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Prefab Sprout - The Songs Of Danny Galway
Prefab Sprout - The Songs Of Danny Galway


Prefab Sprout - The Songs Of Danny Galway Lyrics and Youtube Music Videos

Album: Crimson/Red
Released: 2013

The Songs Of Danny Galway Lyrics


The Songs Of Danny Galway
  • Paddy McAloon sings here about meeting songwriting legend Jimmy Webb . He told Mojo November 2013: "I met him on a TV show in the early '90s in Dublin. I wouldn't have the nerve to do it now...it's a vague chronology of that day, more of a fan letter, if my 11-year-old self had been able to write one to Jimmy Webb."

    McAloon added: "'Wichita Lineman' is embedded in a strange school memory of having to go on a cross country run and passing this pub, hearing it on the radio and it doing something, like a chemical shift. That was the beginning, yeah."
  • According to an interview with Paddy McAloon on BBC Radio 6 Music, the Crimson/Red album title is a reference to Mark Rothgo. The Abstract Expressionist painter is considered to be one of the most famous postwar American artists along with Jackson Pollock and Willem de Kooning.

  • Johnny Rivers - Secret Agent Man
    Johnny Rivers - Secret Agent Man


    Johnny Rivers - Secret Agent Man Lyrics and Youtube Music Videos

    Album: Greatest Hits
    Released: 1966

    Secret Agent Man Lyrics


    There's a man who leads a life of danger
    To everyone he meets he stays a stranger
    With every move he makes another chance he takes
    Odds are he won't live to see tomorrow

    Secret Agent Man, secret agent man
    They've given you a number, I know they've take away your name

    Beware of pretty faces that you find
    A pretty face can hide an evil mind
    Ah, be careful what you say
    Or you'll give yourself away
    Odds are you won't live to see tomorrow

    Secret agent man, secret agent man
    They've given you a number, I know they've take away your name

    Secret agent man, secret agent man
    They've given you a number, oh they've taken away your name

    Swingin' on the Riviera one day
    And then layin' in the Bombay alley next day
    Oh, don't you let you let the wrong word slip
    While kissing persuasive lips
    Odds are you won't live to see tomorrow

    Secret agent man, secret agent man
    They've given you a number, oh they've take away your name

    Secret agent man

    Writer/s: BARRI, STEVE / SLOAN, P. F.
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Secret Agent Man
  • This was the theme for a TV show called Secret Agent, starring Patrick McGoohan. Unlike many TV themes, the song held up on its own with a distinctive dueling guitar sound.
  • This is an example of "Spy" music. The sound implied action and was associated with James Bond movies.
  • P.F. Sloan and Steve Barri, who at the time were just starting the band The Grass Roots, wrote this song. Secret Agent was a US adaptation of a hit show in England called Dangerman, and CBS needed a 15-second theme to replace the British version. Sloan wrote of the song (from his website): "Somebody thought I should do a full length instrumental of the song. So I did. Meanwhile the song was picked by CBS and Johnny Rivers recorded the quick 15-second song for the TV show. The Ventures, the genius guitar instrumental group, heard the demo and recorded and released the song way before Rivers even had a finished song. The publishers asked me to finish the song, Rivers recorded it, not one of his favorite songs back then, but he's happier with it now."
  • Some of the artists to record this song include Hank Williams Jr., Devo and Blues Traveler.
  • P.F. Sloan wrote the riff for this song first, then came up with the lyric that went, "Look out Danger Man..." When the title of the show was changed to Secret Agent, he says it was a breakthrough. "That changed everything," he told us. "The lyric just came together in no time at all. It just worked immediately."
  • This was used in commercials for Wal-Mart and also for Chase credit cards. Some of the many movies to use the song include Repo Man, Bowfinger, Can't Buy Me Love, Austin Powers: International Man of Mystery, and Ace Ventura: When Nature Calls.
  • According to P.F. Sloan, Johnny Rivers didn't like this song, and was content to record just the quick TV version until The Ventures charted with it. Both acts recorded for subsidiaries of Liberty Records, and the label was able to convince Rivers to record it.

    Sloan told us in 2014 that Rivers had clearly embraced the song. "I saw him about two months ago and I've got to say he did an absolutely killer version," he said. "Johnny must have sang that song half a million times, and he still sings it with so much gusto, and the audience goes nuts. That's something great to see."
  • The Ventures instrumental version peaked at #54 US on March 26, 1966. Rivers' version hit its peak on April 23. His rendition is substantially longer, running 3:03 vs. 2:17.

  • Sam Bailey - Skyscraper
    Sam Bailey - Skyscraper


    Sam Bailey - Skyscraper Lyrics and Youtube Music Videos

    Album: The Power Of Love
    Released: 2013

    Skyscraper Lyrics


    Skies are crying, I am watching
    Catching tear drops in my hands
    Only silence as it's ending
    Like we never had a chance
    Do you have to make me feel like
    There's nothing left of me?

    You can take everything I have
    You can break everything I am
    Like I'm made of glass
    Like I'm made of paper
    Go on and try to tear me down
    I will be rising from the ground
    Like a Skyscraper
    Like a skyscraper

    As the smoke clears, I awaken
    And untangle you from me
    Would it make you feel better
    To watch me while I bleed?
    All my windows still are broken
    But I'm standing on my feet

    You can take everything I have
    You can break everything I am
    Like I'm made of glass
    Like I'm made of paper
    Go on and try to tear me down
    I will be rising from the ground
    Like a skyscraper
    Like a skyscraper

    Go run, run, run
    I'm gonna stay right here,
    Watch you disappear
    Yeah, oh
    Go run, run, run
    Yeah, it's a long way down
    But I am closer to the clouds up here

    You can take everything I have
    You can break everything I am
    Like I'm made of glass
    Like I'm made of paper
    Oh oh
    Go on and try to tear me down
    I will be rising from the ground
    Like a skyscraper
    Like a skyscraper

    (Like a skyscraper)

    Like a skyscraper
    Like a skyscraper

    Writer/s: Gad, Toby / Koiv, Kerli / Robbins, Lindy
    Publisher: EMI Music Publishing, Warner/Chappell Music, Inc., Kobalt Music Publishing Ltd., Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Skyscraper
  • Prison officer Sam Bailey was able to launch her music career after triumphing in the final of the tenth season of The X Factor. The mother of two had previously auditioned for the show in 2007, but never made it in front of judges. Bailey was dubbed 'Screwbo' during her run in the 2013 series as prison wardens are often called 'screws' and her first audition was reminiscent of Susan Boyle's - who was affectionately called SuBo.
  • Bailey released a cover of Demi Lovato's hit song as her winner's single, following her victory over Nicholas McDonald in the final. It was made available to download from iTunes in the UK the day after her victory and given a physical release a couple of days later with the addition of three of Bailey's best X Factor performances - "The Power Of Love," "Make You Feel My Love" and "No More Tears (Enough Is Enough)."
  • 100% of the profits from the sales of each CD single and download were shared equally between Great Ormond Street Hospital Children's Charity and Together For Short Lives.
  • The song sold 149,000 copies in its first seven days to top the UK singles chart in the Christmas week. The opening tally was the second-lowest total for the debut single by an X Factor winner, higher only than Steve Brookstein's 127,000 for his cover of Phil Collins' "Against All Odds" in 2004.

  • AC/DC - Dirty Deeds Done Dirt Cheap
    AC/DC - Dirty Deeds Done Dirt Cheap


    AC/DC - Dirty Deeds Done Dirt Cheap Lyrics and Youtube Music Videos

    Album: Dirty Deeds Done Dirt Cheap
    Released: 1976

    Dirty Deeds Done Dirt Cheap Lyrics


    If you're havin' trouble with the high school head
    He's givin' you the blues
    You want to graduate but not in 'is bed
    Here's what you gotta do
    Pick up the phone
    I'm always home
    Call me any time
    Just ring
    36 24 36 hey
    I lead a life of crime

    Dirty deeds, done dirt cheap
    Dirty deeds, done dirt cheap
    Dirty deeds, done dirt cheap
    Dirty deeds and they're done dirt cheap
    Dirty deeds and they're done dirt cheap

    You got problems in your life of love
    You got a broken heart
    He's double dealin' with your best friend
    That's when the teardrops start, fella
    Pick up the phone
    I'm here alone
    Or make a social call
    Come right in
    Forget about him
    We'll have ourselves a ball

    Dirty deeds, done dirt cheap
    Dirty deeds, done dirt cheap
    Dirty deeds, done dirt cheap
    Dirty deeds and they're done dirt cheap
    Dirty deeds and they're done dirt cheap

    If you got a lady and you want her gone
    But you ain't got the guts
    She keeps naggin' at you night and day
    Enough to drive ya nuts
    Pick up the phone
    Leave her alone
    It's time you made a stand
    For a fee
    I'm happy to be
    Your back door man

    Dirty deeds, done dirt cheap
    Dirty deeds, done dirt cheap
    Dirty deeds, done dirt cheap
    Dirty deeds and they're done dirt cheap yeah
    Dirty deeds and they're done dirt cheap

    Concrete shoes, cyanide, TNT
    Done dirt cheap
    Neckties, contracts, high voltage
    Done dirt cheap

    Dirty deeds
    Do anything you wanna do
    Done dirty cheap
    Dirty deeds
    Dirty deeds
    Dirty deeds
    Done dirt cheap

    Writer/s: ANGUS MCKINNON YOUNG, RONALD BELFORD SCOTT, MALCOLM MITCHELL YOUNG
    Publisher: J. ALBERT & SON(INTERNATIONAL) PTY. LTD.
    Lyrics licensed and provided by LyricFind

    Dirty Deeds Done Dirt Cheap
  • AC/DC lead guitarist Angus Young got the song title from the 1962 animated cartoon series Beany and Cecil. The Show first aired on ABC Television and only ran for one season until the 26 episodes shown were cast as repeats for the next five years until it was recreated in 1968. The specific inspiration for the song name was the cartoon's main villain, "Dishonest John," who would carry around a business card that said, "Dirty Deeds Done Dirt Cheap. Holidays, Sundays, and Special Rates."
  • This song epitomizes AC/DC's dangerous and mean sound, with Angus Young's heavy guitar and Bon Scott's leering, vocals that would have scared the living daylights out of any unsuspecting teenage Pop fans when this song first hit the airwaves (they did it on a national TV show in Australia called Countdown, which was usually frequented by acts like ABBA and Bucks Fizz).
  • This was recorded at Alberts Studios in Sydney, Australia in 1976 soon after the sessions that produced the Australian version of their TNT album.
  • The ending is one of the most famous screams in Rock history. For those wondering, it's spelled: "Yaaaaaaaaaaarrrrrrrrrggghhhhhh!"
  • This was used in the Norm MacDonald movie Dirty Work. It is played while Norm's character Mitch and his friend Sam are wrecking a building in an attempt to get it condemned.
  • Lesley Gore, known for '60s hits like "It's My Party," recorded this for the 2002 compilation album When Pigs Fly: Songs You Never Thought You'd Hear . Her version was produced by Mauro DeSantis, who worked with Cevin Soling on the track. Soling, who was executive producer of the album, explains why he chose this song for Gore: "Her stuff was fairly empowering as far as female artists and things that she was doing. So it's not like it was the complete stretch, but you still think kind of the lighter girl-group kind of music from the '60s, and here's something that's pretty hard-core aggressive. But at the same time, I certainly concede that she was doing edgy stuff in her own way, at the time." (Check out our interview with Cevin Soling.)
  • On a 2008 episode of The Simpsons where they team up on a stakeout, we learn that Homer Simpson and the pious Ned Flanders have come common ground in their musical tastes. Homer likes AC/DC, and Ned likes their Christian tribute band: AD/BC, and their version of this song, "Kindly Deeds Done For Free."
  • Regarding the lyrics, "Just ring: 3-6-2-4-3-6," this was an actual phone number in Australia at the time, and it also could describe the measurements of a very shapely woman: 36-24-36. A year later, the Commodores used the same measurements to describe a woman in their song "Brick House." Sir Mix-a-Lot, however, scoffed at these measurements in his 1992 hit "Baby Got Back," where he says: "36-24-36? Only if she's 5'3."
  • The song about murder for hire enjoyed a sales spike following drummer Phil Rudd being charged with trying to procure a murder in November 2014. The charge was soon dropped.

  • Tonight Alive - Lonely Girl
    Tonight Alive - Lonely Girl


    Tonight Alive - Lonely Girl Lyrics and Youtube Music Videos

    Album: The Other Side
    Released: 2013

    Lonely Girl Lyrics


    Lonely Girl you lost the only thing you loved
    Nothing that you have is ever good enough
    And I won't be the one to keep you safe
    And I won't be the one who stays the same

    You got a lot of nerve and
    Looks like the tables turning
    And now you're wishing me well like you miss me
    You got a dirty tongue and
    Looks like the damage done is forever
    And it's a long time to miss me
    Whoa oh, no
    And it's a long time to miss me
    Whoa oh, no

    Lonely girl it looks like you are out of luck
    Tell me how it feels to watch your friends give up
    I was on your side
    I stood by you
    So go ahead and cry it's just like you

    You got a lot of nerve and
    Looks like the tables turning
    And now you're wishing me well like you miss me
    You got a dirty tongue and
    Looks like the damage done is forever
    And it's a long time to miss me
    Whoa oh, no
    And it's a long time to miss me
    Whoa oh, no

    And I don't feel sorry for you, sorry for you
    'Cause now the tables turning
    And now the bridge is burning
    It's coming crashing down
    Crashing down
    Over you, over you, over you, over you

    You got a lot of nerve and
    Looks like the tables turning
    And now you're wishing me well like you miss me
    You got a dirty tongue and
    Looks like the damage done is forever
    And it's a long time to miss me
    Whoa oh, no
    And it's a long time to miss me
    Whoa oh, no

    Writer/s: Mcdougall, Jenna Rachael / Taahi, Whakaio Euben
    Publisher: EMI Music Publishing
    Lyrics licensed and provided by LyricFind

    Lonely Girl
  • Vocalist Jenna McDougall explained to Kerrang! magazine that the background of this song concerns a broken friendship. "It's me speaking to a friend I no longer speak to," the Australian singer said. "She would always cry out for attention and complain about everything that was wrong in her life, but she wouldn't help herself or ask for help from anyone else. It was really difficult to be a friend to someone who pushes you away like that, and in the end, she told me to never speak to her again. The song is me closing the book on the friendship."

    McDougall added that the song is also relatable to other people's situations. "Everyone's got ex-best-friends, and I've found that the reality of growing up is that you leave people behind and people leave you behind. The song's about coming to terms with that and finding yourself as your own personal and letting go of the grudges that in the end do nothing but hold you back. At heart, it's a coming-of-age song, which is an important event in the lives of everybody."

  • Nine Inch Nails - Heresy
    Nine Inch Nails - Heresy


    Nine Inch Nails - Heresy Lyrics and Youtube Music Videos

    Album: The Downward Spiral
    Released: 1994

    Heresy Lyrics


    He sewed his eyes shut because he is afraid to see
    He tries to tell me what I put inside of me
    He's got the answers to ease my curiosity
    He dreamed up a god and called it Christianity

    Your god is dead and no one cares
    If there is a hell I will see you there
    He flexed his muscles to keep his flock of sheep in line
    He made a virus that would kill off all the swine
    His perfect kingdom of killing suffering and pain
    Demands devotion atrocities done in his name

    Your god is dead and no one cares
    Drowning in his own hypocrisy
    And if there is a hell I will see you there
    Burning with your god in humility
    Will you die for this?

    Writer/s: ABBOTT, VINCENT PAUL / ABBOTT, DARRELL LANCE / BROWN, REX / ANSELMO, PHILIP
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    Heresy
  • This song is about confronting and questioning Christianity. The lyrics describe how Christianity is used to control people and how it contradicts itself: "His perfect kingdom of killing, suffering and pain demands devotion atrocities done in his name."
  • Nine Inch Nails mainman Trent Reznor explained that much of The Downward Spiral album dealt with how people were always trying to control you, and this song takes on a specific institution. He told Kerrang!: "Churches tell you to do this and that, or the punishment will be going to Hell. In every relationship you get into, someone wants to control it. I'm aware of that, I'm addressing it, I'm challenging it."

  • Beyoncé - Yoncé/Partition
    Beyoncé - Yoncé/Partition


    Beyoncé - Yoncé/Partition Lyrics and Youtube Music Videos

    Album: Beyoncé
    Released: 2013

    Yoncé/Partition Lyrics


    Yoncé/Partition
  • Beyoncé introduces us to a new incarnation, Yoncé, in this two-part club jam. Her new alter ego is someone who likes her grill and being the hottest girl in the club. Beyoncé recalled the creation of Yoncé during an album screening party oat the School of Visual Arts Theatre in New York. "We were in the studio, and Justin Timberlake started beating on buckets," she said. "So, when you hear the beat, it's literally a bucket. And [The-Dream] just started, 'Yonce on his mouth like liquor,' and I'm like, 'What does that mean?'"

    "But I love it, I think Beyoncé is Beyoncé, Mrs. Carter is Beyoncé, Sasha Fierce is Beyoncé," she continued. "And I'm finally at a place where I don't have to separate the two. It's all pieces of me, and just different elements of a personality of a woman, because we are complicated."
  • The track opens with the call-and-response that Beyoncé pumps the crowd with before going to "Get Me Bodied" every night on tour.
  • The video for the "Yoncé" section was shot in Brooklyn by director Ricky Saiz and features Beyoncé with the supermodels Chanel Iman, Joan Smalls and Jourdan Dunn. Saiz told MTV News that the R&B star and him created a clip that focused on the themes of "voyeurism and kind of erotic sexuality rather than overt sexuality."

    Saiz added that it was, in part, inspired by George Michael's iconic "Freedom" visual, which featured a bevy of supermodels like Naomi Campbell, Linda Evangelista and Cindy Crawford. "I just tried to bring like a raw, kind of lo-fi, very New York kind of grimy, dark aesthetic to it," he said.

    Saix explained why Beyoncé doesn't sing in the video. "She almost plays like a madam character and the girls are doing the performing for her in a sense," he said. "I think they are so important individually and have their own characters and they each really brought that to the set... [It's] almost like this just happened and we were there with our cameras."

    The video finishes with Beyoncé walking down the runway, while photographers snap photos of her. Saiz told MTV News: "We knew the ending of the song was a transition into another song and the last line of the song is 'Welcome to Paris' and there's bulbs flashing and kind of a paparazzi sense. So we wanted to kind of have something that captured that high-flash paparazzi kind of feel and with a runway walk, it made sense in context with the models and left it quiet vague. And I thought it looked beautiful and an easy transition into the next video [which is 'Partition']."
  • The second half of the song, "Partition," refers to the privacy window in limousines - asking the driver to "roll up the partition" means he can't see what's going on back there, and Beyoncé can carry out her prurient intentions, as it quickly becomes clear she is singing about making love in the limousine.
  • Beyoncé sings in French on the bridge, where she criticizes those who believe feminists are not interested in sex. It translates as:

    "Do you like sex?
    Sex
    I mean physical activity, coitus
    You like it?
    Are you not interested in sex?
    Men think that feminists hate sex
    But it's an exciting and natural activity that women love."
  • The Partition video features Beyoncé dancing semi-naked. She discussed stripping in one of her series of of short featurettes on YouTube: "I was 195lbs when I gave birth. I lost 65lbs. I worked crazily to get my body back. I wanted to show my body," the singer explained. "I wanted to show that you can have a child and you can work hard and you can get your body back."

    "I know that there's so many women that feel the same thing after they give birth.," Beyoncé continued. "You can have your child and you can still have fun and still be sexy and still have dreams and still live for yourself."
  • The Partition clip was inspired by a trip to the famous Crazy Horse strip club in Paris. "I'm not embarrassed about it, and I don't feel like I have to protect that side of me because I do believe that sexuality is a power we all have," said Beyoncé. "The day I got engaged was my husband's birthday and I took him to Crazy Horse and I remember thinking, 'Damn, these girls are fly.' And I just thought it was the ultimate sexy show: 'I wish I was up there, I wish I could perform that for my man...' so that's what I did for my video."
  • Beyoncé references how Bill Clinton splooged on White House intern Monica Lewinsky's skirt during their infamous sexual encounters.

    He popped all my buttons, and he ripped my blouse
    He Monica Lewinsky-ed all on my gown


    Speaking to the May 8, 2014 edition of Vanity Fair, Lewinsky issued a rebuttal to the scandalous couplet, saying, "Thanks, Beyoncé, but if we're verbing, I think you meant 'Bill Clinton'd all on my gown,' not 'Monica Lewinsky'd.'"
  • The conservative TV show host Bill O'Reilly got worked up over the "Partition" video, playing part of it on his show and asking his guest, music mogul Russell Simmons, to explain why she make such an explicit video. O'Reilly went on about how harmful the video and this type of entertainment is to young girls, and calling it "exploitive garbage." Simmons didn't take the bait, as he wanted to talk about his meditation initiatives, but many left-wing commentators later pointed out that the sex portrayed in the video was between a married couple.

  • Harry Chapin - 30,000 Pounds of Bananas
    Harry Chapin - 30,000 Pounds of Bananas


    Harry Chapin - 30,000 Pounds of Bananas Lyrics and Youtube Music Videos

    Album: Verities And Balderdash
    Released: 1974

    30,000 Pounds of Bananas Lyrics


    It was just after dark when the truck started down
    The hill that leads into Scranton Pennsylvania.
    Carrying thirty thousand pounds of bananas.
    Carrying thirty thousand pounds (hit it Big John) of bananas.

    He was a young driver,
    Just out on his second job.
    And he was carrying the next day's pasty fruits
    For everyone in that coal-scarred city
    Where children play without despair
    In backyard slag-piles and folks manage to eat each day
    Just about thirty thousand pounds of bananas.
    Yes, just about thirty thousand pounds (scream it again, John) .

    He passed a sign that he should have seen,
    Saying "shift to low gear, a fifty dollar fine my friend."
    He was thinking perhaps about the warm-breathed woman
    Who was waiting at the journey's end.
    He started down the two mile drop,
    The curving road that wound from the top of the hill.
    He was pushing on through the shortening miles that ran down to the depot.
    Just a few more miles to go,
    Then he'd go home and have her ease his long, cramped day away.
    And the smell of thirty thousand pounds of bananas.
    Yes the smell of thirty thousand pounds of bananas.

    He was picking speed as the city spread its twinkling lights below him.
    But he paid no heed as the shivering thoughts of the nights
    Delights went through him.
    His foot nudged the brakes to slow him down.
    But the pedal floored easy without a sound.
    He said "Christ!"
    It was funny how he had named the only man who could save him now.
    He was trapped inside a dead-end hellslide,
    Riding on his fear-hunched back
    Was every one of those yellow green
    I'm telling you thirty thousand pounds of bananas.
    Yes, there were thirty thousand pounds of bananas.

    He barely made the sweeping curve that led into the steepest grade.
    And he missed the thankful passing bus at ninety miles an hour.
    And he said "God, make it a dream!"
    As he rode his last ride down.
    And he said "God, make it a dream!"
    As he rode his last ride down.
    And he sideswiped nineteen neat parked cars,
    Clipped off thirteen telephone poles,
    Hit two houses, bruised eight trees,
    And Blue-Crossed seven people.
    It was then he lost his head,
    Not to mention an arm or two before he stopped.
    And he slid for four hundred yards
    Along the hill that leads into Scranton, Pennsylvania.
    All those thirty thousand pounds of bananas.

    You know the man who told me about it on the bus,
    As it went up the hill out of Scranton, Pennsylvania,
    He shrugged his shoulders, he shook his head,
    And he said (and this is exactly what he said)
    "Boy that sure must've been something.
    Just imagine thirty thousand pounds of bananas.
    Yes, there were thirty thousand pounds of mashed bananas.
    Of bananas. Just bananas. Thirty thousand pounds.
    Of Bananas. not no driver now. Just bananas!"

    From Greatest Stories Live: Ending number one

    Yes, we have no bananas,
    We have no bananas today
    (Spoken: And if that wasn't enough)
    Yes, we have no bananas,
    Bananas in Scranton, P A

    From Greatest Stories Live: Ending #2:

    A woman walks into her room where her child lies sleeping,
    And when she sees his eyes are closed,
    She sits there, silently weeping,
    And though she lives in Scranton, Pennsylvania
    She never ever eats ... Bananas
    Not one of thirty thousand pounds .... of bananas

    Writer/s: CHAPIN, HARRY F.
    Publisher: Warner/Chappell Music, Inc.
    Lyrics licensed and provided by LyricFind

    30,000 Pounds of Bananas
  • This was based on a true story about an accident in Scranton, Pennsylvania where a driver lost control of a truck full of bananas he was delivering. He was killed in the crash, and bananas were strewn all over the place. Sandy Chapin, who was married to Harry from 1968 until he was killed in a car accident in 1981, doesn't like this song at all. She explains how it came about: "That song morphed. It had a life of its own. Originally it was a poem that Harry wrote, it was just words on a page. And early on he was doing different kinds of musical performances with his father, and also his brothers who were in college at the time. So there was a limited time for them to perform. But he did it as a spoken song. And then I guess after the Village Gate days, and the beginning of the contract with Electra, he was going through notebooks and looking for material. He decided to put music to it. And I think the song developed a life of its own from audience reaction. It was a serious poem to begin with on the society's preoccupation with numbers. You have your drivers license and your social security and your credit card, and on and on and on and on. You're just made up of numbers. But it also was a story – a true story that was told to him while he was on a Greyhound bus ride. It's real. The widow still lives in Scranton, Pennsylvania. The original poem started from a preoccupation with numbers, and then it got to be a kind of performance piece that was kind of tragicomedy. Very difficult, I thought." (Read more in our interview with Sandy Chapin .)
  • On his Greatest Stories live album, Chapin says: "This song starts off with an absolutely brilliant Chet Atkins guitar lick that took me about 4 hours to steal."
  • In 1402 Portuguese explorers discovered bananas in Western Africa and took them to the Canary Islands. The word "banana" is the native word for the fruit in Guinea. The Europeans first came across bananas when in the early 15th century Portuguese explorers discovered bananas in Western Africa and took them to the Canary Islands. The word "banana" is the native word for the fruit in Guinea. Many North Americans got their first taste of bananas at the 1877 US Centennial Exposition in Philadelphia. Each banana was wrapped in foil and sold for 10 cents. (both the above from the book Food for Thought: Extraordinary Little Chronicles of the World by Ed Pearce)

  • Beyoncé - No Angel
    Beyoncé - No Angel


    Beyoncé - No Angel Lyrics and Youtube Music Videos

    Album: Beyoncé
    Released: 2013

    No Angel Lyrics


    Baby put your arms around me
    Tell me I'm a problem
    Know I'm not the girl you thought you knew and that you wanted
    Underneath the pretty face is something complicated
    I come with a side of trouble
    But I know that's why you're staying

    Because, you're, no, angel, either, baby

    No I'm not an anngel either but at least I'm trying
    I know I drive you crazy, but would you rather that I be a machine
    Who doesn't notice when you're late or when you're lying
    I love you even more than you I thought you worried for

    'Cause, you're, no, angel, either, baby

    Tell me do you want to ride
    Tell me do you want to ride
    Ride around, ride around
    Ride around
    Will you ride around with that H-town
    If there's candles near your bed, no need for a spell
    Stop acting so scared, just do what I tell
    First go through my legs, go back on your head
    And whatever you want, yeah baby I'll bet it comes true

    Baby put your arms around me
    Tell me I'm a problem
    Know I'm not the girl you thought you knew and that you wanted
    Underneath the pretty face is something complicated
    I come with a side of trouble
    But I know that's why you're staying
    Because, you're, no, angel, either, baby

    Writer/s: KNOWLES, BEYONCE / POLACHEK, CAROLINE ELIZABETH / FAUNTLEROY, JAMES
    Publisher: Warner/Chappell Music, Inc., Kobalt Music Publishing Ltd., Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    No Angel
  • This track finds Beyoncé telling her man - over a sexed-up, midtempo Trap beat - that she loves him even though he is not an angel; at the same time she admits to not being perfect either. The song has a similar theme to Bey's collaborations with her husband, Jay-Z: "'03 Bonnie And Clyde" and "Part II (On The Run)."
  • The song was co-written and co-produced by Chairlift's Caroline Polacheck, who is a friend of Beyonce's sister Solange. New York Electronic Pop band Chairlift are best known for their song "Bruises," which was a minor hit after featuring in an Apple iPod Nano-Chromatic commercial.
  • The song's music video is set in the 'hood of Beyoncé's hometown of Houston, which links to the lyric in the bridge about her man driving around H-town. Various Texas hip hop stars like Bun B and Paul Wall make cameo appearances.
  • Beyoncé is seen during several shots of the video in front of a tumbledown house wearing a fur coat and cowboy hat, and holding a pit bull on a leash. That scene was filmed in the Melbourne suburb of Brunswick, during the Australia section of her Mrs. Carter Show World Tour.

    Apparently the owner of the house, Jeanette Meadows, didn't have a clue who Beyoncé was and let filming crews have access to her home for a mere $300. "When the man knocked on my door to ask if they could use my house to do the photos I thought he said they were with his fiancé, not Beyoncé," she told the Herald Sun. "I didn't even know who she was."

  • Pulp - Common People
    Pulp - Common People


    Pulp - Common People Lyrics and Youtube Music Videos

    Album: Different Class
    Released: 1995

    Common People Lyrics


    She came from Greece she had a thirst for knowledge,
    She studied sculpture at Saint Martin's College,
    That's where I,
    Caught her eye.
    She told me that her Dad was loaded,
    I said "In that case I'll have a rum and coca-cola."
    She said "Fine."
    And in thirty seconds time she said,

    I want to live like Common People,
    I want to do whatever common people do,
    I want to sleep with common people,
    I want to sleep with common people,
    Like you.

    Well what else could I do
    I said "I'll see what I can do."
    I took her to a supermarket,
    I don't know why,
    But I had to start it somewhere,
    So it started there.
    I said pretend you've got no money,
    She just laughed and said,
    "Oh you're so funny."
    I said "Yeah?
    Well I can't see anyone else smiling in here.

    Are you sure you want to live like common people,
    You want to see whatever common people see,
    You want to sleep with common people,
    You want to sleep with common people,
    Like me.

    But she didn't understand,
    She just smiled and held my hand.
    Rent a flat above a shop,
    Cut your hair and get a job.
    Smoke some fags and play some pool,
    Pretend you never went to school.
    But still you'll never get it right,
    'Cause when you're laid in bed at night,
    Watching roaches climb the wall,
    If you called your Dad he could stop it all.

    You'll never live like common people,
    You'll never do whatever common people do,
    You'll never fail like common people,
    You'll never watch your life slide out of view,
    And dance and drink and screw,
    Because there's nothing else to do.

    Sing along with the common people,
    Sing along and it might just get you through.
    Laugh along with the common people,
    Laugh along even though they're laughing at you,
    And the stupid things that you do.
    Because you think that poor is cool.

    Like a dog lying in a corner,
    They will bite you and never warn you,
    Look out,they'll tear your insides out.
    'Cause everybody hates a tourist,
    Especially one who thinks it's all such a laugh,
    Yeah and the chip stain's grease,
    Will come out in the bath.

    You will never understand
    How it feels to live your life
    With no meaning or control
    And with nowhere left to go.
    You are amazed that they exist
    And they burn so bright,
    Whilst you can only wonder why.
    Rent a flat above a shop
    Cut your hair and get a job
    Smoke some fags and play some pool
    Pretend you never went to school,
    But still you'll never get it right
    'Cause when you're laid in bed at night
    And watching roaches climb the wall,
    If you called your dad he could stop it all
    Yeah

    You'll never live like common people
    You'll never do what common people do
    You'll never fail like common people
    You'll never watch your life slide out of view
    And then dance and drink and screw
    Because there's nothing else to do

    I want to live with common people like you.....

    Writer/s: BANKS, NICK / COCKER, JARVIS BRANSON / DOYLE, CANDIDA / MACKEY, STEPHEN PATRICK / SENIOR, RUSSELL
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Common People
  • This song is based on a girl lead singer Jarvis Cocker met at St. Martin's on the sculpture course. Jarvis revealed that nothing actually ever happened between them and that in fact, he just overheard her say that she would like to live in the East end of London. Some believe that the song reflects Jarvis' thoughts, as he does not come from a working class background.
  • As this was a catchy pop song, Jarvis Cocker wanted to come up with a dance routine to go with it, which can be seen in the video.
  • This was the commercial breakthrough for Pulp, who were formed by the then 15-year-old Jarvis Cocker in 1978. In Q magazine, Cocker said: "It was clear 'Common People' was a significant song. Eight other songs on the album were written while it was in the charts. Knowing that you had a mass audience for once in your life gave me the confidence to bring certain things out of myself."
  • The video to the song featured Sadie Frost and was produced by Jarvis himself. He has a degree in film-making from St. Martins College of Art.
  • Jarvis Cocker told the story of the song to Uncut magazine August 2010: "It all started with me getting rid of a lot of albums at the Record And Tape Exchange in Notting Hill. With the store credit I went into the second-hand instrument bit and bought this Casio keyboard. When you buy an instrument, you run home and want to write a song straight away. So I went back to my flat and wrote the chord sequence for 'Common People,' which isn't such a great achievement because it's only got three chords. I thought it might come in handy for our next rehearsal."

    He added: "Steve (Mackey, bass) started laughing and said, 'It sounds like (Emerson, Lake and Palmer's version of) 'Fanfare For The Common Man.' I always thought the word 'common' was an interesting thing. It would be used in 'Fanfare For The Common Man.' as this idea of the noble savage, whereas it was a real insult in Sheffield to call someone 'common.' That set off memories of this girl that I met at college. She wanted to go and live in Hackney and be with the common people. She was from a well-to-do background, and there was me explaining that that would never work. I hated all that cobblers you got in films and magazines in which posh people would 'slum it' for a while. Once I got that narrative in my head it was very easy to write, lyrically."
  • Cocker told Uncut about the Greek girl who inspired the song: "On that BBC Three documentary (2006's The story Of… Pulp's Common People), the researchers went through all the people who were contemporaries of mine at St Martins and they tried to track her down. They showed me a picture and it definitely wasn't her. I dunno. Maybe she wasn't Greek. Maybe I misheard her."
  • Pulp debuted this at the Reading Festival in 1994. Jarvis Cocker recalled in Isle of Noises : "I was up trying to finish the words the night before. If a song doesn't work you know after about 20 seconds but you've got to finish it, five minutes or whatever, then feel really embarrassed."
  • This was voted the top Britpop anthem by listeners of BBC Radio 6 Music in a 2014 poll to mark the 20th birthday of Britpop. The Verve's "Bittersweet Symphony" came second and Oasis' "Don't Look Back In Anger" third.
  • The song only made it to #2 in the UK charts. It was denied the top spot by Robson Green and Jerome Flynn's version of "Unchained Melody."

    Jarvis Cocker told a funny story of the day it was revealed at #2: "The Sunday they announced the charts it was presented live in Birmingham, and all the chart acts had to mime to their songs. We didn't know what position we were, so we waited in this back room for them to call us. So time went on, it got to 6 p.m. and everyone was getting shaky. I went to the toilet to put my contact lenses in, but I hadn't rinsed them properly, so my eye went bright red. Anyway, we had to go on, and I was still in quite extreme physical pain, and my eye was streaming, so people obviously thought I was crying because we were #2! And, of course, by that time my makeup was running and looked like non-set cement... It'd been raining, so there were big puddles in front of the stage, and just as 'Common People' reached its, erm, climactic chorus, I jumped off the monitor quite spectacularly, as you do, landed in a puddle, slipped and fell flat on me arse! So I'm left thinking, 'F--k me, this is meant to be your ultimate triumph, and you're flat on your back in a puddle, your eye killing you, face falling off, on a wet Sunday afternoon in Birmingham!' Not quite what I'd been dreaming of for 20 years."
  • Initially the song didn't go down too well with Cocker's bandmates when he presented it to them - drummer Nick Banks admitted during an appearance on BBC 5 live Breakfast that when he first heard Jarvis Cocker's initial demo, he thought it like "a tuneless dirge." He only began to appreciate this song when the band started recording in a studio.

    Bassist Steve Mackey noted that it reminded him of the 1977 Emerson, Lake and Palmer song "Fanfare for the Common Man." However, keyboardist Candida Doyle saw the potential in the song from the start: "I just thought it was great straight away. It must have been the simplicity of it, and you could just tell it was a really powerful song then."
  • In an April 1996 interview with Q magazine, Jarvis Cocker went further into the genesis of the theme behind "Common People": "I really felt – especially after being out of step for so long – if you had a song that was in the right place at the right time then you'd be an idiot to let that moment pass. It seemed to be in the air, that kind of patronizing social voyeurism, slumming it, the idea that there's a glamour about low-rent, low-life. I felt that off Parklife, for example, or Natural Born Killers – there is that noble savage notion. But if you walk round a council estate, there's plenty of savagery and not much nobility going on. In Sheffield, if you say someone's common, then you're saying they're vulgar, coarse, rough-arsed. The kind of person who has corned-beef legs from being too close to the gas fire. So that's what attracted me to calling it 'Common People,' the double meaning, 'Oh, you're common as muck."
  • The song was actually released before the album it was on was completed - more of a rarity in today's music world. There was a good reason for that, as Cocker explained to Q magazine in 1996: "It was written in about June of '94 and the first time we played it it became clear to me it was a significant song. But then we had trouble writing the rest of the album. If you think, 'Oh God, my livelihood depends on this chord sequence!,' it can come out a bit stilted. In the end we forced Island to release 'Common People' as a single before the rest of the album was
  • DJ Cassidy - Calling All Hearts
    DJ Cassidy - Calling All Hearts


    DJ Cassidy - Calling All Hearts Lyrics and Youtube Music Videos

    Album: Paradise Royale
    Released: 2013

    Calling All Hearts Lyrics


    To the dance floor, tonight
    Let love start (let love start)

    Calling all party people in the place to be
    We gonna celebrate tonight
    And rock out with the family
    Here we go

    Calling All Hearts (to the dance floor)
    Tonight, let love start
    On the dance floor, tonight
    Let's go!

    I got a feeling everybody need a reason to shout
    Leave all your problems and your drama at the door and get down, oh oh oh, oh oh oh oh oh
    This is where we all unite
    If we get it right, we gonna light up the sky
    At this place, in this time
    We gotta let go, 'cause it's great

    Calling all hearts (to the dance floor), to the dance floor
    Tonight, let love start
    On the dance floor, tonight

    Tonight, go a little harder with your partner
    Heat it up in this place
    It's okay to make up
    If you take up, put a smile on your face (oh oh oh, oh oh oh oh oh oh)
    This is very all you and I
    We gonna groove
    We gonna move into the night
    Oh have this amazing time, yeah
    You gotta let go 'cause it's alright (it's alright)

    Calling all hearts (to the dance floor)
    Tonight (Tonight) let love start (Let love start, let love start)
    On the dance floor, tonight

    If they're beating tonight
    Then I'm calling all hearts, you can call in all hearts, yeah
    Yeah, a celebration of love
    Then I'm calling all hearts, you can call in all hearts, yeah

    One, two, three, go
    Shake it, shake it down tonight
    That's right
    Shake it down, shake it down, that's right
    Shake it, shake it down tonight
    That's right
    Shake it down, shake it down, that's right

    Oh, yeay dance a little bit more (just dance a little bit more)
    Come all night (come together, hey)
    Move a little bit more
    Come all night, oh yeah

    Calling all hearts
    To the dance floor, tonight
    You gotta let it stop
    (You gotta let it stop, you gotta let it stop!)
    Back to the dance floor tonight
    I'm calling all hearts
    I'm calling everybody, I'm calling everyone
    I'm calling everybody, get you up on the floor
    Tonight is the night, tonight is the night, tonight is the night
    I'm calling all hearts, I'm calling all hearts
    I'm calling all hearts, I'm calling all hearts
    I'm calling all hearts, calling everybody (On the dance floor, on the dance floor tonight)

    We're gonna rock tonight
    Calling all hearts
    Yeah calling all hearts, calling all hearts
    Yeah, calling all hearts

    Writer/s: CORNISH, JESSICA / THICKE, ROBIN / KELLY, CLAUDE / COHEN, GREGORY / PODELL, CASSIDY
    Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC
    Lyrics licensed and provided by LyricFind

    Calling All Hearts
  • DJ Cassidy recruited Robin Thicke and Jessie J to perform the vocals on this exuberant song. The track also features contributions from Chic's Nile Rodgers, Rufus drummer John "JR" Robinson, Michael Jackson's horn and string arranger Jerry Hey, and multiple members of Earth, Wind & Fire.
  • The song pays tribute to the golden era of Club music, and like the rest of DJ Cassidy's debut album, it honors the disco era of late '70s and early '80s by purposely avoiding modern studio techniques like sampling and recycling established material. "Four years ago, I set out on a mission to bring the greatest and most universal dance music of all time back to the airwaves, back to nightlife, back to the dance floor," Cassidy told Rolling Stone.
  • This was co-written by hitmaker Claude Kelly, who also co-penned Jessie J's hit single, "Price Tag."
  • DJ Cassidy premiered the song while opening for Jay Z and Justin Timberlake on their Legends of the Summer stadium tour. The track also was played when the DJ/producer served as the house-band for the 2013 MTV Video Music Awards.

  • Grandaddy - Miner At The Dial-A-View
    Grandaddy - Miner At The Dial-A-View


    Grandaddy - Miner At The Dial-A-View Lyrics and Youtube Music Videos

    Album: The Sophtware Slump
    Released: 2000

    Miner At The Dial-A-View Lyrics


    I found your house and I saw your car
    But I've no idea where you are
    From the dial-a-view

    Tire scraps on the federal roads
    Look like crash landed crows
    From the dial-a-view

    Hello welcome to dial-a-view
    To locate the area in which you wish to observe
    You must program in the longitude and the latitude
    For a closer more detailed picture
    Use either the zoom or micro-zoom controls
    Good luck

    I dream at night
    Of going home someday
    Somewhere so far away
    So dream alright
    I know it's going to take some time
    I'm going home someday

    Fifteen years is almost done
    And I don't recognize anyone
    From the dial-a-view

    My home my friends and you
    I watch them fade but what can I do?
    From the dial-a-view

    Hello welcome to dial-a-view
    To locate the area in which you wish to observe
    You must program in the longitude and the latitude
    For a closer more detailed picture
    Use either the zoom or micro-zoom controls
    Good luck

    I dream at night
    Of going home someday
    Somewhere so far away
    So dream alright
    I know it's going to take some time
    I'm going home someday

    I dream at night
    Of going home someday
    Somewhere so far away
    So dream alright
    I know it's going to take some time
    I'm going home someday

    I dream at night
    Of going home someday
    Somewhere so far away
    So dream alright
    I know it's going to take some time
    I'm going home someday

    Writer/s: J LYTLE
    Publisher: Universal Music Publishing Group
    Lyrics licensed and provided by LyricFind

    Miner At The Dial-A-View
  • This is part of a concept album about encroaching technological fascism. The song is about "digital loneliness" ("I dream at night of coming home some day, somewhere so far away"), as the hero has been away from home for 15 years ("fifteen years is almost gone, and I don't recognize anyone"), and the only contact he has with home is through the "Dial-A-View."

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