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David Bowie - The Man Who Sold The World

David Bowie - The Man Who Sold The World Lyrics and Youtube Music Videos

Album: The Man Who Sold The World
Released: 1970

The Man Who Sold The World Lyrics

We passed upon the stair,
We spoke of was and when,
Although I wasn't there,
He said I was his friend,
Which came as some surprise.
I spoke into his eyes,
"I thought you died alone
A long long time ago."

"Oh no, not me,
I never lost control
You're face to face
With The Man Who Sold The World."

I laughed and shook his hand
And made my way back home,
I searched for form and land,
For years and years I roamed.
I gazed a gazley stare
At all the millions here:
"We must have died alone,
A long long time ago."

"Who knows? Not me,
We never lost control.
You're face to face
With the man who sold the world."

"Who knows? Not me,
We never lost control.
You're face to face
With the man who sold the world.

Writer/s: BOWIE, DAVID
Publisher: EMI Music Publishing, BMG RIGHTS MANAGEMENT US, LLC, TINTORETTO MUSIC
Lyrics licensed and provided by LyricFind

The Man Who Sold The World

This song is about a man who no longer recognizes himself and feels awful about it. For years, Bowie struggled with his identity and expressed himself through his songs, often creating characters to perform them. On the album cover, Bowie is wearing a dress.

Some of the lyrics are based on a poem by Hugh Mearns called The Psychoed:

As I was going up the stair
I met a man who was not there
He wasn't there again today
I wish that man would go away

Some lyrical analysis: "We passed upon the stair" is a figurative representation of a crossroads in Bowie's life, where Ziggy Stardust catches a glimpse of his former self, (being David Bowie) which he thought had died a long time ago. Then he (the old David Bowie) says: "Oh no, not me. I never lost control." This indicates that Bowie never really lost sight of who he was, but he Sold The World (made them believe) that he had become Ziggy, and he thought it was funny (I laughed and shook his hand). He goes on to state, "For years and years I roamed," which could refer to touring. "Gaze a gazely stare at all the millions here" are the fans at concerts. (thanks, Peter - Montreal, Canada)

The album is one of Bowie's least known, but over the years many fans have come to appreciate it and a lot of bands have covered songs from it.

Critics weren't always sure what to make of it either, but John Mendelssohn had a good handle on it when he wrote of the album in Rolling Stone magazine, 1971: "Bowie's music offers an experience that is as intriguing as it is chilling, but only to the listener sufficiently together to withstand the schizophrenia."

British singer Lulu ("To Sir With Love") recorded this in 1974. Bowie produced her version and played saxophone on the track. It went to #4 in the UK. Lulu recalled to Uncut magazine June 2008 about her recording of this: "I first met Bowie on tour in the early '70s when he invited me to his concert. And back at the hotel, he said to me, in very heated language, 'I want to make an MF of a record with you. You're a great singer.' I didn't think it would happen, but he followed up two days later. He was uber cool at the time and I just wanted to be led by him. I didn't think 'The Man Who Sold The World' was the greatest song for my voice, but it was such a strong song in itself. In the studio, Bowie kept telling me to smoke more cigarettes, to give my voice a certain quality. We were like the odd couple. Were we ever an item? I'd rather not answer that one, thanks!
For the video, people thought he came up with the androgynous look, but that was all mine. It was very Berlin cabaret. We did other songs, too, like 'Watch That Man,' 'Can You Hear Me?' and 'Dodo.' 'The Man Who Sold The World' saved me from a certain niche in my career. If we'd have carried on, it would have been very interesting."

Nirvana recorded this for their 1993 MTV Unplugged performance. It was Chad Channing , who was Nirvana's drummer from 1988-1990, who introduced Kurt Cobain and Krist Novoselic to Bowie's music. Chad told us: "We were in Boston and stopped by this record store, and I found this copy of The Man Who Sold The World. It was a cool copy - it had the poster in it and everything. And those guys weren't familiar with the record. And I inquired about, 'What David Bowie do you like? Do you like David Bowie?' And they're like, 'Well, the only David Bowie we're familiar with is 'Let's Dance.' I was surprised. I was like, 'Really? Wow.' I was like, 'You've got to hear some early David Bowie, for sure.'

So when I got the opportunity, I made a tape of the record at somebody's house, and then while we were touring around I just went ahead and popped the tape in and let it roll. After a bit, Kurt turned around and said to me, 'Who is this?' kind of like knowingly, just something familiar with the voice and stuff. I said, 'Well, this is David Bowie. This is The Man Who Sold the World record.' He's like, 'Yeah, this is really cool.' I said, 'You should check out Hunky Dory and stuff.' And so eventually, I'm sure he did. But he totally dug it."

Months after the MTV show, Kurt Cobain was found dead. The acoustic set was released as an album in late 1994.

Beck performed this song with Dave Grohl, Krist Novoselic and Pat Smear at the annual Clive Davis Grammy pre-party on February 14, 2016 in tribute to Bowie, who passed away a month earlier. "He's always been kind of guidepost or gravitational force for me," Beck said of Bowie.

On March 29, 2016, Michael Stipe performed this song on The Tonight Show Starring Jimmy Fallon, accompanied only by a piano. Two days later, Stipe sang "Ashes To Ashes" with Karen Elston at a Bowie tribute concert held at Carnegie Hall.

Kylie Minogue - No More Rain

Kylie Minogue - No More Rain Lyrics and Youtube Music Videos

Album: X
Released: 2007

No More Rain Lyrics

Have you ever thought that the sky was just endlessly dark?
And then look up and see a million stars
Have you ever been scare off the water it's stuck on the edge?
And then you dive in, how quickly you'll forget

You know fears, they capture the way, get by
Now that I'm back in the light, so warm I feel it like a

[Chorus]
Wave of love coming over me
Got greater drop fall and I'm on my knees
Got the sound of you ringing in my ears
Sun coming up on another day
Got a second hand change gonna do it again
Got rainbow colors and No More Rain

(Rain) no more
(Rain) no more
(Rain) no more
(Rain) no more

Have you ever dreamed you were flying until you look down?
You never moved an inch feet firmly on the ground (feet on firmly on the ground)

Our love carries a hurt that you hold
Funny how live can unfold, oh yeah I feel it like a

[Chorus]

(Rain) no more
(Rain) no more
(Rain) no more
(Rain) no more

[Chorus x2]

(Rain) no more
(Rain) no more
(Rain) no more
(Rain) no more

Writer/s: PONTUS WINNBERG, JONAS QUANT, KAREN ANN POOLE, CHRISTIAN LARS KARLSSON, KYLIE ANN MINOGUE
Publisher: BMG RIGHTS MANAGEMENT US, LLC, O/B/O APRA AMCOS
Lyrics licensed and provided by LyricFind

No More Rain

Whilst recovering from her treatment for breast cancer, Kylie Minogue wrote a number of songs that expressed how she felt. One of the lyrics that she wrote later formed the basis of this tune. "It was a time where I was trying to be positive and find a way out of the darkness," she later recalled during a Reddit AMA, "whilst accepting what I went through and what was still happening to me."

Tool - Die Eier Von Satan (The Balls of Satan)

Tool - Die Eier Von Satan (The Balls of Satan) Lyrics and Youtube Music Videos

Album: Aenima
Released: 1996

Die Eier Von Satan (The Balls of Satan) Lyrics

Die Eier Von Satan (The Balls of Satan)

Lead singer Maynard Keenan wrote this. It sounds kind of ridiculous because it is in German, but once you understand what he wrote it's quite funny and meaningful. The majority of people listening to this song are going to hear a passionate German speaker and an enraptured, cheering crowed, which they will automatically associate to Hitler his many public speeches. The lyrics, however, are nothing but a recipe for a dessert called "The Balls (Eggs) of Satan." Throughout the speech Maynard is heard saying the phrase, "Und kine Eier." Which means " And no eggs." This is where it gets confusing. Eggs actually DO represent the Jewish people. Eggs are an essential baking ingredient because they give the food it's fullness and texture. Historically, the Jews are known to do the same for any culture they integrated themselves into. Without eggs, a recipe is flat, and without Jews, a culture is flat. In the end it is a political statement, knocking Nazism (comparing Hitler's Jewless nation to the Balls of Satan - a recipe which fails without eggs), and a thumb at Americans, who will immediately associate a German speaker to Hitler, even without knowing the text. (thanks, Doran - Toronto, Canada)

This song is just a recipe for hash sugar cookies without eggs. The whole thing about it being in German and the chanting is just to screw with you. Most people only recognize 2 words in the title: die and satan. Just another one of Manyard's little tricks to screw with society. (thanks, Jacob - Boise, ID)

"Die Eier Von Satan" is pronounced "dee i-er von Satan." (thanks, lauren - dallas, TX)

The reason this appears on Aenima is so Tool could prove they weren't "Selling out, laying down, sucking up, to the man." They had to put some outlandish material on the album, and what is more outlandish than a German recipe for Hash Cookies? (thanks, Jonathan - Burton, MI)

Michael Jackson - Slave To The Rhythm

Michael Jackson - Slave To The Rhythm Lyrics and Youtube Music Videos

Album: Xscape
Released: 2014

Slave To The Rhythm Lyrics

She dances in these sheets at nights
She dances to his needs
She dances 'til he feels just right
Until he falls asleep
She dances at the crack of dawn
And quickly cooks his food
She can't be late, can't take too long
The kids must get to school

She's a Slave To The Rhythm
She's a slave to the rhythm of
She's a slave to the rhythm
A slave to the rhythm of
The rhythm of love, the rhythm of love

She's a slave to the rhythm
She's a slave to the rhythm of
She's a slave to the rhythm
A slave to the rhythm of
The rhythm of love, the rhythm of love

She dances for the man at work
Who works her overtime
She can't be rude as she says
"Sir, I must be home tonight"
She dances to the kitchen stove
Dinner is served by nine
He says his food's an hour late
She must be outta her mind

She's a slave to the rhythm
She's a slave to the rhythm of
She's a slave to the rhythm
A slave to the rhythm of
The rhythm of love, the rhythm of love

She's a slave to the rhythm
She's a slave to the rhythm of
She's a slave to the rhythm
A slave to the rhythm of
The rhythm of love, the rhythm of love

She works so hard, just to make her way
For a man who just don't appreciate
And though he takes her love in vain
Still she could not stop, couldn't break his chains
She danced the night that they fell out
She swore she'd dance no more
But then she did, he did not quit as she ran out the door

She danced through the night in fear of her life
She danced to a beat of her own
She let out a cry and swallowed her pride
She knew she was needed back home, home

She's a slave to the rhythm
She's a slave to the rhythm of
She's a slave to the rhythm
A slave to the rhythm of
The rhythm of love, the rhythm of love

She's a slave to the rhythm
She's a slave to the rhythm of
She's a slave to the rhythm
A slave to the rhythm of
The rhythm of love, the rhythm of love

Writer/s: EDMONDS, KENNETH / ROBERSON, KEVIN / REID, ANTONIO / SIMMONS, DARYL
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Slave To The Rhythm

This song was originally written and recorded by Michael Jackson back in 1989 during the Dangerous sessions and first appeared on the net in 2010. An unauthorized reworked version, which added Justin Bieber's vocals to the mix, was leaked in 2013 supported by a series of Bieber tweets. It was quickly removed following a copyright claim and the version that appears on the Xscape album is Bieber-less.

L.A. Reid, chairman of Epic Records who executive-produced Xscape, worked on the original base track in 1989 with Babyface. He recalled to Billboard magazine that Jackson recorded his vocal 24 times. "And it was not once and fix the bad note," he said. "No, he sang the song from top to bottom 24 times without a bathroom break, without a water break, without a 'Give me a moment.' He would sing the song and say, 'OK, give me another track, I can do it better,' and he'd do it again. 'I can nail this. Give me another track,' and he'd do it again."

Sony Mobile used a snippet of the song in a 90-second ad for the Xperia Z2 mobile phone.

A hologram of Michael Jackson appeared on stage to perform the song at the 2014 Billboard Music Awards. The illuminated image stole the show by accurately mimicking the late King of Pop's famous dance moves.

The song marked Michael Jackson's milestone 50th Hot 100 hit.

This marked a return to the Hot 100 for L.A. Reid as a songwriter after a 20-year break. He last charted in 1994 with Toni Braxton's "You Mean the World to Me," which peaked at #7. After co-penning numerous hits for the likes of Braxton, Whitney Houston, Boyz II Men and Bobby Brown, Reid started focusing in the early 1990s on his then-role as co-president of LaFace Records.

Tom Petty - Free Fallin'

Tom Petty - Free Fallin' Lyrics and Youtube Music Videos

Album: Full Moon Fever
Released: 1989

Free Fallin' Lyrics

She's a good girl, loves her mama
Loves Jesus and America too
She's a good girl, crazy 'bout Elvis
Loves horses and her boyfriend too

It's a long day living in Reseda
There's a freeway runnin' through the yard
And I'm a bad boy 'cause I don't even miss her
I'm a bad boy for breakin' her heart

And I'm free, Free Fallin'
Yeah I'm free, free fallin'

All the vampires walkin' through the valley
Move west down Ventura boulevard
And all the bad boys are standing in the shadows
All the good girls are home with broken hearts

And I'm free, free fallin'
Yeah I'm free, free fallin'
Free fallin', now I'm free fallin', now I'm
Free fallin', now I'm free fallin', now I'm

I want to glide down over Mulholland
I want to write her name in the sky
Gonna free fall out into nothin'
Gonna leave this world for a while

And I'm free, free fallin'
Yeah I'm free, free fallin'

Writer/s: LYNNE, JEFF / PETTY, TOM
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Free Fallin'

Jeff Lynne, famous for his work in ELO, produced the Full Moon Fever album and wrote this song with Tom Petty early in their collaboration. According to liner notes in Petty's Playback box set, he and Jeff Lynne were playing some elaborate stuff on the keyboard that all started with three simple chords. Lynne suggested that Tom stop all the hard stuff and just sing some words to those three chords, and he came up with "She's a good girl... loves her mama..." just to make Jeff smile, and they kept going from there. Petty says that it was Lynne who came up with the title, but it took Tom a little while before he figured out the best way to sing the phrase.

Mike Campbell is The Heartbreakers' guitarist. He has also produced and written the music for many of their songs, as well as "The Boys of Summer" and "The Heart Of The Matter" for Don Henley. Mike told us about working with Jeff Lynne: "When we did that first record with Jeff Lynne, Full Moon Fever, that was an amazing time for me because it was mostly just the three of us - me and Tom and Jeff - working at my house. Jeff Lynne is an amazing record-maker. It was so exciting for a lot of reasons. First of all, our band energy in the studio had gotten into kind of a rut, we were having some issues with our drummer and just kind of at the end of our rope in terms of inspiration - having a lot of trouble cutting tracks in the studio.

This project came along and really we were just doing it for fun at the beginning, but Jeff would come in and every day he would blow my mind. It was so exciting to have him and Tom come over and go, 'OK, here's this song,' and then Jeff would just go. I'd never seen this done before, he'd say, 'OK, here's what we're going to do: Put a drum machine down. Now put up a mic, we're going to do some acoustic guitars. Put up another mic, were going to do a keyboard. OK, here's an idea for the bass. Mike, let's try some guitar on this. I've got an idea for a background part here...'

Sure enough, within five or six hours, the record would be done, and we'd just sit back and go, 'How the f-ck did you do that?' We were used to being in the studio and like 'OK, here's how the song goes' and everybody would set up to play and just laboriously run the song into the ground, and it usually got worse and worse from trying to get the groove and the spirit and trying to get a performance out of five guys at once. This guy walked in and he knew exactly how to put the pieces together, and he always had little tricks, like with the background vocals how he would slide them in and layer them, and little melodies here and there. Tom and I were soaking it up. Pretty amazing, a very exciting time, like going to musical college or something." (Read more in our interview with Mike Campbell.)

In a 2006 interview with Esquire magazine, Petty said: "Free Fallin' is a very good song. Maybe it would be one of my favorites if it hadn't become this huge anthem. But I'm grateful that people like it."

The lyrics deal with Los Angeles culture, mentioning actual places in the area: Reseda, Mulholland and Ventura Boulevard. It implies that the people of L.A. will casually use others for personal gain, as the singer has just dumped a girl and doesn't even miss her.

The video may have been ahead of its time in that it featured skateboarding before the X Games existed and action sports went mainstream. Legendary skater Mark "Gator" Rogowski appears in the video.

Petty and the Heartbreakers played this to close out their set at the halftime show of the Super Bowl in 2008. The song turned out to be appropriate for the New England Patriots, who were undefeated going into the game and led at halftime, only to lose at the end to the New York Giants. In 2002, when the Patriots won their first Super Bowl, the featured song at halftime was "Beautiful Day" by U2.

A live version by John Mayer returned this song to the US Hot 100 in July 2008.

Petty played this on Saturday Night Live on May 20, 1989 along with "Runnin' Down A Dream." (thanks, John - Colorado Springs, CO)

The song achieved its highest position on the UK singles chart to date in May 2012 after being covered by contestant Max Milner on the music talent show The Voice. It previously peaked at #64 in 1989.

Petty and Lynne wrote and recorded "Free Fallin'" in just two days, the first tune completed for Full Moon Fever. "We had a multitude of acoustic guitars," Petty told Rolling Stone of the song's Byrds-y feel. "So it made this incredibly dreamy sound."

My Crazy Girlfriend - Crazy Stupid Love

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My Crazy Girlfriend - Crazy Stupid Love Lyrics and Youtube Music Videos

Album: Crazy Stupid Love
Released: 2014

Crazy Stupid Love Lyrics

Crazy Stupid Love
I’ve been looking everywhere and wishing on stars
There may never be a love as fucked up as ours
It might be crazy, but so are we
Tonight give me that crazy stupid love

Yeah, young and wild with our foot on the gas
One night and we gonna make it last
You in that dress the music on blast
And that attitude that I love so bad
We don’t care what they believe in
'Cause we live everyday like the weekend
Party till the morn and rage for no reason
Us against the world, I ain’t leavin’

I’ve been looking everywhere and wishing on stars
There may never be a love as fucked up as ours
It might be crazy, but so are we
Tonight give me that crazy stupid love

Oh whoa wishin’ on stars
Oh whoa as fucked up as ours
It might be crazy, but so are we
Tonight give me that crazy stupid love

We could be wild, we could be one
Livin’ it up till the night is done
We could spike the punch and run
We could light it up for fun
We could be groovy, losin’ our mind
We could make a movie, get looney
Just move it move it, love the way you do it do it

We’re so young
We should run away
And let’s play dumb
Take it all the way
We don’t care what they believe in
'Cause we live everyday like the weekend
Party till the morn and rage for no reason
Us against the world I ain’t leavin’

I’ve been looking everywhere and wishing on stars
There may never be a love as fucked up as ours
It might be crazy, but so are we
Tonight give me that crazy stupid love

Oh whoa wishin’ on stars
Oh whoa as fucked up as ours
It might be crazy, but so are we
Tonight give me that crazy stupid love

Let's get a little crazy
Oh

I’ve been looking everywhere and wishing on stars
There may never be a love as fucked up as ours
It might be crazy, but so are we
Tonight give me that crazy stupid love

Oh whoa wishin’ on stars
Oh whoa as fucked up as ours
It might be crazy, but so are we
Tonight give me that crazy stupid love

I’ve been looking everywhere and wishing on stars
There may never be a love as fucked up as ours
It might be crazy, but so are we
Tonight give me that crazy stupid love

Writer/s: QUINONES, DAVID / ARMSTRONG, BENNETT / ARMSTRONG, JUSTIN / LANGSTON, MYAH / LIVINGSTON, KASIA / VISSION, RICHARD / DOUGLAS, COSMO
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Rupert Holmes - Escape (The Pina Colada Song)

Rupert Holmes - Escape (The Pina Colada Song) Lyrics and Youtube Music Videos

Album: Partners In Crime
Released: 1979

Escape (The Pina Colada Song) Lyrics

I was tired of my lady, we´d been together too long
Like a worn-out recording, of a favorite song
So while she lay there sleeping, I read the paper in bed
And in the personals column, there was this letter I read

"If you like Pina Coladas, and getting caught in the rain
If you´re not into yoga, if you have half a brain
If you like making love at midnight, in the dunes of the cape
I´m the love that you´ve looked for, write to me, and escape"

I didn´t think about my lady, I know that sounds kind of mean
But me and my old lady, had fallen into the same old dull routine
So I wrote to the paper, took out a personal ad
And though I´m nobody´s poet, I thought it wasn´t half bad

"Yes, I like Pina Coladas, and getting caught in the rain
I´m not much into health food, I am into champagne
I´ve got to meet you by tomorrow noon, and cut through all this red tape
At a bar called O'Malley's, where we´ll plan our escape"

So I waited with high hopes, then she walked in the place
I knew her smile in an instant, I knew the curve of her face
It was my own lovely lady, and she said, "Oh, it´s you"
And we laughed for a moment, and I said, "I never knew"

"That you liked Pina Coladas, and getting caught in the rain
And the feel of the ocean, and the taste of champagne
If you like making love at midnight, in the dunes of the cape
You´re the love that I´ve looked for, come with me, and escape"

"If you like Pina Coladas, and getting caught in the rain
If you´re not into yoga, if you have half a brain
If you like making love at midnight, in the dunes of the cape
I'm the love that you've looked for, come with me, and escape"

Writer/s: HOLMES, RUPERT
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Escape (The Pina Colada Song)

Rupert Holmes has written several Broadway plays, including Say Goodnight, Gracie and The Mystery Of Edwin Drood. He has written songs that have been performed by Barbra Streisand, Judy Collins, and Britney Spears. He created a television series called Remember WENN and wrote a novel called Where The Truth Lies. His works have won Tonys, Emmys, and Edgars. Despite all this, he is best known for this song. Says Rupert, "I have a feeling that if I saved an entire orphanage from a fire and carried the last child out on my shoulders, as I stood there charred and smoking, they'd say, 'Aren't you the guy who wrote The Pina Colada Song?' It's tough when you have this one thing that pulls focus from all these other things that you've done, yet every songwriter lives to have a song that most everybody knows."

This began as a song called "People Need Other People," which Rupert wrote years earlier for his own amusement. For his 5th album, he needed an uptempo song to balance out the ballads, so he decided to record this. Rupert describes how they recorded it:
"The drummer, Leo Adamian, suggested we have 2 drummers on the session because it was an interesting beat that was hard to pull off with one drummer alone. We got the second drummer and we did one take of the tune. It had some very interesting chord changes and changed key several times, and I'm singing away this lyric, 'people need other people.' We go in to hear back the first take and we listen to the cut, and I say 'you know, we can definitely do better than this,' and I look and I see that the second drummer was unconscious from having too much fun. We were able to wake him up and get him into a taxi, and that was that, we weren't going to record any more of that track. I figured I'd just put the song away - I wasn't that crazy about the lyric anyway. Then I found that I really desperately needed another uptempo song on the album and the budget was getting low and I wasn't sure what to do. That's when we did something that now is pretty commonplace but was pretty unusual at the time - we did a very primitive version of sampling. I found there were 16 bars of music on that first take that were very tight, everybody was in a very nice groove on it. So we duplicated those 16 bars onto another multitrack master over and over again and edited them all together. I think there were 60 edits to make up a reel that was 5 minutes long of this 16 bar vamp. I went through a million lyrics in my head. I wrote one song that went 'that's the law of the jungle in the school of the street, you get out of the kitchen if you can't take the heat.' I thought it sounded too much like a Billy Joel song. I wrote another one: 'everyone needs a victim, I believe you will find, when you're cruel to another, when you're cruel to be kind.' Right as I did that, I remembered there was a hit record out called 'Cruel To Be Kind,' so I couldn't use that. Now it's the day before the last scheduled day of recording and I have no lyrics. Because the song is just this steady vamp, I realized that I've got to make the lyrics the focal point of the song because the music is repetitive. I was in my apartment and there was a copy of The Village Voice. Sometimes I look at personal columns to get ideas for songs because people fascinate me. I saw this ad that a woman had placed in which she described herself in such glowing terms that I thought to myself, 'why on earth, if you're this wonderful, do you need to place an ad in the personal columns?' Trying not to be cynical, I thought, 'Let's be fair, maybe she's just looking for an adventure. Maybe she is as wonderful as she says, but she likes the idea of meeting a stranger and seeing what fate has in store for them. She wants something out of the ordinary.' Then I thought to myself, 'what would happen if I answered this ad,' and I thought 'With my stupid luck, I would answer the ad and find out it had been placed by the woman I was living with, never realizing that she was bored with me. The story sort of took hold of my mind. People always ask me if it was based on something true, and I know they would love to know it was based on a true incident, but it wasn't, it was based on the 'What If' scenario that I conjured up in my mind that evening."

The original lyrics said: "If you like Humphrey Bogart and getting caught in the rain." Rupert used a lot of movie references on his previous albums, so he decided to try something else: "I thought, 'What can I substitute?' Well, this woman wants an escape, like she wants to go on vacation to the islands. When you go on vacation to the islands, when you sit on the beach and someone asks you if you'd like a drink, you never order a Budweiser, you don't have a beer. You're on vacation, you want a drink in a hollowed out pineapple with the flags of all nations and a long straw. I thought, 'Let's see, there's Daiquiri, Mai Tai, Pina Colada - I wonder what a Pina Colada tastes like, I've never even had one.' I thought that instead of singing 'If you like Humphrey Bogart,' with the emphasis on 'like,' I could start it a syllable earlier and go 'if you like Pina Coladas.'

When Rupert recorded the vocal, he did it just once as a scratch track for his lead guitarist, Dean Bailen. He also ad-libbed a harmony track a third above himself on the chorus, then left the song and came back the next day to record the proper vocal. When he came back to do the perfect vocal, he could not get the energy, excitement and enthusiasm he had singing it that one time straight through. Rupert: "I said, 'These other vocals are more correct, but they're not as much fun. I was having fun when I sang that through. I was kind of making up the phrasing as I sang it and it had more spontaneity, more energy.' Jim Boyer, who was doing the album with me, agreed, and that became the vocal. When you hear The Pina Colada song, the story was written the night before, the line 'If you like Pina Coladas' was invented about 5 minutes before I started actually singing, and the vocal you hear is the first time I ever sang the song, and that became the vocal you hear on the record."

Rupert thought a song called "Him" should be the first single from the album, but the record label liked this and convinced Rupert that they should release it first. They got it played on a radio station in Washington, and people started calling in to the station asking for it. The problem was that they were asking for "The Pina Colada Song" and the official title was "Escape." This hurt sales because people would ask for "That song about Pina Coladas" at record stores and the stores had no idea what they were talking about. The record label wanted to change the title to "Escape (The Pina Colada Song)" and told Rupert it wouldn't sell if they didn't. Rupert replied, "I guess it's The Pina Colada Song."

Holmes: "The record vaulted up the charts. WABC-AM, which never played anything until it was top 5 everywhere else in the nation, played the record when it was #60 in Billboard with a bullet (meaning the song is rising in the chart). It was jumping sometimes 15, 20 points a week and by December of 1979 it was a #1 record, and it was also a #1 record in January of 1980, so I can honestly say that it was at the top of the Billboard charts for 2 decades without interruption."

Before this became a hit, there weren't many places you could get a Pina Colada in the US. After this came out, you could get Pina Coladas just about anywhere.

"If I had ever known that was going to be the song that I'd be most associated with, I might have had second thoughts about a lot of it. It was never meant to be heard 100 million times, it was meant to be a little short story with a little wink at the end of it."

This has been used or referred to in many movies and TV shows, including Shrek, The Sweetest Thing (Cameron Diaz sings it), American Splendor, The General's Daughter, Will And Grace, Six Feet Under and The Simpsons.

This Songfact is a Visual .

Holmes: "Everyone has in their mind what a bar called O'Mally's looks like. I have one in my mind and that's where it came from. There's an O'Mally's bar near where I live, but I didn't discover there was such a bar until after I'd written the song. It could have been O'Grady's. Everyone knows an Irish bar where people might meet each other, and I'd like to think that the one you envision is different than the one I envision. There was no specific O'Mally's."

At the end of this song, the man answers the personal ad and discovers it was placed by his wife. When asked what happens to the couple, Rupert said, "I like to think that they looked at each other with chagrin and realized that before either one of them runs off to find some fantasy that probably doesn't exist in reality, they might reinvestigate their own relationship because there's a lot there they haven't yet explored. I think it's a happy ending with a footnote. They both are a little shocked, but neither can point the finger too hard at the other because they both were willing to try a new relationship and happily, their possible indiscretion led them to each other again." (Thanks to Rupert Holmes for speaking with us about this song. To learn more about Rupert, check out rupertholmes.com.)

The details of this song came true for a couple in Jordan who began trolling chatrooms independently, met and fell in love online, and when they finally met in real life, realized they were married to each other. Unlike in Rupert Holmes' scenario, this couple's experience ended in an acrimonious divorce. (thanks, Karl - Tulsa, OK)

This was featured in a commercial for the US TV show American Idol which aired during the Super Bowl in 2008. In the ad, Pittsburgh Steelers quarterback Ben Roethlisberger is in a locker room, and dreams of singing this song. His dream is interrupted by a custodian, who tells him: "I loved that song, until you ruined it."

It featured in another celebrity-filled spot in 2016 when Spike Lee, Charles Barkley and

Ray LaMontagne - Trouble

Ray LaMontagne - Trouble Lyrics and Youtube Music Videos

Album: Trouble
Released: 2004

Trouble Lyrics

Trouble
Trouble, trouble, trouble, trouble
Trouble been doggin' my soul since the day I was born
Worry
Worry, worry, worry, worry
Worry just will not seem to leave my mind alone
We'll I've been
Saved by a woman
I've been
Saved by a woman
I've been
Saved by a woman
She won't let me go
She won't let me go now
She won't let me go
She won't let me go now

Trouble
Oh, trouble, trouble, trouble, trouble
Feels like every time I get back on my feet
She come around and knock me down again
Worry
Oh, worry, worry, worry, worry
Sometimes I swear it feels like this worry is my only friend
We'll I've been saved
By a woman
I've been saved
By a woman
I've been saved
By a woman
She won't let me go
She won't let me go now
She won't let me go
She won't let me go now

Oh, ah
Oh
She good to me now
She gave me love and affection
She good tell me now
She gave me love and affection
I Said I love her
Yes I love her
I said I love her
I said I love
She good to me now
She's good to me
She's good to me

Writer/s: SINCLAIR, TEDDY NATALIA NOEMI / BHASKER, JEFFREY
Publisher: Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Trouble

The title track of Ray LaMontagne's debut album, this was originally released as a single in February 2005 but failed to chart on that occasion. Re-released during the following year's summer, it peaked at #25 on the UK Singles Chart.

LaMontagne said during a Reddit AMA that the song was a writing exercise. He explained: "The inspiration for 'Trouble' was really more an exercise in the writing process. I was trying to emulate early sixties soul songs that were very simple in structure, simple and direct in the lyric, but somehow they're really effective. Even though if you take them apart, there's not a lot of parts, there's something so effective. They seem to last forever. I was trying to write one of those kind of songs."

The song soundtracked a Travelers Insurance campaign, which showed a dog concerned over the security of his bone.

This featured in the second season of the American television show Rescue Me, along with the Trouble tracks "Burn" and "All the Wild Horses." The song has also featured in episodes of Torchwood, The Office and the finale of the first season of True Blood.

Hootie & the Blowfish - Hold My Hand

Hootie & the Blowfish - Hold My Hand Lyrics and Youtube Music Videos

Album: Cracked Rear View
Released: 1995

Hold My Hand Lyrics

With a little love and some tenderness
We'll walk upon the water
We'll rise above the mess

With a little peace and some harmony
We'll take the world together
We'll take them by the hand

'Cause I've got a hand for you, oh
'Cause I wanna run with you

Yesterday, I saw you standing there
Your head was down, your eyes were red
No comb had touched your hair

I said, get up, and let me see you smile
We'll take a walk together
Walk the road awhile, 'cause

'Cause I've got a hand for you
I've got a hand for you
'Cause I wanna run with you
Won't you let me run with you, yeah

(Hold My Hand)
Want you to hold my hand
(Hold my hand)
I'll take you to a place
Where you can be
(Hold my hand)
Anything you wanna be because
I wanna love you the best that
The best that I can

See I was wasted, and I was wasting time
'Til I thought about your problems
I thought about your crimes

Then I stood up, and then I screamed aloud
I don't wanna be part of your problems
Don't wanna be part of your crowd, no

'Cause I've got a hand for you
I've got a hand for you
'Cause I wanna run with you
Won't you let me run with you

(Hold my hand)
Want you to hold my hand
(Hold my hand)
I'll take you to the promised land
(Hold my hand)
Maybe we can't change the world but
I wanna love you the best that
The best that I can, yeah

Let me walk, oh won't you let me, let me
(Hold my hand)
Want you to hold my hand
(Hold my hand)
I'll take you to a place where you can be
(Hold my hand)
Anything you wanna be because

I oh no, no, no, no, no
(Hold my hand)
Want you to hold my hand
(Hold my hand)
I'll take you to the promised land
(Hold my hand)
Maybe we can't change the world but
I wanna love you the best that
The best that I can
Oh, best that I can

Writer/s: SONEFELD, JIM / FELBER, DEAN / BRYAN, MARK / RUCKER, DARIUS
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Hold My Hand

The band performed this in their early years when they played a lot of colleges in the South Carolina area, and a shorter version of the song was released on cassette they put together in 1993 called Kootchypop, which they sold at shows. This version had very little background vocals and few instruments. When Atlantic Records signed the band, they had them re-record the song and released it as their first single.

David Crosby, famous for his work with Crosby, Stills, and Nash, sang backup on this and some other songs on the album. Crosby is known for his ability to harmonize.

This song got a lot of airplay and helped make the Cracked Rear View album (named for a line in the John Hiatt song "Learning How To Love You") the bestseller of 1995 in the US. The single was released shortly before the album came out, and it was a slow build: The group made appearances on The Tonight Show and The Late Show With David Letterman in 1994, but their first US tour was as the openers for Big Head Todd & the Monsters.

It was in February 1995 when "Hold My Hand" reached its peak chart position, as Hootie & the Blowfish filled a niche of mellow pop that wasn't being served by the grunge and gangsta rap that was prevalent at the time.

Frontman Darius Rucker told The Boot that this was the first Hootie song he heard being played on the radio. He recalled: "The first time I heard a Hootie song, Dean Felber - our bass player for Hootie - and I were driving in his car and 'Hold My Hand' came on the radio - first time we had heard it on the radio. We were in Columbia, S.C. It came on the radio, and we were listening to it and about halfway through the song, he reached over and he turned it [up], and we just started giggling.

That was in early 1994. My heart raced. For me, it was a moment where I thought, 'Wow! This is radio... not just some college radio, we're on pop radio!' We had been playing for nine years! It thought this might really be starting to happen. I thought we might be played on the radio. I didn't think we'd get played on the radio like we eventually did. That was a great day! You never forget the first time you hear your first song on the radio - that's hard to forget."

The group did a special version of this song for the kid's TV show Sesame Street about how children should hold a grownup's hand when they cross the street. (thanks, Lisa - Bowling Green, KY)

Hootie & the Blowfish suffered a bit of a backlash from overexposure, but they were really cool in 1995. Even MTV thought so, and gave them Best New Artist Video for "Hold My Hand" at their Video Music Awards that year. Still questioning the cool? They also performed the song with Al Green in December, 1995 at the Billboard Music Awards, where Cracked Rear View was named Album of the Year.

Ray LaMontagne - Ojai

Ray LaMontagne - Ojai Lyrics and Youtube Music Videos

Album: Supernova
Released: 2014

Ojai Lyrics

I've been a saviour,
A sideman, a stranger stung
By anger
Burned by law
Feel so scattered
Like nothing really matters anymore,
Put that sign out
On my front door

Hitchin' a ride down the PCH
I got some things I need to say
Callin' out a friend of mine

And I don't know where the years had gone,
Just know I'm worse for hangin' on
Maybe it'd be best if I just let things lie
Guess I'm never gonna get back to Ojai

I knew a good man
He was a break in clouds,
Hangin'
So low down
It's got me to thinking
It's not like he gave in, he just
Never got that
Second win

Hitchin a ride down the PCH
I got some things I need to say
Callin' out a friend of mine

I don't know where the years have gone,
Just know I'm worse for hangin' on
Maybe it'd be best if I just let things lie
Guess I'm never gonna get back to Ojai

Ojai
Ojai

I've been a saviour,
A sideman, a stranger son
Hedge your wager,
'Cause life ain't fair
I been shaken,
Sorely mistaken, this path
I've taken
It's goin' nowhere

Hitchin a ride down the PCH
I got some things I need to say
Callin' out a friend of mine

I don't know where the years have gone,
Just know I'm worse for hangin' on
Maybe it'd be best if I just let things lie

Guess I'm never gonna get back to Ojai
Guess I'm never gonna get back to Ojai

Writer/s: RAYCHARLES JACK LAMONTAGNE
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Ojai

This song finds LaMontagne singing of a desire to get away from the city life as he sings of hitching a ride to the small Southern Californian town of Ojai. Like most of his tunes, it appears to be a work of fiction. "I still don't know what that song is about - some old hippie who made it to California and lost touch with old friends, or gets slighted or something," he told Billboard magazine. "I don't know. It's all a mystery to me. I'm still decoding these songs and figuring out where they came from."

Elton John - Rocket Man

Elton John - Rocket Man Lyrics and Youtube Music Videos

Album: Honky Chateau
Released: 1972

Rocket Man Lyrics

She packed my bags last night, pre-flight
Zero hour, nine AM
And I'm gonna be high as a kite by then
I miss the earth so much, I miss my wife
It's lonely out in space
On such a timeless flight

And I think it's gonna be a long, long time
Till touch down brings me 'round again to find
I'm not the man they think I am at home
Oh, no, no, no, I'm a Rocket Man
Rocket man burning out his fuse up here alone

Mars ain't the kind of place to raise your kids
In fact, it's cold as Hell
And there's no one there to raise them if you did
And all this science I don't understand
It's just my job five days a week
A rocket man, a rocket man

And I think it's gonna be a long, long time

Writer/s: JOHN, ELTON / TAUPIN, BERNARD J.P.
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Rocket Man

Space exploration was big in 1972; the song came out around the time of the Apollo 16 mission, which sent men to the moon for the fifth time.

The inspiration for Bernie Taupin's lyrics, however, was the short story The Rocket Man, written by Ray Bradbury. The sci-fi author's tale is told from the perspective of a child, whose astronaut father has mixed feelings at leaving his family in order to do his job. It was published as part of the anthology The Illustrated Man in 1951.

Bradbury's story was the basis for another song called "Rocket Man," which was released by the folk group Pearls Before Swine (fronted by Tom Rapp) in 1970. Taupin says that this gave him the idea for his own "Rocket Man" ("It's common knowledge that songwriters are great thieves, and this is a perfect example," he says). In the Pearls Before Swine song, a child can no longer look at the stars after his astronaut father perishes in space.

This was produced by Gus Dudgeon, who worked with David Bowie on his 1969 song "Space Oddity." Both songs have similar subject matter, and lots of people accused Elton of ripping off Bowie, something both Elton and Bernie Taupin deny.

The opening lyrics came to Bernie Taupin while he was driving near his parents' house in Lincolnshire, England. Taupin has said that he has to write his ideas down as soon as they show up in his head, or they could disappear, so he drove though some back roads as fast as he could to get to the house where he could write down his thought: "She packed my bags last night, pre-flight. Zero hour, 9 a.m., and I'm gonna be high as a kite by then."

From there he came up with the song about a man who is sent to live in space as part of a scientific experiment.

The song can be interpreted as a symbol of how rock stars are isolated from their friends, family and from the real world by those with power in the music industry. Some lyric analysis as part of the rock star isolation theory:

"I'm burning out his fuse up here alone" - Rocketing through space on stage.

"Higher than a kite" - Feeling outside the box called normal.

"Mars" - "The place he is when he's high; don't need to be raising children when you're an addict. It's a "cold" place, being an addict and larger than life when you want to be "Normal" and a "Rocketman" at the same time.

The most commonly misheard lyric in this song is "Rocket Man, burning out his fuse up here alone." This was the centerpiece of a 2011 commercial for the Volkswagen Passat, where folks came up with all kinds of interpretations of the last few words: telephone, cheap cologne, motor home, provolone. A couple in a Passat can correctly interpret the words thanks to the car's premium sound system, and all is well. This wasn't the first time the song was used in a commercial; it was also featured in ads for AT&T.

Elton John named his record company Rocket Records after this song. He started the company in 1973; it was the label that released Neil Sedaka's comeback songs.

There was another song called "Rocket Man" that Bernie and Elton knew about when they wrote this. It was released by a group called Pearls Before Swine and came out in 1970.

When Elton played the Soviet Union in 1979, this was listed on the program as "Cosmonaut."

This was Elton's biggest hit to that point, outcharting his first Top-10 entry, "Your Song." It had a huge impact on his psyche, as it gave him the confidence to know that he could sustain his career in music.

Baseball pitcher Roger Clemens' nickname was "The Rocket," which led to lots of highlight videos of him pitching in slow motion with this song playing in the background. He earned the nickname because of his outstanding fastball, but later came under scrutiny when the league learned that his rocket fuel may have been steroids. Clemens denied the allegations and was never convicted of steroid use.

Kate Bush covered this in 1991 for an Elton John tribute album called Two Rooms (a reference to John and Taupin writing separately). Her version hit #12 in the UK.

William Shatner performed a spoken-word version of this song at the 1978 Science Fiction Film Awards, for which he was the host. Bernie Taupin did the introduction. (thanks, John - Lancaster, CA)

At a show in Anaheim, California on August 22, 1998, Jim Carrey joined Elton for a duet of this song. Carey gave a real performance before sitting at the piano and bashing his head into the keys. (thanks, Bertrand - Paris, France)

On an episode of the television show Family Guy, Stewie does a spoken version of this song. (thanks, Jesse - Chicago, IL)

St. Vincent - Cruel

St. Vincent - Cruel Lyrics and Youtube Music Videos

Album: Strange Mercy
Released: 2011

Cruel Lyrics

Bodies, can't you see what everybody wants from you?

Forgive the kids, for they don't know how to live
Run the alleys casually Cruel
Cruel, cruel

Bodies, can't you see what everybody wants from you?
For you could want that, too
They could take or leave you
So they took you, and they left you
How could they be casually cruel?
Cruel, cruel, oh
Cruel, cruel, oh

Bodies, can't you see what everybody wants from you?
If you could want that, too, then you'll be happy

You were the one waving flares in the air so they could see you
And they were a zephyr, blowing past ya,
Blowing fastly so they can see ya
Cruel, cruel, oh
Cruel, cruel, oh

Cruel, cruel, oh
Cruel, cruel, oh

Writer/s: ANNE ERIN CLARK
Publisher: BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Cruel

The song's music video was filmed around San Francisco and on Mare Island. It was the third consecutive clip directed by the Terri Timely directing team for St. Vincent. Speaking with NME in 2014, she recalled Cassidy, the sweet, mordant little girl featured in the clip. "She was so smart and so bizarre, she was so really special kid. I liked her a whole lot. I hope she's doing well."

St. Vincent added to The Huffington Post : "She was cracking me up between takes, wheeling herself around in the prop wheelchair and showing me how to use her Playstation handheld to take pictures of people and then comically distort their faces. Very intelligent, very special child."

The father/bereaved husband in the video was played by Bjørn Johnson, who opened Bjørn Johnson Acting Studio in Los Angeles in 2001. He has appeared in such hit TV shows as Dexter, Madmen, ER, Sopranos, Nip/Tuck, Law and Order and Criminal Minds. St. Vincent recalled to The Huffington Post that he, "instructed me on how to make the abduction scene more believable by not anticipating that he was about to throw a sack over my head."

"Luckily, it didn't take much method acting to honestly react to," she continued, "well, having a sack thrown violently over my head and my body thrown into the trunk of a car."