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Tom Petty & the Heartbreakers - Here Comes My Gir
Tom Petty & the Heartbreakers - Here Comes My Girl


Tom Petty & the Heartbreakers - Here Comes My Girl Lyrics and Youtube Music Videos

Album: Damn The Torpedoes
Released: 1979

Here Comes My Girl Lyrics


You know sometimes, I don't know why
But this old town just seems so hopeless
I ain't really sure, but it seems I remember the good times
Were just a little bit more in focus

But when she puts her arms around me
I can somehow rise above it
Yeah, man when I got that little girl standin' right by my side
You know, I can tell the whole wide world to shove it, hey

Here Comes My Girl
Here comes my girl
Yeah, and she looks so right, she is all I need tonight

Every now and then I down to the end of the day
And I have to stop and ask myself why I've done it
It just seems so useless to have to work so hard
And nothin' ever really seems to come from it

But then she looks me in the eye and says
We're gonna last forever
And man, you know I can't begin to doubt it
No, 'cause it just feels so good and so free and so right
I know we ain't never goin' to change our minds about it hey

Here comes my girl
Here comes my girl
Yeah, and she looks so right, she is all I need tonight (watch her walk)

Every time it seems like there ain't nothin' left no more
I find myself having to reach out and grab hold of something
Yeah, I just catch myself wondering, waiting, worrying
About some silly little things that don't add up to nothin'

But then she looks me in the eye and says
We're gonna last forever
And man, you know I can't begin to doubt it
No, 'cause it just feels so good and so free and so right
I know we ain't never gonna' to change our minds about it, hey

Here comes my girl
Here comes my girl
Yeah, and she looks so right, she is all I need tonight

Writer/s: PETTY, TOM / CAMPBELL, MICHAEL W.
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Here Comes My Girl
  • This was written the same week as "Refugee." Both songs started as demos written by Heartbreakers guitar player Mike Campbell on a 4-track recorder in his house.
  • In our interview with Mike Campbell, he explained: "'Here Comes My Girl' was interesting because we had the chorus and Tom wasn't sure how to do the verse, he kept trying to sing it different ways and he finally came across sort of half-talking it, and that's when the song seemed to come to life."
  • This was the first album the band released on a major label. Their first two albums came out on a small label called Shelter Records, which was acquired by MCA. After some legal maneuvering where Petty filed for bankruptcy and the label sued the band, MCA set up a label called Backstreet Records, which was dedicated to Tom Petty and the Heartbreakers. This didn't end the tension between Petty and MCA. Petty held back the tapes for their next album, Hard Promises, when MCA tried to raise the price from $8.98 to $9.98. Petty won that battle and the album came out at the lower price.

  • Indiana - Solo Dancin
    Indiana - Solo Dancing


    Indiana - Solo Dancing Lyrics and Youtube Music Videos

    Album: No Romeo
    Released: 2014

    Solo Dancing Lyrics


    I go dancing by myself
    I go dancing with no one else
    Solo Dancing push me as I go
    I go dancing it’s so intense
    I will dance till the bitter end
    No point in asking
    ‘Cause I always dance alone!
    Hypnotized by a lot emotion
    Music stop and the spell is broken
    I go dancing by myself

    I go dancing with no one else
    Solo dancing push me as I go, go
    I go dancin’ it’s so intense
    I will dance till the bitter end
    No point in asking
    ‘Cause I always dance alone!
    Don’t hold back
    My dance devotion
    It’s the path that I have chosen
    Hypnotized by a lot emotion

    Music stop and the spell is broken
    (Broken broken broken)
    You, how I move, how I move, how I move
    Uuuuu uuuh don't hold back
    My dance devotion
    How I move, how I move, how I move
    I go dancing by myself
    I go dancing no one else
    Solo dancing push me as I go, go

    I go dancin’ it’s so intense
    I will dance till the bitter end
    No point in asking
    ‘Cause I always dance alone!
    Don’t hold back
    My dance devotion
    It’s the path that I have chosen
    Hypnotized by a lot emotion
    Music stop and the spell is broken!

    Writer/s: HENSON, LAUREN / BECK, JOHN ROBERT / CHRISANTHOU, STEVE
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Solo Dancing
  • Nottingham-born singer-songwriter Indiana first got into music when her sister moved house but couldn't find room for her piano in her new place. Indiana offered to store it in her dining room and started playing around on the keys. She picked it up quite quickly and by 2010 was writing songs. By the end of the following year Indiana started concentrating on making a career as a recording artist and on February 17, 2013 she released her debut single "Bound."

    The Nottingham native scored her first UK chart hit with this euphemistically-titled song in which she describes her penchant for dancing "to the bitter end" by herself.
  • The song's single release also contains three remixes by Chris Lake, Joe Goddard and KAOS.
  • Ostensibly a song about joyously dancing on your own, both Indiana's detached vocal delivery and the minimal, icy instrumentation make the listener question their assumptions about its meaning. "I write these songs that can appear to be love songs, and seem all nice and sweet," she told Billboard magazine. "But then you peel away that first layer and chip away at that exterior, and they're all dark and a little bit twisted, and a bit sinister … I'm quite an odd person anyway, but I think if I didn't write these songs, I'd probably be doing horrible stuff. I write these songs to save other people from things I might do."
  • Indiana wrote the song with John Beck and Steve Chrisanthou. She told Billboard that inspired by the synth-noir sound of Cliff Martinez's 2011 Drive soundtrack, the intention was to create "something more uptempo" than the tracks she'd previously released on YouTube, such as like "Bound," "Smoking Gun" and "Animal." "I've put out things prior to 'Solo Dancing' that I wrote after 'Solo Dancing,' so there has been a progression in songwriting, but I think 'Solo Dancing' was always going to be one of the strongest things I've written," she admitted. "In my head, it's still unfinished, because it was something that I couldn't quite draw a line underneath. I kept going back to it production-wise. The label loved it so much that they said, 'We need to take this now, you've got to stop.'"

    John Beck and Steve Chrisanthou previous credits together include co-writing Corinne Bailey Rae's breakthrough hit tune "Put Your Records On" and Eliza Doolittle's single "Mr. Medicine."

  • Marilyn Manson - Lunchbo
    Marilyn Manson - Lunchbox


    Marilyn Manson - Lunchbox Lyrics and Youtube Music Videos

    Album: Portrait Of An American Family
    Released: 1994

    Lunchbox Lyrics


    Next motherfucker's gonna get my metal

    On we plow
    The big bully try to stick his finger in my chest
    Try to tell me tell me he's the best
    But I don't really give a good goddamn cause
    I got my Lunchbox and I'm armed real well
    I got my lunchbox and I'm armed real well
    I got my lunchbox and I'm armed real well
    I want to grow up
    I want to be a big rock and roll star
    I want to grow up
    I want to be
    So no one fucks with me, yeah
    I got the pencils in my pocket, try to put me down
    Want to go out, gotta get out to the playground
    Want to throw down at the playground
    I want to go out
    Next motherfucker gonna get my metal
    Next motherfucker gonna get my metal
    Next motherfucker gonna get my metal
    Next motherfucker
    Pow Pow Pow, Pow Pow Pow, Pow Pow Pow, Pow Pow Pow

    Writer/s: CRANE, KER, FINESILVER, BROWN, MANSON, BERKOWITZ, GEIN
    Publisher: GOWMONK, INC.
    Lyrics licensed and provided by LyricFind

    Lunchbox
  • This is about a young boy who is bullied at school and immerses himself in rock music to drown the pain. It is somewhat autobiographical. The album was exploring the fears of the average middle-class, Christian, conservative, white trash family, and one of them is that their child will become a "Punk Rocker."
  • The single was released on January 24, 1995 - the band's second single that year, the first being "Sweet Dreams." It featured the album version of the song, as well as four remixes - "Next Motherf***er," "Brown Bag," "Metal" and "Highschool Dropouts" - and a cover of Gary Numan's "Down in the Park." Most of the remixes just changed the intros or sound bytes, and "Highschool Dropouts" was simply the radio edit which muted out the obscenities.
  • Manson wrote about lunchboxes in this song because in Florida, where he was living at the time, the schools had banned metal lunchboxes because the children were hitting each other in the head with them. Manson used to have a metal KISS lunchbox which he used to defend himself at school. (thanks, Phil - Rockville, MD)
  • The music video, which dramatized the song, featured the band singing near a roller rink. It was included on "Dead to the World".
  • There is a 1993 CD which features demos of the band performing this and several other songs while they were still called "The Spooky Kids." It is called "Demos In Lunchbox."

  • Kasabian - Eez-e
    Kasabian - Eez-eh


    Kasabian - Eez-eh Lyrics and Youtube Music Videos

    Album: 48:13
    Released: 2014

    Eez-eh Lyrics


    I ain't easy
    And I make you mad
    Least I ain't sleazy
    I'm just trying to put the world to right
    If you want to, I'll take you out
    And I got the feeling that I'm gonna keep you up all
    Gonna keep you up all
    Gonna keep you up all night

    Tired of taking orders
    Coping with disorders
    The wrong men have the power
    It's turning my milk sour
    We're tired of taking orders
    Coping with disorders
    The wrong men have the power
    It's turning my milk sour
    Turning my milk sour
    Turning my milk sour

    I ain't easy
    And I make you mad
    Least I ain't sleazy
    I'm just trying to put the world to rights
    And if you want to, I'll take you out
    'Cause I got the feeling that I'm gonna keep you up all night

    I ain't easy
    But I ain't that bad
    No rhyme or reason, I'm just trying to set the world alight
    You got problems, well so have I
    And I got the feeling that I'm gonna keep you up all
    Gonna keep you up all
    Gonna keep you up all night

    There's cobras in the mosh pit
    Finally we lost it
    Everyday is brutal
    Now we're being watched by Google
    Gotta keep it simple
    Sending out a signal
    Every once I'm brutal
    Now we're being watched by Google
    Being watched by Google
    Being watched by Google

    I ain't easy
    And I make you mad
    Least I ain't sleazy
    I'm just trying to put the world to rights
    And if you want to, I'll take you out
    'Cause I got the feeling that I'm gonna keep you up all night

    I ain't easy
    But I ain't that bad
    No rhyme or reason, I'm just trying to set the world alight
    You got problems, well so have I
    And I got the feeling that I'm gonna keep you up all
    Gonna keep you up all
    Gonna keep you up all night

    Writer/s: PIZZORNO, SERGIO
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Eez-eh
  • Kasabian songwriter and guitarist Serge Pizzorno explained to NME that this song is based on the late-night conversations that singer Tom Meighan and him have while on tour. He said: "It's more a conversation that me and Tom might have at five or six in the morning. Ridiculous rants when you think you're making the most amazing points, and the next morning you're like… what?"

    "I was gonna call it 'Horsemeat' but I thought it was a bit ridiculous. But it's just a bit of a spit, really. There have been so many nights in hotel rooms when me and Tom will stay up all night talking and it's about that."
  • The song was named for the dialect of the band's home city, Leicester. Pizzorno wrote it after reading in the local paper that the Leicester accent was dying out.
  • Meighan said to NME of the heavy Electro banger's chorus: "It's a comic. Is cartoonish. It's punk. We've never done anything like it. It's trashy. It's dirty. It's Leicester."
  • The video was directed by fashion designer Aitor Throup and filmed in Black Island Studios, West London on April 16, 2014. Swedish actress Noomi Rapace (The Girl With The Dragon Tattoo, Prometheus) cameos as a drummer. Vocalist Tom Meighan told Q magazine: "It's a tongue-in-cheek video. We always want that gang mentality. There's a feel-good factor about it." (thanks to The Kasabian Wiki .)

  • Underworld - Born Slipp
    Underworld - Born Slippy


    Underworld - Born Slippy Lyrics and Youtube Music Videos

    Album: Born Slippy
    Released: 1995

    Born Slippy Lyrics


    Drive boy dog boy
    Dirty numb angel boy
    In the doorway boy
    She was a-lipstick boy
    She was a-beautiful boy
    And tears boy
    And all in your inner space boy
    You had hands girls boy
    And steel boy
    You had chemicals boy
    I've grown so close to you boy
    And you just groan boy
    She said come over come over
    She smiled at you boy

    Drive boy dog boy
    Dirty numb angel boy
    In the doorway boy
    She was a-lipstick boy
    She was a-beautiful boy
    And tears boy
    And all in your inner space boy
    You had hands girls boy
    And steel boy
    You had chemicals boy
    I've grown so close to you boy
    And you just groan boy
    She said come over come over
    She smiled at you boy

    Let your feelings slip boy
    But never your mask boy
    Random blond boy
    High density random
    Blond boy
    Blond country
    Blond high density
    You are my drug boy
    You're real boy
    Dog dirty dumb cracking boy
    You're getting wet boy
    Big big time boy
    Acid bears boy
    Babes and babes
    And babes and babes
    And babes
    And remembering nothing boy
    Do you like my tin horn boy
    It gets wet like at Angel
    Derailed

    You got a velvet mouth
    You're so succulent and beautiful
    Shimmering and dirty
    Wonderful and hot time
    On your telephone line
    And God and everything
    On your telephone
    And in walks an angel

    Look at me mum
    Squatting pissed in the tube hole
    At Tottenham Court Road
    I just come out of the Ship
    Talking to the most blond
    I ever met
    Shouting lager lager lager lager
    Shouting lager lager lager lager
    Shouting lager lager lager lager
    Shouting lager lager lager
    Shouting mega mega
    White thing
    Mega mega white thing
    Mega mega white thing
    Mega mega
    Shouting lager lager lager lager
    Mega mega white thing
    Mega mega white thing
    So many things to see and do
    In the tube hole
    The blond going back
    To Romford
    Mega mega mega going back
    To Romford
    Hi mum are you having fun
    On your way
    To a new age tension headache

    Writer/s: KARL HYDE, RICHARD SMITH, DARREN PAUL EMERSON
    Publisher: BMG RIGHTS MANAGEMENT US, LLC, MUSIC SALES CORPORATION
    Lyrics licensed and provided by LyricFind

    Born Slippy
  • Writer Karl Hyde was inspired to write the "lager, lager" lyrics after finding himself paralytic at chucking out time at a Soho pub and struggling to catch the last train home to Romford.
  • The song was named after a greyhound named "Born Slippy." The band saw the dog running at Romford race track.
  • In the Guardian newspaper February 24, 2006, Karl Hyde said: "We used to go out drinking in Soho and I ended up in the Ship on Wardour Street. All the lyrics were written on that night. A drunk sees the world in fragments and I wanted to recreate that. I was inspired by Lou Reed's New York album and Sam Shepard's Motel Chronicles. I was into flash photography as well, so I was walking around Soho with a notebook and camera, just observing things. In those days I'd open the book whenever a musical idea inspired me. Rick [Smith] came up with a rhythm and I started singing over it. The vocals were done in one take. When I lost my place, I'd repeat the same line; that's why it goes, 'lager, lager, lager, lager.' The first time we played it live, people raised their lager cans and I was horrified because I was still deep into alcoholism. It was never meant to be a drinking anthem; it was a cry for help. Now I don't mind. Why Born Slippy? It was a greyhound we won money on." (thanks, Edward Pearce - Ashford, Kent, England, for all above)
  • The song was featured in 1996 Danny Boyle film Trainspotting, where it could be heard in the final scene. The movie stoked immense public interest in the previously little known track, helping the single peak at #2 in the UK Singles Chart in July 1996. Karl Hyde told Q magazine how the song filtered from club to chart. Said the singer: "The record comes out and it's the biggest selling 12" we've ever had. Then we get the call that some geezer called Danny Boyle wants to put the track in the film version of Trainspotting. Myself and Rick weren't part of a druggy culture, we didn't see the association with our music. So we said no to the request as we didn't like the analogy that we thought was being made. That's the last time we've ever said no Danny Boyle!" He added: "Danny convinced us to go to the edit suite and we realised it was the opposite of glorification. It perfectly put the song back into context. The first time we played it live my heart sank cos loads of people were holding cans of lager aloft. The song was a cry for help. The film redressed the balance, gave the song resonance."
  • Karl Hyde told Uncut, "'Born Slippy' is a map of a journey that starts at the Ship on Wardour Street, goes to Tottenham Court Road tune and gets the late-night train back to Romford."

  • The 1975 - Robber
    The 1975 - Robbers


    The 1975 - Robbers Lyrics and Youtube Music Videos

    Album: The 1975
    Released: 2013

    Robbers Lyrics


    She had a face straight outta magazine
    God only knows but you'll never leave her
    Her balaclava is starting to chafe
    When she gets his gun he's begging, "Babe stay, stay, stay, stay, stay"

    I'll give him one more time
    We'll give you one more fight
    Said one more lie
    Will I know you

    Now if you never shoot, you'll never know
    And if you never eat, you'll never grow
    You've got a pretty kinda dirty face
    When she's leaving your home she's begging you, "Stay, stay, stay, stay, stay."

    I'll give you one more time
    We'll give you one more fight
    Just said one more line
    There'll be a riot, 'cause I know you

    Well, now that you've got your gun
    It's much harder now the police have come
    Now shoot him if it's what you're worth
    But if you just take off your mask
    To find out that everything's gone wrong, wrong, wrong.

    Now everybody's dead
    And they're driving past my old school
    And he's got his gun, he's got his suit on
    She says, "Babe, you look so cold, you look so cold, you look so cold
    You look so cold, you look so cold, you look so cold"

    Writer/s: Daniel, George Bedford / Healy, Matthew Timothy / MacDonald, Ross Stewart / Hann, Adam Brian Thomas
    Publisher: Kobalt Music Publishing Ltd.
    Lyrics licensed and provided by LyricFind

    Robbers
  • This song is about two lovers who aren't good for each other. She's having second thoughts but they keep putting off the inevitable end of the relationship. In doing so they are robbing each other of happiness.
  • The video finds frontman Matthew Healy and his girl rob a shop at gunpoint to fund their alcohol and drug addiction. The clip was inspired by one of the singer's favorite movie characters. "I got really obsessed with the idea behind Patricia Arquette's character in True Romance when I was about 18," he said. "That craving for the bad boy in that film, it's so sexualized," he added. "It was something I was obsessed with."

    "'Robbers' is about a heist that goes wrong," Healy added. "I suppose you can read it as a metaphor, and a girl who's obsessed with her professional killer boyfriend. It's a romantic ideal."

  • Marilyn Manson - The Family Tri
    Marilyn Manson - The Family Trip


    Marilyn Manson - The Family Trip Lyrics and Youtube Music Videos

    Album: Portrait Of An American Family
    Released: 1994

    The Family Trip Lyrics


    The Family Trip
  • This was the first track off Manson's first album.
  • The song consists of Manson reciting the poem Willy Wonka softly sang in the 1971 musical comedy Willy Wonka And The Chocolate Factory - "There's no earthly way of knowing, which direction we are going..." The first part of the poem is found in Ronald Dahl's novel Charlie and the Chocolate Factory, but the end of it (which describes death, Hell, and fear in general) was added for the film. Manson sometimes recites the poem at the beginning of his concerts.
  • The song's official title is "Prelude (The Family Trip)." It is filled with werewolf-esque growling and a screaming voice in the background. It leads directly into the second track, "Cake and Sodomy," where the growling die down.
  • Portrait of an American Family was a concept album about the fears of a middle-class white trash Christian family manifesting themselves. "Cake and Sodomy" is about conservative homophobia, "Lunchbox" is about a child deciding to become a rock star when he grows up, "Get Your Gunn" is about teenaged self-abuse, etc. Hence, this was an appropriate way to start it off.
  • Prior to Portrait Of An American Family's release in 1994, Manson had already sampled most of this spoken-word prelude on a demo from his Spooky Kids era called Choklit Factory. (thanks, Matt - Scone, Australia)
  • When Manson remixed his song "Cake and Sodomy" for his second album, Smells Like Children, it was called "Everlasting C--ksucker," a reference to the Everlasting Gobstopper, which was a candy in the film Willy Wonka And The Chocolate Factory. The album also included a slow cover of "Cake and Sodomy" by Tony F. Wiggins called "White Trash," which was simply him singing it slowly while strumming his guitar.
  • Manson was considered for the role of Willy Wonka in a remake of the classic children's film that originally starred Gene Wilder. Johnny Depp got the job; however, Depp has stated that he based his performance on Manson, much like he based his portrayal of Captain Jack Sparrow in Pirates Of The Caribbean: The Curse of the Black Pearl on Keith Richards. (thanks, Brett - Edmonton, Canada, for all above)

  • Richard Chamberlain - Holly Golightl
    Richard Chamberlain - Holly Golightly


    Richard Chamberlain - Holly Golightly Lyrics and Youtube Music Videos

    Album: Breakfast At Tiffany's
    Released: 1966

    Holly Golightly Lyrics


    Holly Golightly
  • "Holly Golightly" is the opening song from the 1966 flop musical Holly Golightly. Written by Bob Merrill, it is a passable number that was sung originally by Richard Chamberlain as Jeff. Although the show didn't make it to Broadway, it was revived for the London stage with a limited season in September 2013 where it was known by the more familiar name Breakfast At Tiffany's. (thanks, Alexander Baron - London, England)

  • Men at Work - Overkil
    Men at Work - Overkill

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    Men at Work - Overkill Youtube Music Videos and Lyrics

    Album: Cargo
    Released: 1983

    Overkill Lyrics




    Overkill
  • This was the first single from Men at Work's second album. Their first album, Business As Usual, was a huge hit and helped earn them a Grammy for Best New Artist. The band quickly went from a local Australian group to a worldwide success. Lead singer Colin Hay wrote this song and told us: "It was a song about what was happening at the time, the experience we were going through of stepping into the unknown. It's about having a fear about that, but also knowing that what was going to happen was inevitable. Leaving behind where you are and stepping into something which is out of your control to some degree. That's what it felt like at the time."
  • When we spoke with Colin Hay, he explained that this song could relate to a relationship with a person or a relationship with a place. He was living in St. Kilda, which is part of Melbourne, and felt he was going to leave there soon. Says Colin, "It's about leaving somewhere and leaving your comfort zone. You spend a lot of years trying to get something - fame or recognition or getting to a certain point, and then when you actually achieve it, there's always a certain amount of fear that comes with that, a sense of loss of control, because all of the sudden you're not in control of a situation any more, there's other people involved, it gets bigger and bigger with much more stress."
  • Colin: "That was the first song I wrote where I thought I might make a living as a songwriter. I was very happy with that song."
  • Colin recorded an acoustic version for his 2003 album Man At Work, a collection of new songs combined with stripped-down versions of Men at Work's hits. (Thanks to Colin for telling us about his songs. Check out his website at www.colinhay.com)

  • Men at Work - Cargo Album More Songs Lyrics


    Billy Joel - Summer, Highland Fall
    Billy Joel - Summer, Highland Falls


    Billy Joel - Summer, Highland Falls Lyrics and Youtube Music Videos

    Album: Turnstiles
    Released: 1976

    Summer, Highland Falls Lyrics


    They say that these are not the best of times
    But they're the only times I've ever known
    And I believe there is a time for meditation
    In cathedrals of our own

    Now I have seen that sad surrender in my mother's eyes
    I can only stand apart and sympathize
    For we are always what our situations hand us
    Its either sadness or euphoria

    So we'll argue and we'll compromise
    And realize that nothing's ever changed
    For all our mutual experience
    Our separate conclusions are the same

    Now we are forced to recognize our inhumanity
    A reason coexists with our insanity
    Though we choose between reality and madness
    Its either sadness or euphoria

    How thoughtlessly we dissipate our energies
    Perhaps we'll help fulfill each other's fantasies
    And as we stand upon the ledges of our lives with our respective similarities
    Its either sadness or euphoria

    Writer/s: JOEL, BILLY
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Summer, Highland Falls
  • A track from Billy Joel's fourth album, this song is about manic depression. He wrote it in 1975 during a transitional period in his life when he was moving back to New York after spending the previous three years in California. At a Howard Stern Town Hall event in 2014, Joel explained: "It was more about manic depression than depression. That song was about a relationship that wasn't really working out. It was very disappointing - you want everything to work out and when it doesn't, how do you deal with that?"
  • Joel wrote the music to reflect the highs and lows of manic depression. The song has a musical piano theme: the left hand plays the "depression" part, going slowly up and down, while the right hand is the "manic" part, playing a bouncy bit. "It actually describes manic depression in the music," says Joel.
  • Many yearbooks have been filled with the opening lines to this song:

    They say that these are not the best of times
    But they're the only times I've ever known


    It's a very unusual song in that the title doesn't appear in the lyric and there's no chorus. This limited its hit potential, but the song has endured as a favorite for many of Joel's ardent fans.
  • Highland Falls is the village in the southern part of New York State where Joel lived at the time.

  • Men at Work - Down Unde
    Men at Work - Down Under


    Men at Work - Down Under Lyrics and Youtube Music Videos

    Album: Business As Usual
    Released: 1982

    Down Under Lyrics


    Traveling in a fried-out combie
    On a hippie trail, head full of zombie
    I met a strange lady, she made me nervous
    She took me in and gave me breakfast
    And she said

    Do you come from a land Down Under?
    Where women glow and men plunder?
    Can't you hear, can't you hear the thunder?
    You better run, you better take cover

    Buying bread from a man in Brussels
    He was six-foot-four and full of muscles
    I said, "Do you speak-a my language?"
    He just smiled and gave me a Vegemite sandwich
    And he said

    I come from a land down under
    Where beer does flow and men chunder
    Can't you hear, can't you hear the thunder?
    You better run, you better take cover
    Yeah

    Lyin' in a den in Bombay
    With a slack jaw, and not much to say
    I said to the man, "Are you trying to tempt me
    Because I come from the land of plenty?"
    And he said

    Do you come from a land down under? (oh yeah yeah)
    Where women glow and men plunder?
    Can't you hear, can't you hear the thunder?
    You better run, you better take cover

    Living in a land down under
    Where women glow and men plunder
    Can't you hear, can't you hear the thunder?
    You better run, you better take cover

    Living in a land down under
    Where women glow and men plunder
    Can't you hear, can't you hear the thunder?
    You better run, you better take cover

    Living in a land down under
    Where women glow and men plunder
    Can't you hear, can't you hear the thunder?
    You better run, you better take cover

    Living in a land down under
    Where women glow and men plunder
    Can't you hear, can't you hear the thunder?
    You better run, you better take cover

    Writer/s: HAY, COLIN JAMES / STRYKERT, RONALD GRAHAM
    Publisher: Sony/ATV Music Publishing LLC
    Lyrics licensed and provided by LyricFind

    Down Under
  • The "Land Down Under" is Australia, where the group is from. The lyrics were written by lead singer Colin Hay, who told us: "The chorus is really about the selling of Australia in many ways, the over-development of the country. It was a song about the loss of spirit in that country. It's really about the plundering of the country by greedy people. It is ultimately about celebrating the country, but not in a nationalistic way and not in a flag-waving sense. It's really more than that."
  • Hay told us about composing the song: "It's a very important song for me. It always felt like a strong song, right from the start. Originally, the idea came from a little bass riff that Ron Strykert, the guitar player for Men at Work, had recorded on a little home cassette demo. It was just a little bass riff with some percussion that he played on bottles which were filled with water to varying degrees to get different notes. It was a very intriguing little groove. I really loved it, it had a real trance-like quality to it. I used to listen to it in the car all the time. When I was driving along one day in Melbourne, the chords popped out and a couple of days later I wrote the verses."
  • Barry Humphries is an Australian entertainer who has created many popular characters, including Dame Edna Everidge. He was also the voice of Bruce the Shark in the movie Finding Nemo. Colin explained his influence on this song: "He's a master of comedy and he had a lot of expressions that we grew up listening to and emulating. The verses were very much inspired by a character he had called Barry McKenzie, who was a beer-swilling Australian who traveled to England, a very larger-than-life character."
  • Some lyric translation:
    Fried out Kombi - a broken-down van. The lyrics are often translated as "Combie," but the correct spelling is Kombi. It came from the VW Kombivan which was very popular in the '60s and early '70s, especially with surfers and hippies.
    Head full of Zombie - Zombie was a particularly strong batch of marijuana which was floating around Australia for a long time. People called it "Zombie Grass."
    Vegemite Sandwich - Vegemite is a fermented yeast spread that is pretty much a national institution in Australia. Some people love it and can't start the day without a piece of toast spread with Vegemite, and some go so far as to carry a small jar of it with them when they travel overseas. Some are indifferent to it, and others can't stand it. It kind of resembles smooth black tar, and is similar in taste to the English "Marmite," but Aussies will always tell you that Vegemite is far superior. Regarding the lyrics, "Where beer does flow, and men chunder..." Chunder is Aussie slang meaning to vomit.
  • This song is often misinterpreted as a patriotic anthem. Says Colin: "It's ironic to me that so many people thought it was about a specific thing and that really wasn't the intention behind the song. If you listen to 'Born In The USA,' it's a similar song in that there's a lot of nuance missed because people like drinking beer and throwing their arms up in the air and feeling nationalistic. It's ultimately a song about celebration, but it's a matter of what you choose to celebrate about a country or a place. White people haven't been in Australia all that long, and it's truly an awesome place, but one of the most interesting and exciting things about the country is what was there before. The true heritage of a country often gets lost in the name of progress and development."
  • Colin: "I love the song, I have strong feelings about it because it's looked after me for many, many years."
  • In 2003, Colin recorded 2 new versions for his album Man At Work. The first is an acoustic version he included so people could hear how the song sounded originally, before Men at Work did it. Colin's wife, Cecilia, has a Latin Salsa band, and on the second version he recorded her horn section and flute parts, combining them with his tracks.
  • This became an unofficial national anthem when Australia won the America's Cup in 1983, an event the United States had never lost. The then Prime Minister of Australia, Bob Hawke, was so delighted with Australia's win, he gave the whole country the day off and announced on the news that any boss who fired an employee for taking the day off "is a bum!" (thanks, Jude - Melbourne, Australia)
  • The quirky video became a huge hit on MTV. The network had been on the air for only a year, and they didn't have many videos to choose from. Men at Work didn't know much about MTV, but British and Australian bands had been making videos for some time. The band made videos that fit their personality, often improvising scenes and using their friends for help. The guy who stands up and offers the Vegemite sandwich is the band's drummer, Jerry Speiser. He wasn't really "6 foot 4 and full of muscles," he had to stand on something to get extra height. He also wore a wig.
  • Men at Work hit big in the summer of 1982 and through the next year had 5 Top 40 singles: "Who Can It Be Now?," "Down Under," "Overkill", "I's A Mistake" and "Dr. Heckyll & Mr. Jive," the first two of which vaulted all the way to #1 on the American charts. 1982 was also the year the band won the Best New Artist Grammy. (thanks, Victor - Boston, MA)
  • This was a huge worldwide hit. For 2 weeks, both the single and album were #1 in the US and UK. It was also #1 in Australia. (Thanks to Colin for speaking with us about this song. To learn more or to check out his album, go to www.colinhay.com)
  • Men at Work recorded the first version of "Down Under" in 1980 in Melbourne and released it independently as the B-side to a forgettable song called "Keypunch Operator." They released it on a label they called M.A.W. - about 300 copies. This early version of the song here is a crude, pale predecessor to the global hit and testament to the wonders a good producer can do. (thanks, steve - Sydney, Australia)
  • In 2009, the music publishing company that owns the rights to the Australian children's song "Kookaburra" sued the "Down Under" songwriters, claiming the flute riff copied the children's classic. On February 4, 2010, Justice Jacobson ruled in favour of Larrakin Music who own "Kookaburra's" publishing rights - the song having been originally penned by music teacher Marion Sinclair in 1932. In his judgment he said that Men At Work had infringed Larrikin's copyright because "Down Under" reproduced "a substantial part of Kookaburra."

    Colin Hay said after the judgment: "I'll go to my grave knowing 'Down Under' is an original piece of work. In over 20 years no one noticed the reference to 'Kookaburra.' Marion Sinclair never made any claim that we had appropriated any part of her song, and she was alive when 'Down Under' was a hit. Apparently she didn't notice either."

    Greg Ham, who contributed the controversial flute part, told Melbourne's The Age newspaper: "It will be the way the song is remembered, and I hate that. I'm terribly disappointed that that's the way I'm going to be remembered - for copying something."

  • Vince Gill - Take Your Memory With Yo
    Vince Gill - Take Your Memory With You


    Vince Gill - Take Your Memory With You Lyrics and Youtube Music Videos

    Album: Pocket Full of Gold
    Released: 1991

    Take Your Memory With You Lyrics


    I can read the writing on the wall
    You pretend that nothing's changed at all
    I've got just one thing to ask you if it's so
    Just Take Your Memory With You when you go

    So I won't have to think about
    The lonely nights I'll be without
    Someone to hold me when the cold wind blows
    Take your memory with you when you go

    I walk the floor and wonder what went wrong
    I'll have to find a way to carry on
    Why don't you leave before the heartache starts to show
    Take your memory with you when you go

    So I won't have to think about
    The lonely nights I'll be without
    Someone to hold me when the cold wind blows
    Take your memory with you
    So I won't have to miss you
    Take your memory with you when you go

    Writer/s: Gill, Vincent Grant
    Publisher: Kobalt Music Publishing Ltd.
    Lyrics licensed and provided by LyricFind

    Take Your Memory With You
  • Running a tidy 2:34, this early hit for Vince Gill finds the singer at the end of a relationship. He makes just one request of the girl who is leaving him: that she take her memory with her when she goes so he doesn't have to think about what he's lost during those cold, lonely nights.

    The song is a throwback to the classic Bakersfield Country sound that Gill loves (his 2013 album Bakersfield is comprised of cover songs from this era). When we spoke with Vince in 2014 , he told us: "That was straight out of a Buck Owens shuffle song or Harlan Howard or Ray Price or any of those guys. I've recorded several others over the years and loved those."
  • Musicians on this track are:

    Steel Guitar - John Hughey
    Piano - Pig Robbins
    Fiddle - Andrea Zonn
    Electric Guitar - Gill
    Drums - Larrie Londin
    Bass - Michael Rhodes
    Backing Vocals - Herb Pedersen

  • Lyrics

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