind section after the song's intro was Roger Waters with a slide on his bass. Also David Gilmour's seagull sound was a mistake. He explained about the latter: "One of the roadies had plugged his wah wah pedal in back to front, which created this huge wall of feedback. He played around with that and created this beautiful sound."

The underwater oceanologist Jacques Cousteau played this during his Caribbean escapades.

Watermät - Bullit

Watermät - Bullit Lyrics and Youtube Music Videos

Album: Single Release Only
Released: 2014

Bullit Lyrics

Bullit Song Chart

Watermät is a French musical artist and record producer, who after composing tracks for several artists in the past, decided that it was his time to take the stage and release his own material. His first self released EP Sparks was released in December 2013. After that, the buzz around Watermät grew and Spinnin' Records took their chance to sign him on their Deep imprint in February 2014.

This was Watermät's first single released on Spinnin'. The song was a big hit when it was played in a Tube & Berger set at the Miami Music Week. Influential British DJ Pete Tong picked the instrumental up and chose it as his Essential New Tune. It became Watermät's first entry on the UK singles chart and also reached the Top 40 in several other European countries.