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Lou Reed - Magic and Loss - The Summation

Lou Reed - Magic and Loss - The Summation Lyrics and Youtube Music Videos

Album: Magic and Loss
Released: 1992

Magic and Loss - The Summation Lyrics

When you pass through the fire, you pass through humble
you pass through a maze of self doubt
When you pass through humble, the lights can blind you
some people never figure that out

You pass through arrogance, you pass through hurt
you pass through an ever present past
And it's best not to wait for luck to save you
pass through the fire to the light

Pass through the fire to the light
pass through the fire to the light
It's best not to wait for luck to save you
pass through the fire to the light

As you pass through the fire, your right hand waving
there are things you have to throw out
That caustic dread inside your head
will never help you out

You have to be very strong, 'cause you'll start from zero
over and over again
And as the smoke clears there's an all consuming fire
lying straight ahead

Lying straight ahead
lying straight ahead
As the smoke clears there's an all consuming fire
lying straight ahead

They say no one person can do it all
but you want to in your head
But you can't be Shakespeare and you can't be Joyce
so what is left instead

You're stuck with yourself and a rage that can hurt you
you have to start at the beginning again
And just this moment this wonderful fire
started up again

When you pass through humble, when you pass through sickly
when you pass through I'm better than you all
When you pass through anger and self deprecation
and have the strength to acknowledge it all

When the past makes you laugh and you can savor the magic
that let you survive your own war
You find that that fire is passion
and there's a door up ahead not a wall

As you pass through fire as you pass through fire
trying to remember its name
When you pass through fire licking at your lips
you cannot remain the same

And if the building's burning move towards that door
but don't put the flames out
There's a bit of magic in everything
and then some loss to even things out

Some loss to even things out
some loss to even things out
There's a bit of magic in everything
and then some loss to even things out
Writer/s: REED, LOU/RATHKE, MIKE
Publisher: Sony/ATV Music Publishing LLC, SONY ATV MUSIC PUB LLC
Lyrics licensed and provided by LyricFind

Magic and Loss - The Summation

The Magic and Loss concept album sprung from tragedy in Reed's life. He had lost two close friends to cancer and struggled to understand the nature of life in death. By the end of the 2-disc album, closed out by the title song, he didn't find any answers, but he found a bit of hope. He told The Guardian: "At the end of Magic and Loss it's kinda: well, where do you go from here? And the thing was to try to explain well, there's magic in this life as well as loss. There is a balance, even if it's sometimes very, very difficult to see. Something terrible happens - makes no sense - but out of that years from then you might see something positive did emerge..."

This song is credited to both Reed and guitarist Mike Rathke, who also co-produced the album.

Starship - Nothing's Gonna Stop Us Now

Starship - Nothing's Gonna Stop Us Now Youtube Music Videos and Lyrics

Album: No Protection
Released: 1987

Nothing's Gonna Stop Us Now Lyrics

Looking in your eyes I see a paradise
This world that I've found
Is too good to be true
Standing here beside you
Want so much to give you
This love in my heart that I'm feeling for you

Let 'em say we're crazy, I don't care about that
Put your hand in my hand baby
Don't ever look back
Let the world around us just fall apart
Baby we can make it if we're heart to heart

And we can build this dream together
Standing strong forever
Nothing's Gonna Stop Us Now
And if this world runs out of lovers
We'll still have each other
Nothing's gonna stop us
Nothing's gonna stop us now

I'm so glad I found you
I'm not gonna lose you
Whatever it takes I will stay here with you
Take it to the good times
See it through the bad times
Whatever it takes is what I'm gonna do

Let 'em say we're crazy, what do they know
Put your arms around me baby
Don't ever let go
Let the world around us just fall apart
Baby we can make it if we're heart to heart

And we can build this dream together
Standing strong forever
Nothing's gonna stop us now
And if this world runs out of lovers
We'll still have each other
Nothing's gonna stop us
Nothing's gonna stop us

Ooh, all that I need is you
All that I ever need
And all that I want to do
Is hold you forever, ever and ever, hey

And we can build this dream together
Standing strong forever
Nothing's gonna stop us now
And if this world runs out of lovers
We'll still have each other
Nothing's gonna stop us
Nothing's gonna stop us, whoa
Nothing's gonna stop us now, oh no

Hey baby, I know, hey baby
Nothing's gonna stop us
Hey baby, woo, nothing, hey baby
Nothing's gonna stop us now yeah

Writer/s: WARREN, DIANE EVE / HAMMOND, ALBERT LOUIS
Publisher: Universal Music Publishing Group, Realsongs
Lyrics licensed and provided by LyricFind

Nothing's Gonna Stop Us Now Song Chart

This was the third #1 single for Starship (after "We Built This City" and "Sara"), but the only members of the group who actually participated in the recording of the song were Grace Slick and Mickey Thomas. Producer Narada Michael Walden preferred to use his veteran session players to provide the instrumental backing. Narada was one of the hottest producers of the time, coming off hits for Whitney Houston "How Will I Know" and Aretha Franklin "Freeway of Love." He told us: "I always dug that '60s thing with Grace Slick. She's a very outspoken women. We're all from the Bay Area, so it's like family. I actually played the drums when I laid the track out. I got Grace to come in, flipped it around so instead of the low part, she wound up singing the highest part. I gave her the highest part and she just killed it. That's when I realized it could be a smash. And when I got happy in the studio, she got happy."

Starship were originally called Jefferson Airplane, then Jefferson Starship, and then Starship. "Nothing's Gonna Stop Us Now" was the biggest hit for any version of the group, spending two weeks at #1 in the US and four weeks at #1 in the UK.

This song had enormous hit potential. It was written by Diane Warren and Albert Hammond. For Warren, it was her first #1, but she had already written hits for Laura Branigan ("Solitaire") and DeBarge ("Rhythm Of The Night"). Hammond had established himself with "When I Need You" for Leo Sayer and his solo hit "It Never Rains In Southern California." The producer Narada Michael Walden and the group Starship were very reliable hitmakers, and the song got lots of promotion from being featured in the movie Mannequin, which starred Andrew McCarthy (an original Brat Pack member) and Kim Cattrall (who played Samantha Jones in Sex And The City).

Michael Gottleib, who directed the movie Mannequin, commissioned songwriters Albert Hammond and Diane Warren to write this song for the wedding scene of the film and sent them a script for the movie. Hammond explained in a 1992 BBC Radio interview, "I had lived with my girlfriend Claudia for seven years. I had finally gotten divorced from my other marriage and was thinking of writing a song for me to sing and make a demo for our wedding, so I combined the two. What we thought of, what I said to Diane was, 'it's almost like they've stopped me from marrying this woman for seven years, and they haven't succeeded. They're not gonna stop me doing it.' That's when suddenly Nothing's Gonna Stop Us Now came up."

The song returned to the UK singles chart in September 2013 after featuring in TalkTalk TV's advertising campaign. The commercial featured an animated astronaut and ballerina settling down for a date night watching TalkTalk television.

Mary Chapin Carpenter - He Thinks He'll Keep Her

Mary Chapin Carpenter - He Thinks He'll Keep Her Lyrics and Youtube Music Videos

Album: Come On, Come On
Released: 1992

He Thinks He'll Keep Her Lyrics

She makes his coffee, she makes his bed
She does the laundry, she keeps him fed
When she was twenty one she wore her mother's lace
She said, "Forever," with a smile upon her face

She does the carpool, she P.T.A.'s
Doctors and dentists, she drives all day
When she was twenty nine she delivered number three
And ev'ry Christmas card showed a perfect family

Ev'rything runs right on time
Years of practice and design
Spit and polish till it shines
He Thinks He'll Keep Her
Ev'rything is so benign
The safest place you'll ever find
God forbid you change your mind
He thinks he'll keep her

She packs his suitcase, she sits and waits
With no expression upon her face
When she was thirty-six she met him at the door
She said, "I'm sorry, I don't love you any more"

Ev'rything runs right on time
Years of practice and design
Spit and polish till it shines
He thinks he'll keep her
Ev'rything is so benign
The safest place you'll ever find
God for bid you change your mind
He thinks he'll keep her

For fifteen years she had a job and not one raise in pay
Now she's in the typing pool at minimum wage

Ev'rything runs right on time
Years of practice and design
Spit and polish till it shines
He thinks he'll keep her
Ev'rything is so benign
The safest place you'll ever find
At least until you change your mind
(He thinks he'll keep her)
Writer/s: Carpenter, Mary Chapin / Schlitz, Don
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group, CAROL VINCENT & ASSOC LLC
Lyrics licensed and provided by LyricFind

He Thinks He'll Keep Her

This song was inspired by a 1970s Geritol TV commercial (which would now be regarded as extremely sexist and patronizing), in which a husband cites his wife's many attributes, summarizing with, "I think I'll keep her."

This song is about a woman who lives a typical, anodyne life devoted to her husband and family, but then after 15 years becomes fed up with the monotony and leaves him. Carpenter wrote the song with Don Schlitz, a Country music songwriting stalwart who wrote the Kenny Rogers hit "The Gambler."

With a more pop-oriented sound and an influx of female stars, country music went mainstream in the early '90s, leading to a 2-hour CBS special in 1993 called The Women of Country. This song, with its message of female empowerment, was a showcase song, with Carpenter performing it with Emmylou Harris, Trisha Yearwood, Suzy Bogguss, Pam Tillis , Patty Loveless, and Kathy Mattea.

Carpenter, who was raised in the Northeast and graduated from Brown University, was hailed as a new kind of Country singer - one that could appeal to an audience far outside the typical fan base of the genre.

Alice in Chains - Down In A Hole

Alice in Chains - Down In A Hole Youtube Music Videos and Lyrics

Album: Dirt
Released: 1992

Down In A Hole Lyrics

Bury me softly in this womb
I give this part of me for you
Sand rains down and here I sit
Holding rare flowers
In a tomb, in bloom

Down In A Hole and I don't know if I can be saved
See my heart I decorate it like a grave
You don't understand who they
Thought I was supposed to be
Look at me now a man
Who won't let himself be

Down in a hole, feelin' so small
Down in a hole, losin' my soul
I'd like to fly,
But my wings have been so denied

Down in a hole and they've put all
The stones in their place
I've eaten the sun so my tongue
Has been burned of the taste
I have been guilty
Of kicking myself in the teeth
I will speak no more
Of my feelings beneath

Down in a hole, feelin' so small
Down in a hole, losin' my soul
I'd like to fly but my
Wings have been so denied

Bury me softly in this womb
Oh I want to be inside of you
I give this part of me for you
Oh I want to be inside of you
Sand rains down and here I sit
Holding rare flowers
(Oh I want to be inside of you)
In a tomb, in bloom
Oh I want to be inside

Down in a hole, feelin' so small
Down in a hole, losin' my soul
Down in a hole, feelin' so small
Down in a hole, outta control
I'd like to fly but my
Wings have been so denied

Writer/s: JERRY CANTRELL
Publisher: FINTAGE PUB & COLLECTION B.V.
Lyrics licensed and provided by LyricFind

Down In A Hole

Guitarist Jerry Cantrell wrote this about the love of his life, Courtney Clarke. This song encompasses all of the insecurities and self-doubt inherent in a relationship.

With singer Layne Staley singing the lyrics, this could be seen as a foreshadowing of his death from a drug overdose. He had been fighting his addiction for years, and this song can be read as part of his struggle with that. (thanks Live Freak - Beirut, Lebanon)

This was released as a single with "Rooster," another song similar to it in style, in that they both feature harmonizing between Staley and Cantrell - the softer acoustic side of the band.

On most versions of the album, this is 4th on the track list. However, there are some versions on which it appears 12th, right before the album closer "Would?"

A version of this also appears on the Unplugged album that was recorded and released in 1996, after Alice In Chains' 3 year absence from live performances.

Bruce Springsteen - Lucky Town

Bruce Springsteen - Lucky Town Lyrics and Youtube Music Videos

Album: Lucky Town
Released: 1992

Lucky Town Lyrics

Lucky Town Song Chart

This was the title track to the album released simultaneously with Human Touch. It probably would have sold better, but Springsteen alienated many fans by releasing both albums the same day at full price.

A live version was released as a single in England.

In 2007, this was used in the film Lucky You, a box office flop starring Drew Barrymore and Robert Duvall. (thanks, Bertrand - Paris, France)

Bing Crosby - White Christmas

Bing Crosby - White Christmas Lyrics and Youtube Music Videos

Album: Christmas Carols
Released: 1942

White Christmas Lyrics

I'm dreaming of a White Christmas
Just like the ones I used to know
Where the treetops glisten and children listen
To hear sleigh bells in the snow

I'm dreaming of a white Christmas
With every Christmas card I write
"May your days be merry and bright
And may all your Christmases be white

I'm dreaming of a white Christmas
Just like the ones I used to know
Where the treetops glisten and children listen
To hear sleigh bells in the snow

I'm dreaming of a white Christmas
With every Christmas card I write
May your days be merry and bright
And may all your Christmases be white

Writer/s: IRVING BERLIN
Publisher: IMAGEM U.S. LLC
Lyrics licensed and provided by LyricFind

White Christmas

This 8-line song that paints a picture of holiday nostalgia was written by Irving Berlin for the 1942 movie Holiday Inn, where Bing Crosby sings it from the perspective of a New Yorker stranded in sunny California during Christmas. In the film, the song begins with this verse:

The sun is shining, the grass is green
The orange and palm trees sway
There's never been such a day
In Beverly Hills, LA
But it's December the 24th
And I'm longing to be up north

Crosby recorded a version of the song for release as a single with the Kim Darby Singers and the John Scott Trotter Orchestra on May 29, 1942 - a few months before the movie hit theaters. At the advice of Bing's record producer Jack Kapp, this original first verse was excised as it made no sense outside of the context of the film. Now starting with the familiar, "I'm dreaming of a white Christmas," the song became a huge hit, going to #1 on the Billboard chart (measuring sales) in October, and staying in the top spot for 11 weeks, taking it through the first two weeks of 1943.

Irving Berlin wrote another holiday song that Crosby also sang in the film: "Let's Start the New Year Right." This was released as the B-side of the "White Christmas" single.

The song enjoyed a sales resurgence every Christmas after it was first released in 1942. It appeared on various Billboard charts every year until 1963 when it finally dropped off the Hot 100.

A perennial seller for an entire generation, the song is by far the biggest-selling Christmas song of all time. It was the biggest-selling song of all time, going back and forth with Bill Haley's "Rock Around The Clock," until Elton John released his tribute to Princess Diana - "Candle In The Wind."

Bing re-recorded the song on March 19,1947, again with the John Scott Trotter Orchestra because the original masters had been worn out from all the pressings. It is this version that is most often heard today.

The original Drifters with Clyde McPhatter as their lead vocalist recorded their Doo-Wop version in November 1953. It hit #2 on the R&B charts in 1954, and made the Pop charts in 1955. The deep bass-tenor voice you hear on this version was Bill Pinkney, who was an early member of the group.

The Drifters version made the Hot 100 (the chart was introduced in 1958) twice alongside Crosby's version: in 1960 (Bing #26, Drifters #96) and in 1962 (Bing #38, Drifters, #88).

By 1954, this song was a holiday favorite, and that year Paramount Pictures released a movie called White Christmas to tie in with it. Crosby starred in the film along with Danny Kaye, and of course performed his famous song.

This won the Academy Award for Best Song of 1942.

Elvis Presley recorded this song in 1957 along with other holiday standards for his Elvis' Christmas Album. Most songwriters dream of having Elvis record their songs, but Irving Berlin spoke out against the King's cover, calling it a "profane parody of his cherished yuletide standard" and claiming that his staff was ordered to call radio stations and ask them not to play it. There's a chance that Berlin was simply drumming up publicity for his song, as there was nothing all that offensive about the Elvis version, and The Drifters had already done an R&B version.

Elvis doing Christmas songs did rub some people the wrong way, but much of the controversy was manufactured, helping Elvis' Christmas Album stay at #1 for an amazing five weeks in late 1957 and early 1958. The best publicity stunt may have been the one pulled off by the Portland, Oregon radio station KEX, which refused to play the song and sparked a debate among listeners as to the merits of Presley's Christmas output. Their disc jockey Al Priddy played the song on a Sunday, and was "fired" the next day, making national news - Priddy even played the phone call of his firing on the air before he left. The station continued to play up the incident, and brought Priddy back two weeks later, claiming that overwhelming listener support made them decide to bring him back.

This has the distinction of marking the end of the Vietnam War in 1975. As the North Vietnamese surrounded Saigon, an evacuation plan was put into effect to bring the remaining Americans to safety. Their cue to evacuate was when a radio announcement stating that the temperature in Saigon was "105 degrees and rising," and followed by the playing of Bing Crosby's "White Christmas." That was the signal for the mad dash to the US Embassy where helicopters were waiting.

Phil Spector put this as the first track on his 1963 Christmas album A Christmas Gift for You from Phil Spector, which was unfortunately released on November 22, 1963 - the day John F. Kennedy was assassinated. Spector had Darlene Love sing this one, and he used many of his favorite Los Angeles session musicians on the album, including a then unknown Cher. The sessions were notoriously difficult, with Cher explaining, "Philip was just insane about the Christmas album. We just never left the studio. I mean, you went home to take a shower, you came back. We didn't go home for six weeks, we just were there. I had just turned 17, and I'm thinking, How are all these old people doing this? I am dying, I can hardly drag myself outta bed. How are these old guys doing it?"

Lady Gaga recorded a jazzy version for her 2011 A Very Gaga Holiday EP. Her take includes an original verse in which she jokes, "O.K., I suppose it's not very white outside yet."

Many popular artists have recorded this song, but since 1963, only one has charted in the US: Michael Bolton. He make #73 with his 1992 rendition.

Andy Williams released this song on his very first Christmas album (there were eight total), The Andy Williams Christmas Album in 1963, which also debuted his own enduring holiday classic "It's the Most Wonderful Time of the Year." His version of "White Christmas" also became the #1 selling Christmas single that year.

According to Mark Steyn's A Song for the Season, Berlin began writing this on January 8, 1942. The songwriter was in a hurry that Monday morning and shouted at his musical secretary, Helmy Kresa: "Grab your pen and take down this song. It's the best song I ever wrote. Hell, it's the best song anybody ever wrote."

Steyn notes that "White Christmas" owes much of its enduring popularity to World War II, specifically the attack on Pearl Harbor that led to US involvement, because the song adopted a significance beyond the reaches of Hollywood: "Had America entered the war in Europe in 1939, 'White Christmas' might have been just a hit-record from a so-so movie. Instead, 1942 was the American serviceman's first Christmas away, in the Pacific, under glorious sunny skies that only made home seem even more distant."

Christmas was a painful time for Irving Berlin and his second wife, Ellin Mackay, who found their infant son dead in his bassinet early Christmas morning in 1928. Although he was Jewish, Irving grew up celebrating the holiday by sneaking off to his neighbor's house to enjoy the festivities. His daughter, Mary Ellin, told Mark Steyn: "My father believed in the secular American Christmas. There's a lot of controversy about that, about whether there should be, apart from the Christian celebration of the birth of Jesus Christ, a general festive celebration that anyone can join in with."

Macabre - Diary Of Torture

Macabre - Diary Of Torture Youtube Music Videos and Lyrics

Album: Murder Metal
Released: 2003

Diary Of Torture Lyrics

Diary Of Torture Song Chart

This death metal track would be lurid enough if it were not grounded solidly in fact. Subtitled "Robert Berdella," the Chicago band based it on the crimes of this little known but incredibly depraved serial killer.

On April 2, 1988, a young man naked but for a dog collar (though not the type worn by vicars), jumped from an upper floor window of a house in Kansas City. The man who escaped from 4315 Charlotte Street had injured his foot in the fall, but his other injuries were shocking in the extreme; he had been imprisoned for weeks and had been repeatedly tortured. His appearance in such bizarre circumstances led to the arrest of Robert Andrew Berdella.

The details of Berdella's crimes need not be spelled out here, it will suffice to say that he is known to have committed at least six murders. Although murder was capital in Kansas, Berdella escaped the death penalty, but died in prison of a heart attack in October 1992 aged 43. He did indeed keep a diary of torture. (thanks, Alexander Baron - London, England)

Barenaked Ladies - Enid

Barenaked Ladies - Enid Lyrics and Youtube Music Videos

Album: Gordon
Released: 1992

Enid Lyrics

Enid we never really knew each other anyway.
Enid we never really knew each other anyway.

It took me a year to believe it was over,
And it took me two more to get over the loss.
I took a beating when you wrote me those letters,
And every time I remembered the taste of your lip gloss.

Enid we never really knew each other anyway.
Enid we never really knew each other anyway.
Maybe we always saw right through each other anyway,
But Enid we never really knew each other anyway.

There were times when I wanted to hurt you,
And there were times when I know that I did.
There were times when I thought I would kill you,
But can you blame me I was only a kid.

Tell me why we never respected each other.
And tell me why I never believed that you were a person too.
I always thought that you fancied my brother.
I may not have liked it, oh but memory is a strange thing, oh, and Enid?
Enid I remember you.

Enid we never really knew each other anyway.
Enid we never really knew each other anyway.
Maybe we always saw right through each other anyway,
But Enid we never really knew each other anyway.

It took me a year to believe it was over,
And it took me two more to get over the loss.
I took a beating when I wrote you those letters,
And every time you told me to get lost.

Now it's not fair to say that it's
Cause I was three inches shorter then,
And it's not fair to say that it's 'cause
I was only fifteen years old.
But maybe it's fair to say it was a lack of communication,
I took a phone message, oh and speaking of communication,
Oh, and Enid,
Enid you got a cold.

I can get a job I can pay the phone bills
I can cut the lawn, cut my hair, cut out my cholesterol
I can work overtime I can work in a mine
I can do it all for you,
But I don't want to.

Enid we never really knew each other anyway.
Enid we never really knew each other anyway.
Enid we never really knew each other anyway.
Maybe we always saw right through each other anyway,
But Enid we really never knew each other anyway

I can teach you how to dance, how to sing, how to knit,
How to make things that you never ever made before
Enid, I can teach you how to use cookie cutters
To make crazy things out of Play-Doh.

Little houses, little farms, little accessories for your mom,
For your Barbie set, for your friends and your family
Enid, I can teach you how to snowmobile, cross-country ski, snowshoe,
But I don't want to!

Enid we never really knew each other anyway
Enid we never really knew each other anyway
Maybe we always saw right through each other anyway
But Enid we really never knew each other anyway

I took you dancing, paid for your night school.

Writer/s: PAGE, STEVEN / ROBERTSON, ED
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Enid

The band got the title when they were eating in a diner. They found it amusing that they were being served by a waitress named Enid, which is "dine" backwards.

A track from the band's first album, "Enid" was written by Steven Page and Ed Robertson , with Page singing lead. The song is about a guy who is desperately trying to get back together with Enid, his ex-girlfriend. We learn that he was 15 when they split, and now it's a few years later and he's still nowhere near over her. Typical of Barenaked ladies, there is plenty of humor in the song, as this guy's passion is tempered with laziness. He thinks of all the things he can do to get her back (cut his hair, work overtime), but decides it's too much work ("I can do it all for you, but I don't want to).

This is one of the few Barenaked Ladies songs with a horn section, which is credited as "The Jimmy Crack Horns" (they made up goofy names for outside musicians who performed on their tracks). When the band performed the song live, they would sing the horn parts.

An Ontario musician named Lewis Melville played the pedal steel guitar on this track. Melville also appears on recordings by another Canadian band, the Rheostatics.

Metallica - The Four Horsemen

Metallica - The Four Horsemen Lyrics and Youtube Music Videos

Album: Kill 'Em All
Released: 1983

The Four Horsemen Lyrics

The Four Horsemen

Dave Mustaine brought this song to the band and worked on it with James Hetfield and Lars Ulrich. At the time, they called it "The Mechanix," and included it on their 1992 demo cassette No Life 'Til Leather.

After Mustaine was fired from the band in 1983, Metallica released Kill 'Em All with a re-worked version of this song renamed "The Four Horsemen." Mustaine's new group, Megadeth, released it as "Mechanix" as the last track on their first album, Killing Is My Business....
Mustaine's version has completely different lyrics, but the music is very similar. Since the Metallica song had been out for a while, Mustaine would often introduce "Mechanix" in concert by explaining that it was a track he wrote with Metallica. (thanks, Terry - Belleville, Canada)

"The Four Horsemen" is a biblical reference. In The New Testament, "The Four Horsemen Of The Apocalypse" go in different directions to spread the word of the end of the world. The concept of The Four Horsemen is not limited to The Bible. In 1924, a sportswriter referred to The Notre Dame football team's backfield as "The Four Horsemen," and the school had the players pose on horses with their uniforms on to publicize the team, which was coached by the legendary Knute Rockne. The photo became famous when it was picked up by wire services and the nickname stuck. For Metallica, The Four Horsemen could refer to the four members of the band.

Dave Mustaine claims credit for the title. A group called Gamma (led by Ronnie Montrose) has a song called
"Four Horsemen" that Mustaine played in his pre-Metallica band, Panic. He would refer to Metallica as "The Four Horsemen" and suggested they cover the Gamma song. The band never did the cover, but they did appropriate the title.

The bit of "Sweet Home Alabama" in the middle of the song came about after Dave Mustaine had been listening to some Lynryd Skynyrd. When the band was working on the song, Mustaine played played some of "Alabama" because, as he says, he was "being a jerk." His little joke worked, however, and the final product ended up including the bit of the Skynyrd classic.

James Hetfield, Lars Ulrich and Dave Mustaine are the credited writers on this track. Mustaine also got credits on the Kill 'Em All tracks "Jump in the Fire," "Phantom Lord" and "Metal Militia."

Bruce Dickinson, lead singer of Iron Maiden, has called Metallica "the f--king bane of my life." In the Iron Maiden computer game Ed Hunter, there is a level set in Hell in which you can kill the "four horsemen." (thanks, Brett - Edmonton, Canada)

Metallica has a habit of cutting the song in half by skipping the jam-like solo on the bridge of the song. It wasn't until December 7, 2011, on their 30th anniversary, that they played "The Four Horsemen" from beginning to end, including the bridge solo. (thanks, Cristian - Bellflower, CA)

The original album title was "Metal Up Yer Ass," with artwork of an arm holding a knife coming out of a toilet bowl. They thought it might cause problems, so they toned it down to Kill 'Em All, with a bloody hammer as artwork.

The Jackson 5 - I'll Be There

The Jackson 5 - I'll Be There Youtube Music Videos and Lyrics

Album: The Third Album
Released: 1970

I'll Be There Lyrics

You and I must make a pact
We must bring salvation back,
Where there is love, I'll Be There (I'll be there)

I'll reach out my hand to you
I'll have faith in all you do.
Just call my name and I'll be there (I'll be there)

I'll be there to comfort you,
Build my world of dreams around you,
I'm so glad that I found you.

I'll be there with a love that's strong,
I'll be your strength,
I'll keep holdin' on (Holdin' on)
Yes I will, yes I will

Let me fill your heart with joy and laughter,
Togetherness, girl, is all I'm after,
Whenever you need me, I'll be there (I'll be there)

I'll be there to protect you, (yeah baby)
With unselfish love that respects you.
Just call my name, I'll be there (I'll be there)

I'll be there to comfort you,
Build my world of dreams around you,
I'm so glad that I found you.

I'll be there with a love that's strong,
I'll be your strength,
I'll keep holdin' on.
Ooh ooh ooh
Yes I will (Holdin' on, holdin' on)
Yes I will

If you should ever find someone new
I know he better be good to you
'Cause if he doesn't
I'll be there (I'll be there)

Don't you know baby I'll be there
I'll be there I'll be there

Just call my name, I'll be there (I'll be there)
Just look over your shoulders honey, ooh!
I'll be there, I'll be there,
Whenever you need me, I'll be there (I'll be there)

Don't you know baby,
I'll be there, I'll be there
Just call my name, I'll be there (I'll be there)
Oh oh oh oh I'll be there, I'll be there

Writer/s: WEST, BOB / DAVIS, HAL / HUTCH, WILLIE / GORDY JR, BERRY
Publisher: Sony/ATV Music Publishing LLC
Lyrics licensed and provided by LyricFind

I'll Be There

This was the first Jackson 5 hit not written by "The Corporation," a collection of Motown writers lead by the chief of the label, Berry Gordy. The Corporation were based in California, unlike most Motown writers, who were in the Detroit offices. This song was written by Hal Davis (who also produced it), Bob West, Willie Hutch, and Berry Gordy.

In this song, a man tells his former lover that he will always be there for her, and that even if she finds someone new, she can always go back to him.

The lead vocals were shared by Michael and Jermaine Jackson. (thanks, Brad Wind - Miami, FL, for all above)

In 1975 Gloria Gaynor recorded a Disco cover of this entitled 'Reach Out, I'll Be There," which peaked at #14 in the UK and #60 in the US. (thanks, Edward Pearce - Ashford, Kent, England)

Mariah Carey remade this in 1992. It was originally a last-minute addition to her MTV Unplugged setlist, after she had been informed that most acts on the show commonly perform at least one cover.

Carey's version was performed as a romantic duet, with her singing Michael Jackson's lines and an uncredited Trey Lorenz, who had provided background vocals on her Emotions album, performing Jermaine Jackson's part.

Carey's label received numerous requests to release "I'll Be There" as a single after the MTV Unplugged special was aired. They did so and it went on to top the Hot 100 and several other charts including the ones in Canada, The Netherlands and New Zealand. The song also peaked at #2 in the UK.

At one point Michael hollers, "Just look over your shoulders, honey." He had been instructed by Berry Gordy to sing "just look over your shoulder" (as an allusion to what Levi Stubbs had said in The Four Tops' "Reach Out I'll Be There"), but the fluffed line was allowed to remain in the final mix.

Jennifer Rush - The Power Of Love

Jennifer Rush - The Power Of Love Lyrics and Youtube Music Videos

Album: Best of Jennifer Rush
Released: 1985

The Power Of Love Lyrics

The whispers in the morning
Of lovers sleeping tight
Are rolling like thunder now
As I look in your eyes

I hold on to your body
And feel each move you make
Your voice is warm and tender
A love that I could not forsake

'Cause I am your lady
And you are my man
Whenever you reach for me
I'll do all that I can

Lost is how I'm feeling lying in your arms
When the world outside's too
Much to take
That all ends when I'm with you

Even though there may be times
It seems I'm far away
Never wonder where I am
'Cause I am always by your side

We're heading for something
Somewhere I've never been
Sometimes I am frightened
But I'm ready to learn
Of The Power Of Love

The sound of your heart beating
Made it clear
Suddenly the feeling that I can't go on
Is light years away

Writer/s: C. DEROUGE
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

The Power Of Love

This was the first ever million seller by a female soloist in Britain and the biggest selling single in UK in 1985. It held the record for the largest-selling single ever by a woman until Whitney Houston's 1992 smash "I Will Always Love You." At the time it held the record for the longest ever climb to no 1 in UK- 16 weeks.

Rush wrote this song along with Gunther Mende, Candy DeRouge and Mary Susan Applegate. The producer and songwriter David Foster, who helped her on her road to stardom, arranged the piece. The song was recorded in Germany, where Jennifer had relocated.

In the US Rush's version reached #57 but it was later a hit for Laura Branigan (#26 in 1987) and Celine Dion (#1 in 1994 and also #4 in the UK). A rival version by Australian duo Air Supply released the same time peaked at #68 on the Hot 100.

Prince Andrew and Sarah Ferguson chose this for their first dance at their 1986 wedding. Many less famous couples did as well.

Huey Lewis & The News and Frankie Goes To Hollywood also had Top-10 UK hits in 1985 with different songs called "The Power Of Love."

New Yorker Jennifer Rush (real name Heidi Stern) is the daughter of opera singer Maurice Stern. This was her first hit in the UK. Her only other UK top 20 hit was her follow up "Ring Of Ice," which reached #14. In 1987 she made the US top 40 with a duet with Elton John entitled "Flames Of Paradise."

Nirvana - Aneurysm

Nirvana - Aneurysm Lyrics and Youtube Music Videos

Album: Incesticide
Released: 1992

Aneurysm Lyrics

Come on over
Do the twist (aha)
Overdo it
Have a fit (aha)
Come on over
Shoot the shit (aha)
Love you so much
Makes me sick (aha)
Beat me out of me (beat it, beat it)
She keeps it pumpin' strait in my heart.

Writer/s: GROHL, DAVE / COBAIN, KURT / NOVOSELIC, KRIST
Publisher: Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC
Lyrics licensed and provided by LyricFind

Aneurysm

This is the first song Kurt Cobain wrote about his ex-girlfriend Tobi Vail after their breakup, trying to win her back. The line "Love you so much, it makes me sick," is a reference to when Kurt would throw up just thinking about the breakup.

Bruce Springsteen - Book Of Dreams

Bruce Springsteen - Book Of Dreams Lyrics and Youtube Music Videos

Album: Lucky Town
Released: 1992

Book Of Dreams Lyrics

Book Of Dreams Song Chart

Springsteen says this song is about second chances.

Dion DiMucci covered this on his 2000 album Deja Nu. Dion had hits in the '60s with "Runaround Sue" and "Abraham, Martin and John." Springsteen is a fan of Dion's and contributed to the liner notes.

Bruce Springsteen - Light of Day

Bruce Springsteen - Light of Day Youtube Music Videos and Lyrics

Album: In Concert: MTV Plugged
Released: 1987

Light of Day Lyrics

Well I've been out of the woods for six days and nights now
Well I'm a little hot wired, but I'm feeling alright
I got some money in my pocket and a long lean ride
I got to make it down to Galveston by Saturday night, now

Well I'm a little down under, but I'm feeling O.K.
Got a little lost along the way

I'm just around the corner to the Light of Day
Well, I'm just around the corner to the light of day

Been driving five hundred miles, got five hundred to go, yeah
I got rock and roll music on the radio
I got a brother on a rig just off the gulf coast
He says the girls down there, well they're really the most, man

Well I'm a little down under, but I'm feeling O.K.
I got a little lost along the way

Just around the corner to the light of day
Just around the corner to the light of day
I'm just around the corner to the light of day
I'm just around the corner to the light of day

Well I got thrown out of work on the Kokomo
Don't ask me what I'm doing, I don't know
I hope he wasn't joking when he wrote me that letter
Things can't get any worse, they got to get better

Well I'm a little down under, but I'm feeling O.K.
I got a little lost along the way

I'm just around the corner to the light of day
Just around the corner to the light of day
Just around the corner to the light of day
Just around the corner to the light of day

Writer/s: BIRTLES, BEEB
Publisher: Warner/Chappell Music, Inc.
Lyrics licensed and provided by LyricFind

Light of Day Song Chart

Springsteen wrote this and gave it to filmmaker Paul Schrader for his 1987 movie starring Michael J. Fox and Joan Jett as a brother and sister who lead a garage band. In 1982 Schrader sent Springsteen a script for a movie called Born In The U.S.A., hoping he would take a role in the film. Bruce declined, but used the title and thanked Schrader on the album's liner notes.

Michael J. Fox and Joan Jett performed this in the movie. The song was released as a single credited to "The Barbusters" (the name of the group in the film) and it hit #33 in the US. In the movie, the song is a duet with Fox and Jett, but the single was just Jett accompanied by her band, The Blackhearts. Some clever editing was done for the video to show Michael J. Fox but never see him sing.

On this version, Benmont Tench of Tom Petty & the Heartbreakers played Hammond organ.

This is one of Springsteen's live favorites. He often performs an inspirational extended version, preaching lines like "I can not offer you eternal life, but I can offer you life right now."

Bruce performed this at a 1992 concert for MTV. Part of their "Unplugged" series, Springsteen insisted on playing electric and calling it "Plugged." The set was released as an album in England.

The title was used as the name of a benefit concert Springsteen played at The Stone Pony, a small club in New Jersey, in 2000. Proceeds went to The Parkinson's Disease Foundation. Michael J. Fox, who starred in the movie Light Of Day, has Parkinson's.

Springsteen performed this with Joan Jett at two benefit concerts in New Jersey in 2001. Proceeds from the shows went to victims of the September 11 attacks.

In 2000, the Light of Day foundation was formed, taking its name from this song. Music impresario Bob Benjamin started the foundation after he was diagnosed with Parkinson's disease, with proceeds going toward the search for a cure. Benjamin organized a series of concerts to raise money, which proved very successful. Springsteen has performed at many of these events to lend his support.

Destiny's Child - Bootylicious

Destiny's Child - Bootylicious Youtube Music Videos and Lyrics

Album: Survivor
Released: 2001

Bootylicious Lyrics

Kelly, can you handle this?
Michelle, can you handle this?
Beyoncé, can you handle this?
I don't think they can handle this!

Barely move, we've arrived
Lookin' sexy, lookin' fly
Baddest chick, chick inside
DJ, jam tonight
Spotted me a tender thang
There you are, come on baby
Don't you wanna dance with me
Can you handle, handle me

You gotta do much better if you gone dance with me tonight
You gotta work your jelly if you gone dance with me tonight
Read my lips carefully if you like what you see
Move, groove, prove you can hang with me
By the looks I got you shook up and scared of me
Hook up your seat belt, it's time for takeoff

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too Bootylicious for yo babe

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too bootylicious for yo babe

Baby, can you handle this?
Baby, can you handle this?
Baby, can you handle this?
I don't think you can handle this!

I'm about to break you off
H-town goin' hard
Lead my hips, slap my thighs
Swing my hair, square my eyes
Lookin' hot, smellin' good
Groovin' like I'm from the hood
Look over my shoulder, I blow you a kiss
Can you handle, handle this

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too bootylicious for yo babe

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too bootylicious for yo babe

Move your body up and down (whoo!)
Make your booty touch the ground (whoo!)
I can't help but wonder why (whoo!)
Is my vibe too vibealacious for you, babe

I shake my jelly at every chance
When I whip with my hips you slip into a trance
I'm hoping you can handle all this jelly that I have
Now let's cut a rug while we scat some jazz

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too bootylicious for yo babe

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too bootylicious for yo babe

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too bootylicious for yo babe

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too bootylicious for yo babe

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too bootylicious for yo babe

I don't think you ready for this jelly
I don't think you ready for this jelly
I don't think you ready for this
'Cause my body too bootylicious for you babe

Writer/s: FUSARI, ROB / MOORE, FALONTE / STINSON, DANA / KNOWLES, BEYONCE / ELLIOTT, MELISSA
Publisher: Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Bootylicious Song Chart

Group leader Beyoncé Knowles came up with the title and helped write this song. She got the idea when she heard the media's sometimes unpleasant comments about her weight and physique. She wanted to write a song that celebrated a curvy, voluptuous figure. (thanks, Micki - Houston, TX)

The group says that despite the title, this is a tasteful song. It is about having confidence and knowing you are beautiful.

This samples the guitar riff from "Edge Of Seventeen" by Stevie Nicks, and Nicks appears in the video. There's not much crossover between their fans, but the Fleetwood Mac singer and the girls of Destiny's Child share a mutual admiration. They met through a chance encounter: Nicks was at 30 Rock (NBC Studios) promoting her Trouble In Shangri-La album on The Rosie O'Donnell Show when she ran into Destiny's Child, who were rehearsing for their appearance on Saturday Night Live. After a chat, they asked Stevie to appear in the video, which she did.

Nicks has never been accused of bootyliciousness, but she is a visionary songwriter/performer and an independent woman who embodies the confidence Destiny's Child projects in this song. Having Stevie in the video implied her endorsement, which helped appease any of Stevie's fans who objected to the sample.

Beyoncé came up with the line "I don't think you're ready for this jelly" when the group was on a plane trip to Japan. She sang it to the other Destiny's Children as a joke, but they loved it and insisted she use it in the song.

She claims that on this same flight she heard "Edge Of Seventeen," and thought the guitar riff sounded like a voluptuous woman.

Destiny's Child performed this at halftime of Game 4 of the 2001 NBA Finals between the Lakers and Sixers. They were booed after the performance by the crowd in Philadelphia, who were also upset because their team was losing.

The trio got a much better reception when they performed it at the Super Bowl halftime show in 2013. After Beyoncé opened the show with a few of her hits, Kelly Rowland and Michelle Williams blasted out from under the sage and joined her for this song, "Independent Women Part I," and "Single Ladies (Put a Ring on It)." it was the group's first appearance since their split in 2006.

Rockwilder and Missy Elliott remixed this as a slower version that was used on the soundtrack to the movie Carmen.

Destiny's Child performed this at two Michael Jackson tribute concerts at Madison Square Garden in September, 2001.

In 2003, Soulwax created a comical mashup of this with Nirvana's "Smells Like Teen Spirit" called "Smells Like Booty." (thanks, Ekristheh - Halath)

Kelly Rowland told the Daily Mail January 4th 2008, "I'm so proud of everything that we did in Destiny's Child. In Destiny's Child, we showed that we could carry ourselves as powerful women, and there was more to us than just our bodies. Some people thought a song like 'Bootylicious' was about being sexy, but it was more about having confidence in your own skin."

This was not the first time the word "bootylicious" was used in the lyrics of a recorded song. Snoop Dogg rapped on "F--k Wit Dre Day," a track on Dr. Dre's debut 1992 album The Chronic: "Your bark was loud, but your bite wasn't vicious, and them rhymes you were kickin' were quite bootylicious."

The first use of the word "bootylicious" in the media was on the US TV show A Different World in 1993. "Bootylicious" was added to the revised, third edition of the Oxford English Dictionary Online in 2004. It defines the word as: "bootylicious adjective orig US 1. A term of commendation of rap lyrics. 1992-. 2. Very sexually attractive. 1994-. (Blend of booty buttocks and delicious.)" (thanks, Bertrand - Paris, France)

Beyoncé told the February 2013 edition of GQ magazine: "Even the silliest little thing that you hear on the radio, it comes from something deeper. 'Bootylicious' was funny, but it came from people saying that I had gained weight and me being like, 'I'm a southern woman, and this is how southern women are.' My motivation is always to express something or to heal from something or to laugh and rejoice about something."

The Yardbirds - For Your Love

The Yardbirds - For Your Love Lyrics and Youtube Music Videos

Album: For Your Love
Released: 1965

For Your Love Lyrics

For Your Love
For your love
I'd give you everything and more and that's for sure
(For your love)
I'd bring you diamond rings and things right to your door
(For your love)
To thrill you with delight,
I'd give you diamonds bright
Double takes I will excite,
Make you dream of me at night
For your love
For your love
For your love
For your love,
For your love
I would give the stars above
For your love,
For your love
I would give you all I could
(For your love)
(For your love)
I'd give the moon if it were mine to give
(For your love)
I'd give the stars and the sun for I live
(For your love)

Writer/s: GOULDMAN, GRAHAM
Publisher: Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

For Your Love Song Chart

This was written by Graham Gouldman, who was the bass player for the group 10cc. He also wrote "Heart Full Of Soul" for the Yardbirds. Gouldman was inspired by the Animals "The House Of The Rising Sun." Bassist Paul Samwell-Smith made wholesale changes to Gouldman's original demo, including the use of a harpsichord. Gouldman observed to Uncut magazine August 2009: "The harpsichord was an absolute stroke of genius. The record just had a weird, mysterious atmosphere about it."

The Yardbirds wrote many of their own songs as a group, but had some of their biggest hits with the ones Gouldman wrote. What did they think of Gouldman's songs? Yardbirds drummer Jim McCarty told us: "Well, they were always very original. Very interesting songs, very moody, because they were usually in a minor key, the ones we did, anyway. 'For Your Love' was an interesting song, it had an interesting chord sequence, very moody, very powerful. And the fact that it stopped in the middle and went into a different time signature, we liked that, that was interesting. Quite different, really, from all the bluesy stuff that we'd been playing up till then. But somehow we liked it. It was original and different."

The Yardbirds didn't have a lot of hits, but were one of the most influential and original bands of the '60, and an easy pick for the Rock and Roll Hall of Fame, which they entered in 1992. Having a hit song was important to them, however, and this song provided that. McCarty explains: "To try and get a hit song in those days was quite a difficult thing to do for us. We could come up with ideas, but our first hit song was very important for us. And with 'For Your Love' we heard it and had the demo of it and it sounded like a hit song to all of us. Yeah, there wasn't a problem doing that. It was the sort of thing that you relied on to get into that other echelon, to have a hit song. All our contemporaries were having hit songs: The Beatles and the Stones and the Moody Blues and Animals, they were all having Number 1 hits and we were really trying to keep up."

This almost didn't get recorded by The Yardbirds. Gouldman wrote it for his own group at the time, the Mockingbirds, but their demo was turned down by Columbia. Also it is believed that producer Mickie Most turned it down on behalf of Herman's Hermits and that the Animals also turned it down.

The song found its way to The Yardbirds after their manager ran into the fledgling songwriter Gouldman when they were opening for The Beatles at a 1964 Christmas show. Gouldman loved how The Yardbirds would change tempo in the middle of a song, which is how he wrote "For Your Love."

This song prompted Eric Clapton to leave The Yardbirds, since he felt their music was becoming too commercial. He was replaced by Jeff Beck, who was later replaced by Jimmy Page. Clapton joined John Mayall's Bluesbreakers and would later be a member of Cream and Derek and the Dominos. One of the contributing factors to Eric Clapton's departure was, while performing the song live, his having to recreate the song's harpsichord on a 12-string guitar. (thanks, James - Tracy, CA)

The harpsichord on this song was played by session musician Brian Auger, who later became a solo artist of note. His biggest hit was the Bob Dylan song "This Wheel's On Fire," which was credited to Julie Driscoll With Brian Auger And The Trinity. It later became the theme tune for the BBC comedy show Absolutely Fabulous.

The Yardbirds were known as a great live band, but the recording technology of 1965 limited their commercial potential, as the songs they wrote themselves didn't play well in a studio setting. McCarty told us how this song gave them a breakthrough: "All the stuff that we played live and we recorded in the studio, it just sounded really tame. The studios weren't so good then, they weren't really geared for playing rock and roll or blues music. And all the ideas that we'd had up to 'For Your Love' just sounded awful. And so 'For Your Love' was the song that would sound good anyway, because it was a much more commercial song."

On The Yardbirds official site, bass player Chris Dreja says of this: "We owe a lot to that song because it sort of pulled us out from national to international and set the template for us - that time change in the middle, the weirdness of it." (thanks, Bertrand - Paris, France)

This song appeared in the movies Fear And Loathing In Las Vegas (1998), Harimu Ogen (1985) and Deadly Advice (1994).

Fleetwood Mac recorded this for their 1973 album Mystery to Me and released it as a single.

The musical breakdown on this track is as follows:
Keith Relf - lead vocal
Eric Clapton - guitar
Chris Dreja - guitar
Paul Samwell-Smith - bass
Jim McCarty - drums

Non-Yardbirds brought in to play were:
Ron Prentiss - acoustic bass
Brian Auger - harpsichord
Denny Piercey - bongos

This song was covered by Greg Kihn in 1994. It was also used in the movies Fear and Loathing in Las Vegas (1998) and Pirate Radio (2009). (thanks, Charlie - Las Vegas, NV)

This was used in commercials for Zales jewelry. (thanks, Bertrand - Paris, France)

Faith No More - Land Of Sunshine

Faith No More - Land Of Sunshine Lyrics and Youtube Music Videos

Album: Angel Dust
Released: 1992

Land Of Sunshine Lyrics

Land Of Sunshine

In interviews, lead singer Mike Patton has said the lyrics came from fortune cookie messages he had collected and an entry exam to join the church of scientology.

k.d. lang - Miss Chatelaine

k.d. lang - Miss Chatelaine Youtube Music Videos and Lyrics

Album: Ingenue
Released: 1992

Miss Chatelaine Lyrics

Just a kiss just a kiss
I have lived just for this
I can't explain why I've become
Miss Chatelaine

Just a smile just a smile
Hold me captive just a while
I can't explain why I've become
Miss Chatelaine

Every time your eyes meet mine
Clouds of qualm
Burst into sunshine

Just a sigh just a sigh
Words my love just reply
I can't explain why I've become
Miss Chatelaine
Miss Chatelaine

Zing!!!

Just a smile just a smile
Hold me captive just a while
I can't explain why I've become
Miss Chatelaine

Every time your eyes meet mine
Clouds of qualm
Burst into sunshine

Just a kiss just a kiss
I have lived just for this
I can't explain why I've become
Miss Chatelaine

Miss Chatelaine
Miss Chatelaine
Miss Chatelaine
Miss Chatelaine

Writer/s: Mink, Benjamin / Lang, Kathryn Dawn
Publisher: Kobalt Music Publishing Ltd., Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

Miss Chatelaine

This single was the follow-up to the hit "Constant Craving" and it's chiefly remembered for its video, which was, along with its romantic lyrics, a satire of the long-running Lawrence Welk Show. Lang parodied her own androgynous image by appearing in a yellow ball gown with fringe and daisies in her hair while singing about falling in love amid violin music and bubbles floating on the set. Her fans were very amused and she continues to get requests for this song when she performs. (thanks, Michael - Santa Barbara, CA)

"Chatelaine" is borrowed from the Canadian women's magazine of the same name. The publication once chose Lang - a native of Edmonton, Alberta, Canada - as Woman of the Year.

Sublime - What I Got

Sublime - What I Got Lyrics and Youtube Music Videos

Album: Sublime
Released: 1996

What I Got Lyrics

Early in the morning, risin' to the street
Light me up that cigarette and I strap shoes on my feet
Got to find a reason, a reason things went wrong
Got to find a reason why my money's all gone
I got a dalmatian, and I can still get high
I can play the guitar like a motherfucking riot

Well, life is too short, so love the one you got
'Cause you might get run over or you might get shot
Never start static I just get it off my chest
Never had to battle with no bulletproof vest
Take a small example, take a tip from me
Take all of your money, give it all to charity

Love is What I Got
Within my reach
And the Sublime style's still straight from Long Beach
It all comes back to you, you'll finally get what you deserve
Try and test that you're bound to get served

Love's what I got
Don't start a riot
You'll feel it when the dance gets hot

Lovin', is what I got, I said remember that
Lovin', is what I got, I said remember that

(That's) why I don't cry when my dog runs away
I don't get angry at the bills I have to pay
I don't get angry when my Mom smokes pot
Hits the bottle and goes right to the rock
Fuckin' and fightin', it's all the same
Livin' with Louie dog's the only way to stay sane
Let the lovin', let the lovin' come back to me

Lovin', is what I got, I said remember that
Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that
Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that
Lovin', is what I got, I said remember that

Lovin', is what I got, I said remember that
Lovin', is what I got, I got I got I got I got

Writer/s: NOWELL, BRADLEY JAMES / ROBERTS, LINDON ANDREW
Publisher: Universal Music Publishing Group
Lyrics licensed and provided by LyricFind

What I Got

A band composition with lyrics by lead singer Brad Nowell, this song is an anthem for the spiritually free but financially downtrodden. Nowell finds himself getting up in the morning, smoking his special cigarette, and wondering how he ended up broke. Then things start to look up as he reframes his life and sees all the good things about it: he has a dog, he can get high, and he's never gone to war. Instead of focusing on what he doesn't have (money) he sees what he does have (love), and realizes that's all he needs if he can keep a good attitude and not let problems bring him down. The song became far more poignant when Nowell died of a drug overdose on May 25, 1996.

Many elements of this song, including the "Loving, is what I got" chorus, are based on a 1986 song called "Loving" by the Jamaican dancehall singer Half Pint (which can be found on the Skunk Records release of his album Recollection). At first, Sublime didn't share the love - Half Pint got no credit on "What I Got" when the song was released. Once the song took off, however, Half Pint was listed as a co-writer and awarded the subsequent royalties. It ended up all good; Sublime bass player Eric Wilson explained in his Songfacts interview : "Half Pint wanted to get paid for it, so then we got a relationship through that, and when we did the Dub Allstars, Half Pint went on the road with us for a summer, and I got to know him really well and play with him every day. That was a blessing in itself."

This song is key to Sublime's success - the first one all but their earliest fans heard. It has a strange an convoluted recording and release history, spanning two producers and two labels.

The first version of the song was released in America as a 12" single in 1996 on Sublime's independent label, Skunk Records. It's likely that this single was issued before Nowell died. When the band signed to MCA Records, two versions were included on their self-titled label debut album, which was released two months after Nowell's passing: one produced by David Kahne, and a "reprise" produced by Paul Leary. MCA sent these two versions, along with their "clean" edits to radio stations, many of which put the song in rotation (usually the Kahne version). In October, the song made #29 on the Billboard Airplay chart. MCA didn't release Sublime singles for sale, but kept sending them to radio stations: "Santeria" (#43, April 1997), "Wrong Way" (#47, August 1997), "Doin' Time" (#87, January 1998). Securing airplay for an unknown band without a living lead singer was no small feat, especially since radio stations often expected acts to make station appearances and play listener showcases in exchange for airplay.

The album became one of the best sellers of 1997, with over 5 million copies sold. Many fans had no idea that their lead singer had died - Brad Nowell's father Jim recalls getting lots of fanmail for his son around this time.

Sublimes back catalog also started selling, with their first album, originally released in 1992, going Platinum. The remaining members of Sublime formed the Long Beach Dub Allstars, which later morphed into Sublime With Rome when they took on lead singer Rome Ramirez.

After Brad Nowell sings, "I can play the guitar like a motherf--king riot," instead of gnarly guitar section, a mellow acoustic solo follows. This is a sly bit of humor on the part of the band.

Nowell didn't even play the solo; it was performed by their guitarist Michael "Miguel" Happoldt, who produced the demo. In the "reprise" version, producer Paul Leary, who is a founding member of the Butthole Surfers, played the electric guitar solo.

The radio edits were labeled "very clean radio version" on the promotional CDs, since the explicit versions contain some very clear F-bombs. In the most-played edit, Brad Nowell plays the guitar "like a mother... riot."

There's a widely disputed "lyric" at the beginning of the original version of this song that exists in the commercially released versions but is toned down, possibly for copyright issues. Before the music starts, someone says what sounds like "F--k you Kenny." This is in fact a sample from Richard Pryor's standup comedy album That Nigger's Crazy, track name "Have your ass home by 11" where he says, imitating a girl who wouldn't sleep with him, "I don't want to f--k you, you can't even sing!" Pryor was talking about how musicians had a hard time picking up women in his day because there were Doo-Wop groups on every corner. (thanks, Matt Maguire - Watertown, MA)

According to the band's guitarist Michael Happoldt, it's the drum loop that makes this song so popular. "It sounds so dope that when people hear it, they just want to get up and jump around," he told Billboard. "And Brad's voice is like from another planet."

In the UK, the "Super No Mofo Edit" (produced by David Kahne) was released as a single, charting at #71 in 1997.

A music video was pieced together after the death of Brad Nowell from photos and existing footage of the singer. It won the MTV Video Music Award for Best Alternative Video in 1997. At the ceremony, Sublime bassist Eric Wilson and drummer Bud Gaugh were pretty drunk by the time they were announced, and Wilson yelled "Lynyrd Skynyrd!" when he got to the mic.

Wilson and Gaugh later explained that they figured they wouldn't win, so they decided to celebrate the nomination by splitting a bottle of tequila before the show.

Blues Traveler started covering this in 2011 and released their version on their 2012 collection Blues Traveler: 25. Their guitarist Chan Kinchla told us: "We actually played a show with a band, Rebelution, who are managed by and related to some of the people that were in Sublime. They always loved the track, and that was kind of in the air, and they were like, 'You should record that and release it.' Because we did the best cover of it. Mainly because we didn't really try and copy their cover, we did our own version, which I think is why they liked it."

Chan adds that the song suited the band, especially their lead singer John Popper: "John's great at that kind of quick vocal scan anyway. And when you release a new record, you always want to put a few new things on it, and it just came together."